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MULTICULTURAL & WORLD MUSIC
Ht Sesere Eeye—arr. Mark O'Leary. Written for SSA
with percussion accompaniment, this piece is a
traditional song and dance from the Torres Strait
Islands. Dance movements are notated in the score.
10001408 SSA . . . . . . . . . . . . . . . . .ME 2.15
H Shake the Papaya Down—arr. Ruth Dwyer
& Judith Waller. A thoroughly delightful calypso
number which can easily be enhanced by
the addition of conga, maracas and/or claves
(suggested rhythms are included in the
performance notes). This is pure fun for three-part
treble voices!
1925650 SSA . . . . . . . . . . . . . . . . . . E 1.85
H Shalom Chaverim—arr. Catherine Delanoy. This
flexibly-voiced setting of the ever-popular Hebrew
song works equally well for three-part mixed, SAB
or SA voices. Any way, the canonic treatment of
the melody, lush choral harmonies and artful
accompaniment create a hauntingly beautiful
effect. This is an exceptionally fine choice for
holiday or spring concerts. Highly recommended!
10045962 Three-Part Mixed SAB or SA . . .2.50
Shiru L'Adonai—arr. David Neches. This
well-known Hebrew blessing, set canonically,
is rhythmically interesting and exciting. The
simple Hebrew text, which translates as "Sing to
God a new song. Sing to God all the earth," has
universal appeal and is appropriate any time of
year. Highly recommended!
10509877 Three-Part Mixed . . . . . . . . . . .1.95
10501200 Two-Part. . . . . . . . . . . . . . . . . .1.95
H
Shoshone Love Song (The Heart's Friend)—
arr. Roger Emerson. This tender setting of a
Native American poem has become a standard
in the choral repertoire. With extended legato
phrasing, delicate musicality, and a simple piano
accompaniment that supports the expressive vocal
textures, this is a top choice for concert or festival
programming! Highly recommended!
10303135 SATB . . . . . . . . . . . . . . . . . . . .2.10
1816149 SAB . . . . . . . . . . . . . . . . . . . . .2.10
10455151 SSA . . . . . . . . . . . . . . . . . . . . .2.10
1816131 Two-Part. . . . . . . . . . . . . .ME 2.10
1960988 TBB . . . . . . . . . . . . . . . . .ME 2.10
Shule Aroon—arr. Ruth Elaine Schram. Create
your own Celtic experience with your choir when
you perform this authentic setting of the eighteenth-
century Irish folk song. A mixture of thoughtful
rubato and energetic rhythms, a Gaelic chorus -
written phonetically throughout - and an optional
violin obbligato all contribute to the lively Celtic
flavor and flair.
10519887 SATB . . . . . . . . . . . . . . . . . . . .2.20
10366682 SSA . . . . . . . . . . . . . . . . . . . . .2.20
10366683 P/A CD . . . . . . . . . . . . . . . . . .26.95
4 Sigue—Ivette Herryman Rodriguez. A lively
and fun selection in Spanish, featuring a piano
accompaniment characteristic of Cuban rhythms
and harmonies. This is an impressive concert or
festival piece for any choir.
11172727 SATB . . . . . . . . . . . . . . . . .M 2.85
10513282 SSAA . . . . . . . . . . . . . . . . .M 2.85
H
Sih'r Khalaq—Jim Papoulis. Sih'r Khalaq explores
the world of Arabic rhythms, textures, and style
in the interest of global fusion. The phrase "sih'r
khalaq" describes the kind of magic that exists in art
- magic that transforms and grows, and permeates
the soul. It literally means "creative magic."
10439099 SSAA opt. percussion . . . . . . . .2.50
t
Sililiza (Hear Me)—Jim Papoulis. This
energetic, uplifting work fuses the rhythms of
African, American and Latin cultures, and uses
a text primarily in Swahili but interspersed with
phrases in Spanish. Supported by shaker, djembe
and agogo bells, the middle section has the feel
of a cultural celebration, with layers of spoken
words that lead us to the understanding, "listen,
hear, stand strong."
10308983 SATB . . . . . . . . . . . . . . . . . . . .2.50
10308985 SSAA . . . . . . . . . . . . . . . . . . . .2.50
4L Sim Shalom—Jennaya Robison. Written around
the theme Prayers for Peace, the melodic
material seems reminiscent of music that one
would hear in a Hebrew morning service, with a
melody that the singers and listeners will carry
with them throughout the entire day. The piece
can be performed in a variety of ways: as an
unaccompanied work (beginning at measure 8),
with piano, or with string quartet.
11197381 SATB opt. a cappella. . . . .ME 2.05
4L Singabahambayo—Victor C. Johnson. Fun to
t
sing and surprisingly rehearsal-friendly, this South
African musical celebration of freedom and hope
is sure to have instant appeal. Lending itself to
simple stage choreography and with an exciting,
driving beat throughout, it will enthrall choirs and
audiences alike.
10736801 SATB . . . . . . . . . . . . . . . .ME 2.20
10513128 Three-Part Mixed . . . . . . .ME 2.35
10882886 Two-Part with
piano accompaniment. . . .ME 2.20
11172871 TTB. . . . . . . . . . . . . . . . . .ME 2.35
11199207 P/A CD . . . . . . . . . . . . . . . . . .29.95
10882911 Multi-Song
Accompaniment CD . . . . . . . .44.95
t Sisi Kushangilia (We Will Be Glad)—Victor
C. Johnson. Exuberant rhythmic energy abounds
in this African-style original! The Swahili text
of only four words translates: "We will dance!
We will sing! We will be glad!" The only
accompanying instruments are shaker, hand
drum and djembe, which add an authentic flavor
and texture to this celebratory and accessible
multicultural selection.
10998118 SATB . . . . . . . . . . . . . . . .ME 2.10
10602840 Three-Part Mixed . . . . . . .ME 2.10
10602842 Two-Part. . . . . . . . . . . . . .ME 2.10
10998119 SSA . . . . . . . . . . . . . . . . .ME 2.10
10648422 P/A CD . . . . . . . . . . . . . . . . . .27.95
L Sisi Ni Moja—Jacob Narverud. Ever clever,
composer Narverud came up with a highly rhythmic
celebratory composition. The title translates "We
are one", the theme being that all human beings
have much in common. The energetic djembe sets
the tone, the piano adds its own rhythmic design,
and the singers dramatically deliver the message.
10593109 SATB . . . . . . . . . . . . . . . .ME 2.25
10776380 SA . . . . . . . . . . . . . . . . . .ME 2.20
10860605 TBB . . . . . . . . . . . . . . . . .ME 2.25
4t Siyahamba—arr. Ruth Morris Gray. Perhaps the
most well-known South African song, but offered
here in a unique arrangement with original
material in between verses that layers in with
the traditional melody and harmonies. Ranges
are reasonable, and the well-crafted harmonies
are singable, rhythmic, and easy to master. Both
the Swahili and the English text are utilized for a
cohesive experience. Suggested percussion lines
are there for shaker, djembe, and bongos to add
to the lively texture.
11198942 SATB . . . . . . . . . . . . . . . .ME 2.25
11198943 SAB . . . . . . . . . . . . . . . . .ME 2.25
11198944 Three-Part Treble . . . . . . .ME 2.25
Lt Siyahamba—arr. Russell Robinson. This authentic
arrangement of a traditional Zulu folk song
opens slowly, then picks up the tempo as the
drums enter. Frequent repetition and accessible
harmonic lines broaden the appeal, and the
final verse has a soprano descant. Included are
performance/background materials as well as a
pronunciation guide.
10990382 Three-Part Mixed . . . . . . .ME 2.35
4L Siyalabelela! (We Are Singing!)—Victor C.
t
Johnson. Make the transition to unaccompanied
singing with this effective, highly spirited a cappella
setting of several life-affirming Zulu phrases: "We
are singing now. Be well. Be alive. Happiness to
you!" Percussion parts introduce the piece and
provide rhythmic drive and are included in the score,
along with a pronunciation and translation guide.
11195442 Three-Part Mixed . . . . . . .ME 2.20
11194858 Multi-Song
Accompaniment CD . . . . . . . .44.95
Ht Son de Camaguey—Stephen Hatfield. An
outstanding cross-cultural feature! With percussion
as the only accompaniment (included in the octavo),
this arrangement of the Cuban folk song is a
vibrant, exciting salute to our Caribbean neighbors.
The infectious rhythmic pulse just won't quit!
3148822 SATB . . . . . . . . . . . . . . . .ME 2.50
10308997 SSAA . . . . . . . . . . . . . . . .ME 2.50
10308999 TTBB . . . . . . . . . . . . . . . .ME 2.50
t
Son de la Vida (Son Veracruzano)—Jose
Galvan. This upbeat a cappella piece is truly a
celebration. Including vocal percussion throughout,
the dynamic rhythms, contrasting sections,
interplay between the vocal lines and the text
"Therefore, let's enjoy the delicious sound of life!"
call each of us to celebrate life while making us
want to join the song! Spanish text with phonetic
pronunciation and translation given.
10948737 SSATB . . . . . . . . . . . . . . .MA 2.75
t
Sorida (A Zimbabwe Greeting)—Rosephanye
Powell/arr. William C. Powell. "Sorida" is a term
of greeting in the Shona language of Zimbabwe,
similar to "shalom" in Hebrew or "jambo" in Swahili.
This massive original work features six percussion
instruments, layered divisi vocal patterns, a joyful
solo, and a passage for semi-chorus or vocal trio.
With both secular and sacred texts, this is a tour
de force for festivals or accomplished choirs and
a totally unforgettable musical experience! Now
available in accessible mixed and treble voicings!
3296959 SSAATTBB . . . . . . . . . . . .MA 2.25
10688398 SSAB . . . . . . . . . . . . . . . .MA 2.25
10688399 SSAA . . . . . . . . . . . . . . . .MA 2.25
10558326 TTBB . . . . . . . . . . . . . . . .MA 2.25
H South African Suite—arr. Henry Leck. Capitalizing
on the strong vocal tradition of South Africa, Henry
Leck, the founder and director of the Indianapolis
Children's Choir, has created a mesmerizing suite
of South African folk and freedom songs. Included
are: Tshotsholoza; Siyahamba and Gabi Gabi. A very
clear pronunciation guide is also included.
1863687 SAB . . . . . . . . . . . . . . . . . . E 1.85
4980686 SSA . . . . . . . . . . . . . . . . . . E 1.85
D
Soy un Coya Chiquitito—arr. R. Eben Trobaugh.
A traditional folk tune sung by children and families
throughout Bolivia, Chile, and Argentina, this South
American piece is an ideal multicultural selection
for young treble choirs. Plenty of unison and some
simple sections of harmony and canon make this a
quick learn. The Spanish text is supported with a
pronunciation guide and translation for your singers.
10981293 Two-Part. . . . . . . . . . . . . .ME 2.10
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