42020 Editors' Choice lNew HBasic Library tA Cappella LLarge Print Edition ePrint DDownload (MP3s, PDFs & more) All Prices in U.S. Dollars & Subject To Publisher Revision
140
CONCERT
MUSIC
Go to cart
MULTICULTURAL & WORLD MUSIC
H Stand Together—Jim Papoulis. From Jim
Papoulis' Sounds of a Better World series, this
original piece should be performed with an Irish
flair that evokes a distant longing and yet is very
hopeful in the present. The beginning of the song
is gentle and soothing; gradually, the energy starts
to increase, leading up to the refrain, "If we stand
together, we will sing forever of the dreams growing
in our hearts..."
10012627 Three-Part Treble . . . . . . . . . . .2.25
10029708 SSAB . . . . . . . . . . . . . . . . . . . .2.15
10013045 P/A CD . . . . . . . . . . . . . . . . . .26.99
H
Stodola Pumpa—arr. Mark Weston. With Stodola
Pumpa, Mark Weston offers an updated treatment
of this favorite Czech folk song. The rollicking tune,
dynamic accompaniment, and invigorating text all
combine to create an entertaining and accessible
setting that will add a clever contrast to your concert
or festival program.
10443064 SATB . . . . . . . . . . . . . . . . . . . .2.20
10307456 Three-Part Mixed . . . . . . . . . . .2.20
10307457 Two-Part. . . . . . . . . . . . . . . . . .2.20
10457320 SSA . . . . . . . . . . . . . . . . . . . . .2.20
10302664 TBB . . . . . . . . . . . . . . . . . . . . .2.20
10307458 P/A CD . . . . . . . . . . . . . . . . . .26.95
lL Sukkat Shelomekha—Marjan Helms. With a
traditional Hebrew text drawn from the Hashkiveinu,
a traditional prayer in the Jewish evening service,
this beautiful melody, accompanied by violin
obbligato, is haunting, yearning and hopeful all at
the same time.
11190449 SA . . . . . . . . . . . . . . . . . .ME 2.15
4 Suliko—Brent Wells. Perhaps the most well-known
folk song from the country of Georgia, the poem
speaks of lost loved ones who can still be found
in "the rose's bloom, the nightingale's song, and
the star's shining light." Lovely vocal writing with a
beautiful and supportive piano accompaniment.
11162832 SATB . . . . . . . . . . . . . . . . .M 2.85
Ht Tambur (Old Hungarian Dancing Song)—arr.
Lajos Bardos. Few choral arrangements capture the
essence of Hungarian folk music as well as this one
does. With the original Hungarian as well as English,
it is an outstanding cross-cultural selection that
continues to be a popular choice year after year.
1405018 SATB . . . . . . . . . . . . . . . . .M 3.25
lD Tenho Todos os Sonhos (I Have All the Dreams)
—Daisy Fragoso. Using both English and
Portuguese text, this diverse piece is set in a
wonderful Brazilian samba style with piano and
optional percussion. Its message of hopes and
dreams being fulfilled will resonate with any singers
of all ages. This piece offers the opportunity to
explore the poetry and to study the style and culture
of Brazil while providing a dynamic performance
piece for treble choirs.
11171480 Two-Part. . . . . . . . . . . . . .ME 2.50
Lt Thixo Onothando—arr. Michael Barrett.
A popular South African song of praise, the
texture is dominated by three soloists who portray
leadership roles in the community. Layering choral
parts develop the harmonic structure, while free
interpretation of clapping, stomping, percussion and
movement are encouraged. Cascading hosannas
in the final section add a special dimension to the
otherwise rhythmic a cappella setting. Exciting!
10882559 SATB . . . . . . . . . . . . . . . .ME 2.60
lL Three Hungarian Folk Songs—arr. Zoltan
Kodaly/ed. Geoffrey Edwards. Three folk songs by
Zoltan Kodaly - My Garden, Gentle Waters, and
Little Pony - are presented with image-rich lyrics in
English and comfortable ranges for young voices.
The vocal line and piano accompaniment are true
to the composer's original. The three folk songs are
intended to be performed as a continuous suite with
a total duration of 3:35.
11172890 Unison . . . . . . . . . . . . . . .ME 2.05
11199223 Multi-Song
Accompaniment CD . . . . . . . .44.95
L
Thula Klizeo—Joseph Shabalala/arr. Leanne
MacDonnell. After successful voicings for 2-part and
SAB, it is right to provide an SATB voicing of this
delightful number. Joseph Shabalala, best known in
the U.S. for his collaboration with Paul Simon, gives
us a taste of Africa that is real and soulful. Great for
concerts and festival events. Easy.
10875661 SATB . . . . . . . . . . . . . . . . .M 2.15
10602869 SAB . . . . . . . . . . . . . . . . . .M 2.25
10454467 Two-Part. . . . . . . . . . . . . . .M 2.25
lL Thula Mama—arr. Brian Tate. This Zulu lullaby
t is tastefully arranged for a cappella treble voices.
One can almost smell the grasses on the plains and
feel the earth with this song. Tender and gentle, its
greatest feature is how well it brings in the flavors
of South Africa.
11199823 SSAA . . . . . . . . . . . . . . . .ME 2.10
Ton The—Jeanne & Robert Gilmore/arr. Susan
Brumfield. Based on a traditional French tongue-
twister, this clever piece is unique in the folksong
repertoire. If you do only one selection in French this
year, let this be the one!
3701025 SATB . . . . . . . . . . . . . . . . . . . .1.95
3701026 SA . . . . . . . . . . . . . . . . . . . . . .1.90
10023276 Xylophone & Drum Parts . . . . .11.00
HL Tongo—arr. Greg Gilpin. This traditional canoe
t
song from Polynesia sounds very impressive with
handclaps and percussion instruments adding to
the choral texture. The echoing voice parts suggest
people communicating from canoe to canoe as
they travel between islands. The Polynesian text
is simple, and a pronunciation guide is included.
A refreshing change of pace in the multicultural
category, this popular piece is now available for
mixed choirs!
10985245 SATB . . . . . . . . . . . . . . . . . E 2.20
10752388 SAB . . . . . . . . . . . . . . . . . . E 2.20
10515746 Two-Part. . . . . . . . . . . . . . . E 2.05
10514270 TB . . . . . . . . . . . . . . . . . . . E 1.90
H
Tres Canciones de Los Elementos (Three
Songs About the Elements)—Victor C. Johnson.
Wind, rain and fire are colorfully portrayed in this
marvelous set of contrasting short pieces. Each is
artfully crafted and infused with vivid imagery! A
Spanish pronunciation guide is included, as well as
optional English lyrics. This is a fabulous "creative
programming" choice. Highly recommended!
10190900 Three-Part Mixed . . . . . . . . . . .2.20
10068307 Two-Part. . . . . . . . . . . . . . . . . .2.20
10068312 P/A CD . . . . . . . . . . . . . . . . . .26.95
Ht Tres Cantos Nativos—arr. Marcos Leite. This
exciting work is freely based on three melodies sung
by the Kurao tribe - a group of native Brazilian indians
living in the forests of northern Brazil. Percussive
rhythms and vocal layers are enhanced with live
percussion instruments and effective hand claps
to bring unique musical colors to your concert hall.
A popular choice for festivals and all-state choirs.
5539655 SATB . . . . . . . . . . . . . . . .ME 1.80
3700438 SSA . . . . . . . . . . . . . . . . .ME 1.70
Ht Tshotsholoza (Go Forward)—arr. Jeffery
L. Ames. Now available for mixed or men's
voices, this rousing arrangement of the popular
South African freedom song has become a
standard in the choral repertoire. With call-
and-response vocals, Xhosa text, and rhythmic
percussion accompaniment, it transports the
listener to South Africa, where the song is
often referred to as the unofficial anthem of the
country. It was used in the soundtrack of the
Oscar-nominated movie "Invictus," and served
as South Africa's battle call at the 2010 World
Cup. This is essential multicultural programming!
Highly recommended!
10276407 SATB . . . . . . . . . . . . . . . . . . . .2.55
3304220 TTBB . . . . . . . . . . . . . . . . . . . .2.75
Lt Tuba—arr. Michael Barrett. This South African
song is believed to have originated during the difficult
Apartheid years and performed as a peaceful protest
song. Tuba is translated as "a dove," and the call
and response texture makes reference to the story
of Noah and the dove that brought an olive branch
after the great flood to signify that the worst is over.
The baritone soloist presents the initial melody while
the choir builds the harmonic structure in rhythmic
excitement. Improvised percussion and vocal
ululation are encouraged!
10882560 SATB . . . . . . . . . . . . . . . .ME 2.60
10882562 TTBB . . . . . . . . . . . . . . . .ME 2.60
Tue, Tue (Ghanaian Folk Song)—arr. Ruth
Morris Gray. Vocal ostinatos join one by one in
the opening of this rhythmic arrangement of an
authentic Ghanaian folk song. Unison lines, block
triads, and a reset of the dynamics in the choral
bridge are a blast. Repeated sections make for
quick learning and easy memorization. Plenty of
teaching moments here, along with a nice pulse
and groove that choirs will enjoy. A pronunciation
guide is included, and choreography is available on
the When We Sing! DVD.
10752447 SAB . . . . . . . . . . . . . . . . . . E 1.90
10752448 Two-Part. . . . . . . . . . . . . . . E 1.90
10752449 SSA . . . . . . . . . . . . . . . . . . E 1.90
10752450 TBB . . . . . . . . . . . . . . . . . . E 1.90
10752451 P/A CD . . . . . . . . . . . . . . . . . .27.99
10778379 DVD-When We Sing!. . . . . . . .39.99
Dt Tumekuja Kuimba (We Have Come to Sing!)—
Lynn Zettlemoyer. This vibrant, percussive original
a cappella work uses both Swahili and English
text to create a dynamic multicultural feature that
works great as an opener or processional. The
theme of "coming together to sing" allows for a
wealth of programming opportunities. The piece is
filled with musical learning using language, rhythm,
independent singing and harmonic expression. A very
cool riff, lots of repetition and simple ranges make it a
joy to rehearse and perform! Now available in three-
part mixed and two-part. Highly recommended!
10559026 SATB . . . . . . . . . . . . . . . .ME 2.10
10868791 Three-Part Mixed . . . . . . .ME 2.10
10868797 Two-Part. . . . . . . . . . . . . .ME 2.10
Turn the World Around—arr. Mark Hayes. Harry
Belafonte cowrote and recorded this feel-good
Jamaican-style piece which is based on the idea that
humanity is derived from the three basic elements:
fire, water and earth. Set in simple 5/4 meter, it's
catchy and fun, especially for younger choirs!
10511031 SATB . . . . . . . . . . . . . . . .ME 2.50
10511033 SAB . . . . . . . . . . . . . . . . .ME 2.50
10511034 Two-Part. . . . . . . . . . . . . .ME 2.50
10511036 P/A CD . . . . . . . . . . . . . . . . . .26.99
10511038E Instrumental Parts ePrint . . . . .25.00
t Twa Tanbou—Louis M. Celestin & Sydney
Guillaume. Fasten your seatbelts for this
showstopper! From Haiti, this piece is an excellent
festival selection for good high school choirs and
beyond. It tells a tale about three drums in playful
competition. The rhythms are handled with
ease, repeated patterns help quick learning, and
there is a complete pronunciation guide for the
Haitian language.
10046177 SATB . . . . . . . . . . . . . . . . . . . .3.30
lt Two a Cappella Italian Folk Songs for Emerging
Treble Choir—arr. Christi Jones. Two folk songs,
one Italian and one Tuscan, provide a wonderful
opportunity to shape vowels and unify the choir's
sound. Each piece begins in unison and gradually
adds voice parts for a gentle introduction to part
singing. This set will be particularly helpful at the
beginning of the year when your ensemble is just
getting to know one another.
11198010 SSA . . . . . . . . . . . . . . . . .ME 1.95
t Ubuntu—Christi Jones. Ubuntu, the essence of
being human, simply means we need each other,
are made better by each other, and cannot exist
as human beings in isolation. With traditional text
based on this African (Xhosa) philosophy, this
piece is sure to draw in any audience. While the
percussion is optional, it will add much to the
authenticity of the piece. Live with ubuntu!
10586782 SATB . . . . . . . . . . . . . . . .ME 2.50
10984558 TTBB . . . . . . . . . . . . . . . .ME 2.50
Ujedinite Se (Stand United)—Jim Papoulis.
This work has a mission: celebrate and unite the
different cultures in our society by offering an
upbeat and powerful anthem that includes Arabic,
Bosnian, Hebrew and English. An easy-to-read
phonetic pronunciation guide is included, removing
text barriers. Hand percussion parts are included in
the octavo.
10998274 SATB or SAB. . . . . . . . . . .ME 2.50
11100549E Instrumental Parts ePrint . .ME 5.00
e CAMBIATA
COLLECTION
Range-Ready Repertoire
for Developing TTB Choirs
Lon Beery. The transition from
treble to changed voice can be a
unique and challenging time for
young tenors and basses. Dr. Lon
Beery brings years of expertise as
a middle school choral educator
and clinician to this collection of
eight carefully curated chorals
written specifically to meet these
needs. Narrow vocal ranges for
each voice part allow singers to
find success as they navigate the
shifting demands of an evolving
vocal instrument. Tips for working
with developing singers and their
ranges as well as background
information on each song in the
collection are also included.
Reproducible student pages plus
complete demonstration and
accompaniment tracks make The
Cambiata Collection an exceptional
value! Titles included: Arirang;
Brothers in Song; Drink to Me Only
with Thine Eyes; Fillimiooriay; Hava
Nagila; My Heart's in the Highlands;
Vive l'Amour and When I First Put
This Uniform On.
11198483 TTB Reproducible Book
& Online Audio . . . . . . 49.99