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128
HANDBELL MUSIC
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Exultation—Matthew Compton. Exultation is a
spirited original piece with a catchy and memorable
theme. Mart lifts and mallet work make this piece
dance along. Yet contrast is provided with beautiful
lyric interludes. Suitable for any occasion!
10810969 3-5 Octave . . . . . . . . . . . L2+ 5.50
Fanfare and Carillon (Embellish Series)—
Karen Thompson. Following a solemn introduction a
determined and driving eighth-note pattern supports
a beautiful, uplifting melody. This original composition
is well-suited for both worship and concerts.
11162226 3-5 Octave . . . . . . . . . . . .L3- 4.95
4 Fanfare for a 100 Years—Jeffrey Honore.
A cheerful composition with an optional
processional before the fanfare, the composer
includes the hymn tune
LOBE DEN HERREN (Praise
to the Lord, the Almighty), offering a fitting
complement to the classic piece.
11162138 2-3 Octave . . . . . . . . . . . .L2- 4.95
11162139 3-5 Octave . . . . . . . . . . . . L2 4.95
Fantasia on Old Hundredth—arr. Lloyd Larson.
This lively, festive arrangement of a classic hymn
tune will be an immediate attention grabber. Full of
exciting rhythms, a syncopated melody, and well-
placed shifts in meter, this setting sparkles from the
first note to the last. An excellent choice for vibrant
worship or concert.
10998624 3-5 Octave . . . . . . . . . . . . L3 5.50
4 A Festive Toll—Chris D. Burton. This intriguing
original work begins with driving eighth notes
underscoring a primal melody of moving parallel
fourths. A second more lyric melody on handchimes
provides contrast, with a short chromatic interlude
leading back to the opening material before ending
triumphantly. A fantastic choice to add a bit of
mystery to your concert or church service.
11166255 5-7 Octave w/opt.
3 oct. Handchimes . . . . . . L4 5.50
Filled with the Spirit—Various Composers.
This outstanding setting blends traditional and
contemporary through the pairing of Torwalts'
"Holy Spirit" and the early-twentieth-century hymn
"Spirit of the Living God," making it the perfect
choice for any service that celebrates the Holy
Spirit, particularly Pentecost Sunday. The variety of
techniques in this piece will engage and challenge
your ringers, including tower swings, echoes, and
singing bell, as well as syncopated rhythms.
10811560 3-5 Octave . . . . . . . . . . . L2+ 5.50
For All the Saints—arr. Benjamin A. Tucker
& Sondra K. Tucker. Suitable for All Saints
Sunday, general worship, festivals, and concert
performance, this majestic treatment of the
Vaughan Williams hymn tune SINE NOMINE
includes a trumpet part for even more grandeur.
Optional chimes range from Bb5 to C7. The trumpet
part is available as a free download.
11100462 3-5 Octave with opt.
Handchimes and Tpt . . . . . L3 5.25
l For All the Saints (Sine Nomine)—Ralph
Vaughn Williams/arr. John Behnke. Many arrange-
ments of this respected and hallowed tune exists
for handbells; however, few offer an optional piano
score. While the handbell arrangement may stand
on its own, adding the optional piano induces a
dignity that rightfully honors the saints who have
gone before us.
11204985 3-5 Octave w/opt piano. . . L2 4.95
11204986 Full Score & Parts
Piano/Keyboard. . . . . . . . . . . . .6.25
For the Beauty of the Earth—arr. Kevin
McChesney. A traditional Thanksgiving tune has
been transformed into an outstanding, expressive
piece with LV and stopped passages as well
as an energetic statement of the full tune. The
flowing coda mirrors the introduction, bringing the
arrangement to a peaceful close.
10756862 3-5 Octave . . . . . . . . . . . . L2 5.50
l Four Communion Hymns—arr. Sandra Eithun.
Highlighting favorite communion hymns, this
collection uses only twelve bells spanning F5 to C7.
Use for those occasions when you are shorthanded
for church services or would like to travel with a
small group. Hymns include: Here, O My Lord, I
See Thee Face to Face; I Come, O Savior, to Thy
Table; Soul, Adorn Thyself with Gladness and At the
Lamb's High Feast We Sing.
11204655 3 Octave . . . . . . . . . . . . . . L2 4.50
4 Four Processionals for Handbells—John
A. Behnke. Processionals can provide festive
treatment for any occasion. Written in the keys of D,
E flat, F, and B flat, these four processionals for 3-5
octave handbells can be easily memorized, allowing
the bell choir to process in and set up the key for
the opening hymn.
11204644 3-5 Octave . . . . . . . . . . . L2+ 4.25
l Give Me Jesus—arr. Linda R. Lamb. The sensitive
portrayal of the text of this beloved spiritual creates
a compelling musical experience. Linda Lamb's
writing is accessible yet moving in this arrangement
which is useful throughout the church year.
11203419 3-5 Octave w/opt.
3-5 oct. Handchimes . . . . L2 5.25
4 Glory to God (Gloria a Dios)—Patricia Hurlbutt.
This Peruvian hymn tells of the glory of God the
Father, God the Son, and God the Holy Spirit. It
appears in more than 16 hymnals and continues
to gain popularity. This arrangement is packed with
exuberance and is to be performed at a lively tempo.
11162225 3-5 Octave
opt. percussion . . . . . . . . .L3- 4.95
11169254 Percussion Part. . . . . . . . . . . . .4.25
l Go, My Children, with My Blessing—arr.
Lauran Delancy. This simple setting of AR HYD Y
NOS is ideal for beginner ensembles. Set in 4/4
time, it uses basic ringing and thumb damping
techniques and moves the sweet melody around
to each part of the group, allowing each ringer to
actively engage and participate.
11204642 3 Octave . . . . . . . . . . . . . L1+ 3.95
Good Christians All Rejoice and Sing—arr.
Jason W. Krug. Looking for a majestic new piece
for Easter Sunday? Look no further than this very
accessible setting of
GELOBT SEI GOTT. In addition to
the solid handbell arrangement, a soaring optional
trumpet adds sparkling hints of Christ the Lord Is
Risen Today to complete the feeling of Easter joy.
11166256 3-6 Octave . . . . . . . . . . . . L3 4.50
11166257 Instrumental Parts Trumpet . . . .4.95
Good Christians All, Rejoice and Sing—
arr. Patricia Hurlbutt. This arrangement of the
16th-century tune
GELOBT SEI GOTT expresses
the triumph of Easter in a dance-like setting.
Encourage ringers to create a lightness and
buoyancy by observing the strong downbeat and
lighter upbeats of the triple meter. Marts are
prominent in the middle section which leads to a
key change and a grand final stanza.
11166927 2-3 Octave . . . . . . . . . . . L2+ 4.95
11166928 3-5 Octave . . . . . . . . . . . L2+ 4.95
Grand Chorus—Joel Raney. This well-crafted
original composition is ideal for a festival, concert,
or worship setting looking for a grand and
regal statement. Good for the developing choir,
techniques make it full of interest, accessible, and
fun to ring.
10998630 3-5 Octave . . . . . . . . . . . . L2 5.25
4 Gratitude—Alex Guebert. It is rare to find an
achingly beautiful piece filled with sophistication
and musical nuance that is technically very
straightforward and mastered quickly. This is that
piece. For worship or concert, this is an excellent
choice for both less and more experienced groups
to show their musicality.
11167872 3-5 Octave . . . . . . . . . . . .L2- 4.95
4 Grazioso—Karen Lakey Buckwalter. This lyrical
original piece sets a prayerful mood with flowing
melodic lines and intriguing harmonies. An angst-
filled middle section gives way to the gentle feeling
of the opening before fading away on a serene final
chord. The optional C instrument with contrasting
timbre enhances the overall effect.
11202858 4-6 Octave w/opt. C Instr. . L3 5.95
Great Is Thy Faithfulness—William M. Runyan/
arr. Sandra Eithun. This stalwart favorite begins
with large, broad chords that create a sense of
God's faithfulness and strength. The opening
chords are followed by a lighter handchime and
suspended bell motif to lend imagery to other
parts of the text that refer to morning, seasons,
and peace. The handchimes return later as
a countermelody to the tune that is rung on
handbells, which makes this a wonderful selection
for developing groups to work on balance between
melody and accompaniment.
11101088 3-6 Octave . . . . . . . . . . . L2+ 4.95
Great is Thy Faithfulness—arr. Lloyd Larson.
This is a superb setting of an old familiar hymn,
for piano and handbells, with lyrical, interesting
accompanimental figures.
10907574 3-5 Octave . . . . . . . . . . . . L2 5.25
10945695 Keyboard/Full Score . . . . L2 10.95
4 Great Is Thy Faithfulness—William M. Runyan/
arr. Anna Laura Page. This gentle and lush setting
of the beloved hymn is sure to become a favorite of
both your ringers and congregation. The first verse
sets the tune with flowing accompaniment before a
key change passes the melody to the lower treble
and upper bass bells. A return to the original key
leads to a grand and glorious conclusion. An all-
around solid choice for worship or concert use.
11166259 3-5 Octave . . . . . . . . . . . .L3- 4.50
Great Things God Hath Done—arr. Brian
Childers. This arrangement of To God Be the Glory
begins with a grand, fanfare-like figure before
giving way to a lush, fantasia-like variant on the
well-known melody. A brief section on chimes
precedes a majestic and chromatic final verse. An
outstanding choice for any general worship service
throughout the year.
11166261 3-7 Octave with
3-6 Octaves Handchimes. . L3 4.50
Guide Me, O Thou Great Jehovah—arr. Ron
Mallory. This beloved hymn enjoys a fresh, modern
treatment at the hand of master composer Ron
Mallory. The optional flute adds a sprightly dimension
to this cheerful arrangement. Not to be missed!
10882673 3-5 Octave w/opt. Flute. . . L3 5.25
H
Hallelujah—Leonard Cohen/arr. Joel Raney.
This standard inspirational song is set for 3-5
octave handbells and optional handchimes and
synthesizer. In this wonderfully emotional and
moving rendition, ringers will enjoy the serenity
and beauty of the steady eighth note patterns that
accompany the familiar melody. Its status as a
"secular hymn" makes it a cross-over piece that
is highly recommended for any concert or worship
setting. The optional synthesizer part enhances the
overall haunting atmosphere.
10424209 3-5 Octave . . . . . . . . . . . . L3 5.75
10424210 Synthesizer . . . . . . . . . . . . . . . .8.95
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