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l Alleluia—Giulio Caccini/arr. Mack Wilberg.
Male voices take the leading role in this mixed-voice
arrangement of the tender and well-loved solo
piece attributed to Caccini and usually sung to Ave
Maria. With long lines, a colorful orchestration and a
sense of great reverence, this piece is effective and
reverent. Useful for concert or worship settings.
11160130 SATB . . . . . . . . . . . . . . . . . . . . . . . . .3.85
4L An die Musik (To Music)—Franz Schubert/
arr. Geoffrey Edwards. This authentically
constructed arrangement of the Schubert
masterwork features reasonable ranges and
accessible reading for developing singers. Both
German and English lyrics are included in the score
of this foreign language concert or festival selection!
10953829 Three-Part Mixed. . . . . . . . . . . . . . . .2.05
11196489 SSA . . . . . . . . . . . . . . . . . . . . . . . . . .2.05
l
Ave Regina Caelorum—Isabella Leonarda/
arr. Meredith Bowen. Isabella Leonarda was one
of the most prolific woman composers of 17th-
century Italy, publishing 20 volumes during her
lifetime including the first known sonatas written by
a woman. This edition seeks to restore the music
from the original published copy for an authentic
performance. The optional cello/continuo part is a
lovely addition.
11196236 SSA w/ Cello Part . . . . . . . . . . . . . . .2.25
lL Cantate Domino—Claudio Monteverdi/
t
arr. Jacob Narverud. With the option to perform
a cappella or with basso continuo and cello,
Monteverdi's masterwork breathes new life in this
edited version for divisi mixed choirs. An exciting
texture that bridges the Renaissance and Baroque,
this piece gives a wonderful way to explore
technique, vowels and diction with high performance
value. A great choice for festivals or concerts.
11164163 SATB divisi, or SSATBB,
opt. Basso Continuo . . . . . . . . . . . . .2.00
4L Dixit Dominus (RV 595)—Antonio Vivaldi/
arr. Patrick M. Liebergen. Joy instantly abounds
as the well-edited keyboard introduction sets the
tone for this impressive yet approachable Baroque
selection for developing choirs. The short Latin text
is easy to manage and will help your choir sound it's
best. Beautiful phrasing and conservative ranges
in each voice part make this a sure-fire festival
opening selection.
11197156 Three-Part Mixed. . . . . . . . . . . . . . . .2.05
11197157 SSA . . . . . . . . . . . . . . . . . . . . . . . . . .2.05
4L Dona Nobis Pacem (from "Heiligmesse")—
Franz Joseph Haydn/arr. Patrick M. Liebergen.
Taken from Haydn's masterwork, this shortened
edition has also been transposed to make it more
accessible. The setting of the compact Latin text
explores many of the conventions of the Classical
period, including energized homophonic choral
lines, structured musical form, and stark dynamic
contrasts. The SAB offers cued note options to make
the range more conservative for younger voices.
11197145 SATB . . . . . . . . . . . . . . . . . . . . . . . . .2.05
11197146 SAB . . . . . . . . . . . . . . . . . . . . . . . . . .2.05
l Ex Sion Species—Johann Michael Haydn/
arr. Martin Banner. This work from the pen of
Johann Michael Haydn - brother of Franz Joseph-
is another example of a newly discovered piece for
mixed voices that may be performed with piano
accompaniment or two trumpets, two violins, cello,
bass, and continuo.
11202005 SATB . . . . . . . . . . . . . . . . . . . . . . . . .2.40
lL Gloria—Wenzel Muller/arr. Geoffrey Edwards.
Representative of the Classical period, Muller's
masterwork Gloria is presented in an easy-to-learn
arrangement. With mostly step-wise motion, as
well as comfortable ranges in all parts plus careful
attention to voice-leading, Gloria is an accessible
choice for concert or festival programming.
11172850 Three-Part Mixed. . . . . . . . . . . . . . . .2.50
11194858 Multi-Song Accompaniment CD-
Three-Part Mixed CD
Pack 2020 P/A CD . . . . . . . . . . . . .44.95
4 Gloria Patri (from "Magnificat" D. 486)—
Franz Schubert/arr. Patrick M. Liebergen.
Beginning with joyous acclamations, this exuberant
piece features a polyphonic middle section followed
by a lyrical presentation of the "amens" and the
return of the homophonic style in the closing
declamatory statements. This arrangement provides
developing choirs with a solid introduction to a
classical style of singing.
10737603 SATB . . . . . . . . . . . . . . . . . . . . . . . . .2.10
11175408 SAB . . . . . . . . . . . . . . . . . . . . . . . . . .2.10
11175409 SSA . . . . . . . . . . . . . . . . . . . . . . . . . .2.10
10785761 Multi-Song Accompaniment CD . .44.99
lL If You Love for Beauty—Clara Schumann/
arr. James McCullough. The melody has a simple
innocence, but the harmony provides great warmth
and subtlety in this touching love song by Clara
Schumann arranged for choral ensembles. Set in a
modified strophic form, the setting for each of the
four stanzas is based upon two alternating versions
of a single melody. The result is a beautiful, tender
song that asks for and commits to love for a lifetime.
11199441 SATB . . . . . . . . . . . . . . . . . . . . . . . . .2.05
lL In Paradisum—Nadia Boulanger/
arr. Douglas E. Wagner. Nadia Boulanger's
short but exquisitely beautiful setting of words
from the last section of the "Requiem" mass is a
highly spiritual work that reaches deep into the
soul of the listener. A lightly pulsating quarter note
accompaniment contrasts with finely crafted vocal
lines. The original vocal solo is realized here in a
full scoring that draws upon the unique qualities of
treble voices.
11172851 SSA . . . . . . . . . . . . . . . . . . . . . . . . . .2.05
lD Jubilate—W.A. Mozart/arr. John Leavitt.
This adaptation of Mozart's choral work has been
carefully edited with dynamics and phrasings to help
choirs realize the composer's intentions and perform
this classic with stylistic integrity. Singers will love
the light style and melismatic passages that come
with performing a work from the Classical period.
Ideal for vocal training and development, too!
3304094 SATB . . . . . . . . . . . . . . . . . . . . . . . . .2.35
11201162 SSA . . . . . . . . . . . . . . . . . . . . . . . . . .2.10
l Lebenslust (Die Geselligkeit, D.609)—
Franz Schubert/arr. Russell Robinson.
Whether performed in German, English, or both, this
wonderful new edition of Lebenslust has the same
flavor as the original but offers a more accessible
arrangement in an SAB voicing. This work is sure to
be a concert and festival favorite.
11198325 SAB . . . . . . . . . . . . . . . . . . . . . . . . . .1.95
lL Selig sind die Toten—Heinrich Schutz/
t
ed. Jacob Narverud. This well-known motet by
Heinrich Schutz is more accessible than ever in this
arrangement for a cappella SSATBB choirs. This
edition contains conservative ranges with added
dynamics and articulations to enhance the historic
early Baroque drama and allow for numerous
teaching moments. A keyboard reduction is included.
11193303 SSATBB. . . . . . . . . . . . . . . . . . . . . . .2.50
l Serenade Italienne—Ernest Chausson/
arr. Mari Esabel Valverde. This invitation for a
rendezvous on the sea beneath the stars is colored
by a spiraling piano accompaniment and largely
homophonic vocal lines. The setting makes the most
of Chausson's music in this lovely new voicing.
A great choice for any tenor-bass choir.
11200450 TBB . . . . . . . . . . . . . . . . . . . . . . . . . .2.75
lL Sheep May Graze (from BWV 208)—J.S. Bach/
arr. Geoffrey Edwards. "Sheep may graze and
peacefully gather, guarded by a loving shepherd's
care." The simple yet beautiful tune from J.S.
Bach's secular "Hunting Cantata" (No. 208) is
paired with fresh English text in a setting skillfully
crafted with ranges appropriate for young singers.
The instantly recognizable melody blends with the
familiar idyllic accompaniment.
11172883 SSA . . . . . . . . . . . . . . . . . . . . . . . . . .2.20
lL Sicut Locutus Est (from "Magnificat")—
J.S. Bach/arr. Jacob Narverud. This favorite
choral fugue from Bach's "Magnificat" is arranged
here for only four parts with a playable piano
accompaniment. This piece is a wonderful
introduction to polyphonic texture, and the Latin text
and Baroque phrasing are valuable teaching tools
for directors with developing choirs.
11134294 SATB . . . . . . . . . . . . . . . . . . . . . . . . .2.05
lL Standchen—Franz Schubert/arr. Kirby Shaw.
Generations of solo singers have cherished this
classic German art song, and now your choir can
sing it, too! Schubert's original piano part provides
the rich chromatic language from which the voice
parts are extracted. Study the original German text
using the provided IPA pronunciation guide, or
choose the singable English translation.
11196163 SATB . . . . . . . . . . . . . . . . . . . . . . . . .2.05
11196164 SSAA . . . . . . . . . . . . . . . . . . . . . . . . .2.05
11196165 TTBB . . . . . . . . . . . . . . . . . . . . . . . . .2.05
l Two Clara Schumann Lieder—Clara Schumann/
arr. Nathan Payant. Two of Clara Schumann's most
renowned solo art songs, Sie liebten sich beide
and Warum willst du and're fragen, are beautifully
adapted for treble choirs. Retaining the original
German texts and piano accompaniments from
which the choral harmonies are extracted, this set
of songs offers choirs the opportunity to explore the
Romantic style and artistry of one of the greatest
historical female composers.
11205241 Three-Part Treble or SSA . . . . . . . . .2.10
l
Two Songs By Amy Beach—Amy Beach/
arr. Brandon Williams. Often considered to be
one of the first great American female composers,
Amy Beach's art songs are stylistically similar to
those of other late-Romantic European composers.
Here we have two solo art songs on texts by
Robert Browning that possess soaring melodies
and colorful piano accompaniments from which the
choral harmonies are drawn. They present a great
opportunity to teach young treble singers about the
composer and about the style. Songs include: The
Year's at the Spring and Ah, Love, But a Day.
11196070 SSA . . . . . . . . . . . . . . . . . . . . . . . . . .2.50
lL Vanitas Canon—J.P. Sweelinck/
arr. Russell Robinson. This canon on the famous
text from Ecclesiastes ("Vanity, vanity, all is vanity")
was published by the Dutch composer in 1619,
originally a part of his larger work "Cantiones
sacrae." This arrangement features three equal
voices in canon, and may be performed with or
without the supportive piano accompaniment.
11196359 SAB opt. a Cappella . . . . . . . . . . . . .2.05
11196360 SSA or Three-Part Treble,
opt. a Cappella . . . . . . . . . . . . . . . . .2.05
4L Viva! (from "Il re pastore")—W.A. Mozart/
arr. Patrick M. Liebergen. A triumphant Mozart
masterwork for today's choirs! This joyful opera finale
opens and closes with a boisterous choral fanfare
that features a brief, expressive vocal duet in the
middle. The text is in Italian with optional English
translation and IPA pronunciation guide included.
The choral parts are supported by an exciting piano
accompaniment for an arrangement that remains true
to the original while being accessible to school choirs.
Not necessarily familiar, but undeniably fantastic!
10752452 SATB . . . . . . . . . . . . . . . . . . . . . . . . .1.90
10752453 SAB . . . . . . . . . . . . . . . . . . . . . . . . . .1.90
11197472 SSA . . . . . . . . . . . . . . . . . . . . . . . . . .2.05
11197473 TTB. . . . . . . . . . . . . . . . . . . . . . . . . . .2.05
lL Where'er You Walk—G.F. Handel/
arr. Russell Robinson. An aria from Handel's opera,
"Semele," is arranged in a tasteful choral setting
that offers a great Baroque teaching opportunity for
smaller or less-experienced mixed ensembles. While
the original key has been changed to accommodate
vocal ranges, the style remains intact. The vocal
parts sing effortlessly off each page and optional
solos are included.
11172896 SAB . . . . . . . . . . . . . . . . . . . . . . . . . .2.35
MASTERWORKS
Brand-new editions and arrangements of classic choral works!
