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4 The Voice That I Hear—Jim Papoulis. Young
people often know how to speak to the heart of
matters more clearly than adults. Here, in the
words of seventh graders, we hear that we all
have voices singing to us, inspiring us and leading
us to evolve. We learn that our own individual
voices are important, make us creative, make us
unique, and deserve to be celebrated. The music
is vintage Papoulis in rhythmic elements and
world style, and is accessible for younger voices.
10910969 SA. . . . . . . . . . . . . . . . . . . . . . . .2.25
lLWalk in Jerusalem Just-a Like John—arr.
e Robert W. Thygerson. This energetic rendition
of a classic spiritual for developing mixed choirs
is loaded with rhythmic and melodic flair. The
short dialogue between the high and low voices
adds an extra level of anticipatory excitement to
the song's conclusion. Plenty of educational and
musical value, and lots of fun to sing!
10953820 Three-Part Mixed . . . . . . . . . . . .2.10
10953820L Three-Part Mixed Large Print . .2.10
l Walk with Me Lord—Rosephanye Powell.
You have to hear it to believe it. The National
AGO commissioned this beloved spiritual to
be arranged with organ accompaniment. Who
else but Rosephanye Powell understands both
mediums well enough to make them merge into
such a pleasing and powerful expression? Church
choirs will find it most appealing, but schools with
access to organ will also enjoy it. Easy to medium
in difficulty.
10955799 SATB . . . . . . . . . . . . . . . . . . . . .2.15
l We Pray to Be at Peace from "Missa Gaia"
—Libby Larsen. We Pray to Be at Peace is move-
ment II of the work, "Missa Gaia," by composer
Libby Larsen. Marked "II. Kyrie: Mother, Sister,
Blessed, Honored" in the score, this gentle and
lyrical two-minute piece is a prayer for humility
and awareness. The form and spirit of the "Missa
Gaia" is the traditional Mass combining words that
speak of human beings' relationship to the Earth.
The texts are drawn from the Bible, from Native
American poets Joy Harjo and Maurice Kenny,
from medieval mystic Meister Eckhart, from the
Chinook Psalter, and from poets M. K. Dean,
Wendell Berry, and Gerard Manley Hopkins.
10953601 SSA . . . . . . . . . . . . . . . . . . . . . .2.05
Le We Sing a Jubilant Song—Joseph M. Martin.
"We sing out a jubilant song. Our spirits are free."
The soaring vocals are within reach of large and
small choirs, and a dazzling piano part enlivens
the musical landscape throughout its pages. The
joy of singing is well represented in this accessible
original piece that is sure to inspire your choir and
become one of their favorites.
10684781 Three-Part Mixed . . . . . . . . . . . .1.95
10953828 Two-Part . . . . . . . . . . . . . . . . . .1.95
10953828L Two-Part Large Print . . . . . . . . .1.95
e We Won't Stop Dreaming—Pinkzebra. This
beautiful and inspiring song is about finding
yourself at an important moment of your life and
taking action that will allow you to fulfill your
dreams. Soft, poignant verses lead to triumphant
choruses full of yearning and emotion. Perfectly
suited for graduation ceremonies and concert
programs. Additional string orchestra parts heard
in the demo recording are also available in the
String Pack, which includes the conductor's score.
Instrumental performance/rehearsal accompani-
ment tracks are available.
10568078 SATB . . . . . . . . . . . . . . . . . . . . .2.25
10568079 SAB . . . . . . . . . . . . . . . . . . . . . .2.25
10568081 Two-Part . . . . . . . . . . . . . . . . . .2.25
10568080 SSA . . . . . . . . . . . . . . . . . . . . . .2.25
10568082 Instrumental Parts Strings . . . .35.00
4L Weep You No More—Douglas E. Wagner. This
e This setting of the well-known Elizabethan poem
utilizes contemporary harmonies and a tightly knit
choral fabric to exude the emotions of the text.
River-themed ostinati and cascading sixteenth
notes in the piano accompaniment aid in forward
motion and enhance the textual imagery. This
gem is filled with abundant teaching opportunities
for dynamic expression and artistic phrasing.
10953849 SATB . . . . . . . . . . . . . . . . . . . . .1.95
10953849L SATB Large Print . . . . . . . . . . . .1.95
lt Welcome Home—David Brewer. "When I am
gone, release me... but be thankful for our years."
A modern yet melancholy setting of a text that
centers around love and loss.
10956687 SATB . . . . . . . . . . . . . . . . . . . . .2.00
l When Laura Smiles—Philip Rossete/arr.
Steven Rickards. Originally a lute song, this
work is inspired by the galliard, a popular dance
throughout Europe during the time of Elizabeth
I. The text speaks of and celebrates the many
virtues and charms of Laura with the music having
all the charm of an accompanied madrigal. Quick
and sprightly, this is excellent literature for any
young treble ensemble.
10954393 SSA . . . . . . . . . . . . . . . . . . . . . .1.90
4LWherever Fortune Calls Me—Douglas E.
e Wagner. "Yet one thing I can tell you, still one
thing that I know: Wherever fortune calls me, then
that's where I must go!" A bold statement of the
courage to persevere and to follow one's heart
against all odds is expertly set to music based on
an American folk tune. This rollicking selection is
filled with action-charged text and confident vocal
lines that your developing tenor-bass ensemble
can really dig into.
10953845 TB. . . . . . . . . . . . . . . . . . . . . . . .2.10
10953845L TB Large Print . . . . . . . . . . . . . .2.10
4L Why Does the Willow Weep?—Ruth Elaine
e Schram. "Why does the willow weep? What
secrets does she keep? Is there a broken heart
beating beneath the bark, hidden in the dark?"
Vividly poetic, with sweeping melodic and
harmonic textures, this is a truly memorable
concert work. An expressive, thoughtful tone
poem for treble choirs.
10457258 SSAB . . . . . . . . . . . . . . . . . . . . .2.10
10953838 Three-Part Mixed . . . . . . . . . . . .1.95
10953838L Three-Part Mixed Large Print . .1.95
10068332 Two-Part . . . . . . . . . . . . . . . . . .1.95
3298407 SSA . . . . . . . . . . . . . . . . . . . . . .1.95
10068333 P/A CD . . . . . . . . . . . . . . . . . . .26.95
4t Will the Circle Be Unbroken—arr. J. David
Moore. This wildly popular arrangement is a
favorite with choral festivals all over the country.
Beginning in the style of a bluegrass trio, the
piece opens into a four-part gospel celebration
of the power of song to create community.
Often performed with an opening solo refrain. A
favorite for treble choirs, now available for mixed
or tenor-bass voices.
10704230 SATB . . . . . . . . . . . . . . . . . . . . .2.95
10341993 SSAA . . . . . . . . . . . . . . . . . . . . .2.95
10905701 TTBB . . . . . . . . . . . . . . . . . . . . .2.95
4LWintertide—Ola Gjeilo. This tender Norwegian
t folk melody has been set in a wonderful
a cappella setting for divisi chioir and given a
new English text by Charley Anthony Silvestri.
Octave doublings and softly echoing choral
accompanying parts set a gentle, rocking texture
that is accessible and stylistically appropriate,
while the evocative winter themed text creates a
beautiful aura for the season. Truly lovely!
10769764 SSAATTBB. . . . . . . . . . . . . . . . .2.85
10769764L SSAATTBB Large Print . . . . . . .3.85
4L You Are Loving, You Are Loved—Mark Bur-
e rows. We can all use a reminder to be kind and
loving to others we meet. This hopeful sentiment
resounds with a soulful melody and supportive
accompaniment in a gospel shuffle style.
Unison, or with optional two-part harmony, the
positive and uplifting text not only assures us we
are loved - it asks us to embrace our capacity to
love others.
10953265 Unison/Two-Part . . . . . . . . . . . .2.25
10953265L Unison/Two-Part Large Print. . .2.25
n You Are Not Alone—Ryan Main. "We are all
one, through all time, ourselves: and something
greater than ourselves." Bette Milleson James'
text speaks to the universal experience of living
and seeking connection. The dramatic setting
for mixed or treble choirs features cluster chord
harmonies, a short aleatoric section for the choir,
and an artistic piano part.
10696162 SATB . . . . . . . . . . . . . . . . . . . . .2.70
10950683 SSA . . . . . . . . . . . . . . . . . . . . . .2.70
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