4 Editors' Choice l New H Basic Library ePrint All Prices in U.S. Dollars & Subject To Publisher Revision
20
JAZZ
ENSEMBLE
Great new arrangements of iconic jazz standards and current pops.
Fee-Fi-Fo-Fum—Wayne Shorter/arr. Mark Taylor.
From Wayne Shorter's influential 1964 album Speak No Evil, this jazz standard is transformed here
for developing jazz bands by Mark Taylor. The relaxed swing feel and harmonies of the original are all
retained, and solos for tenor sax and trumpet are included.
11172115 Jazz Ensemble . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 45.00
It Had to Be You—Isham Jones/arr. Rick Stitzel.
Few standards have maintained the staying power of this popular ballad, having been recorded by
such luminaries as Frank Sinatra and Bing Crosby to more recent versions by Harry Connick Jr., Barbra
Streisand, and Michael Buble. This silky-smooth chart is a perfect choice for your vocal or tenor sax
soloists. Vocal key: E-flat
11172103 Jazz Ensemble & Vocalist (or Tenor Sax) . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 55.00
Jumpin' at the Woodside—Count Basie/arr. Mark Taylor.
Here is Count Basie's famous up-tempo classic carefully scaled back for younger players. Featuring the
saxes on the head accompanied by the signature brass stabs, this excellent chart still has the feel and
style of the original. The written or improvised solo sections can also be treated as duet features, first
for alto sax and trumpet, then for tenor sax and trombone. And, it's playable with optional expanded or
reduced instrumentations. Play it like Basie!
11172135 Jazz Ensemble . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 40.00
Mack the Knife—Kurt Weill/arr. Rick Stitzel.
Famously recorded by both Louis Armstrong and Bobby Darin in the 1950s, this iconic standard has
remained popular through the decades and has been recorded by countless jazz artists. This chart for
beginning jazz bands features a moderate swing tempo, easy rhythms, and written solo (or soli) sections
for saxes, then trumpets. It's playable by optional reduced or expanded instrumentations. Highly
recommended!
11172145 Jazz Ensemble . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . VE 40.00
Senorita—arr. Paul Murtha.
Recorded by contemporary artists Shawn Mendes with Camila Cabello, this popular hit has ruled the pop
charts with its seductive Latin style and memorable melodies. This version for developing players features
brief written or improvised solo spots for alto sax and trombone and later highlights for all sections.
11172119 Jazz Ensemble . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 45.00
Solar—Miles Davis/arr. John Wasson.
From his early "cool" period, this Miles Davis standard is arranged here in a contemporary setting
featuring alto sax and flugelhorn on the melody. Solo space is provided for each, and a full-band soli
treatment rounds out this superb chart.
11171982 Jazz Ensemble . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 55.00
Sucker—arr. Paul Murtha.
The Jonas Brothers are back on the charts, and here's a terrific easy chart on their recent hit featuring
a driving up-tempo rock feel and catchy riffs. The flexible solo section features easy changes along
with sample written solos and scales. Perfect for beginning improvisers, it's also playable with optional
expanded or reduced instrumentations.
11172133 Jazz Ensemble . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 40.00
e Uptown Funk—arr. Paul Murtha.
Recorded by Mark Ronson and featuring Bruno Mars, this sassy funk tune is on its way to becoming a
modern-day pop standard. Here's a hot version for vocal solo, or optional tenor sax, that captures all the
excitement of the original. Vocal key: D minor
11172100 Jazz Ensemble & Vocalist (or Tenor Sax) . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 55.00
Witchcraft—Cy Coleman/arr. Roger Holmes.
Recorded by countless jazz artists through the years, including three times by Frank Sinatra, this song
features a classic melody and an easygoing medium swing style. Nicely scored here for big band and
vocal or tenor sax soloists. Vocal key: E-flat
11172107 Jazz Ensemble & Vocalist (or Tenor Sax) . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 55.00
Work Song—Nat Adderley/arr. John Berry.
One of the signature tunes of the Cannonball Adderley Quintet and composed by Nat Adderley, this
familiar jazz standard remains as popular today as when it first arrived in 1960. Arranged here in a solid
even eighth-note style, this is an extremely appealing choice for young groups. Playable with options for
reduced or expanded instrumentations. Highly recommended!
11172143 Jazz Ensemble . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . VE 40.00
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