J.W. Pepper Music Catalog
Issue link: https://read.jwpepper.com/i/1171124
63 Order Toll Free! Call 1.800.345.6296 / w: jwpepper.com / e: satisfaction@jwpepper.com Go to cart Ht Keep Your Lamps!—arr. Andre Thomas. This exciting spiritual, with accompaniment for high, medium, and low conga drums, is an unusually appealing number for a wide variety of uses from smaller choirs through massed choir performances. Available in SATB and TTBB a cappella arrangements, as well as in SSA with piano accompaniment. Highly recommended! 3303462 SSA . . . . . . . . . . . . . . . . . . . . . . . . 2.15 HL Let There Be Peace on Earth—Craig Courtney. Few songs ever composed have had the breadth of appeal as this iconic text and melody. The cry for "peace on earth" is undoubtedly a timeless one, and Craig Courtney's setting unites vocalists and instrumentalists of all ages. Revisit this melody in your church or concert hall with this monumental setting during the Christmas season, at memorial services, or at patriotic events for a completely unforgettable experience. 10667384 SSAA . . . . . . . . . . . . . . . . . . . . . . . 2.25 lL Let Us Break Bread Together— Gwyneth Walker. Utilizing the traditional African American tune, this artistic setting focuses on two central images: breaking bread together in communion and fellowship, and falling on one's knees in prayer. Both images have liturgical and community references of the messages of healing and humility. The first two verses are familiar, but a new verse has been added to address the time of great divisions in our country, when there is a need for strength through unity. "Let us rise up together as one." 10953608 SSAA . . . . . . . . . . . . . . . . . . . . . . . 2.35 L The Lord Is My Shepherd—Allen Pote. This is one of the most elegant settings of Psalm 23. Allen Pote's use of unison, two-part and four-part voices, as well as harmonic structure, complements the text perfectly. It's easily learned and very effective. Young and old alike will not only emotionally connect with the music but will quickly internalize this important psalm as their faith develops. It's simply beautiful! 8060334 Two-Part. . . . . . . . . . . . . . . . . . . . . 2.10 10416744 Orchestration . . . . . . . . . . . . . . . . 49.95 lL Lord of All Hopefulness—Andrew Bruhn. An artistic setting pairs an original melody with the Slane hymn tune utilizing Jan Struther's hymn text. A gentle lilt allows the voices to shine on the melody line, while the optional second part adds a beautiful harmonic option for more advanced treble choirs. 10953271 Two-Part. . . . . . . . . . . . . . . . . . . . . 2.10 H Lord of the Small—Dan Forrest. This tender hymn of praise reminds us that in the end we are all weak and broken and that the Heavenly Father deals lovingly and mercifully with all of His children. Written in memory of little Erin Buenger, who lost her battle to cancer at the age of 10, this beautiful anthem will challenge your congregation to live life in all circumstances to the glory of God - just as she did. A fitting tribute for memorial services and services or remembrance. 10293855 SSA . . . . . . . . . . . . . . . . . . . . . . . . 2.10 L Lord, I Stretch My Hands to You—Jay Althouse. An anthem of true beauty - this one of the most melodic and singable anthems you will find, with a harmonic structure to match. The strong text is a prayer acknowledging the Lord's hand in our lives and asking for his continued help. This is one you will reach for on many occasions. Now available for treble voices and optional orchestration by Ed Hogan. 10906842 SSA . . . . . . . . . . . . . . . . . . . . . . . . 2.20 lL Love Was Made a Lily Bright—Mark Patterson. This poignant Easter anthem depicts the resurrection with lyrical lines and exceptional artistry. Soaring vocals, uplifting lyrics, and a delicate yet supportive piano accompaniment surround the unison melody line, while the optional second part adds harmonic depth for more advanced treble choirs. 10953270 Unison/Two-Part . . . . . . . . . . . . . . 2.10 Make Me an Instrument—Craig Courtney. "O Lord, Make me an instrument of Your peace." The beloved prayer by St. Francis of Assisi is treated with reverence and simplicity for choir, piano and string quartet or orchestra. Lovely and lyrical, with some amazing harmonic moments, this setting is beyond compare! Highly recommended! 10607038 SSAA . . . . . . . . . . . . . . . . . . . . . . . 2.10 Ht Nothin' Gonna Stumble My Feet—Greg Gilpin & John Parker. If you buy only one new spiritual setting this year for your a cappella choir, this is the one you want! Brimming with dynamic contrasts, rhythmic nuances and textual percussiveness, it is an absolute thrill to sing and hear. "When I go to walk that golden street, nothin' gonna stumble, stumble my feet!" 10274237 SSA . . . . . . . . . . . . . . . . . . . . . . . . 2.50 4L O Love—Elaine Hagenberg. This beautiful setting of George Matheson's familiar hymn text functions perfectly in both sacred or secular settings. Here, O Love is given a fresh new melody with equally refreshing and gorgeous harmonies. You will not want to miss this for use as a sacred meditation in a worship service or in a concert setting as a tribute to the glory of love itself. Now available in treble and tenor-bass voicings. Simply stunning! 10954544 SSAA . . . . . . . . . . . . . . . . . . . . . . . 2.15 L O the Deep, Deep Love of Jesus— Trevor Manor. Here's an expressive original ballad set to the beloved hymn text. With a beautiful optional cello part, the work depicts the sacrificial love of Christ in an unforgettable way. This will be equally appropriate in traditional and contemporary services during Lent or Holy Week, or any time of year. 10661698 Unison/Two-Part . . . . . . . . . . . . . . 2.35 H Offertory—John Ness Beck. John Ness Beck's original setting of Micah 6:6-8 has become a staple in the choral library, with its smooth voice leading and full, lush harmony. A beautiful, contemplative anthem, it is now available in alternate voicings for individual men's groups and women's choruses. A fine choice. 10341953 SSA . . . . . . . . . . . . . . . . . . . . . . . . 2.10 l One Day—Reba Snyder. The lilting feel of this anthem supports a feeling of expectation: "One day He's coming, oh glorious day!" The verses are basically in unison while the refrains are in parts. This joyful text will inspire and uplift choir and congregation alike. 10546597 SSA . . . . . . . . . . . . . . . . . . . . . . . . 2.25 HL Order My Steps (In Your Word)—Glenn Burleigh/ arr. Jack Schrader. Nominated for Song of the Year for the 1995 Dove Awards and recorded by the Brooklyn Tabernacle Choir, Glenn Burleigh's Order My Steps celebrates 15 years of inspirational performances. This choral setting by Jack Schrader will give your choir the opportunity to sing an authentic gospel piece in an easy-to-learn setting with tight harmonies. This is a passionate prayer for guidance and a captivating, hypnotic statement your choir will want to sing again and again! 10603889 SSA . . . . . . . . . . . . . . . . . . . . . . . . 2.35 L Our Father—Craig Courtney. Humility and quiet fervor mark this setting of Christ's eternal words. It is completely different than the standard settings that we have heard so often, in that each section of the prayer is expressed in its own melodic, harmonic and textural language. The climactic arrival on the words "forever and ever" soar, and the final "amen" brings us full circle to the simplicity of the beginning of the anthem. String quartet and full orchestra parts and scores are available, as well as SSAA and TTBB adaptations. 10805765 SSAA . . . . . . . . . . . . . . . . . . . . . . . 2.10 H The Prayer with Lead Us Lord— Carole Bayer Sager & David Foster/arr. Fettke. The Prayer, as sung by Celine Dion, Andrea Bocelli, Josh Groban and Yolanda Adams, has in recent years gained the status of instant legend. Few songs have seen such unprecedented success. Here, with slightly adapted lyrics, brilliantly paired with Samuel S. Wesley's hymn, Lead Us, Lord, a stunning new prayer is created. Ideal for worship throughout the year. Beautiful! 10091197 SSA . . . . . . . . . . . . . . . . . . . . . . . . 2.10 lL Psalm 121—Olivia Cresswell. Flowing vocal lines combine with sonorous harmonies from the piano in this beautiful original setting of Psalm 121 by Olivia Cresswell. The perfect choice for more advanced treble choirs, this anthem is also effective with smaller ensembles or as a vocal duet. 11104057 Two-Part. . . . . . . . . . . . . . . . . . . . . 2.00 Raise Your Hands—Heather Sorenson. Now available in SSA and SAB voicings, this anthem is a profound message of faith. This contemporary piece is an effective tool to remind our congregations that we can raise our hands in every situation of life. 10595065 SSA . . . . . . . . . . . . . . . . . . . . . . . . 1.90 Redeemer—arr. Heather Sorenson. Now available for SAB and SSA choirs! This contemporary hit from Nicole C. Mullen is based on the immortal words from the book of Job, and is aptly set as a power folk anthem. The verses are framed by unison and two-part vocal textures while the well-known chorus opens up to include a rich four-part harmonic tapestry. The final crescendo is a regal variation with the piano providing an almost orchestral impact. The vocal lines climb unrelenting to a final fortissimo declaration, "My Savior Lives!" 10553335 SSA . . . . . . . . . . . . . . . . . . . . . . . . 2.15 4 Sanctus—Michael John Trotta. The final installment of the Missa Brevis, this peaceful work features opportunities for unison singing and the development of independent part singing. With conservative ranges and opportunities to focus on pure vowels and and text accentuation, this is an elegant addition to any concert or service. Combine with Trotta's other Latin works Kyrie, Gloria and Agnus Dei to create the full Missa Brevis. 10990284 SA. . . . . . . . . . . . . . . . . . . . . . . . . . 2.25 t Shut de Do—Randy Stonehill/arr. Greg Gilpin. This familiar song sounds and feels as if it has always been a part of the folk song or spiritual genre. In this a cappella setting, optional percussion can be utilized to enliven the texture. Equally appropriate in concert or worship settings, this wonderful arrangement offers solo opportunities and creative new melodic material before the final refrain. A perennial favorite. 10689669 SSA . . . . . . . . . . . . . . . . . . . . . . . . 2.15 l Sing, Rejoice, a Song of Praise—W.A. Mozart/ arr. John Leavitt. This approachable and tasteful adaptation from Mozart's motet Exsultate, jubilate retains the work's Classical style while overflowing with joy. An alternate Christmas text, accessible vocal writing, and optional instrumental accompaniment provide plenty of flexibility for performances. 11000142 Two-Part. . . . . . . . . . . . . . . . . . . . . 2.10