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HANDBELL MUSIC
105
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Handbell Full
Choir General
l All Through the Night—arr. Jason W. Krug.
Flowing arpeggios underscore this gentle
arrangement of the Welsh tune
AR HYD Y NOS. As the
piece unfolds, the melody is passed around to all
registers, from handbells to handchimes and back.
Unexpected harmonies abound, bringing new life
and vitality to this well-known hymn.
11346941 3-6 Octave w/opt.
3 oct. Handchimes,
C instrument . . . . . . . . . L2+ 5.25
11346940 Full Score & Parts . . . . . L2+ 9.95
Ascension in Glory—Brian Childers. This original
composition brims with exuberance and forward
motion from beginning to end. A challenging
Level 3+, this exciting work is appropriate for both
worship and concert.
11204962 3-7 Octave . . . . . . . . . . L3+ 4.95
The Ash Grove—arr. Brian Childers. This classic
Welsh folk tune is suitable for Thanksgiving,
harvest, or general use. The syncopated, stylish feel
of this well-structured arrangement will enchant
ringers and listeners alike. A grand final stanza
leads into a quiet, contemplative coda.
11203416 3-5 Octave w/opt. Bb2. . . L2 5.25
N E W F O R 2 0 2 1
E D I T O R S ' C H O I C E
Awake!—John A. Behnke. This spirited and lively
original handbell piece is an exciting call to worship
or an opening piece in a concert! Awaken the
ears of the listener to the delightful rhythms and
techniques of the bells. While the tempo is marked
vivace, the skill and agility of the ringers will set the
pace. Challenge your ringers to Awake!
11337870 3-5 Octave . . . . . . . . . . L3+ 3.95
Be Thou My Vision—Kyle Webber. Opening with
the ethereal sound of singing bells and suspended
malleted bells, this setting takes listeners and
performers on a musical journey. The inspirational
original ‘B' section originates from the
melody itself, and leads to the return of the melody
for a final stanza, this time accompanied by optional
arpeggiated chimes. The composition concludes
just as it started, completing the musical journey
with the heavenly sounds of the singing bell.
11165159 3-5 Octave w/opt.
3-5 oct. Handchimes . . . . L2 5.25
Bell Peal on Old 100th—arr. Linda Lamb. The
hymn tune
OLD 100TH, known to many as the
tune for the Doxology, is arranged here simply yet
effectively, with LV, echo, shake, and martellato
techniques enhancing the verses in this delightful
setting. With a bell peal in the introduction, this is a
perfect selection to open worship.
11165172 2-3 Octave . . . . . . . . . . . L1 5.25
Bella-Bration—Ronald Kauffmann. A joyous,
explosive opening figure gives way to a soaring
melody underscored by a driving, syncopated
bass line. A contrasting section slows down the
propulsive rhythm allowing for a more expansive
feel before the opening figure returns to round the
piece off in joyous, celebratory fashion. An ideal
choice for worship or concert.
11314798 3-5 Octave . . . . . . . . . . . L3 5.95
Bright and Glorious Is the Sky—arr. Patricia
Hurlbutt. This delicate and joyful setting of a well-
known Danish tune is musically satisfying for
ringers and listeners alike. Numerous techniques
abound, and several key changes will keep ringers
busy. A fun choice for the ensemble looking for
something a little different.
11202857 2-3 Octave . . . . . . . . . . . L2 4.95
Brother James' Air—arr. Kathleen Wissinger.
The simple familiar tune by James Macbeth
Bain (often paired with the text The Lord
Is My Shepherd) is introduced with a lush,
sustained singing bell chord. The second verse
is supported with an easy alternating eighth-
note accompaniment, then suspended mallets
followed by fuller chords that strengthen the
theme. Perfect for a thoughtful moment in
worship, concert or festival, your ringers and
audiences alike will enjoy the unusual and
contrasting accompaniments used throughout.
10986506 3-5 Octave w/opt. Handchimes
or Bell Tree . . . . . . . . . . .L2- 4.00
Built on the Rock—arr. Hart Morris. This
challenging arrangement includes hints of
EIN FESTE
BURG, making it a great choice for Reformation
Sunday. The first verse proceeds in the expected
3/4 meter, then moves smoothly into 6/8 and
introduces mallets and handchimes mixing duple
with triple meter. The final stanza reverts to the
original meter, with mallets driving the bass
rhythms to the hymn's triumphant conclusion.
11204654 3-5 Octave and
3-5 oct. Handchimes . . . . L3 4.25
N E W F O R 2 0 2 1
E D I T O R S ' C H O I C E
Built On the Rock—arr. Jason W. Krug. A
driving rhythm, established by malleted bells
and optional bodhrán and shaker, sets
up this haunting tune. The stark harmonic
opening gradually becomes more complex
before a slower, more ethereal section on
chimes sets the tune in a drawn-out 4/4. The
opening rhythm returns to propel the piece to its
explosive conclusion. A show-stopping choice for
your next service or concert! Instrumental parts
available separately.
11314799 3-6 Octave . . . . . . . . . . L2+ 5.95
11314800 Bodhran and Shaker Parts . . . . 5.00
Built on the Rock—Ludvig M. Lindeman/arr. Alex
Guebert. Advanced choirs will enjoy this challenging
arrangement filled with technical fireworks and
wonderful musical textures. Although it may be
used in general worship, this setting is appropriate
for the Easter season as well.
11167859 4-7 Octave . . . . . . . . . . . L5 5.95
Called Home to Heaven—arr. Fred Gramann. The
title comes from the last verse of the hymn Brethren
We Have Met to Worship, most often associated
with the tune
HOLY MANNA. The line, "Then He'll call
us home to heaven" resonates with those who have
lost children and other loved ones. The fugue-like
second verse is beautifully created, and is followed
by a majestic verse and prayerful conclusion.
11204322 3-5 Octave w/opt.
3-5 oct. Handchimes . . . . L2 5.25
Cantilene Nocturne—Matthew Compton. Lush
harmonies underscore this beautiful, prayerful
melody. The triplet accompaniment figure gives
way to a more delicately scored melody which
becomes progressively more agitated before the
return of the opening figure. A lovely addition to
your concert or worship service.
11166251 5-7 Octave w/opt.
5 oct. Handchimes. . . . . L3+ 5.50
Celebration Praise—Sandra Winter. This jubilant
original piece is as much a delight to ring as it is
to hear. A bold, joyous opening gives way to a
memorable melody filled with both rising and falling
peals reminiscent of tower bells in a belfry. A brief
middle verse gives the melody to the lower treble
bells, allowing them their moment in the sun before
the entire ensemble resounds once more in effusive
celebration. A wonderful addition to any worship,
concert, or festival setting.
11166253 3-5 Octave . . . . . . . . . . .L3- 4.50
Celtic Grace—Tammy Waldrop. The Irish tune
SLANE (Be Thou My Vision) is creatively combined
with an original tune to produce a lovely
Celtic-style piece suitable for many occasions
throughout the year.
11166133 3-5 Octave w/opt.
3-5 oct. Handchimes . . . . L3 5.25
Christus Paradox—Alfred V. Fedak/arr. Kirk
Townander. This dramatic arrangement may be
performed alone, but when played with the organ is
both powerful and inspiring. Suggestions for effective
use of handbells with organ are included. The
organ part is included in the choral version: Choral
Variations on
PICARDY, product number 5906037. It
is also compatible with the orchestra edition by John
Ferguson. Even without organ, this setting bestows a
compelling and convincing message.
11161815 3-5 Octave . . . . . . . . . . . . . . . 4.95
The Church's One Foundation—arr. Robert
James Lamb. With shaking and pealing bells, this
arrangement introduces the majestic melody of
AURELIA. The straightforward, powerful first stanza
contrasts with the second stanza that features
(optional) handchimes. The final stanza broadens
and combines the melody with inner pealing bells
into a dramatic chordal finish. Wonderful for worship!
11101926 3-5 Octave with opt.
3 Octave Handchimes . . . L2 4.95
Colors of Joy—Brenda E. Austin. As with
joy, handbells can take on many colors. This
arrangement brings out those different colors
through the variety of techniques used to express all
the sounds of the instrument. Easily learned, ringers
and listeners are sure to enjoy the many "colors of
joy" heard throughout the piece.
11166925 2-3 Octave . . . . . . . . . . L1+ 4.95
11166926 3-6 Octave . . . . . . . . . . L1+ 4.95
Creation Will Be at Peace—Anna Laura Page.
This popular arrangement is now available for
solo bells and piano. The handbell part is also
appropriate to be played on bell tree.
11305390 2 Octave opt Bell Tree . . . L2 7.95
Creator of the Stars of Night—arr. Joe Galyon.
This wonderful hymn is most closely associated
with Advent but may be used for Lent or general
worship as well. The ethereal, mesmerizing
arrangement captures the mystery and wonder of
Christ's coming, painting a musical picture that is
truly unforgettable.
11167860 3-5 Octave . . . . . . . . . . .L3- 4.95
Crown Him with Many Crowns—arr. Patricia
Hurlbutt. This solid arrangement of the well-loved
hymn opens with strong, full chords before a key
change gives way to a more flowing feel. A brief
prayerful interlude yields to a majestic final verse
with peal-like accompaniments throughout. Use for
Easter, Christ the King Sunday, or throughout the
church year.
11166254 2-5 Octave . . . . . . . . . . . L2 4.50
Dawn of a New Day—Jason Krug. This engaging
original work captures the spirit and expectation of
a new day. The piece opens with vigorous mart
lifts introducing a strong, chorale-like melody. A
contrasting second melody on chimes leads back to
a fuller rendition of the opening material. Originally
written in celebration of the 500th anniversary of
the Reformation, it is appropriate for concert as well
as worship.
11164642 3-5 Octave w/opt.
3-5 oct. Handchimes . . . L2+ 4.95
Elegy—Sondra Tucker. Somber, poignant; the
longings of humanity are set to music in this beautiful
original composition. It is suitable for Lent or any
solemn occasion, or as a profound concert piece.
11204969 3-6 Octave . . . . . . . . . . .L4- 5.00
Every Time I Feel the Spirit—arr. Kevin
McChesney. Audiences are sure to catch the spirit
from this upbeat arrangement filled with energy and
excitement. A malleted bass drives the rhythm at
the beginning and continues throughout. Ringers
will love the shakes, mallets, and ring touches that
capture the vibrant energy of this spiritual.
11165154 3-5 Octave . . . . . . . . . . . L3 5.50
Fanfare and Carillon—Karen Thompson.
Following a solemn introduction a determined and
driving eighth-note pattern supports a beautiful,
uplifting melody. This original composition is well-
suited for both worship and concerts.
11162226 3-5 Octave . . . . . . . . . . .L3- 4.95
Fanfare for a 100 Years—Jeffrey Honore. A
cheerful composition with an optional processional
before the fanfare, the composer includes the
hymn tune
LOBE DEN HERREN (Praise to the Lord,
the Almighty), offering a fitting complement to the
classic piece.
11162138 2-3 Octave . . . . . . . . . . .L2- 4.95
11162139 3-5 Octave . . . . . . . . . . . L2 4.95
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