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SPIRITUALS
De Amazing Grace—arr. Rollo Dilworth. This
timeless spiritual has been arranged with Rollo
Dilworth's unique signature harmonies and
wonderful piano writing, with some original
material incorporated. The smooth gospel setting
includes a strong mix of unison and call-and-
response passages to bring home a message of
overcoming our trials in hopes of a bright future.
10981018 Two-Part or SA. . . . . . . . . . ME 2.10
Deep River—arr. Victor C. Johnson. Johnson's
artistically crafted piano accompaniment creates
a gentle, wave-like motion to support the warm,
lush choral textures and harmonies in this superb
arrangement of the beloved spiritual. This elegant
yet accessible setting is a perfect opportunity
to expand your choir's harmonic language and
cultural understanding with a tender melody that
they'll know and love.
10996346 SAB. . . . . . . . . . . . . . . . . . . ME 2.35
te Down to the River to Pray—arr. Philip Lawson.
Since its use in the movie "Oh Brother, Where
Art Thou," this Appalachian folksong has been
phenomenally popular! Now available in this
arrangement performed by "The King's Singers,"
it's a must for a cappella choirs!
10984815 SSAA . . . . . . . . . . . . . . . . . ME 2.15
De Give Us Our Peace—Rollo Dilworth. Langston
Hughes' powerful poem addresses the issues
of racism, division, poverty, and greed, and
Dilworth's inclusion of the African American
spiritual I've Been in the Storm So Long
establishes historical context in this inspiring
concert selection that celebrates diversity and
asks challenging questions. His use of a mixed
choir and a treble choir or soloist allows for
intergenerational connection as the treble choir
represents the role of innocent children singing
"Dona nobis pacem" (Grant us peace).
11001370 SATB divisi,
with Treble Choir . . . . . . . . . M 2.95
e Go Down, Moses—arr. Becki Slagle Mayo &
Dale Zarlenga. The upbeat swing treatment
of this well-known spiritual contains carefully
planned voice leading with some optional divisi
and a supportive accompaniment. Artful chord
voicings effectively showcase the rich sonorities
of male voices.
10990388 TBB or TTBB . . . . . . . . . . . ME 2.20
Gospel Train—arr. Lon Beery. Specifically
designed for middle school treble or tenor-bass
choirs, this upbeat setting of a traditional spiritual
has energy and panache to spare! Designed for
changing and developing voices, this fun-to-sing
piece will offer a fun programming option.
10990232 SSA. . . . . . . . . . . . . . . . . . . ME 1.95
De Great Gettin' Up Mornin'—arr. Rollo Dilworth.
A common theme among African American
spirituals is "the great judgment day" and the idea
of hoping for a better tomorrow. Incorporating
quotes from Great Day and I Wanna Be Ready as
well as original verses with a stylish gospel piano
accompaniment, Dilworth layers melodies and
strong harmonies in a dynamic concert gospel
arrangement that explores these important
themes in their historical context.
11001446 SSATB . . . . . . . . . . . . . . . . ME 2.25
De He's Got the Whole World in His Hands—arr.
Rollo Dilworth. This gospel-style spiritual setting
for children's choir is a sensitive arrangement in
a slow groove. Opening with a statement of the
well-known tune in unison, the piece then allows
each voice part to shine with the melody after
splitting into parts. The supportive piano part adds
authenticity to the soulful choral writing.
10980975 Three-Part Treble or SSA. . ME 2.10
t How Can I Keep from Singing?—arr.
Mark Patterson. Here is a stunning a cappella
arrangement of this beloved Robert Lowry hymn
for treble choirs! A combination of sustained and
descending vocal lines create harmonies that
travel close together, then farther apart in a fresh
take on the classic American style. Lyrical lines
and effective voice leading in each part create
an experience that is musically satisfying for your
choir with high performance value. Exquisite!
10996362 SSA. . . . . . . . . . . . . . . . . . . ME 2.10
t I Heard from Heaven Today—arr. Brent Wells.
This setting builds from melancholy reflection
to an outpouring of joy, with tempo changes,
solo fragments, a little divisi, and some rhythmic
diversity along the way. Some extended vocal
lines, with quite a few teaching and learning
opportunities.
10994214 SSAA . . . . . . . . . . . . . . . . . . M 2.60
I'm On My Way—Anthony Trecek-King.
Rhythmic, driving, and intense, this is a rich
selection for three-part treble choruses. A lesser-
known spiritual speaking to themes of home,
journey, and trial, this is an accessible and
dynamic arrangement.
10980921 SSA. . . . . . . . . . . . . . . . . . . ME 2.75
Kumbaya—arr. Teresa Jennings. This arr-
angement is quite unique as it is done in a
somewhat lively African style instead of the
usual folk-style arrangement. Performance
options include singing a cappella, or add some
percussion instruments - like congas, djembe,
udu, log drum, shekere, and shells to really
spice it up.
11106921 Three-Part Mixed . . . . . . . . ME 1.95
De Lift Every Voice and Sing—J. Rosamond
Johnson/arr. Rollo Dilworth. This beloved
anthem of the civil rights movement retains
its gospel flavor in this accessible two-part
arrangement. Mostly in unison with some simple
harmonies, this version is appropriate for use by
most choirs. A supportive piano accompaniment
completes the feel.
11001656 Two-Part. . . . . . . . . . . . . . . ME 2.10
e Lift Up My Spirit—Jim Papoulis. Written to
honor Rollo Dilworth, whose feel and insight for
choral gospel music is reverent and accessible to
all, this composition incorporates lyrical quotes
from some of Rollo's great arrangements, layering
them in a gospel style. This is pure joy and fun!
10998245 SATB. . . . . . . . . . . . . . . . . . . M 2.50
De No Ways Tired—arr. Rollo Dilworth. This
traditional spiritual encourages us all to persevere
even in times of challenge and adversity. Set in a
gospel style with call and response and repeated
refrains, this work builds to a climactic chorus
bringing a spirit of empowerment and joyful
celebration to your concert. A dynamic selection
for mixed or treble choirs!
11001822 SSATB . . . . . . . . . . . . . . . . ME 2.10
e O! What a Beautiful City—Shawn Kirchner.
Inspired by the Joseph Jennings arrangement of
this same tune for Chanticleer, this arrangement
combines the five-syllable "halleluia" with the
timeless melody of the old spiritual. A true gospel
piano part provides support and drive, and it has
an an optional coda for that choir blessed with a
great gospel soloist. This is a concert closer of the
highest order.
10988050 SSSAAA . . . . . . . . . . . . . . . . M 2.50
De Swing Low: A Spiritual Medley—arr.
Rosephanye Powell. This exciting new setting for
SSA voices begins with Swing Low, Sweet Chariot
followed by Deep River then Nobody Knows the
Trouble I've Seen. In the final section, it gloriously
combines all three melodies to "Glory, hallelujah!
Comin' for to carry me home." The luscious
harmonies and surprising dissonances propel the
piece with longing and desire. Exquisite!
10981282 SSA. . . . . . . . . . . . . . . . . . . ME 2.25
De This Train Is Bound for Glory—arr. Rollo
Dilworth. Dilworth's take on the classic spiritual
doesn't disappoint! With a gospel piano part to
match your singers as an equal and vital character
in the song, the chugging of the tempo and the
steady building of the vocals click-clack together
in glory indeed! Cascading lines of "this train"
repeat throughout the piece, and a short a cappella
section in the middle really showcases your mixed
choir. Great intergenerational choir selection for
community ensembles.
11002153 SATB plus
Children's Choir . . . . . . . . . ME 2.25
Wade in the Water—arr. Dan Davison. Written
specifically with young developing choirs in
mind, this exciting spiritual arrangement features
comfortable vocal ranges and easy-to-learn
choral parts. This rhythmic setting abounds with
solo opportunities for a variety of voice types and
presents outstanding teaching opportunities for
style and historical context. Equally appropriate
for the concert stage or worship service.
10990226 SA . . . . . . . . . . . . . . . . . . . . ME 2.25
te Who Will Be a Witness?—arr. Kirby Shaw.
This contemporary setting of the wildly popular
spiritual is spirited and imaginative. Percussive
and rhythmic vocals fill this work colored with jazz
harmonies and supporting a legato melody shared
by all vocal parts. A stunning a cappella work!
10998765 SATB. . . . . . . . . . . . . . . . . . ME 2.10
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