141
Order Toll Free! Call 1.800.345.6296 / w: jwpepper.com / e: [email protected]
CONCERT
MUSIC
Go to cart
MULTICULTURAL & WORLD MUSIC / MADRIGALS
lL Un Poquito Cantas (A Little Singing)—arr. Dave
& Jean Perry. "Take a little singing, and a little
dancing, add a little 'le-lo-la,' like the happy
yellow bird." This sprightly Spanish folk song
presents options to sing in English or Spanish
(with pronunciation guide) as well as suggested
rhythms for a percussion ensemble. Simple
harmonies and dancing tango rhythms highlight
this lively little piece.
11196309 SATB . . . . . . . . . . . . . . . .ME 2.20
11196310 SSA . . . . . . . . . . . . . . . . .ME 2.20
4L Uskudar—arr. Mark Burrows. This energetic
setting of the Turkish folk song utilizes repetition so
that the short Turkish text, once learned, becomes
easier with each repetition of the chorus. The tempo
increases as the arrangement builds, creating a
whirling and exciting effect. Incorporate the optional
oboe, finger cymbals, tambourine, and dumbek for
added authenticity. A pronunciation guide and
translation are provided.
11195589 Two-Part. . . . . . . . . . . . . .ME 2.25
lD Vela Sikubone (Come Forth!)—arr. Jill Gallina.
Translated roughly as "Come forth, let us see you!"
this traditional South African song is a solid opening
selection. With just a few repeated phrases in the
Xhosa language, this is easy to teach and perform.
Accompanied with piano or track, but you can add
percussion for bongos, congas, claves, and shakers
with notated parts in the score. Add some simple
movement to complete the effect.
11197267 SATB . . . . . . . . . . . . . . . .ME 2.25
11197268 Three-Part Mixed
or SAB . . . . . . . . . . . . . . .ME 2.25
11197269 Two-Part. . . . . . . . . . . . . .ME 2.25
Ht Viva La Musica!—David Brunner. Viva La Musica!
is a wonderful theme for any concert. This exuberant
work opens with a strong, bold, unison exclamation,
vividly expressing the text and musical idea.
10345063 SATB . . . . . . . . . . . . . . . . . . . .2.10
10495645 SSAA . . . . . . . . . . . . . . . . . . . .2.10
Dt Vuelie—Christophe Beck & Frode Fjellheim.
Inspired by the traditional Sami joik, this
arrangement, as sung by Cantus in the Disney movie
"Frozen," is a winner. Perfect for a pops concert or a
concert looking for a special multicultural addition. A
pronunciation guide is provided.
10542729 SSAA . . . . . . . . . . . . . . . . . . . .2.15
HL Wana Baraka—arr. Shawn L. Kirchner. This
t upbeat Kenyan folk song is a popular choice for
concert and festival choirs. The arrangement builds
with great excitement, leading to an extensive
rhythmic play on the word "alleluya."
3298859 SSATBB . . . . . . . . . . . . . . .M 2.20
3303468 SSA . . . . . . . . . . . . . . . . . .M 2.05
10054840 TTBB . . . . . . . . . . . . . . . . .M 2.20
Ht Wangol—Sten Kallman. Your students will like
this! It's a popular folk song from Haiti about a
country in change. Wangol is a voodoo spirit and
he is addressed in the song: "Wangol, you are
leaving. When will I see you again? The country
is changing." The words express the hope of the
Haitian people for change and a brighter future for
their country, while the music is easy to sing, with
a great groove and style, complete with rhythmic
percussion and pronunciation guide.
10356999 SATB . . . . . . . . . . . . . . . . . . . .2.55
H We Will—Jim Papoulis. Each time "chiku ah"
(chikoo ah) is sung it should be in a whispered
voice, with intensity. "Si mama, wototo" (stand
tall, children) is the response in Swahili. This
compelling piece uses both English and Swahili to
send the message that we must send the best part
of ourselves into the future through our children.
"We'll move on, we'll grow stronger, we will sing
another song, we will dream of a promise that will
bring a brighter day..."
10024347 Two-Part or SA . . . . . . . . . .M 2.15
4L Wena Wedwa—arr. Daniel Jackson. This song
t of praise from South Africa has vocal parts that
are accessible and repetitive, so learning the initial
rhythms and texts makes this a quick learn. Adding
a soloist or percussion will take this song to a
whole new level. This tremendous work will make
an excellent concert opening or closing!
11195668 SATB . . . . . . . . . . . . . . . . .M 2.65
H
Yo le Canto Todo el Dia (I Sing to You All Day
Long)—David L. Brunner. If you're looking for
something different in a "music" song, consider this
original inspired by the native music of Venezuela.
Full of infectious rhythms and playful melodies,
with some very effective hand claps, it conveys a
positive message through charming Spanish lyrics
which are great fun to sing.
3197829 SATB . . . . . . . . . . . . . . . . .M 2.50
3092178 SA . . . . . . . . . . . . . . . . . . .M 2.15
10309011 TTB. . . . . . . . . . . . . . . . . . .M 2.25
4 Zum Gali—arr. Dan Davison. This dramatic
arrangement of the spirited Israeli folk song is just
wonderful! The harmonic treatment is authentic,
and the exciting piano accompaniment adds extra
emphasis to the syncopated and accented vocal
rhythms. This inventive selection is pure fun for
singers of all ages.
11198191 SATB . . . . . . . . . . . . . . . . .M 2.50
4L Zum Gali Gali—arr. Greg Gilpin. Don't miss this
t
unique setting of a traditional Israeli folk song
scored for a cappella voices, flute, and hand drum.
Inventive with spoken chants woven throughout,
this is accessible with limited ranges and has
a crisp rhythmic feel, while the accompanying
instruments provide a unique color and texture.
3303239 Three-Part Mixed
with Flute and Drum. . . . . .ME 2.20
3298138 Two-Part
with Flute and Drum. . . . . .ME 2.05
11195680 SSA with Flute
and Drum. . . . . . . . . . . . . .ME 2.20
10457266 TB with Flute and Drum . . .ME 2.20
3303240 P/A CD. . . . . . . . . . . . . . . . . . .26.95
Lt Zum Gali Gali—arr. Victor C. Johnson. When
developing choirs delve into this fresh a cappella
setting of the Israeli folk song, they can be
assured of enjoying a successful rehearsal and
performance experience! The only accompanying
instruments are hand drums and finger cymbals,
which add authentic flavor and texture. Fun to sing
and perform! A helpful Learning Resource Page is
included for connection to the National standards.
10906228 Three-Part Mixed . . . . . . .ME 2.10
Madrigals
4D All Star (as an English Madrigal)—Greg Camp/
t
arr. Nathan Howe. This arrangement turns the
1999 Smash Mouth hit into an English madrigal.
Using wonderful harmonic progressions and a tune
that most will recognize from the "Shrek" movies,
this a cappella piece is a fun way to introduce the
genre to young singers and a novel change of pace
for more experienced singers. Very clever!
10981030 SATB . . . . . . . . . . . . . . . .ME 2.25
11171685 SAB . . . . . . . . . . . . . . . . .ME 2.25
11171686 SSA . . . . . . . . . . . . . . . . .ME 2.25
11171688 TBB . . . . . . . . . . . . . . . . .ME 2.25
4t Ein Hennlein weiss (A Small White Hen)—
Antonio Scandello/arr. John Leavitt. This spirited
Renaissance-era choral work includes humorous
references to a chicken laying an egg, complete
with poultry vocalizations. Funny and accessible,
this madrigal is presented with both German and
English text and is sure to provide an amusing and
musically satisfying experience.
11201059 SATB . . . . . . . . . . . . . . . .ME 2.10
t
El Grillo—arr. Russell Robinson. This arrangement
of Josquin's tongue-in-cheek "day in the life of a
cricket" offers an opportunity for three-part mixed
choirs to experience this classic literature. Mostly
homophonic, with several call-and-response
moments, this delightful arrangement may be
sung a cappella or with the provided piano part.
Italian and English texts are included, as is a
pronunciation guide.
10736746 Three-Part Mixed . . . . . . .ME 2.20
lt Il est bel et bon—Pierre Passereau/arr. David
Das. This classic French chanson is skillfully
arranged for three-part mixed choirs. Independent
vocal lines, staccato and legato phrasing, and
the a cappella setting provide wonderful learning
opportunities for developing choirs.
11204563 SAB . . . . . . . . . . . . . . . . .ME 2.10
MADRIGAL
COLLECTIONS and
RESOURCES
Ht The A Cappella Singer (A Collection Of Motets, Madrigals, Chansons,
Carols, Ayres, Ballets, Etc.)—ed. Henry Clough-Leighter. This excellent
172 page collection includes titles such as Sing We And Chant It; April Is In My
Mistress' Face; Now Is The Month Of Maying; My Bonny Lass; Shoot False Love I
Care Not; Flora Gave Me Fairest Flowers; Adieu Sweet Amarillis; The Silver Swan;
In These Delightful Pleasant Groves; Matona Lovely Maiden; I Know A Young
Maiden Wondrous Fair; O Eyes Of My Beloved; So Well I Know Who's Happy
and many more by composers such as Morley, Wilbye, Weelkes, Byrd, Gibbons,
Purcell, DiLasso, Vecchi and more. A superb collection for any good choral library!
346239 SATB Choral Score . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .12.00
Complete Madrigal Dinner Booke—Paul Brandvik. A successful Madrigal
Dinner is a composite endeavor of several artistic disciplines. Here is an excellent
resource for any production team that is considering a Medieval feast-traditionally
done to welcome the Christmas season. There are dozens of suggestions for the
music, of course, but this production guide also includes a wealth of information
on food service providers, menu, costumes, props, character roles, sets, lighting,
and publicity. Two complete scripts are presented for the entertainment of the
guests, with ceremonial music for instrumental and vocal performers as well.
A "tried and true" resource for Madrigal Dinner hosts, this book reflects an
understanding of the scope of the entire project, and it will lead you through a
memorable and festive event.
4995593 Book. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .29.95
Ht The Oxford Book of English Madrigals—ed. Philip Ledger. The definitive
modern anthology of sixty English madrigals, representing the works of major
composers Byrd, Gibbons, Morley, Tomkins, Weelkes and Wilbye, as well as
those of lesser-known composers such as Bennett, East, Vautor, Ward and
Ramsey. An exceptional collection, compiled and edited with the highest level of
musicianship and historical authenticity.
1481571 SATB Book . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .26.95
R
Cut Time is a cloud-based group
management tool that cuts the time it
takes to run your organization.
