J.W. Pepper Catalogs

2020 Summer Instrumental Catalog

J.W. Pepper Music Catalog

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Order Toll Free! Call 1.800.345.6296 / w: jwpepper.com / e: [email protected] 21 JAZZ ENSEMBLE a l l l e v e l s H Autumn Leaves—Joseph Kosma/arr. Peter Blair. This is a great old tune! Except...there's nothing "old" sounding about it. It's a medium swing version of a marvelous, often-played standard that opens with an alto and trumpet duet and is filled with tight ensemble punches. The saxes are featured on a chorus and there is a written or ad lib solo for piano. 2406361 Jazz Ensemble . . . . . . . . . . ME 45.00 e Bad Dog!—Mike Dana. Here's a great opener, closer, or anything in between! This swinging shuffle features cool lines, surprising harmonies, great rhythm section hooks, and much more. Notated rhythm section parts, reasonable brass ranges, and flexibly written or improvised solo space make this chart a winner. Additionally, it has a nice feel, a fine harmonic structure, and a dynamic shout chorus. Scored for standard big band, it's also playable with optional reduced or expanded instrumentation and includes a helpful guitar chord chart. No bad dogs here! 10999970 Jazz Ensemble . . . . . . . . . . ME 48.00 e Birk's Works—Dizzy Gillespie/arr. Mark Taylor. This classic minor blues by Dizzy Gillespie is set in a comfortable medium swing style. A small group is featured at the top using the distinctive stylings and articulations of the original recording. Nice and accessible passages for the full ensemble as well as a satisfying shout chorus are featured along with solo space for trumpet and tenor saxophone. 10908988 Jazz Ensemble . . . . . . . . . . ME 45.00 Blue Avenue—Larry Neeck. With its solid, swinging groove, tasty riffs, catchy down-home melody and solid ensemble writing, Blue Avenue is a great introduction to the swing style for the youngest jazz bands. The two-measure solo section, with suggested solos included, will encourage young improvisers to give it a try, or it could be omitted altogether. Playable with optional reduced or expanded instrumentations, this one is easy to put together, and will have your young jazzers swinging in no time! 11002305 Jazz Ensemble . . . . . . . . . . .VE 45.00 e Bye Bye Blackbird—Ray Henderson/arr. Rich Sigler. This swinging chart is a great vehicle for a tenor sax soloist with jazz band. The solo part ranges from written melody to a written jazz solo, all very accessible, and it especially swings when the tenor soloist trades fours with the ensemble. The ensemble and soloist are equally featured throughout. The lead trumpet range is to written G top of staff and optional parts are included for expanded instrumentation. A great jazz standard for developing jazz groups! 10997194 Jazz Ensemble . . . . . . . . . . . M 48.00 H C-Jam Blues—Duke Ellington/arr. Rick Stitzel. Whether you know this one as C-Jam Blues or Duke's Place, you sure will recognize all the great Ellington writing! Even the most inexperienced bands can do a fine performance on this jazz classic. The suggested solos are included in the parts for the entire section, so you can make it a soli feature if you prefer. There's a marvelous ensemble tutti section that starts softly then builds to the end. 2470818 Jazz Ensemble . . . . . . . . . . .VE 40.00 H Caravan—Duke Ellington/arr. Michael Sweeney. Everyone will recognize this Duke Ellington classic! It was one of the featured works in the 2014 movie "Whiplash" and uses interesting textures and alternates between a Latin groove and swing. This is a very effective production number with limited technical demands for young players. 2307627 Jazz Ensemble . . . . . . . . . . . . E 40.00 Centerpiece—Harry "Sweets" Edison/arr. Mike Story. Wow, this is great! Mike Story has created an ideal easy swing/shuffle chart on a great blues melody by Sweets Edison. Centerpiece is accessible with easy brass ranges, a medium swing tempo of 120 bpm, along with brief written or improvised solos for tenor sax, trumpet, and alto sax. Well-notated rhythm section parts are included along with optional parts for flute, clarinet and vibes. Also playable with optional reduced instrumentations, this great blues tune has been recorded by all the greats and will become a staple of your library! Highly recommended! 10867420 Jazz Ensemble . . . . . . . . . . . . E 42.00 H Dat Dere—Bobby Timmons/arr. Erik Morales. A soulful tune with a catchy title and melody! Erik Morales captures composer Bobby Timmons' medium swing groove. At a moderate tempo, with a slightly mysterious intro, the saxes grab the melody and it builds from there. A written (or ad lib) alto solo is provided with a fat shout chorus. This is an outstanding chart in every respect! Highly recommended! 10277767 Jazz Ensemble . . . . . . . . . . . M 52.00 e Diggin' the New Digs (from "Incredibles 2")—Michael Giacchino/arr. Paul Murtha. From the entertaining soundtrack of "Incredibles 2" comes this marvelous jazz waltz that works great for full jazz band. Baritone sax gets a rare turn in the spotlight, followed by the brass section with sax answers. The solo section can feature any combination of alto sax, trumpet, or trombone with suggested or improvised solos. A fun change of pace and highly recommended! 10960664 Jazz Ensemble . . . . . . . . . . ME 45.00 He Don't Get Around Much Anymore—Ellington & Russell/arr. Mark Taylor. One of the classic trademark tunes from the Duke Ellington library, this familiar jazz standard is solidly scored for younger players by Mark Taylor. When it comes to accessible charts in a medium swing style, this one can't be beat! Highly recommended! 10427404 Jazz Ensemble . . . . . . . . . . ME 45.00 e Foundation Issues—Paul Baker. This hard- swinging 12-bar blues features acoustic bass in a Thad Jones-inspired setting. It cooks right along and the ensemble provides solid support for the bass soloist. At a tempo of 140 bpm, this chart provides a very accessible opportunity for the unsung hero of the rhythm section to shine. Soprano sax leads the sax section. A unique and very cool trombone section plus bass soli is wrapped between solos for trumpet, soprano sax and bass before heading into the shout chorus. Brass ranges: trumpet to written high C and trombone to G-flat. Bass features are hard to find, and this one is outstanding! 10999402 Jazz Ensemble . . . . . . . . . . . M 50.00 BLUES & Swing Go to cart

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