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LITURGICAL ANTHEMS
General
Liturgical Anthems
l And Christ Shall Be Our Peace—arr. K. Lee
Scott. A two-part mixed voices anthem with
keyboard and optional small handbell ensemble. The
text is also useful for any Sunday with the theme
Christ the Good Shepherd. The two-part texture
allows for some singers to ring bells as needed.
11204468 Two-Part Mixed . . . . . . . . . . . . 2.30
H Antiphon (Let All the World in Every Corner
Sing)—Ralph Vaughan Williams. The climactic
finale to Vaughan-Williams' "Five Mystical Songs"
is a staple of the sacred choral repertoire and a
superb culminating work for both concert and
worship settings.
4906467 SATB. . . . . . . . . . . . . . . . . . . . 2.05
10625175 Instrumental Parts . . . . . . . . . 34.00
Lt Ave Generosa—Ola Gjeilo. This setting of
Hildegard of Bingen's Ave Generosa text uses
a hauntingly joyful tonality, paying homage to
the mysterious story of Mary. A beautiful middle
section is surrounded by contrasting modal
beginning and ending sections. The juxtaposition
of sustained and moving moments holds true to
the composer's style, while the harmonic structure
and vocal construction offer very fresh textures.
Highly recommended!
10842213 SATB divisi. . . . . . . . . . . . . . . . 2.85
10746480 SSAA divisi . . . . . . . . . . . . . . . 2.85
10994173 TTBB . . . . . . . . . . . . . . . . . . . . 2.85
4L Ave Maria (No. 13, Regina Caeli, after
t Guerrero)—Daniel Knaggs. Inspired by Ave
Maria composed by the Renaissance Spanish
composer Francisco Guerrero, this very
interesting work co-mingles the Renaissance
style with modern harmonic language. It begins
with an inversion of Guerrero's opening motive
and uses the specific, slightly altered Latin text
that he set. It is a beautiful choice for four-part
mixed a cappella choirs.
11107453 SATB. . . . . . . . . . . . . . . . . . . . 2.20
Be Still—Patrick Hawes. A setting of the well-
known phrase from Psalm 46, "Be still, and know
that I am God" for choir and piano. The piano's
repeated chordal patterns flow gently throughout,
and the long legato choral lines help the listener
drift into a world of peace and beauty. The
composer wrote this piece early one morning when
all was still and shrouded in a thin mist. Beautiful!
10913514 SATB. . . . . . . . . . . . . . . . . . . . 2.65
Lt Behold, How Good—Michael John Trotta.
Inspired by Psalm 133, composer Michael John
Trotta has written a lovely a cappella piece that
celebrates the unity of brotherhood among all
people. This calm, sonorous work is the perfect
choice for a concert finale, signature piece, encore,
or worship benediction.
10461315 SATB. . . . . . . . . . . . . . . . . . . . 1.95
10953552 TTBB . . . . . . . . . . . . . . . . . . . . 1.95
Called to Your Table—Ephrem Feeley. The
easy-to-learn refrain invites participation from all
as it moves through the themes and images of the
Eucharistic celebration. The added clarinet part adds
movement and a unique timbre under the choral
parts. Perfect for use during any time of the year.
10954457 SAB. . . . . . . . . . . . . . . . . . . . . 2.00
Can We Sing the Darkness to Light?—Kyle
Pederson. The text of this work invites the listener
to imagine a world without weapons of war where
the human experience is defined through the lens
of mercy and compassion. The music is peaceful
and very appropriate to the text with little divisi in the
choral parts and a supportive piano accompaniment.
10994208 SATB. . . . . . . . . . . . . . . . . . . . 2.55
lt Cantate Domino—Pete Deshler. Combining the
traditional Latin text from Psalm 149 with driving
rhythms and rich, contemporary harmonies, this
piece will make a strong opening selection. Set as a
modern motet, the dance-like texture is joyous and
accented, with moving harmonies and overlapping
lines that build to a thrilling conclusion.
11202474 SATB. . . . . . . . . . . . . . . . . . . . 2.05
l Cantate Domino—David von Kampen. This lively
and joyful piece composed in 2/2 by David von
Kampen begins with a beautiful piano introduction.
When the choir joins, a playful dialogue occurs
between the Latin refrain and English verses from
Psalm 98. With a somber middle bridge, the song
finishes triumphantly, declaring "Cantate Domino!"
11204472 SATB. . . . . . . . . . . . . . . . . . . . 1.90
4L Chorister's Prayer—Craig Phillips. The beloved
text of the Choristers' Prayer, "Bless, O Lord, us Thy
servants who minister in Thy temple" is set warmly
by Craig Phillips. The vocal lines may be sung either
by unison treble voices or with the inclusion of an
optional lower second part in a few spots. Lovely.
11167112 Unison/Two-Part . . . . . . . . . . . 2.00
4 Choristers' Prayer—Trevor Maloney. A fervent
prayer for every choir member or pastoral musician
who makes music for the church. Suitable for use in
worship, at retreats, and even for small gatherings
and as a meditation at the end of rehearsals, this
heartfelt music will warm all who sing it.
11123994 SATB. . . . . . . . . . . . . . . . . . . . 1.80
l Christ's Blessing—Alfred V. Fedak. This brief but
rich motet asks for Christ's blessing upon everyone.
Appropriate for anytime in Eastertide, ordinations,
installations, and general use. Well written with
good voice leading and reasonable ranges.
11166999 SATB w/
Organ Accompaniment . . . . . . 1.75
Day by Day—Thomas Keesecker. This well-
known 13th-century text is the basis for the opening
stanza, followed by a fine new text for stanzas two
and three. Set for unison voices with an optional
second part, it is easily adapted to performance by
treble or mixed voices. The accompaniment, for
organ or piano, adds nice touches of color.
11164591 Unison . . . . . . . . . . . . . . . . . . . 1.95
4L Dixit Dominus (RV 595)—Antonio Vivaldi/
arr. Patrick M. Liebergen. Joy instantly abounds
as the well-edited keyboard introduction sets
the tone for this impressive yet approachable
Baroque selection for developing choirs. The
short Latin text is easy to manage and will help
your choir sound its best. Beautiful phrasing and
conservative ranges in each voice part make this
a sure-fire festival opening selection.
11197156 Three-Part Mixed . . . . . . . . . . . 2.05
11197157 SSA. . . . . . . . . . . . . . . . . . . . . 2.05
t Do Not Be Afraid—Philip W.J. Stopford. This
anthem of comfort and assurance is built around
the words "do not be afraid." The repetition of these
words evokes a sense of calm that permeates the
piece. Beautifully crafted.
10514475 SATB. . . . . . . . . . . . . . . . . . . . 2.25
4L Dona Nobis Pacem (from "Heiligmesse")—
Franz Joseph Haydn/arr. Patrick M. Liebergen.
Taken from Haydn's masterwork, this shortened
edition has also been transposed to make it more
accessible. The setting of the compact Latin
text explores many of the conventions of the
Classical period, including energized homophonic
choral lines, structured musical form, and stark
dynamic contrasts. The SAB offers cued note
options to make the range more conservative for
younger voices.
11197145 SATB. . . . . . . . . . . . . . . . . . . . 2.05
11197146 SAB. . . . . . . . . . . . . . . . . . . . . 2.05
L Et Misericordia—Kim Andre Arnesen. Extracted
from Kim Andre Arnesen's "Magnificat," this
luscious setting opens with a hauntingly gorgeous
soprano solo. Undulating choral rhythms and
sublime a cappella moments make this a piece not
to be ignored. Meaningful and artistically rewarding.
10593105 SATB. . . . . . . . . . . . . . . . . . . . 2.15
10535983 SSAA. . . . . . . . . . . . . . . . . . . . 2.05
10861987 Instrumental Parts . . . . . . . . . 15.00
Lt Even When He Is Silent—Kim Andre Arnesen.
Commissioned by the St. Olaf Festival in
Trondheim, Norway, Even When He Is Silent
masterfully expresses the sentiment of the text -
hope in times of despair. Beautifully melodic, with
rich harmonic texture, this is a stunning work for
better a cappella choirs! "I believe in the sun even
when it is not shining..."
10543959 SSAATTBB. . . . . . . . . . . . . . . . 2.55
10499591 SSAA. . . . . . . . . . . . . . . . . . . . 2.85
10882573 TTBB . . . . . . . . . . . . . . . . . . . . 2.85
4L Exsultate! Jubilate!—Kyle Pederson. This
unique setting pairs the iconic Latin text with a
new, original English text which responds to the
question: Why do we rejoice and shout our praises
to God? The music captures the energy, rhythm,
and exuberance inherent in the phrases "exsultate
Deo" and "jubilate Deo," but also reflects the quiet
joys found in gratitude for the daily gifts of breath
and light. The piano accompaniment is rhythmic
and lively.
11197399 SATB. . . . . . . . . . . . . . . . . . . . 2.60
11208080 SSAA. . . . . . . . . . . . . . . . . . . . 2.60
Gloria—Michael John Trotta. For mixed or
treble choirs, this energetic choral work offers
an introduction to the traditional Latin text with
compound meter and accessible choral parts.
Whether chosen for its educational features, its
lyric melody or its energetic accompaniment, it is a
wonderful way to open any concert. It can be used
in combination with Trotta's other Latin works Kyrie;
Agnus Dei and Sanctus to create a Missa Brevis.
10990313 Three-Part Mixed or SATB . . . . 2.25
10735245 SA . . . . . . . . . . . . . . . . . . . . . . 2.25
11162737 Choral Score-Missa Brevis
Complete Missa Brevis. . . . . . . 6.99
4 Gloria Patri (from "Magnificat" D. 486)—Franz
Schubert/arr. Patrick M. Liebergen. Beginning with
joyous acclamations, this exuberant piece features
a polyphonic middle section followed by a lyrical
presentation of the "amens" and the return of
the homophonic style in the closing declamatory
statements. This arrangement provides developing
choirs with a solid introduction to a classical style
of singing.
10737603 SATB. . . . . . . . . . . . . . . . . . . . 2.10
11175408 SAB. . . . . . . . . . . . . . . . . . . . . 2.10
11175409 SSA. . . . . . . . . . . . . . . . . . . . . 2.10
10785761 Multi-Song
Accompaniment CD . . . . . . . 44.99
L God Is Our Refuge—Edwin Childs. Each verse of
this rich and lyrical hymn setting utilizes a different
vocal texture, shifting from men's voices to full
choir to two-part women, and culminating in a
sturdy melody with descant. A beautiful musical
affirmation of faith and trust in the Almighty!
11166756 SATB. . . . . . . . . . . . . . . . . . . . 2.20
4L The Greatest of These—Susan M. Brown. St.
t Paul's hymn to love found in 1 Corinthians has
numerous uses throughout the church year. Susan
M. Brown's brief choral miniature, 26 measures
in length, is elegant and accessible. An excellent
choice for special weddings where a choir is
present, or for other services when love is the focus.
11166790 SATB. . . . . . . . . . . . . . . . . . . . 1.80
4L Guard Us, Lord—Ephrem Feeley. Ephrem Feeley
gives us a gentle, prayerful setting of verses from
Psalm 139, especially meaningful for confirmation,
night prayer, vigil Masses, and rituals of blessing.
Suitable for small choirs, a cantor sings the verses
and the congregation may join in the refrain.
11166773 SAB. . . . . . . . . . . . . . . . . . . . . 2.00
4t Holy Is the True Light—Robert Benson. Voiced
for a cappella double choir (SSAATTBB) and
making effective use of added-tone chords and
modal harmonic progressions, this brilliant setting
of Palmer's translation from the Salisbury Diurnal
will be a satisfying challenge for advanced choirs.
The lyrics focus on the topics of faith and light,
especially the eternal light of heaven, and close with
a festive string of "alleluias," making it an excellent
choice for All Saints liturgies.
11201866 SSAATTBB. . . . . . . . . . . . . . . . 2.55
4 I Sought the Lord—Karen Marrolli. Karen Marrolli
provides an original melody for a text first published
anonymously in London in 1878. Set in four parts
with a fair amount of unison singing, the almost
folk-like tune is singable and satisfying. The text
speaks of God's unending love that reaches for us
even as we think we are the ones reaching out.
11164580 SATB. . . . . . . . . . . . . . . . . . . . 1.95
L I Will Make a Way!—Tom Trenney. This very
compelling SATB piece by Tom Trenney takes the
youthful yet timeless position, "everything old has
become new." Now spacious, now rhythmic, the
music is fun to sing and moderately challenging.
The piano part is skillfully written and essential.
10942928 SATB. . . . . . . . . . . . . . . . . . . . 2.50
Jubilate—Alan Bullard. This is a jubilant
arrangement of a four-part round by W. A. Mozart,
with choral imitation of pealing bells complementing
the celebratory text. An English singing translation
of the Latin text is provided.
10879527 SATB. . . . . . . . . . . . . . . . . . . . 3.00
Jubilate Deo in C Major—Benjamin Britten. This
3-minute work is another of Britten's best-known
and most often performed short choral works.
With its lively and spirited organ accompaniment
and its simple and direct vocal phrases it positively
bubbles with the joyful mood of the words. Short
and to the point, it is also straightforward and well
within the reach of most choirs. It does need a
competent organist who can perform rhythmically,
and play scales!
10187598 SATB. . . . . . . . . . . . . . . . . . . . 3.95
4t Kyrie (from the "Missa Brevis San Francesco
d' Assisi")—Anthony Bernarducci. This glorious
four-part mixed divisi a cappella setting combines
text from the Kyrie of the Ordinary of the Mass with
text from the Prayer of St. Francis. Moving ethereally
through textural changes and harmonic shifts, it was
written in commemoration of James Jordan's 25th
anniversary at Westminster Choir College.
11130568 SATB divisi. . . . . . . . . . . . . . . . 2.00
Let the People Praise Thee, O God—William
Mathias. For SATB and organ or orchestra.
Composed for the marriage of HRH The Prince of
Wales and Lady Diana Spencer. Orchestral material
is available on hire.
1472182 SATB. . . . . . . . . . . . . . . . . . . . 3.85
l Let the Peoples Praise You, O God—Bruce
Neswick. This anthem is an exciting choral piece for
SATB voices and organ. With colorful harmonies,
strong vocal writing and a climatic ending, this
piece is sure to inspire. Memorable!
11203483 SATB. . . . . . . . . . . . . . . . . . . . 2.15
L
Let Us Break Bread Together—arr. Gwyneth
Walker. Utilizing the traditional African American
tune, this artistic setting focuses on two central
images: breaking bread together in communion and
fellowship, and falling on one's knees in prayer. Both
images have liturgical and community references of
the messages of healing and humility. The first two
verses are familiar, but a new verse has been added
to address the time of great divisions in our country,
when there is a need for strength through unity. "Let
us rise up together as one."
10881300 SATB. . . . . . . . . . . . . . . . . . . . 2.35
4 Let Us Love One Another—Mark Sirett.
Appropriate for any lectionary day about love, Mark
Sirett's setting of this well-known text from John
features beautiful, lyrical part-writing and a flowing
accompaniment. This anthem connects God's love
for us as the reason and cause for our striving to
love one another. Beautiful and thought provoking.
11167003 SATB w/ Organ -
adaptable for Piano . . . . . . . . . 2.25
L Light of the World—arr. Karen Marrolli. Fragments
of the melody of
CHRISTE SANCTORUM weave in and
out of this lyrical setting for SATB, violin, and piano.
The text is wide-ranging, covering themes of light,
ministry, devotion, and service. Inspired.
10953365 SATB. . . . . . . . . . . . . . . . . . . . 2.25
10953366 Violin Part . . . . . . . . . . . . . . . . 5.00
BEST
SELLERS
General
Liturgical Anthems
These bestsellers are chosen most often by
directors! Look online for the most current
information on recordings, instrumental parts,
large print and digital edition availability.
For Everyone Born—
Brian Mann/arr. Tom Trenney.
10606167 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.70
10999825 Unison. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.25
A Mighty Fortress Is Our God—
Kyle Pederson.
10998324 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.60
Do Not Be Afraid—Philip W.J. Stopford.
10514475 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.25
When Memory Fades—arr. Eric Nelson.
10735114 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.25
Verleih Uns Frieden
(Grant Unto Us Thy Peace, O Lord)—
Felix Mendelssohn/ed. Robert Schuneman.
5685169 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.35
