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CONCERT
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SACRED medium-easy
lL Gaudeamus Hodie—Sonja Poorman. This ideal
concert or festival opener presents a fusion of
joyful Latin phrases and exuberant English text. A
contrasting "alleluia" section echoes legato lines
between paired parts. Conservative ranges and
easy-to-teach rhythms and harmonies make this
a great choice for younger mixed choirs to sound
their best.
11197147 SATB . . . . . . . . . . . . . . . . . . 2.05
4 Gaudeamus Hodie—Earlene Rentz. The strong,
driving rhythms and exciting dynamic contrasts
of this Latin setting will keep your audience
and choir engaged right up to the final vigorous
"Hallelujah!" Very catchy, fun to sing and easy
to sound good on, this piece will work well as
a processional or opener. Now available in a
unison voicing.
10047633 SATB . . . . . . . . . . . . . . . . . . 2.25
10047632 Three-Part Mixed . . . . . . . . . 2.25
10303379 Two-Part . . . . . . . . . . . . . . . 2.25
11197748 Unison . . . . . . . . . . . . . . . . . 1.95
10303381 SSA . . . . . . . . . . . . . . . . . . . 2.25
10510042 TBB . . . . . . . . . . . . . . . . . . . 1.95
D
Gloria (from "Heiligmesse")—Franz Joseph
Haydn/arr. John Leavitt. This chorus from
Haydn's "Heiligmesse" is an ideal introduction to
Classical style for treble choirs. Explore musical
phrasing, quality tone production, and pure
vowels with this simple Latin text and classic
phrase structure. Add the chamber orchestra for
a truly exceptional experience.
11001414 SSA . . . . . . . . . . . . . . . . . . . 2.10
11001416 P/A CD . . . . . . . . . . . . . . . 26.99
11001417E Orchestration Chamber. . . . 35.00
lL Gloria—Wenzel Muller/arr. Geoffrey Edwards.
Representative of the Classical period, Muller's
masterwork Gloria is presented in an easy-
to-learn arrangement. With mostly step-wise
motion, as well as comfortable ranges in all
parts plus careful attention to voice-leading,
Gloria is an accessible choice for concert or
festival programming.
11172850 Three-Part Mixed . . . . . . . . . 2.50
11194858 Multi-Song
Accompaniment CD . . . . . . 44.95
4 Gloria Alleluia—Emily Crocker. A rhythmic
keyboard introduction sets the stage for this terrific
festival opener for TTB choirs. Approachable vocal
ranges and the use of repetition assure success,
while a bit of mixed meter along with syncopation
and accents create an exciting texture in this well
crafted work.
11204343 TTB . . . . . . . . . . . . . . . . . . . 2.10
Gloria Deo!—Victor C. Johnson. Here is a
fresh-sounding concert work that is perfect
for developing treble or mixed choirs. With a
supportive accompaniment, the music ebbs and
flows with forward motion and positive energy
to a powerful ending. A top-notch selection for
concert or festival use!
10871861 Three-Part Mixed . . . . . . . . . 2.25
10582862 SSA . . . . . . . . . . . . . . . . . . . 2.25
4 Gloria Patri (from "Magnificat" D. 486)—Franz
Schubert/arr. Patrick M. Liebergen. Beginning with
joyous acclamations, this exuberant piece features
a polyphonic middle section followed by a lyrical
presentation of the "amens" and the return of
the homophonic style in the closing declamatory
statements. This arrangement provides developing
choirs with a solid introduction to a classical style
of singing.
10737603 SATB . . . . . . . . . . . . . . . . . . 2.10
11175408 SAB. . . . . . . . . . . . . . . . . . . 2.10
11175409 SSA . . . . . . . . . . . . . . . . . . . 2.10
10785761 Multi-Song
Accompaniment CD . . . . . . 44.99
L
Gloria Patri et Filio (from Laetatus Sum)—
Antonio Vivaldi/arr. Patrick M. Liebergen. Introduce
your choir to Vivaldi's masterwork with this
sensibly adapted edition for developing choirs.
Conservative ranges and the accessible Latin text
give an educationally sound experience with high
performance value. Create authentic Baroque style
with terraced dynamics and the alternation between
a small group and the full ensemble, along with
optional cello continuo.
10997433 Three-Part Mixed or SAB. . . . . .2.05
10997434 SSA . . . . . . . . . . . . . . . . . . . . .2.05
10997435 TBB . . . . . . . . . . . . . . . . . . . . .2.05
10997480 Multi-Song
Accompaniment CD . . . . . . . .44.99
Ht God Be in My Head—John Rutter. A gorgeous
setting of the well-known English prayer text. A
wonderful way to conclude a service or performance.
1420025 SATB . . . . . . . . . . . . . . . . . . . .2.90
1693951 SSA . . . . . . . . . . . . . . . . . . . . .2.40
l Halle, Hallelujah—John Leavitt. A gentle and
uplifting piano part along with optional hand
chimes and string bass accompany peaceful vocals
in this children's piece. Ample unison and simple
harmonies are easy to teach and well supported.
The simple text allows the beauty of the voices to
shine through.
11198757 Two-Part. . . . . . . . . . . . . . . . . .2.10
L Hallelujah Chorus—G. F. Handel/arr. Hal
Hopson. Don't miss this opportunity to sing the
magnificent Handel classic! In the key of C, Hal
Hopson's setting is every bit as effective as it is
practical for today's choirs. Comfortable choral
ranges, optional congregation parts, and a wide
variety of instrumental combinations, including
handbells, with organ accompaniment, make this
a very versatile and accessible edition. Perfect for
Easter or Christmas, or any time of year. Now
available in an accessible SAB voicing.
8037830 SATB . . . . . . . . . . . . . . . . . . . .2.50
8037848 Instrumental Parts. . . . . . . . . .29.95
t
Hark! I Hear the Harps Eternal—arr. Craig
Carnahan. Here is a rousing setting for a cappella
chorus on the tune Invitation from the shape note
collection Southern Harmony of 1835. With an
alternate text for the Christmas season, and two
performance options for mixed and men's chorus,
this promises to be a highlight of any concert or
worship experience.
10461326 SATB . . . . . . . . . . . . . . . . . . . .2.25
11164348 SSAA . . . . . . . . . . . . . . . . . . . .2.25
H
Hark, I Hear the Harps Eternal—arr. Mark
Hayes. Mark Hayes delivers a masterpiece with
his arrangement of this nineteenth-century
American shape-note standard! The brilliant four-
hand (optional two-hand) piano accompaniment
and inventive choral treatment accentuate the
celebratory text. Accessible and energetic, this
highly effective selection is sure to become a
favorite of singers and audience!
10307596 SATB with
opt. 4-Hand Piano. . . . . . . . . . .2.50
10307597 SAB with opt. 4-Hand Piano . . .2.50
10307598 SSA with opt. 4-Hand Piano . . .2.50
10307599 P/A CD . . . . . . . . . . . . . . . . . .26.95
H How Can I Keep from Singing? (A Gospel
Setting)—Greg Gilpin. Greg has taken
the traditional Quaker text and positively
supercharged it with his own gospel-styled music
in this marvelous new look at a timeless American
poem. This one has it all - a wide-open solo for
your best gospel singer, an accompaniment
that's fine as is, or can be embellished at will
by your pianist, and hand claps from the very
first measure that'll quickly spread through your
audience or congregation. Highly recommended!
10352316 SATB . . . . . . . . . . . . . . . . . . . .2.25
3298161 Three-Part Mixed . . . . . . . . . . .1.95
10352293 Two-Part. . . . . . . . . . . . . . . . . .2.25
10192345 SSA . . . . . . . . . . . . . . . . . . . . .2.25
3298923 Multi-Song
Accompaniment CD . . . . . . . .25.00
L
How Can I Keep from Singing (My Life Flows
on in Endless Song)—Taylor Davis. This uplifting
and encouraging text is set simply and effectively
with an accompaniment that is both sensitive and
gently rhythmic. The optional oboe and violin parts
add a lyrical touch. A wonderful choice for any
worship service throughout the church year.
10082837 SATB with Oboe and Violin . . . .2.50
10082838 Instrumental Parts. . . . . . . . . .10.00
H
How Can I Keep from Singing?—arr. Gwyneth
Walker. This is an old Quaker hymn dating back to
the 1800s in the United States. References to the
persecution of Friends may be heard in the lyrics,
yet faith and courage prevail. This arrangement
emphasizes the celebratory and life-affirming
aspects of the song.
3062221 SATB . . . . . . . . . . . . . . . . . . . . .2.80
3270741 SSAA . . . . . . . . . . . . . . . . . . . . .2.80
10036808 TTBB . . . . . . . . . . . . . . . . . . . . .2.60
10291338 Brass Quintet & Percussion . . .16.80
10355560 Orchestration For
All Voicings . . . . . . . . . . . . . . .73.45
HL I Believe—Mark Miller. Written in lyric style, this
beautiful choral can be used for any occasion. The
sentiment of the text "I believe in the sun, even
when it's not shining" springs forth with inspiration
and sends thoughts toward hope. Now available in
an SSA voicing!
10335690 SATB . . . . . . . . . . . . . . . . . . . .2.35
10757190 SSA . . . . . . . . . . . . . . . . . . . . .2.25
10907411 String Quintet/Harp . . . . . . . . .49.95
10907412 Orchestration . . . . . . . . . . . .149.95
H I Know that My Redeemer Lives—arr. Dan
Forrest. Your more experienced choral group
will love to sink their teeth into this driving,
sturdy rendition of Antioch, from the Sacred
Harp collection. Dan Forrest presents this
arrangement with a nod to the Sacred Harp
singing style - rugged and confident vocals sung
with style and weight - and a four-hand piano
accompaniment that enlivens the presentation.
A rousing statement of faith for the sanctuary or
concert stage!
10188414 SATB . . . . . . . . . . . . . . . . . . . .2.25
10424944 SSAA . . . . . . . . . . . . . . . . . . . .2.25
10424945 TTBB . . . . . . . . . . . . . . . . . . . .2.25
H
I Will Sing with the Spirit—John Rutter. This
well-known anthem by John Rutter is a beautiful
setting of 1st Corinthians 14. The accompaniment
can be played by organ or chamber orchestra,
which includes double winds and french horns and
strings. An excellent addition to the repertoire.
1922673 SATB . . . . . . . . . . . . . . . . . . . .3.00
1922681 Two-Part or SA . . . . . . . . . . . . .3.00
8070458 CD-Be Thou My Vision Cd . . .11.99
lL In Paradisum—Nadia Boulanger/arr. Douglas E.
Wagner. Nadia Boulanger's short but exquisitely
beautiful setting of words from the last section
of the Requiem mass is a highly spiritual work
that reaches deep into the soul of the listener.
A lightly pulsating quarter note accompaniment
contrasts with finely crafted vocal lines. The
original vocal solo is realized here in a full
scoring that draws upon the unique qualities of
treble voices.
11172851 SSA . . . . . . . . . . . . . . . . . . . . .2.05
H
Inscription of Hope—Z. Randall Stroope.
A profoundly moving text, written on a cellar wall
during the rise of Nazi Germany, joins with original
music to create a deeply emotional expression of
hope for all mankind. With brief narration and the
echo of a Russian folk melody, this is an important
contribution to the concert repertoire for more
discerning choirs!
1910504 SATB . . . . . . . . . . . . . . . . . . . .2.20
3073038 Three-Part Mixed . . . . . . . . . . .2.20
1910512 Two-Part. . . . . . . . . . . . . . . . . .2.20
10307417 SSA . . . . . . . . . . . . . . . . . . . . .2.20
10307418 TTB. . . . . . . . . . . . . . . . . . . . . .2.20
10006345 P/A CD . . . . . . . . . . . . . . . . . .26.95
10011541 Instrumental Parts. . . . . . . . . .29.95
t Jesus Christ the Apple Tree—Elizabeth Poston.
This is a delightful selection that uses wonderful
text imagery and metaphoric language. Consistent
seller since 1967.
5283163 SATB . . . . . . . . . . . . . . . . . . . .1.90
4D Joy in the Morning—Natalie Sleeth. This Natalie
L
Sleeth work continues to enthrall listeners more
than 25 years after it was written! Many choirs
across the nation have experienced the feeling of
"Joy, Joy, Joy" that is generated by this outstanding
selection. With multiple voicings, organ and brass
accompaniments, 3/5 octave handbells, P/A CD, or
a full orchestration your presentation may be catered
to the size of your choir or particular event. Colossal!
1231174 SATB . . . . . . . . . . . . . . . . . . . .2.35
3112745 3-5 Octave Handbells . . . . . . . .5.50
8056714 SAB . . . . . . . . . . . . . . . . . . . . .2.35
11165102 SSA . . . . . . . . . . . . . . . . . . . . .2.35
8056715 P/A CD . . . . . . . . . . . . . . . . . .29.95
5318449 Brass Quartet . . . . . . . . . . . . .29.95
8056716 Orchestration . . . . . . . . . . . . .69.95
HD Joyful, Joyful—arr. Roger Emerson. The best
part about the incredibly successful movie "Sister
Act" is the music, and the same is true of "Sister
Act 2!" Beethoven's Ode to Joy has never sounded
like this before, and Roger's soulful arrangement
will give your choir a chance to "get down" and
boogie as never before. Don't miss it!
1902402 SATB . . . . . . . . . . . . . . . . . . . .2.25
3255940 Three-Part Mixed . . . . . . . . . . .2.15
1902410 SSA . . . . . . . . . . . . . . . . . . . . .2.15
1902428 Two-Part. . . . . . . . . . . . . . . . . .2.15
1902444 P/A CD . . . . . . . . . . . . . . . . . .26.99
1902436 Instrumental Parts. . . . . . . . . .25.00
DL Jubilant Song—Allen Pote. Available with a
variety of accompaniment options, this song of
jubilation is fun to perform! The choir parts are
easy and give each section a chance to be heard,
while the text is an outpouring of adoration. Your
congregation will love this joyful song of praise!
1531979 SATB . . . . . . . . . . . . . . . . . . . .2.35
1534353 Instrumental Parts Brass . . . . .29.95
1534361 Handbell Part
18 Bells (G4-D7) . . . . . . . . . . . .4.50
4L A Jubilant Song—Victor C. Johnson. An exhilarating
original for developing choirs featuring energized
syncopation, strong melodic lines and a dynamic
accompaniment! Familiar Latin text is utilized in the
opening and closing sections, while an expressive
English text is featured in the middle for a lyrical
and stylistic contrast. A perfect concert or festival
selection that gives the opportunity to teach pure
vowels and tone for younger choirs in a piece that
is fun to sing and sure to impress!
11195570 SATB . . . . . . . . . . . . . . . . . . . .2.25
10906106 Three-Part Mixed . . . . . . . . . . .2.25
10906107 Two-Part. . . . . . . . . . . . . . . . . .2.25
11195572 SSA . . . . . . . . . . . . . . . . . . . . .2.25
10906108 P/A CD . . . . . . . . . . . . . . . . . .27.95
Jubilate—Alan Bullard. This is a jubilant
arrangement of a four-part round by W. A. Mozart,
with choral imitation of pealing bells complementing
the celebratory text. An English singing translation
of the Latin text is provided.
10879527 SATB . . . . . . . . . . . . . . . . . . . .3.00
t Jubilate Deo—Jay Althouse. This outstanding
work truly celebrates life through song. From a
captivating a cappella opening to a driving finale,
this piece will let your singers sound their very best.
The keyboard accompaniment supports the vocal
lines with exciting rhythmic contrasts. The mixed
Latin and English text creates a unique concert
selection that is perfect for any concert program.
1671627 SATB . . . . . . . . . . . . . . . . . . . .2.50
1730746 SAB . . . . . . . . . . . . . . . . . . . . .2.50
1730753 Two-Part. . . . . . . . . . . . . . . . . .2.50
Jubilate Deo—Michael Praetorius/arr. Doreen
Rao. Arranged as a canon for two, three or four
parts, this Doreen Rao arrangement of this Michael
Praetorius work uses only the words "Jubilate Deo.
Alleluia!" A marvelous teaching piece!
1631001 Unison/Two-Part or
Three-Part or Four-Part. . . . . . .2.15
