J.W. Pepper Music Catalog
Issue link: https://read.jwpepper.com/i/1171124
4Editors' Choice (Best of 2019) lNew for 2019 HBasic Library L Large Print Edition ♦A Cappella Available via ePrint D Downloadable All Prices in U.S. Dollars & Subject To Publisher Revision 62 Go to cart 4t Alleluia—William Boyce/arr. Russell Robinson. Every part has a chance to sing the simple melody in this flexible arrangement of the classic canon. Designed to be an a cappella selection, it also includes a piano part that is a real accompaniment, not just a keyboard reduction, so your mixed or treble choir can learn the piece with accompaniment and have the option of performing it either way. A bright tempo, stunning dynamic contrasts, and plenty of repetition make it easy to learn and fun to perform! 10990714 SSA . . . . . . . . . . . . . . . . . . . . . . . . 2.25 L Ave Maria—Franz Schubert/arr. Russell Robinson. The Schubert masterpiece, skillfully arranged for developing choral groups, provides opportunities for solos or section features and allows conductors to work on healthy singing technique, beautiful intonation, and blend. Sung in Latin, with a translation and pronunciation guide included, this setting of the beloved melody remains true to the original while making this important work accessible to three-part mixed and SSA choirs. Beautifully done! 10881600 SSA . . . . . . . . . . . . . . . . . . . . . . . . . . 2.05 10881851 Multi-Song Accompaniment CD . . 44.99 Be Thou My Vision—arr. Dan Forrest. This masterfully crafted essay on the timeless Irish hymn is realized with the utmost concern for the melody, the singers, and the accompanist. Liquid vocals appear over understated piano lines, followed by judicious a cappella phrases and a sweeping crescendo to the phrase "Heart of my own heart, whatever befall." This is such a worshipful treatment of a timeless melody that it deserves to be heard again and again. 10515946 SSA . . . . . . . . . . . . . . . . . . . . . . . . 2.10 Bound for the Promised Land—John Leavitt. This setting of an Appalachian favorite is straight forward and sturdy. Well orchestrated and well crafted, this piece comes in multiple voicings and can be used in multiple settings. "Oh, who will come and go with me, I am bound for the promised land!" 10843645 SSA . . . . . . . . . . . . . . . . . . . . . . . 2.10 10880633 P/A CD . . . . . . . . . . . . . . . . . . . . 26.99 10843591E Instrumental Parts ePrint . . . . . . 30.00 l A Celebration of Singing—Molly Ijames. New to the Hinshaw catalogue, the choral work of Molly Ijames is well known to many. This exciting new work is rhythmically energetic, has a strong message, and is a welcome addition to literature for the treble voice choir. On a text from Zephaniah, it is scored for SSAA choir with piano. 10996243 SSAA . . . . . . . . . . . . . . . . . . . . . . . 2.15 4L Coming Home (The Prodigal Son)— William J. Kirkpatrick/arr. Lynn Shaw Bailey & Becki Slagle Mayo. Utilizing Dvorak's theme, this is an emotional retelling of the Prodigal Son that expresses the conflict in this parable, followed by the reassurance of grace and forgiveness. The choral writing for mixed or treble choirs is earnest and melodically rich, while the flowing accompaniment and optional cello obbligato add a deep, warm timbre. 10953277 Unison/Two-Part . . . . . . . . . . . . . . 2.35 Create in Me a Clean Heart—John Leavitt. Music and message meet in this artistic offering, the perfect backdrop for your Lenten services, times of confession or communion. A flowing accompaniment and soaring choral lines combine for a meditative setting of this introspective scriptural text. 10801437 SSA . . . . . . . . . . . . . . . . . . . . . . . . 2.10 t Deep River—arr. Russell Robinson. Moving in its simplicity and rich with choral color, this stunning a cappella arrangement of the well- known spiritual is breathtaking in every measure! Now available for women's choir. 10688238 SSA . . . . . . . . . . . . . . . . . . . . . . . . 2.10 L From Earth to Heaven—Craig Courtney. The ethereal nature of the Samuel Francis Smith poem is perfectly paired with masterful text painting until the two become one in spirit and understanding. The move from earth to heaven is flawless. The music is deep; the text rich and profound. The melody line moves to harmony and back again until it finally finds a resting place. Scored for SATB choir and piano with optional string quartet or orchestral parts available. Glorious! 10907638 SSAA . . . . . . . . . . . . . . . . . . . . . . . 2.25 4L God Thou Art Love—Craig Courtney. A beautiful, compelling piano accompaniment introduces this tender setting of the Robert Browning text. Quiet conditional statements become a profession of faith as they open into the power of the promise that "the everlasting arms my life surround." Filled with rich choral harmonies, this piece is ideal for the time of confession and assurance of pardon. Now available arranged for SSAA and TTBB. 10954538 SSAA . . . . . . . . . . . . . . . . . . . . . . . 2.25 H Grace—arr. Mark Hayes. Mark Hayes is at his best in this setting, using the text of Amazing Grace with the early American melody O Waly, Waly. The inspired use of dynamics and key changes to support the marvelous lyrics will showcase your choir in a very exciting way! This heartwarming choral is an especially strong choice for performances centering on an inspirational theme, or for memorial services at any time of year. 8035974 SSAA . . . . . . . . . . . . . . . . . . . . . . . 2.10 l Gratitude—Nicole Nordeman/arr. Heather Sorenson. A very evocative and poetic prayer of need and thanksgiving is found in Heather Sorenson's arrangement of Nicole Nordeman's sacred song. Contending with the deep matters of "wants" versus "needs" in our petitions to God, this choral is truly a sermon in song as it explores the priorities of our hearts. 11000603 SSA . . . . . . . . . . . . . . . . . . . . . . . . 2.50 4L Great Is Thy Faithfulness—arr. Mark Patterson. This beloved hymn of faith is given a fresh sound by the pen of composer Mark Patterson. The delightful piano and flute accompaniment infuses this familiar hymn with optimism and energy, while the rich SSA harmonies evoke depth of devotion. A reproducible vocal part is available for the unison (with opt. descant) voicing, which allows younger singers to hone their music reading skills. The reproducible vocal part is a fine option for aging choirs and assisted living ensembles with limited storage space and budgets. 11100211 Unison . . . . . . . . . . . . . . . . . . . . . . 2.35 11100212 SSA . . . . . . . . . . . . . . . . . . . . . . . . 2.35 11100213 Unison . . . . . . . . . . . . . . . . . . . . . 12.95 11100214 Flute Part . . . . . . . . . . . . . . . . . . . . 6.95 H Hark, I Hear the Harps Eternal— arr. Mark Hayes. Mark Hayes delivers a masterpiece with his arrangement of this nineteenth- century American shape-note standard! The brilliant four-hand (optional two-hand) piano accompaniment and inventive choral treatment accentuate the celebratory text. Accessible and energetic, this highly effective selection is sure to become a favorite of choir and congregation! 10307598 SSA . . . . . . . . . . . . . . . . . . . . . . . . 2.50 H He Never Failed Me Yet—Robert Ray. Driving rhythms and classic gospel sound have made this selection a favorite of an entire generation. Highlight one or two soloists in an in a pull-out-the-stops ending that sure to have everyone on it's feet clapping along! Who says you can't have fun in church? The SSA edition is one step higher, in the key of C. SSA arr. Drew Collins. TTBB arr. Keith Christopher. 8070839 SSA . . . . . . . . . . . . . . . . . . . . . . . . 2.10 HL How Beautiful—Twila Paris/arr. Lloyd Larson. This exquisite ballad by Twila Paris has been lovingly and artistically set by Lloyd Larson and orchestrator Mark Kellner. With both Lenten and Communion themes, this setting can be used year 'round and will sound equally appealing with orchestra, P/A CD, or just piano accompaniment. Now available for women's choirs in SSA! 10806355 SSA . . . . . . . . . . . . . . . . . . . . . . . . 2.35 t How Can I Keep from Singing?— arr. Sarah Quartel. Available in editions for SSAA and for SATBB a cappella voices, Sarah Quartel's setting of How Can I Keep From Singing? is a lively reimagining of the 19th-century hymn. Opening with a solo verse, the piece proceeds with a soaring soprano melody supported by the rhythmic vocal accompaniment of the ATBB voices, with occasional alternation between 4/4 and 7/8 meter. Together, these elements capture both the gentle hope and the profound joy of the text. 10817931 SSAA . . . . . . . . . . . . . . . . . . . . . . . 3.25 I Thank You God—Gwyneth Walker. Originally commissioned by the ACDA, Walker's setting of the E.E. Cummings poem has been wildly popular on the festival circuit for treble and mixed choirs. Newly available are the instrumental parts and the full score. 3221454 SSA . . . . . . . . . . . . . . . . . . . . . . . . 4.10 L I Will Be a Child of Peace—Elaine Hagenberg. "For well I know Thy hand will bless the seeker after righteousness." This sensitive, worshipful prayer is arranged from a Shaker hymn and superbly expresses the deepest longing of the redeemed soul. Breathtaking with luscious piano writing. 10805750 SSAA . . . . . . . . . . . . . . . . . . . . . . . 2.10 I'm Gonna Sing When the Spirit Says Sing— James DesJardins. I'm Gonna Sing When the Spirit Says Sing combines musical elements of traditional African music and Protestant church music. Inspirational and great fun to sing, with optional claps and hand moves, singers will ride on the energy and excitement of the driving bass line in the highly rhythmic piano accompaniment. 10872487 SA. . . . . . . . . . . . . . . . . . . . . . . . . . 2.25 L Jubilate, Exsultate!—Victor C. Johnson. An exuberant setting of a traditional Latin text that would make a dynamic concert or festival opener! Contemporary, syncopated choral harmonies, shifting meter and a driving piano accompaniment set the stage for the exciting opening section. A contrasting lyrical section with English text in the middle provides a dramatic setup for a return to the original opening material. A great teaching piece for developing choirs, with great accessibility and range for younger and changing voices. 10752008 SSA . . . . . . . . . . . . . . . . . . . . . . . . . . 2.00 10752151 Multi-Song Accompaniment CD . . 44.99 GENERAL ANTHEMS for TREBLE CHOIRS