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Ht Keep Your Lamps!—arr. Andre Thomas.
This exciting spiritual, with accompaniment
for high, medium, and low conga drums, is an
unusually appealing number for a wide variety of
uses from smaller choirs through massed choir
performances. Available in SATB and TTBB a
cappella arrangements, as well as in SSA with piano
accompaniment. Highly recommended!
3303462 SSA with piano . . . . . . . . . . . . . . 2.25
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The Lord Is My Shepherd—Allen Pote.
This is one of the most elegant settings of Psalm
23. Allen Pote's use of unison, two-part and
four-part voices, as well as harmonic structure,
complements the text perfectly. It's easily learned
and very effective. Young and old alike will not
only emotionally connect with the music but will
quickly internalize this important psalm as their faith
develops. It's simply beautiful!
8060334 Two-Part . . . . . . . . . . . . . . . . . . . 2.10
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Lord, I Stretch My Hands to You—Jay Althouse.
An anthem of true beauty - this one of the most
melodic and singable anthems you will find, with a
harmonic structure to match. The strong text is a
prayer acknowledging the Lord's hand in our lives
and asking for his continued help. This is one you will
reach for on many occasions. Now available for treble
voices and optional orchestration by Ed Hogan.
10906842 SSA . . . . . . . . . . . . . . . . . . . . . . . 2.20
Make Me an Instrument—Craig Courtney.
"O Lord, Make me an instrument of Your peace."
The beloved prayer by St. Francis of Assisi is treated
with reverence and simplicity for choir, piano and
string quartet or orchestra. Lovely and lyrical, with
some amazing harmonic moments, this setting is
beyond compare! Highly recommended!
10607038 SSAA . . . . . . . . . . . . . . . . . . . . . . 2.15
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May the Road Rise to Meet You—
Michael Higgins. Michael Higgins's gentle setting
of the traditional Irish blessing has a memorable
melody, a flowing piano part, and a beautiful, soaring
soprano descant in the second verse. Written for the
National Children's Choir of Great Britain, this piece
is well suited for any treble choir.
10993260 SSAA . . . . . . . . . . . . . . . . . . . . . . 3.00
Ht Nothin' Gonna Stumble My Feet—Greg Gilpin
& John Parker. If you buy only one new spiritual
setting this year for your a cappella choir, this is the
one you want! Brimming with dynamic contrasts,
rhythmic nuances and textual percussiveness, it
is an absolute thrill to sing and hear. "When I go
to walk that golden street, nothin' gonna stumble,
stumble my feet!"
10274237 SSA . . . . . . . . . . . . . . . . . . . . . . . 2.50
L O Love—Elaine Hagenberg.
This beautiful setting of George Matheson's familiar
hymn text functions perfectly in both sacred or
secular settings. Here, O Love is given a fresh
new melody with equally refreshing and gorgeous
harmonies. You will not want to miss this for use
as a sacred meditation in a worship service or in a
concert setting as a tribute to the glory of love itself.
Now available in treble and tenor-bass voicings.
Simply stunning!
10954544 SSAA . . . . . . . . . . . . . . . . . . . . . . 2.25
11305620F SSAA Part-Dominant MP3s. . . . 49.99
L Our Father—Craig Courtney.
Humility and quiet fervor mark this setting of
Christ's eternal words. It is completely different
than the standard settings that we have heard
so often, in that each section of the prayer is
expressed in its own melodic, harmonic and
textural language. The climactic arrival on the
words "forever and ever" soar, and the final
"amen" brings us full circle to the simplicity of the
beginning of the anthem. String quartet and full
orchestra parts and scores are available, as well as
SSAA and TTBB adaptations.
10805765 SSAA . . . . . . . . . . . . . . . . . . . . . . 2.10
l Panis Angelicus—Karl Jenkins.
This attractive and accessible setting of the
much-loved sacred text was composed for the
New London Children's Choir to celebrate its 25th
anniversary. Suitable for intermediate standard
school and church choirs.
11171729 SS . . . . . . . . . . . . . . . . . . . . . . . . 3.50
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Poor Wayfaring Stranger—arr. John Leavitt.
This traditional spiritual carries in its essence the
longing for peace and rest. The bittersweet spirit
is front and center in this arrangement enhanced
by sensitive part writing, an optional solo, and
a flowing piano accompaniment. Optional
instrumental parts are available to further increase
the impact of the piece.
11166519 SSA . . . . . . . . . . . . . . . . . . . . . . . 2.10
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The Prayer with Lead Us Lord—
Carole Bayer Sager & David Foster/arr. Fettke.
The Prayer, as sung by Celine Dion, Andrea Bocelli,
Josh Groban and Yolanda Adams, has in recent
years gained the status of instant legend. Few songs
have seen such unprecedented success. Here, with
slightly adapted lyrics, brilliantly paired with Samuel
S. Wesley's hymn, Lead Us, Lord, a stunning new
prayer is created. Ideal for worship throughout the
year. Beautiful!
10091197 SSA . . . . . . . . . . . . . . . . . . . . . . . 2.10
Redeemer—arr. Heather Sorenson.
Now available for SAB and SSA choirs! This
contemporary hit from Nicole C. Mullen is based
on the immortal words from the book of Job, and
is aptly set as a power folk anthem. The verses are
framed by unison and two-part vocal textures while
the well-known chorus opens up to include a rich
four-part harmonic tapestry. The final crescendo is
a regal variation with the piano providing an almost
orchestral impact. The vocal lines climb unrelenting
to a final fortissimo declaration, "My Savior Lives!"
10553335 SSA . . . . . . . . . . . . . . . . . . . . . . . 2.15
4 Sanctus—Michael John Trotta.
The final installment of the Missa Brevis, this
peaceful work features opportunities for unison
singing and the development of independent part
singing. With conservative ranges and opportunities
to focus on pure vowels and text accentuation, this
is an elegant addition to any concert or service.
Combine with Trotta's other Latin works Kyrie, Gloria
and Agnus Dei to create the full Missa Brevis. Now
available for mixed voices.
10990284 SA . . . . . . . . . . . . . . . . . . . . . . . . 2.25
11162737 Choral Score-
Missa Brevis Complete . . . . . . . . 6.99
11162737 Choral Score-
Missa Brevis Complete . . . . . . . . 6.99
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Shut de Do—Randy Stonehill/arr. Greg Gilpin.
This familiar song sounds and feels as if it has
always been a part of the folk song or spiritual genre.
In this a cappella setting, optional percussion can
be utilized to enliven the texture. Equally appropriate
in concert or worship settings, this wonderful
arrangement offers solo opportunities and creative
new melodic material before the final refrain.
A perennial favorite.
10689669 SSA . . . . . . . . . . . . . . . . . . . . . . . 2.15
11303516F SSA Part-Dominant MP3s . . . . . 49.99
HL Then Sings My Soul (How Great Thou Art)—
Stuart K. Hine/arr. Mary McDonald. With altered
melody and lush harmonies, Mary McDonald's fresh
treatment awakens a new breadth and splendor
into this timeless hymn, giving rise to the greatness
that it invokes in worshiping God, our Creator. The
gorgeous orchestration by Michael Lawrence is a
true complement to Mary's splendid choral writing.
Now available in an SSA setting.
10750789 SSA . . . . . . . . . . . . . . . . . . . . . . . 2.35
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This Little Light of Mine—arr. Mark Hayes.
Mark Hayes' incomparable arranging style is evident
in every measure of this extraordinary gospel-rock
setting! With a good mix of unison, two-part and
fully voiced chorals, easy-to-feel syncopations, and
a supportive piano accompaniment, it will be an
exciting showcase for your choir! Add live brass
and rhythm or the hot accompaniment track for an
unforgettable spiritual experience!
10068302 SSA . . . . . . . . . . . . . . . . . . . . . . . 2.20
11309660F SSA Part-Dominant MP3s . . . . . 49.99
4 Ubi Caritas—Michel Guimont.
The Latin plainchant is maintained in augmented
note values in the organ throughout the piece. The
choral texture is SSA and masterfully decorates the
plainchant.
11194327 SAA . . . . . . . . . . . . . . . . . . . . . . . 2.10
Wade in the Water—arr. Dan Davison.
Written specifically with young developing choirs
in mind, this exciting spiritual arrangement features
comfortable vocal ranges and easy-to-learn
choral parts. This rhythmic setting abounds with
solo opportunities for a variety of voice types and
presents outstanding teaching opportunities for style
and historical context. Equally appropriate for the
concert stage or worship service.
10990226 SA . . . . . . . . . . . . . . . . . . . . . . . . 2.25
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Witness—Jack Halloran/arr. Dick Bolks.
Dick Bolks has taken this Jack Halloran classic
and made it accessible for accompanied or a
cappella choirs while retaining the enthusiasm of
the original. This is guaranteed to be the highlight
of your music year!
10366147 SSAA . . . . . . . . . . . . . . . . . . . . . . 2.55
Ht The Word Was God—Rosephanye Powell.
What an impact this august anthem will have on both
choir and listeners! Its rhythmic structure develops
from the superb interplay between the voices, and
the layering of sound upon sound creates a musical
tapestry. Written in an almost spiritual style, but
definitely not a spiritual, this will make a stunning
choice for larger church choirs!
10055030 SSAA . . . . . . . . . . . . . . . . . . . . . . 2.35
