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the best new
CONCERT & FESTIVAL
Ubi Caritas
James Syler.
A beloved ancient hymn text that conveys the message, "Where charity is found,
God is there." This new a cappella setting is a welcome addition to the choral
repertory, offering modest vocal ranges and very satisfying, more readily achieved
stacked harmonies. A good selection for well-balanced choirs of any size.
10876851 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.95
10873701 SSAA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.95
10873701L SSAA Large Print . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.95
Ubi Caritas
Victor C. Johnson.
A beautiful, tender setting of the traditional Latin text that features delicate
melodic lines and a fluid accompaniment. The contrasting middle section
provides interest and movement, and the echoed phrases, independent vocal
lines, and limited ranges allow for it to be easily mastered for concert or
festival. A pronunciation guide and translation are included.
10846386 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.25
10846386L SATB Large Print . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.25
10512921 Three-Part Mixed . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.25
10512922 Two-Part . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.95
10512923 P/A CD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27.95
Unclouded Day
arr. Shawn Kirchner.
First written as the bright, opening movement of
Heavenly Home: Three
American Songs, this enduring gospel favorite is set with a straightforward
first verse and chorus. The next two verses combine traditional bluegrass vocal
style with counterpoint and fugue, resulting in a crescendo of excitement in
roof-raising fashion as the choir sings "in the city that is made of gold."
Now available for tenor/bass voicing.
10309004 SSAATTBB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.50
10910968 TTBB divisi. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.25
Until All of Us are Free
Mark Burrows.
Inspired writing and captivating choral textures carry the urgency and timely
truth of a quote by Emma Lazarus. A rhythmically charged setting for medium
or large sized ensembles with some divisi in all parts. "Until all of us are free,
we are none of us free."
10882921 SSAATTBB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.25
10882921L SSAATTBB Large Print . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.25
The Voice That I Hear
Jim Papoulis.
Young people often know how to speak to the heart of matters more clearly
than adults. Here, in the words of seventh graders, we hear that we all have
voices singing to us, inspiring us and leading us to evolve. We learn that our
own individual voices are important, make us creative, make us unique, and
deserve to be celebrated. The music is vintage Papoulis in rhythmic elements
and world style, and is accessible for younger voices.
10910969 SA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.25
Wake, Awake!
Lynn Zettlemoyer.
Bright syncopations and catchy melodies are paired with hopeful lyrics that
celebrate the positive power of music and song in a festive concert work for
developing mixed voices. Independent melodies are layered in the middle
section creating an accessible partner song format, while the limited ranges
and ample unison lines make it a snap to learn for middle school choirs.
An exciting concert or festival opener!
10906218 Three-Part Mixed . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.25
10906218L Three-Part Mixed Large Print . . . . . . . . . . . . . . . . . . . . . . . 2.25
10906220 P/A CD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27.95
Tuba Mirum
Mark Burrows.
Rhythmic and syncopated, with a powerful piano accompaniment, this
original portrayal of traditional Latin text from the "Requiem Mass" is
exciting and dramatic. Set in a driving minor mode, with modern vocal
elements and rhythms, this dynamic concert work will be a hit with your choir.
A pronunciation guide and translation are included for the Latin text.
10906215 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.35
10906215L SATB Large Print . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.35
10906216 SSA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.35
10906216L SSA Large Print . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.35
10906217 TTB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.35
10906217L TTB Large Print . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.35
Tue Tue
arr. Brian Hiller & Don Dupont.
This exciting, rhythmically driven arrangement of a traditional Ghanaian folk
song features lots of unison singing with simple harmony as well as ostinato
and canon, perfect for developing choirs. Maracas, claves, bongos, and conga
join the piano in providing a supportive accompaniment for singers, as well as a
whole lot of fun! Pronunciation guide is available from publisher.
10882919 Three-Part Treble . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.10
10882919L Three-Part Treble Large Print . . . . . . . . . . . . . . . . . . . . . . . 2.10
10882911 P/A CD-Two Part Ap Pack . . . . . . . . . . . . . . . . . . . . . . . . 44.95
Tumbalalaika
arr. Audrey Snyder.
The title of this Yiddish folk song informs us that a Balalaika will at least be
inferred in the music. This wonderfully authentic arrangement does just that.
It also includes a clarinet obligato (included in the back of the octavo) which is
a tip of the hat to the Klezmer band. A Yiddish phonetic and English text are
provided in the music allowing you to perform this work in any combination of
Yiddish or English.
10843662 Three-Part Mixed . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.25
10843664 Two-Part . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.25
10910244 Teaching P/A CD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26.99
Tumekuja Kuimba
We Have Come to Sing!
Lynn Zettlemoyer.
This vibrant, percussive original a cappella work uses both Swahili and English
text to create a dynamic multicultural feature that works great as an opener
or processional. The theme of "coming together to sing" allows for a wealth
of programming opportunities. The piece is filled with musical learning using
language, rhythm, independent singing and harmonic expression. A very cool
riff, lots of repetition and simple ranges make it a joy to rehearse and perform!
Now available in three-part mixed and two-part. Highly recommended!
10559026 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.10
10868791 Three-Part Mixed . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.10
10868797 Two-Part . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.10
Two Irish Blessings
Glenda Franklin.
These two a cappella settings of traditional blessings from Ireland will
warm your heart. The straightforward chorale-style rendering, with its lovely
harmonies, puts the focus clearly on the text, while allowing for artistic liberty
with tempo and dynamics. Sung separately or as a set, these make a fitting
end or encore to any performance. Very nice!
10875736 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.05
10875736L SATB Large Print . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.05
Ubi Caritas
Hojun Lee.
Long flowing melodic lines with lush wonderful harmonies above a flowing
arpeggiated piano or harp with flute. Translation and flute part are included in
the octavo. An absolutely stunning arrangement for treble voices!
10875684 SSAA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.95
