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25
JAZZ
ENSEMBLE
LATIN
a l l l e v e l s
e The Banana Boat Song—arr. Victor Lopez.
Take your young jazz band and its audiences on
a Jamaican cruise with this with this easygoing
calypso groove chart with a sassy melody.
There are no individual solos and it features an
easy Trumpet 1 range to written D fourth line.
Playable with optional reduced instrumentations,
the set also includes optional parts for two flutes,
two clarinets, auxiliary percussion and vibes for
expanded options. Easy to play, fun for all, and a
very effective chart!
10997182 Jazz Ensemble . . . . . . . . . . .VE 40.00
H Cantaloupe Island—Herbie Hancock/arr. Mike
Kamuf. Arranger Mike Kamuf scored this hip,
funky Latin-rock tune for younger players. Ideal
for this level, it features three chords, a repetitive
groove, catchy melody and a hot bari sax part.
There are written solos for tenor sax and trumpet,
and the lead trumpet range goes to a top line
F with optional G on top of the staff. This chart
will also sound great with optional or expanded
instrumentation. This is a superb chart from
beginning to end. Highly recommended!
10028077 Jazz Ensemble . . . . . . . . . . ME 48.00
e Caracas—Lou Donaldson/arr. Terry White. This
Terry White chart on a relaxed Lou Donaldson
bossa nova favorite is just right for young jazzers.
Brief written or improvised solos are for trumpet,
trombone and alto sax. Played around 136 bpm,
it has a catchy melody with great harmonies, easy
brass ranges, and lots of optional parts to include
flute, clarinet, and vibraphone. It's also playable
with optional reduced instrumentations. Great for
change-of-pace programming!
10867416 Jazz Ensemble . . . . . . . . . . . . E 42.00
e Caravan—Duke Ellington/arr. John Berry. Here's
a distinctive arrangement for beginning jazz groups
on one of Duke Ellington's most recognizable
tunes. One of the featured works in the 2014 movie
"Whiplash," it combines the styles of Latin and
big band swing and is a marvelous introduction to
the Duke for young jazzers. Arranged for full jazz
ensemble, it's also playable by as few as 3 saxes,
2 trumpets, 1 trombone, piano, bass and drums.
10023039 Jazz Ensemble . . . . . . . . . . .VE 40.00
Firewalker—Dean Sorenson. Firewalker begins
with a tension and release sound by the horns
alone, and eases into a driving samba groove. The
features include moderate ranges, notated rhythm
section parts, an open solo section, and options
for reduced or expanded instrumentation. The
solo section is for as many players as wanted and
features cued backgrounds. Sample solo sheets
in all keys are included for aspiring jazz musicians.
This chart starts strong and never looks back.
Highly recommended!
11000559 Jazz Ensemble . . . . . . . . . . . . E 48.00
e Gimme Samba Dat!—Chris Sharp. Opening with
a catchy unison ensemble lick, this chart is a samba
reminiscent of the Antonio Carlos Jobim style.
It features alto sax 1 and trumpet 2 on the lead
melody and solos for each that can be improvised
or played as written. This hot, cookin' samba with
its nice ensemble and sectional passages includes
ranges and rhythms that fall into the moderate
category. Exciting and powerful!
10910604 Jazz Ensemble . . . . . . . . . . . M 55.00
e Mamacita—Joe Henderson/arr. Terry White.
All sections and the full ensemble are in the act
with this Joe Henderson classic set as a medium
tempo Latin chart with a bit of swing feel. At
about 150 bpm, the opening statement is played
by tenor 1 and trumpet 1 with written suggested
solos for each. The trumpet 1 range is to written
F top line, and there are options for reduced or
expanded instrumentations with the included
optional parts. Easy to play and rehearse, it's highly
recommended!
10997184 Jazz Ensemble . . . . . . . . . . ME 42.00
H Oye Como Va—Tito Puente/arr. Paul Murtha.
This arrangement of Tito Puente's Latin-rock
classic is an absolute "must" for young jazzers!
Made famous by Santana, and loaded with Latin-
American spirit, this chart is perfect for teaching
Latin style, while the simple chord structure takes
the mystery out of improvising. It's hot!
2471441 Jazz Ensemble . . . . . . . . . . . . E 40.00
Pantalones Malos—Steve Shanley. Build a
stronger understanding of Latin jazz with this
exciting and authentic cha-cha with a Cuban flair
and laid-back feel. Pantalones Malo features plenty
of auxiliary percussion, an accessible solo section,
clear articulations, and interesting parts for all. The
solo section has suggested note choices included
in each instrumental part. Playable with optional
reduced instrumentation, this is ideal as change-
of-pace programming!
11002293 Jazz Ensemble . . . . . . . . . . ME 50.00
e
Recorda Me (Remember Me)—Joe Henderson/
arr. Mike Kamuf. Joe Henderson's familiar jazz
standard is set here in a Latin groove played at
about 156 bpm. The melody is handled by tenor
sax, trumpet and guitar with written solos provided
for tenor and trumpet. A clever interlude followed
by a dynamic shout chorus with some drum fills
sets this chart apart. The lead trumpet range is to
G top of staff, and optional parts are included for
expanded instrumentations. Truly a first-class chart!
10997200 Jazz Ensemble . . . . . . . . . . . M 48.00
H
Song for My Father—Horace Silver/arr. Mark
Taylor. A classic composition by Horace Silver, this
tune is written in a moderate Latin style. Opening
with a 4 horn combo (alto, tenor, trumpet, trombone),
it features some very nice ensemble writing.
2384295 Jazz Ensemble . . . . . . . . . . ME 45.00
l Who Will Buy? (from "Oliver!")—Lionel Bart/arr.
Mark Taylor. One of the signature songs from
the musical "Oliver!," this tune offers a wealth of
opportunities for melodic and harmonic deve-
lopment. Adapted here as a samba, Mark Taylor's
powerful arrangement opens with a duet for
trumpet and alto, followed by feature spots for
saxes and solos for alto and trumpet. The nicely
crafted full-ensemble tutti starts softly and builds
dramatically to the end.
11171974 Jazz Ensemble . . . . . . . . . . MA 60.00
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