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MULTICULTURAL & WORLD MUSIC
t Tongo (Polynesian Folk Song)—arr. Greg Gilpin.
This traditional canoe song from Polynesia sounds
very impressive with hand claps and percussion
instruments adding to the choral texture. The
echoing voice parts suggest people communicating
from canoe to canoe as they travel between islands.
The Polynesian text is simple, and a pronunciation
guide is included. A refreshing change of pace in
the multicultural category, this popular piece is now
available for SAB. Highly recommended!
10752388 SAB. . . . . . . . . . . . . . . . . . . 2.00
10515746 Two-Part . . . . . . . . . . . . . . . 1.90
10514270 TB . . . . . . . . . . . . . . . . . . . . 1.90
H
Tres Canciones de Los Elementos (Three
Songs About the Elements)—Victor C. Johnson.
Wind, rain and fire are colorfully portrayed in this
marvelous set of contrasting short pieces. Each is
artfully crafted and infused with vivid imagery! A
Spanish pronunciation guide is included, as well as
optional English lyrics. This is a fabulous "creative
programming" choice. Highly recommended!
10190900 Three-Part Mixed . . . . . . . . . 2.10
10068307 Two-Part . . . . . . . . . . . . . . . 2.10
10068312 P/A CD . . . . . . . . . . . . . . . 26.95
H Tres Cantos Nativos—arr. Marcos Leite. This
exciting work is freely based on three melodies sung
by the Kurao tribe - a group of native Brazilian indians
living in the forests of northern Brazil. Percussive
rhythms and vocal layers are enhanced with live
percussion instruments and effective hand claps to
bring unique musical colors to your concert hall. A
popular choice for festivals and all-state choirs.
5539655 SATB . . . . . . . . . . . . . . . . . . 1.80
lt Tres Nanas Cantabras—Javier Busto. Taken
from the historic autonomous Spanish community
of Cantabria, these three beautiful and very popular
melodies are set for SATB a cappella choirs
in Spanish. In the first lullaby, El mi nino tiene
sueno, the child is being put to bed, while the
second lullaby, Duermete, que viene preguntando,
represents the child being warned that the
boogeyman is coming. In the third and final lullaby,
El mi nino se ha dormido, the child finally drifts off
to sleep.
10833196 SATB . . . . . . . . . . . . . . . . . . 2.25
Ht Tshotsholoza (Go Forward)—arr. Jeffery L.
Ames. Now available for mixed or men's voices,
this rousing arrangement of the popular African
freedom song has become a standard in the choral
repertoire. With call-and-response vocals, African
text, and rhythmic percussion accompaniment, it
transports the listener to South Africa, where the
song is often referred to as the "unofficial anthem"
of the country. It was used in the soundtrack of
the Oscar-nominated movie "Invictus," and served
as South Africa's "battle call" at the 2010 World
Cup. This is essential multicultural programming!
Highly recommended!
10276407 SATB . . . . . . . . . . . . . . . . . . 2.45
3304220 TTBB . . . . . . . . . . . . . . . . . . 2.75
4L Tuba—arr. Michael Barrett. This South African
t song is believed to have originated during the difficult
Apartheid years and performed as a peaceful protest
song. Tuba is translated as "a dove," and the call
and response texture makes reference to the story
of Noah and the dove that brought an olive branch
after the great flood to signify that the worst is over.
The baritone soloist presents the initial melody while
the choir builds the harmonic structure in rhythmic
excitement. Improvised percussion and vocal
ululation are encouraged!
10882560 SATB . . . . . . . . . . . . . . . . . . 2.60
10882560L SATB Large Print . . . . . . . . . 3.60
10882562 TTBB . . . . . . . . . . . . . . . . . . 2.60
10882562L TTBB Large Print . . . . . . . . . 3.60
4L Tue Tue—arr. Brian Hiller & Don Dupont. This
exciting, rhythmically driven arrangement of a
traditional Ghanaian folk song features lots of
unison singing with simple harmony as well as
ostinato and canon, perfect for developing choirs.
Maracas, claves, bongos, and conga join the
piano in providing a supportive accompaniment for
singers, as well as a whole lot of fun! Pronunciation
guide is available from publisher.
10882919 Three-Part Treble . . . . . . . . . . .2.10
10882919L Three-Part Treble Large Print . .2.10
10882911 P/A CD-Two Part Ap Pack . . .44.95
Tue, Tue (Ghanaian Folk Song)—arr. Ruth
Morris Gray. Vocal ostinatos join one by one in
the opening of this rhythmic arrangement of an
authentic Ghanaian folk song. Unison lines, block
triads, and a reset of the dynamics in the choral
bridge are a blast. Repeated sections make for
quick learning and easy memorization. Plenty of
teaching moments here, along with a nice pulse
and groove that choirs will enjoy. A pronunciation
guide is included, and choreography is available on
the When We Sing! DVD.
10752447 SAB. . . . . . . . . . . . . . . . . . . 1.90
10752448 Two-Part . . . . . . . . . . . . . . . 1.90
10752449 SSA . . . . . . . . . . . . . . . . . . . 1.90
10752450 TBB . . . . . . . . . . . . . . . . . . . 1.90
10752451 P/A CD . . . . . . . . . . . . . . . 27.99
10778379 DVD-When We Sing! . . . . . 39.99
4
Tumbalalaika—arr. Audrey Snyder. The title of
this Yiddish folk song informs us that a Balalaika will
at least be inferred in the music. This wonderfully
authentic arrangement does just that. It also
includes a clarinet obligato (included in the back of
the octavo) which is a tip of the hat to the Klezmer
band. A Yiddish phonetic and English text are
provided in the music allowing you to perform this
work in any combination of Yiddish or English.
10843662 Three-Part Mixed . . . . . . . . . 2.25
10843664 Two-Part . . . . . . . . . . . . . . . 2.25
10910244 Teaching P/A CD . . . . . . . . 26.99
L
Tumefurahi (We Rejoice!)—Dave Perry & Jean
Perry. Rejoicing abounds in this multi-cultural
selection! The Swahili refrain is easy to learn and
the English stanzas provide a good balance to the
primary melody. African drums and hand claps
add to the infectious, joyful rhythm. Advanced
choirs will enjoy adding the optional descant for an
exciting finish!
10602972 Two-Part . . . . . . . . . . . . . . . 2.25
10602972L Two-Part Large Print . . . . . . 2.25
t
Tumekuja Kuimba (We Have Come to
Sing!)—Lynn Zettlemoyer. This vibrant,
percussive original a cappella work uses both
Swahili and English text to create a dynamic
multicultural feature that works great as an opener
or processional. The theme of "coming together
to sing" allows for a wealth of programming
opportunities. The piece is filled with musical
learning using language, rhythm, independent
singing and harmonic expression. A very cool riff,
lots of repetition and simple ranges make it a joy to
rehearse and perform! Now available in three-part
mixed and two-part. Highly recommended!
10559026 SATB . . . . . . . . . . . . . . . . . . 2.10
10868791 Three-Part Mixed . . . . . . . . . 2.10
10868797 Two-Part . . . . . . . . . . . . . . . 2.10
Turn the World Around—arr. Mark Hayes. Harry
Belafonte cowrote and recorded this feel-good
Jamaican-style piece which is based on the idea that
humanity is derived from the three basic elements:
fire, water and earth. Set in simple 5/4 meter, it's
catchy and fun, especially for younger choirs!
10511031 SATB . . . . . . . . . . . . . . . . . . 2.50
10511033 SAB. . . . . . . . . . . . . . . . . . . 2.50
10511034 Two-Part . . . . . . . . . . . . . . . 2.50
10511036 P/A CD . . . . . . . . . . . . . . . 26.99
10511038E Instrumental Parts ePrint. . . 25.00
t
Tutakwenda (We Will Go)—Will Lopes. Here is
an original celebratory piece in Swahili based on
Romans 8:31, carrying the message that we can
move forward in life because we know that God is
on our side. With solid harmonies, a steady groove,
optional choreography and percussion, this piece
will enhance programs in school, community and
church settings.
10683531 SATB . . . . . . . . . . . . . . . . . . 2.10
10683530 Two-Part . . . . . . . . . . . . . . . 2.10
t Twa Tanbou—Louis M. Celestin & Sydney
Guillaume. Fasten your seatbelts for this
showstopper! From Haiti, this piece is an excellent
festival selection for good high school choirs and
beyond. It tells a tale about three drums in playful
competition. The rhythms are handled with
ease, repeated patterns help quick learning, and
there is a complete pronunciation guide for the
Haitian language.
10046177 SATB . . . . . . . . . . . . . . . . . . 3.30
Tzena, Tzena, Tzena, Tzena—Issachar Miron/
arr. Henry Leck. Made popular by the folk group The
Weavers in the late 1940s, this dance-like song will
add life and color to your concert. Easily learned
with layered vocal parts and body percussion,
this arrangement is well suited for treble choirs.
Includes translation and pronunciation guide for the
Hebrew text.
10717625 Three-Part Treble . . . . . . . . . 2.25
Usiku Mwema (Goodnight)—Christian "Ceej"
Oliver. This original African lullaby has plenty
of rhythmic interest along with a text in Swahili
that your choir will really enjoy singing. While
the percussion is optional, it will add another
dimension to your performance. The rhythmic
title phrase "usiku mwema" is a terrific hook
throughout the piece!
10735265 Three-Part Mixed . . . . . . . . . 2.25
10501208 Two-Part or Three-Part . . . . . 2.50
Vidalita—Diana Saez. This lovely arrangement for
SA voices with piano or optional guitar is a simple
setting of a northern Argentinian folk melody. With
a Spanish text, haunting melody and Spanish
feel, this is the perfect choice for an advanced
elementary or developing SA ensemble. Translation
and pronunciation guide are provided.
10692817 Two-Part . . . . . . . . . . . . . . . 2.10
Ht Viva La Musica!—David Brunner. Viva La Musica!
is a wonderful theme for any concert. This
exuberant work opens with a strong, bold, unison
exclamation, vividly expressing the text and
musical idea.
10345063 SATB . . . . . . . . . . . . . . . . . . 2.10
10495645 SSAA. . . . . . . . . . . . . . . . . . 2.10
lL Vostre Tres Doulx Regart—Matthew D. Oltman.
t This French chanson by fifteenth century composer
Gilles Binchois is edited here by Matthew D. Oltman
of Chanticleer fame. This modern edition with
translation highlights the interplay and contrasting
textures between male and female voices. Great
for a spring concert.
10873707 SATB . . . . . . . . . . . . . . . . . . 2.15
10873707L SATB Large Print . . . . . . . . . 2.15
t
Vuelie—Christophe Beck & Frode Fjellheim.
Inspired by the traditional Sami joik, this
arrangement, as sung by Cantus in the Disney movie
"Frozen," is a winner. Perfect for a pops concert or a
concert looking for a special multicultural addition. A
pronunciation guide is provided.
10542729 SSAA. . . . . . . . . . . . . . . . . . 2.15
Ht Wana Baraka—arr. Shawn L. Kirchner. This
upbeat Kenyan folk song is a popular choice for
concert and festival choirs. The arrangement builds
with great excitement, leading to an extensive
rhythmic play on the word "alleluya."
3298859 SSATBB . . . . . . . . . . . . . . . . 2.20
3303468 SSA . . . . . . . . . . . . . . . . . . . 2.05
10054840 TTBB . . . . . . . . . . . . . . . . . . 2.10
Ht Wangol—Sten Kallman. Your students will like
this! It's a popular folk song from Haiti about a
country in change. Wangol is a voodoo spirit and
he is addressed in the song: "Wangol, you are
leaving. When will I see you again? The country
is changing." The words express the hope of the
Haitian people for change and a brighter future for
their country, while the music is easy to sing, with
a great groove and style, complete with rhythmic
percussion and pronunciation guide.
10356999 SATB . . . . . . . . . . . . . . . . . . 2.55
H We Will—Jim Papoulis. Each time "chiku ah"
(chikoo ah) is sung it should be in a whispered
voice, with intensity. "Si mama, wototo" (stand
tall, children) is the response in Swahili. This
compelling piece uses both English and Swahili to
send the message that we must send the best part
of ourselves into the future through our children.
"We'll move on, we'll grow stronger, we will sing
another song, we will dream of a promise that will
bring a brighter day..."
10024347 Two-Part or SA. . . . . . . . . . . 2.15
lL Who Can Sail Without the Wind?—arr. Mary
Donnelly & George L.O. Strid. "Who can sail
without the wind? Who can sail without oars?
Who can leave a parting friend without shedding
tears?" Beginning in Swedish and unison voices,
followed by English verses of harmonically-driven
part singing, this traditional Swedish folk song
speaks of enduring relationships and lifelong bonds
of friendship. Phonetic pronunciation provided.
10843354 Two-Part or SA. . . . . . . . . . . 2.10
10843354L Two-Part Large Print . . . . . . 2.10
10882911 P/A CD-Two Part Ap Pack . 44.95
t
Yemaya—arr. Diana Saez. The chant melody
employed in this work was brought to America
from West Africa via Cuba. Pedal tones in the bass
support the melodic chant and create a meditative
mood. Notated body percussion and clapping enter
midway through the piece, adding a new texture.
Divisi throughout in all voices but very accessible
ranges and rhythm patterns make this a very exciting
and accessible multicultural work. Pronunciation
guide is provided, and a translation of the text is
alluded to in the notes. Highly recommended!
10734959 SATB Divisi . . . . . . . . . . . . . 2.25
H Yo le Canto Todo el Dia (I Sing to You All Day
Long)—David L. Brunner. If you're looking for
something different in a "music" song, consider this
original inspired by the native music of Venezuela.
Full of infectious rhythms and playful melodies,
with some very effective hand claps, it conveys a
positive message through charming Spanish lyrics
which are great fun to sing.
3197829 SATB . . . . . . . . . . . . . . . . . . 2.50
3092178 SA . . . . . . . . . . . . . . . . . . . . 2.15
10309011 TTB . . . . . . . . . . . . . . . . . . . 2.25
Ht Yonder Come Day—arr. Judith Cook Tucker.
Based on a traditional Georgia Sea Islands spiritual,
with a rhythmic speech section, this is very
effective in performance, especially with optional
audience participation!
5234422 SSA . . . . . . . . . . . . . . . . . . . 1.95
Yundah (Hebridean Chant)—Audrey Snyder.
Young singers can discover the sights and sounds
of the Scottish Hebrides and an ancient chant sung
by the people of that remote location. This setting
includes original music that frames the chant
and creates an atmosphere of imagination and
adventure. With Irish flute or any other C instrument.
10689282 Three-Part Mixed . . . . . . . . . 2.25
10689288 Two-Part . . . . . . . . . . . . . . . 2.25
10704216 Teaching P/A CD . . . . . . . . 26.99
H
Zum Gali Gali—arr. Dan Schwartz. A great way
to introduce your young choir to part singing, this
is an exceptionally entertaining arrangement of the
beloved Israeli folk song! Your students will have
a blast singing the Zum, zum, zum, zum phrases,
and the Hebrew verses are also shown in English
in the score. This is a very strong choice for any
performance occasion.
3072394 Two-Part . . . . . . . . . . . . . . . 2.05
3072402 P/A CD . . . . . . . . . . . . . . . 27.99
4L Zum Gali Gali—arr. Victor C. Johnson. When
t developing choirs delve into this fresh a cappella
setting of the Israeli folk song, they can be
assured of enjoying a successful rehearsal and
performance experience! The only accompanying
instruments are hand drums and finger cymbals,
which add authentic flavor and texture. Fun to sing
and perform! A helpful Learning Resource Page is
included for connection to the National standards.
10906228 Three-Part Mixed . . . . . . . . . 2.10
10906228L Three-Part Mixed
Large Print . . . . . . . . . . . . . . 2.10
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