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H Cantique de Jean Racine—Gabriel Faure/arr.
John Rutter. John Rutter has done an exceptional
job of editing this standard Gabriel Faure work. No
library is complete without this!
1629864 SATB . . . . . . . . . . . . . . . . . . . .5.50
1952571 SSAA . . . . . . . . . . . . . . . . . . . .3.95
10642594 Full Score . . . . . . . . . . . . . . . .23.95
H Cantique de Jean Racine—Gabriel Faure/
ed. Zipper. Probably Faure's best known and
most often done work next to his "Requiem," the
lovely melodic lines are over triplet figures in the
accompaniment which can be done on piano or
harp or with a small orchestra.
201335 SATB . . . . . . . . . . . . . . . . . . . .2.25
lL Cry Out and Shout—Knut Nystedt. This bright
t
and festive a cappella work is set for SSATTB
voices. Since 1956, Cry Out and Shout has become
a standard in choral literature for both festival and
church choirs. The SSAA and TTBB versions have
been adapted by Tim Sarsany.
4092573 SSATTB . . . . . . . . . . . . . . . . . .2.05
11196157 SSAA divisi . . . . . . . . . . . . . . . .2.05
11196158 TTBB divisi . . . . . . . . . . . . . . . .2.05
HL Dies Irae—W.A. Mozart/arr. Patrick Liebergen.
This edition of the well-known choral masterwork
from Mozart's "Requiem," now available for mixed,
TTBB, and SSAA voices, has become a standard for
today's choirs. Patrick Liebergen has re-scored the
keyboard accompaniment and transposed the work
down a major second to make it more accessible
for accompanists and singers. Generally considered
Mozart's last musical sketch, it was featured in the
closing scenes of the movie "Amadeus."
1860873 SATB . . . . . . . . . . . . . . . . . . . .2.05
1860881 SAB . . . . . . . . . . . . . . . . . . . . .2.05
10881594 SSAA . . . . . . . . . . . . . . . . . . . .2.05
10274863 TTBB . . . . . . . . . . . . . . . . . . . .1.80
10275227 Multi-Song
Accompaniment CD . . . . . . . .44.99
4t Dominus Vobiscum—Jacob Narverud. This
powerful, flowing a cappella work in Latin opens
with a beautiful unison chant and closes with a quiet
"Amen." It is infused with interesting and varied
harmonies, changing meter, and dramatic dynamics.
This will bring out the musicianship of your a cappella
voices very nicely! Now available in SATB.
11195040 SATB . . . . . . . . . . . . . . . . . . . .1.95
10735148 SAB . . . . . . . . . . . . . . . . . . . . .1.95
10510012 SSA . . . . . . . . . . . . . . . . . . . . .1.95
10584802 TBB . . . . . . . . . . . . . . . . . . . . .1.95
Lt Down in the River to Pray—arr. Jace Wittig.
The Facebook video of the Colorado All-State Treble
Choir singing this piece from the balconies in the
hotel lobby of the Hilton Fort Collins has gone viral
for good reason! This a cappella arrangement
of the folk hymn made popular in the movie "O
Brother, Where Art Thou?" utilizes effective body
percussion, compelling harmonies and an authentic
vocal style to create an unforgettable choral piece.
10999983 SSAA . . . . . . . . . . . . . . . . . . . .2.50
H
Eatnemen Vuelie (Song of the Earth)—Frode
Fjellheim/arr. Emily Crocker. The opening musical
number from the Disney animated feature
"Frozen," this song is inspired by indigenous Saami
and Norwegian culture, a combination of Saami
yoiking and the Danish Christmas hymn Dejlig er
jorden, or Fairest Lord Jesus, by B.S. Ingemann.
Yoik is a very old vocal tradition among the Saami
people of Scandinavia and Russia, characterized
by short melodic phrases that repeat again and
again, with small variations. With English, German
and Norwegian versions of the text, synthesizer,
percussion and optional male yoik.
10519311 SATB . . . . . . . . . . . . . . . . . . . .2.50
10519310 SAB . . . . . . . . . . . . . . . . . . . . .2.25
10519158 Two-Part. . . . . . . . . . . . . . . . . .2.15
3298108 SSAA . . . . . . . . . . . . . . . . . . . .2.25
Ht Esto Les Digo—Kinley Lange. This a cappella
setting of Matthew 18 in Spanish has attracted a
lot of attention, and has already seen considerable
festival activity. The English translation of the text is
also shown: "Where two or three are gathered in
My name, there will I be also."
3294848 SATB . . . . . . . . . . . . . . . . . . . .1.70
Lt Even When He Is Silent—Kim Andre Arnesen.
Commissioned by the St. Olaf Festival in
Trondheim, Norway, Even When He Is Silent
masterfully expresses the sentiment of the text -
hope in times of despair. Beautifully melodic, with
rich harmonic texture, this is a stunning work for
better a cappella choirs! "I believe in the sun even
when it is not shining..."
10543959 SSAATTBB . . . . . . . . . . . . . . . .2.55
10499591 SSAA . . . . . . . . . . . . . . . . . . . .2.85
10882573 TTBB . . . . . . . . . . . . . . . . . . . .2.85
Exaudi Laudate—Beverly Patton. This high-
energy piece in a contemporary style is perfect as
an opener in a concert or festival setting. Featuring
a Latin text, the opening fanfare-like section leads
to a contrapuntal middle section before returning
to the opening ideas. The piano accompaniment is
both complimentary and challenging.
10736738 SATB . . . . . . . . . . . . . . . . . . . .2.20
3136959 SSA . . . . . . . . . . . . . . . . . . . . .2.20
t Exsultate—Jacob Narverud. An exciting a cappella
work with divisi, characterized by driving rhythms,
dense harmonies, and multiple rhythmic ideas that
weave in out of the mixed and changing meters with
a different and uncommon structure that allows one
section to seamlessly fold into the next.
10956688 SATB . . . . . . . . . . . . . . . . . . . .2.00
4L Exsultate! Jubilate!—Kyle Pederson. This
unique setting pairs the iconic Latin text with a
new, original English text which responds to the
question: Why do we rejoice and shout our praises
to God? The music captures the energy, rhythm,
and exuberance inherent in the phrases "exsultate
Deo" and "jubilate Deo," but also reflects the quiet
joys found in gratitude for the daily gifts of breath
and light. The piano accompaniment is rhythmic
and lively.
11197399 SATB . . . . . . . . . . . . . . . . . . . .2.60
11208080 SSAA . . . . . . . . . . . . . . . . . . . .2.60
H A Gaelic Blessing—John Rutter. This extra-
ordinary setting of the traditional Gaelic text has
been a perennial standard ever since its original
publication in 1978. It's a strong choice for more
experienced choirs.
1307933 SATB . . . . . . . . . . . . . . . . . . . .2.70
4799441 Instrumental Parts. . . . . . . . . .40.95
10650736 Full Score . . . . . . . . . . . . . . . .24.25
4825725 Handbells 3/5 Octaves . . . . . . .2.50
Ht Gaudete!—arr. Michael Engelhardt. From
Piae Cantiones, this setting of Gaudete! is in a
progressive style, yet well suited to the medieval
melody. Its energy is derived from the accented
rhythms and dance-like percussive elements, all
adding to the joyous nature of the piece. Percussion
parts for four players are available separately.
10467505 SATB . . . . . . . . . . . . . . . . . . . .2.65
10276399 SSA . . . . . . . . . . . . . . . . . . . . .2.60
10304776 TTBB . . . . . . . . . . . . . . . . . . . .2.50
10968325 Full Score and Percussion Parts
for SATB . . . . . . . . . . . . . . . . .20.00
10276400 Full Score and Percussion Parts
for SSA . . . . . . . . . . . . . . . . . .20.00
10968326 Full Score and Percussion Parts
for TTBB . . . . . . . . . . . . . . . . .20.00
l Gloria—Rollo Dilworth. With a fun gospel
texture, this work sets the Latin text with a bluesy
groove. A marvelous piano accompaniment
provides support for rhythmic choral parts
which are written with musically satisfying yet
achievable harmonies. Impressive!
11204342 SATB . . . . . . . . . . . . . . . . . . . .2.10
Gloria Fanfare—Jeffery L. Ames. Pull out all the
stops with this majestic Latin setting for holiday and
festival performances! It's a big, impressive concert
opener that is only five to six minutes in duration.
Optional general English text is included to make it
suitable for performances all year round. Include two
trumpets (part included) and it will raise the roof!
10090797 SSAATTBB . . . . . . . . . . . . . . . .2.65
10276420 TTBB . . . . . . . . . . . . . . . . . . . .2.35
10276421 Brass & Percussion . . . . . . . . .40.00
Gloria from Missa Kenya—Paul Basler. This
impressive work is filled with wonderful rhythms.
Featuring African drums and hand claps, it is
composed for tenor solo (performable by soprano)
with choral backup. A joyful, vibrant work!
5439260 SATB . . . . . . . . . . . . . . . . . . . .1.95
HL Gloria in Excelsis—Antonio Vivaldi/arr. Martens.
The opening movement from Vivaldi's "Gloria" is a
choral standard that is a recognized masterwork
of the Italian Baroque period. It's a solid choice for
holiday concerts or festival appearances!
662585 SATB . . . . . . . . . . . . . . . . . . . .2.55
lL Gloria in Excelsis Deo—Jay Althouse. For
Christmas or any time of year, this contemporary
setting of the traditional Latin text features
mixed meter throughout. Rhythmic patterns are
repeated and layered in open harmonies to create
a stark palette, which is beautifully contrasted
with an optionally a cappella middle section of
closer harmony.
11196484 SATB . . . . . . . . . . . . . . . . . . . .2.05
11196485 SSAA . . . . . . . . . . . . . . . . . . . .2.05
t The Glory of the Father—Egil Hovland/arr.
Pooler. Beginning in a short free meter, almost
chant-like setting, this a cappella work is a great
way to show your choir at its best.
978858 SATB . . . . . . . . . . . . . . . . . . . .2.60
HL Grace Before Sleep—Susan LaBarr. Sara
t Teasdale's poem of thanks inspired this beautiful,
melodic setting for a cappella choir. A quiet opening
builds into a gorgeous, resounding climax before
coming to a more reflective, thankful close. The
piece could provide a tender, thoughtful ending to a
concert, or be part of a theme of thanksgiving.
10291013 SATB . . . . . . . . . . . . . . . . . . . .2.15
10482018 SSAA . . . . . . . . . . . . . . . . . . . .2.15
H The Ground (Pleni sunt caeli)—Ola Gjeilo. This
luscious setting of the traditional Latin text from the
"Mass" is one that will give your high school choir a
big, rich sound without being too difficult. Thorough
performance notes give interesting insights into the
composer's process and his desired interpretation
of the work.
10276430 SATB . . . . . . . . . . . . . . . . . . . .2.75
10297378 Strings . . . . . . . . . . . . . . . . . .40.00
Ht Hark, I Hear the Harps Eternal—arr. Alice Parker.
Now all choirs can enjoy this famous hymntune
arranged by Alice Parker, originally written for The
Robert Shaw Chorale. The strong walking pulse
and juxtaposed motives have made it exceptionally
popular for over 40 years.
4004693 SATB . . . . . . . . . . . . . . . . . . . .2.05
3147212 SSAA . . . . . . . . . . . . . . . . . . . .2.05
10047605 TTBB . . . . . . . . . . . . . . . . . . . .1.85
t
Heavenly Home—arr. Shawn Kirchner. A collection
of three early American folk hymns: Hallelujah,
a six-part a cappella setting of the Sacred Harp
tune; Angel Band, an eight-part a cappella setting
of the beloved William Bradbury tune set to
Jefferson Hascall's text; and Unclouded Day, an
eight-part a cappella setting of the treasured gospel
tune by J.K. Alwood.
10954054 SATB . . . . . . . . . . . . . . . . . . . .4.25
His Light in Us—Kim Andre Arnesen.
Commissioned by the St. Olaf Choir for the
2016 St. Olaf Christmas Festival, this work is
a thanksgiving, a song about the gift of a tiny
child that suggests that only the nature of love is
changeless. It sings about our renewed hope and
how light now shines because Christmas is a new
and refreshing gift; our hearts are renewed, and
our hope is renewed. This joyful reflection was
written for Christmas, but can be sung at any time
of year as a song of hope.
10773131 SATB . . . . . . . . . . . . . . . . . . . .2.10
In Remembrance—Jeffery Ames. Performed to
acclaim by the 2005 National ACDA High School
Honor Choir, this moving tribute by the talented
Jeffery Ames will touch the hearts of your choir
and audience alike. Scored for voices and piano
with optional F horn. Parts are included for Bb or C
instrument as well.
3302880 SSAATTBB . . . . . . . . . . . . . . . .2.85
lD Jubilate—W.A. Mozart/arr. John Leavitt. This
adaptation of Mozart's choral work has been
carefully edited with dynamics and phrasings
to help choirs realize the composer's intentions
and perform this classic with stylistic integrity.
Singers will love the light style and melismatic
passages that come with performing a work from
the Classical period. Ideal for vocal training and
development, too!
3304094 SATB . . . . . . . . . . . . . . . . . . . .2.35
11201162 SSA . . . . . . . . . . . . . . . . . . . . .2.10
L Jubilate Deo—Peter Anglea. This superb setting
of the traditional Latin text from Psalm 100 fairly
dances off the page in joy! Singable, natural-
sounding mixed meter, a memorable melodic line,
and a buoyant feel throughout make this one of the
most appealing and musically satisfying works you
will hear. Highly recommended!
10445795 SATB . . . . . . . . . . . . . . . . . . . .2.55
10873705 SSAA . . . . . . . . . . . . . . . . . . . .2.55
t
The Lamb—John Tavener. Since its publication in
1982, this a cappella setting of the famous poem
by William Blake has been a worldwide favorite.
1885847 SATB . . . . . . . . . . . . . . . . . . . .2.95
H
The Last Words of David—Randall Thompson.
What library would be complete without this
exquisite piece by Randall Thompson? A dramatic
work on the text of II Samuel 23:3,4 that runs the
spectrum of dynamics and demands vocal control.
341016 SATB . . . . . . . . . . . . . . . . . . . .2.35
4t Laus Trinitati—Faith Morgan. This majestic work
uses text by Saint Hildegard of Bingen that speaks
of the mystery of the Trinity and of God's creation.
Pentatonic and written with great skill in counterpoint
and voice-leading, this impressive, earthy work will
come together easily for high school, university, and
community tenor-bass choruses.
11105249 TTBB . . . . . . . . . . . . . . . . . . . .2.75
lt Lead, Kindly Light—John B. Dykes/arr. James
L. Stevens. "Lead, kindly Light, amid the encircling
gloom; the night is dark, and I am far from home;
lead thou me on! Keep thou my feet; I do not ask
to see the distant scene; one step enough for me."
This gorgeous inspirational song offers hope along
life's journey amid challenging circumstances.
Made famous by Brigham Young University's
a cappella group BYU Vocal Point, this tender
a cappella divisi setting offers encouragement for
the road ahead.
11204274 TTBB divisi, or TTTTBBBB . . . . .2.95
L Let All the World in Every Corner Sing (Antiphon
from "Five Mystical Songs")—Ralph Vaughan
Williams/arr. Craig Courtney. A stunning, 4-hand-
accompanied setting of the George Herbert/Ralph
Vaughan Williams classic, adapted and edited by
Craig Courtney. The masculine energy of Vaughan
Williams song of praise makes it particularly
adaptable for men's choir. You will find it very
effective as a concert opener or closer.
10094687 SATB with 4-Hands Piano . . . . .2.25
10805752 TTBB with 4-Hands Piano . . . . .2.25
