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H Sing, Sing, Sing—Louie Prima/arr. Victor Lopez.
Yep, this is the Sing, Sing, Sing you know and
love, made famous by Gene Krupa and the Benny
Goodman Orchestra, only arranged for young
players by Victor Lopez. The classic drum solo
that can be opened up for as much excitement
as the crowd can stand, along with a written-out
tenor solo, reasonable brass ranges and lots of
meaty ensembles keep this great chart exciting. It
will also sound full with reduced instrumentation
or with the optional, non-jazz band parts. It's still
a showstopper! Highly recommended!
2702806 Jazz Ensemble . . . . . . . . . . . . . 48.00
4 What Is This Thing Called Love?—Cole
Porter/arr. Paul Baker. First of all, it's Cole Porter,
and secondly it's Paul Baker! This swinger on the
great Cole Porter standard features outstanding
sectional interplay. Every section has solis,
especially the saxes, and there are great tutti
passages for the entire ensemble. Add written
or ad lib solos for trumpet and tenor, a tempo
around 160 bpm, and you have an exceptional
chart. Our highest recommendation!
10867424 Jazz Ensemble . . . . . . . . . . . . . 48.00
You'd Be So Nice to Come Home To—Cole
Porter/arr. Paul Baker. Ah, yes, Cole Porter!
Paul Baker has created a quality chart on this
wonderful jazz standard from the Great American
Songbook. It's a crafty swinger at around 168
bpm featuring appealing sections for the full
ensemble, written or improvised solos for alto
and trumpet, a great saxophone soli, and a very
hip interlude that builds right to the end. The lead
trumpet range is to written F-sharp and additional
parts are included for optional expanded
instrumentations. Quality writing in a fine chart
that's highly recommended!
10756378 Jazz Ensemble . . . . . . . . . . . . . 48.00
medium
4 America, the Beautiful—Samuel A. Ward/
arr. Chris Sharp. Here is the familiar America,
the Beautiful reimagined as an energetic shuffle.
An a cappella sax soli chorale introduction gives
way to a driving shuffle that continues for the
remainder of the chart. Harmon-muted trumpets
provide extra color in spots. The ranges and
rhythmic responsibilities are moderate, and
there's written or improvised solo space for tenor
sax. This arrangement is appropriate for civic
events, patriotic celebrations or as an interesting
change-up for festival/adjudication program. This
one is really nice!
10910610 Jazz Ensemble . . . . . . . . . . . . . 55.00
Bernie's Tune—Bernie Miller/arr. Dave Wolpe.
This swinger features tenor sax 1 and muted
trumpet 2 and is arranged by one of the best,
Dave Wolpe. Featured are excellent written-out
solos for both horns, a superb shout chorus, and
a lead trumpet range hitting a written high B above
the staff. This great chart also features optional
parts for expanded instrumentations. You'll want
this outstanding chart! Highly recommended!
10355576 Jazz Ensemble . . . . . . . . . . . . . 52.00
H Better Get Hit in Your Soul (Better Get It
in Your Soul)—Charles Mingus/arr. Andrew
Homzy. Written in a fast 3/4, this gospel-inspired
burner is as fun to play as it is to listen to. There's
great interplay between sections of the band as
layers of sound move in and out. Also included
are hand claps and some "play any note you
want" opportunities to really liven things up. The
flexible solo section allows you to customize this
to fit the strengths of your band. Also included are
optional parts for flute, clarinet and French horn.
Highly recommended!
10034434 Jazz Ensemble . . . . . . . . . . . . . 55.00
The Big Beat—Gregory Yasinitsky. As the title
suggests, this is a swinger with hints of classic Gene
Krupa drum patterns. The tempo is around 200 bpm,
there's lots of action for the trombones, written or ad
lib solos for trumpet, tenor, trombone, and drums,
and a huge shout chorus. Add great dynamics,
well-notated rhythm section parts, and options for
augmented instrumentations and you have a chart
that really delivers. Highly recommended!
10756390 Jazz Ensemble . . . . . . . . . . . . . 52.00
25
BLUES & SWING
NEW!
THE JAZZ COMBO
LIBRARY!
Here's an opportunity for players to learn some wonderful tunes and to
experience the small group environment! Featuring arrangements of classic
tunes and jazz standards, these are more than just "head charts."
They also include background figures, ensemble soli sections and featured
soloists. They are flexibly scored for 4 horns plus rhythm section and the online
recordings include separate rhythm section only tracks for rehearsal and practice.
Con Alma—Dizzy Gillespie/arr. Michael Philip Mossman. This wonderful Dizzy Gillespie
jazz standard is flexibly scored here for four-part horns with rhythm section and features an
Afro-Cuban style using even 8ths and a moderate tempo. More than just a head chart, it also
includes background figures and ensemble soli sections. Chord changes are included in all the
parts for solo opportunities and online recordings from the publisher include rhythm-section-only
tracks for practice. Great for additional rehearsals and casual performances!
10931682 Combo with Online Audio Access (4 Horns & Rhythm Section) . . . . . M 40.00
Have You Met Miss Jones?—Richard Rodgers/arr. Michael Mossman. This Richard
Rodgers tune has been recorded by countless jazz artists over the years. Now small groups
comprising four horns and rhythm section can learn and perform this iconic standard in a flexibly
scored format. Chord symbols are included in all parts for solos, and rhythm-section-only tracks
are available online from the publisher. For the rhythm section, chord symbols, piano voicings
and bass lines are included. Simply a great idea!
10909038 Combo with Online Audio Access (4 Horns & Rhythm Section) . . . . . M 40.00
Jordu—Duke Jordon/arr. Michael Mossman. Over the years, Jordu has become one
of the most performed jazz standards. Now groups with four horns and rhythm section can
rehearse and play it with this flexibly scored arrangement. Solos are available for anyone, with
chord symbols in all parts, and rhythm-section-only tracks are available online from the publish-
er. The rhythm section parts include bass lines and piano voicings offering ideas as to what to
play. Highly recommended!
10909036 Combo with Online Audio Access (4 Horns & Rhythm Section) . . . . . M 40.00
St. Thomas—Sonny Rollins/arr. Mark Taylor. Sonny Rollins' Latin jazz masterpiece is
flexibly scored here for four-part horns and rhythm section and remains true to the original style.
Chord changes are included in all the parts for solo opportunities and online recordings from the
publisher include rhythm-section-only tracks for practice. Additionally, the rhythm section parts
include bass lines, piano voicings and chord symbols. Great for additional rehearsals and casual
performances!
10909028 Combo with Online Audio Access (4 Horns & Rhythm Section) . . . . . M 40.00
Tenor Madness—Sonny Rollins/arr. Mark Taylor. Perhaps the most familiar Sonny
Rollins tune is flexibly scored here for four-part horns and rhythm section. Offering additional
opportunities for soloing, chord changes are included in all the parts with online rhythm section
only tracks available from the publisher. The rhythm section parts include piano voicings and
bass lines along with chord symbols. A great introduction to this great Rollins tune!
10909030 Combo with Online Audio Access (4 Horns & Rhythm Section) . . . . . M 40.00
