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CLASSICAL
FULL
ORCHESTRA
e Russian Sailors' Dance (from "The Red
Poppy")—Reinhold Gliere/arr. Bilisario Errante.
A very playable arrangement of this Russian
folk dance. Starting at a medium tempo, the
excitement is heightened by four further tempo
changes, the final one accelerating to a feverish
presto. Fun to play and listen to!
2054302 Full Orchestra . . . . . . . . . . . . . . 67.00
6049944 Additional Score. . . . . . . . . . . . . 7.00
e Sleepers Wake—J.S. Bach/arr. Jerry Brubaker.
The familiar Johann Sebastian Bach melody
will be loved by one and all. Solidly scored for
your string or full orchestra, the delicate melody
will reinforce the musicianship of the entire
ensemble.
2478060 String or Full Orchestra . . . . . . 65.00
2478061 Additional Score. . . . . . . . . . . . . 9.00
The Sorcerer's Apprentice—Paul Dukas/
arr. Andrew Balent. This orchestral classic was
the only selection to be featured in the original
Fantasia film and sixty years later in Fantasia
2000! Now it is arranged in a version your
students can play. Playable by string orchestra
or full orchestra, this arrangement avoids much
of the introductory material to get right into the
most familiar parts.
2472121 String or Full Orchestra . . . . . . 65.00
2472122 Additional Score. . . . . . . . . . . . 10.00
e Symphony No. 36, the "Linz"—W.A. Mozart/
arr. Richard Meyer. The "Linz" symphony is
included among Mozart's best. The first move-
ment is cheerful and buoyant in mood yet
retains an air of dignity and poise reflective
of a true master of the genre. Richard Meyer's
arrangement of this classic symphony is carefully
arranged to work well with your full orchestra.
10594971 Full Orchestra . . . . . . . . . . . . . . 59.00
10594972 Additional Score. . . . . . . . . . . . . 9.00
He Themes from "Scheherazade"—Nikolai Rim-
sky-Korsakov/arr. Richard Meyer. Rimsky-
Korsakov's famous symphonic suite "Scheher-
azade" has been a staple of the symphonic
literature since it was written in 1888. Now your
younger students can enjoy the Russian master's
colorful orchestrations and imaginative themes
in this "true-to-the-original" arrangement that
takes just five minutes to perform. Included are
The Sultan's Theme, Scheherazade's Theme (for
solo violin), and the themes from "The Story of
the Kalendar Prince" and "The Young Prince and
the Young Princess."
10092534 Full Orchestra . . . . . . . . . . . . . . 59.00
10092540 Additional Score. . . . . . . . . . . . . 9.00
m e d i u m
e 1812 Overture—P.I. Tchaikovsky/arr. Jerry
Brubaker. Maintaining all of the excitement and
pageantry of the original, this work has been
paired down to six and half minutes. Best known
for its climactic volley of cannon fire, ringing
chimes and brass fanfare, this piece is perfect for
a bicentennial celebration in 2012. You'll have to
hear it to believe it!
10310481 Full Orchestra . . . . . . . . . . . . . . 73.00
10310482 Additional Score. . . . . . . . . . . . . 8.00
He Amadeus (from "Symphony No. 25")—W.A.
Mozart/arr. Jamin Hoffman. Symphony No. 25
begins with one of Mozart's most recognized
themes, as heard in the classic Oscar-winning
film "Amadeus." Hoffman has placed the first
movement in an accessible, practical format
that can be performed by school orchestras with
confidence.
10062533 Full Orchestra . . . . . . . . . . . . . . 65.00
10084749 Additional Score. . . . . . . . . . . . . 5.00
He Bacchanale (from "Samson and Delilah")—
Camille Saint-Saens/arr. Merle Isaac. This
haunting Saint-Saens theme is a favorite of
audiences everywhere and is a great change of
pace on any program.
2143592 Full Orchestra . . . . . . . . . . . . . . 69.00
2335644 Additional Score. . . . . . . . . . . . 10.00
e The Holberg Suite—Edvard Grieg/arr. Victor
Lopez. With string parts as close to the original
as possible, this full-orchestra arrangement of two
movements from Grieg's Holberg Suite is superb!
It may be performed by string or full orchestra,
and, for ultimate flexibility, each movement can
be performed alone. Featuring the Sarabande and
the Gavotte, careful attention has been paid to
maintain the original intentions of the composer.
10594781 Full Orchestra . . . . . . . . . . . . . . 73.00
10594825 Additional Score. . . . . . . . . . . . 10.00
He Jupiter - Bringer of Jollity (from "The Plan-
ets")—Gustav Holst/arr. Vernon Leidig. This
magnificent work by Gustav Holst is scored in a
very playable arrangement for school orchestras.
2155315 Full Orchestra . . . . . . . . . . . . . . 73.00
4957247 Additional Score. . . . . . . . . . . . . 9.00
He Pomp and Circumstance (Military March Op.
39, No. 1)—Edward Elgar/arr. John Whitney.
This marvelous, flexible arrangement of Elgar's
famous processional march is so versatile, you'll
want to use it every year! All the strings can
remain in first position, double stops may be
divided, repeats can be optional, and it works
equally well with full orchestra or just strings and
piano. Highly recommended!
10092290 String or Full Orchestra . . . . . . 59.00
10092291 Additional Score. . . . . . . . . . . . . 7.00
e Sleeping Beauty Waltz—P.I. Tchaikovsky/
arr. Merle J. Isaac. This is absolutely delightful!
Well-known and loved by all, this beautiful
Tchaikovsky work, filled with glorious melodies,
is a welcome addition to any program at any
time. It's an excellent choice.
2143618 Full Orchestra . . . . . . . . . . . . . . 69.00
5390133 Additional Score. . . . . . . . . . . . 10.00
m e d i u m - a d v a n c e d
& a d v a n c e d
e Academic Festival Overture, Op. 80—
Johannes Brahms/arr. Louis Bergonzi. One
of Brahms' most performed works, this "very
boisterous potpourri of student songs" (J.
Brahms) is now playable by strings, or strings
with any combination of wind and percussion
instruments up to full symphonic instrumentation.
Students and audiences will enjoy its tunefulness,
Brahms' compositional craft, and the grand
ending. If you have just a string orchestra, try to
add at least the percussion parts.
10739913 String or Full Orchestra . . MA 73.00
10739914 Additional Score. . . . . . . . . . . 11.00
He An American in Paris Suite—George Gersh-
win/arr. John Whitney. Don't miss this one!
Gershwin's original suite, some 17 minutes in
length, is often too cumbersome to program.
This version, edited and condensed down to
7 minutes, is your solution! Staying true to the
original, it's a wonderful display of Gershwin's
rich and evocative orchestral writing.
2440956 Full Orchestra . . . . . . . . . . MA 80.00
5912597 Additional Score. . . . . . . . . . . 11.00
e
Berceuse and Finale (from "The Firebird Suite")
—Igor Stravinsky/arr. Merle Isaac. Here is a
classic arrangement being made available to
a new generation of students! The beautiful
Berceuse and exciting Finale of Stravinsky's
"Firebird Suite" are fantastic works of music and
will also be recognized as the climactic finale to
Disney's "Fantasia 2000!" Isaac's meticulous
arranging includes written cues for vital solos to
ensure playability and success.
129064 Full Orchestra . . . . . . . . . . MA 69.00
4981973 Additional Score. . . . . . . . . . . 10.00
English Folk Song Suite—Ralph Vaughan
Williams/arr. Gordon Jacob. Originally for band,
this classic orchestration showcases Vaughan
Williams' mastery of bringing English folk songs
into the orchestral repertoire.
4969861 Full Orchestra . . . . . . . . . . . A 85.00
7193527 Additional Score. . . . . . . . . . . 27.95
Hoe Down (from "Rodeo")—Aaron Copland.
Here's the original full orchestra version of the
finale of Copland's "Rodeo."
973776 Full Orchestra . . . . . . . . . . . A 80.00
2428340 Additional Score. . . . . . . . . . . 13.95
He Rhapsody in Blue—George Gershwin/arr. Jerry
Brubaker. Finally, this classic work is now available
for full orchestra, with or without piano! All solo
piano parts are covered within the orchestra but
can also be played with a soloist. One of the most
popular concert works ever, this transcription for
full orchestra will be a new favorite. It's seven
minutes long and includes all the major themes -
for the advanced or community orchestra!
10032785 Full Orchestra
Piano optional . . . . . . . . . MA 75.00
10032786 Additional Score. . . . . . . . . . . . 9.00
H Symphony No. 5 Finale—Dimitri Shostakovich/
arr. Stephen Bulla. One of the most notable move-
ments from Dimitri Shostakovich is transformed
into this superb new edition that is well within
the reach of most orchestras. Stephen Bulla's
arrangement is appropriately truncated and
carefully altered with key, range and technique,
with orchestration considerations for today's
school, festival and regional orchestras.
10042883 Full Orchestra . . . . . . . . . . MA 95.00
10054684 Additional Score. . . . . . . . . . . 10.00
e Toccata—Girlamo Frescobaldi/arr. Hans Kindler.
Girolamo Frescobaldi composed this now-
famous melody in the 1600s. For over 300 years,
the Frescobaldi Toccata has been performed and
loved by generations! This transcription presents
a bold rendition that uses broad harmonic
support for the melody.
134015 Full Orchestra . . . . . . . . . . MA 69.00
2365484 Additional Score. . . . . . . . . . . . 9.00
14
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