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HANDBELL MUSIC
106
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N E W F O R 2 0 2 1
E D I T O R S ' C H O I C E
Fanfare Intrada—John A. Behnke. This lively and
spirited original piece for handbells is filled with lots
of exciting techniques like thumb damps, plucking,
swings, mart lifts, echoes, and a shake. Besides
being a rousing prelude for worship or concert, it
also makes a wonderful teaching piece. This piece
comes in two compatible versions, one for 2-3
octaves and another for 4-6 octaves, so it's perfect
for massed ringing.
11334257 2-3 Octave . . . . . . . . . . . . L2 3.95
11334258 4-5 Octave with Opt. G2 . . L2 3.95
Fantasy on
HYFRYDOL—Sandra Winter. Here is
a sedate, flowing rendition of the well-loved hymn
HYFRYDOL. Easy rhythms and no accidentals except
one Bb4 make it accessible to most intermediate
choirs. With a calm, pastoral feel, it is suitable for
any meditative moment in a service or concert.
Optional 3 octaves of handchimes (B5-A6.)
11314802 3-6 Octave . . . . . . . . . . .L3- 4.95
l Fantasy on Winchester—William Bryan Kyle.
Suitable for Advent, Christmas, Epiphany, or
general use, this clever arrangement combines
the tunes
WINCHESTER OLD and WINCHESTER
NEW. A set of variations blends the two tunes.
The piece begins quietly, moves into intricate
rhythmic layers, and ends triumphantly. While
there are bell switches within several parts, there
are no shared bells.
11347544 3-6 Octave . . . . . . . . . . . L3 5.25
A Festive Toll—Chris D. Burton. This intriguing
original work begins with driving eighth notes
underscoring a primal melody of moving parallel
fourths. A second more lyric melody on handchimes
provides contrast, with a short chromatic interlude
leading back to the opening material before ending
triumphantly. A fantastic choice to add a bit of
mystery to your concert or church service.
11166255 5-7 Octave w/opt.
3 oct. Handchimes. . . . . . L4 5.50
For All the Saints—Ralph Vaughn Williams/arr.
John Behnke. Many arrangements of this respected
and hallowed tune exists for handbells; however,
few offer an optional piano score. While the handbell
arrangement may stand on its own, adding the
optional piano induces a dignity that rightfully honors
the saints who have gone before us.
11204985 3-5 Octave w/opt piano . . L2 4.95
11204986 Full Score & Parts
Piano/Keyboard . . . . . . . . . . . . 6.25
l For the Beauty of the Earth—arr. Brian Childers.
The interplay between bells and the C instrument
gives variety and warmth to this arrangement
of the hymn tune
DIX. Malleted patterns and
snippets of the melody in the middle section build
to a grandiose chordal rendition of the tune before
closing with a flurry of shakes, marts, mallets, and
rung bells.
11346967 2-3 Octave w/
opt. B-flat Trumpet. . . . . . L2 5.25
11346966 Full Score & Parts . . . . . . L2 9.95
For the Beauty of the Earth—arr. Ron Mallory.
Here is a wonderful transcription for solo handbells
and piano of Ron's creative arrangement of this
beloved hymn.
11305395 3 Octave . . . . . . . . . . . . . L2 7.95
Fount of Blessings—Brian Childers. Brian
Childers' masterful combination of two tunes
associated with the text "Come, Thou Fount of
Every Blessing"; is a true delight! Starting with
a Baroque feel and then morphing into a more
modern treatment, a plethora of techniques,
styles, and rhythms will keep everyone attentive
and entertained! An option to add in an extra five
auxiliary bells (such as Silver Melody Bells) will lend
additional aural interest. For worship or concert,
this arrangement of the tunes
NETTLETON and
WARRENTON is enhanced by an optional 3-5 octaves
of handchimes and 3 octaves of auxiliary bells.
11314804 3-7 Octave . . . . . . . . . . . L4 5.95
Four Processionals for Handbells—John
A. Behnke. Processionals can provide festive
treatment for any occasion. Written in the keys of D,
E flat, F, and B flat, these four processionals for 3-5
octave handbells can be easily memorized, allowing
the bell choir to process in and set up the key for
the opening hymn.
11204644 3-5 Octave . . . . . . . . . . L2+ 4.25
Give Me Jesus—arr. Linda R. Lamb. The sensitive
portrayal of the text of this beloved spiritual creates
a compelling musical experience. Linda Lamb's
writing is accessible yet moving in this arrangement
which is useful throughout the church year.
11203419 3-5 Octave w/opt.
3-5 oct. Handchimes . . . . L2 5.25
N E W F O R 2 0 2 1
E D I T O R S ' C H O I C E
Glorious Things of Thee Are Spoken—arr.
Jason W. Krug. A chromatic, fanfare-like opening
leads into a chordal setting of the hymn tune
AUSTRIA, which gives way to a verse set in minor,
with the melody on (optional) handchimes and
accompanied by oscillating chords in the upper
treble bells. A final, triumphal verse leads the piece
to its glorious conclusion.
11314805 3-5 Octave . . . . . . . . . . .L3- 4.95
Glory to God—Patricia Hurlbutt. This Peruvian
hymn tells of the glory of God the Father, God the
Son, and God the Holy Spirit. It appears in more
than 16 hymnals and continues to gain popularity.
This arrangement is packed with exuberance and is
to be performed at a lively tempo.
11162225 3-5 Octave
opt. percussion . . . . . . . .L3- 4.95
11169254 Instrumental Parts
Percussion Part . . . . . . . . . . . . 4.25
Go, My Children, with My Blessing—arr.
Lauran Delancy. This simple setting of
AR HYD Y NOS
is ideal for beginner ensembles. Set in 4/4 time, it
uses basic ringing and thumb damping techniques
and moves the sweet melody around to each part of
the group, allowing each ringer to actively engage
and participate.
11204642 3 Octave . . . . . . . . . . . . L1+ 3.95
l God's Own Child, I Gladly Say It—arr. John A.
Behnke. This baptismal hymn to the tune
BACHOFEN
uses a motive of two martellato chords on beats
three and four to emphasize the power of baptism
in our lives. The melody begins in the upper treble,
moves to the middle bells, then returns to high
treble with octaves as the piece ends with joy
and affirmation. A snippet of the tune
JESU, MEINE
FREUDE is a wonderful C-minor surprise in the
middle as it interacts with the original theme.
11348374 3-5 Octave . . . . . . . . . . . L2 4.25
Good Christians All Rejoice and Sing—arr.
Jason W. Krug. Looking for a majestic new piece
for Easter Sunday? Look no further than this very
accessible setting of
GELOBT SEI GOTT. In addition to
the solid handbell arrangement, a soaring optional
trumpet adds sparkling hints of Christ the Lord Is
Risen Today to complete the feeling of Easter joy.
11166256 3-6 Octave . . . . . . . . . . . L3 4.50
11166257 Instrumental Parts Trumpet . . . 4.95
Good Christians All, Rejoice and Sing—arr.
Patricia Hurlbutt. This arrangement of the 16th-
century tune
GELOBT SEI GOTT expresses the triumph
of Easter in a dance-like setting. Encourage ringers
to create a lightness and buoyancy by observing the
strong downbeat and lighter upbeats of the triple
meter. Marts are prominent in the middle section
which leads to a key change and a grand final stanza.
11166927 2-3 Octave . . . . . . . . . . L2+ 4.95
11166928 3-5 Octave . . . . . . . . . . L2+ 4.95
Gratitude—Alex Guebert. It is rare to find an
achingly beautiful piece filled with sophistication
and musical nuance that is technically very
straightforward and mastered quickly. This is that
piece. For worship or concert, this is an excellent
choice for both less and more experienced groups
to show their musicality.
11167872 3-5 Octave . . . . . . . . . . .L2- 4.95
Grazioso—Karen Lakey Buckwalter. This lyrical
original piece sets a prayerful mood with flowing
melodic lines and intriguing harmonies. An angst-
filled middle section gives way to the gentle feeling
of the opening before fading away on a serene final
chord. The optional C instrument with contrasting
timbre enhances the overall effect.
11202858 4-6 Octave w/opt. C Instr. . L3 5.95
l Great Is Thy Faithfulness—arr. John A. Behnke.
This arrangement of the tune
FAITHFULNESS has two
sections, one that flows along and another that
is joyfully malleted, portraying God's unchanging
faithfulness and our joyful response to such
underserved love. The bass bells will particularly
enjoy ringing this arrangement!
11348375 3-5 Octave . . . . . . . . . . L2+ 4.25
Great Is Thy Faithfulness—William M. Runyan/
arr. Anna Laura Page. This gentle and lush setting
of the beloved hymn is sure to become a favorite of
both your ringers and congregation. The first verse
sets the tune with flowing accompaniment before
a key change passes the melody to the lower treble
and upper bass bells. A return to the original key
leads to a grand and glorious conclusion. An all-
around solid choice for worship or concert use.
11166259 3-5 Octave . . . . . . . . . . .L3- 4.50
Great Things God Hath Done—arr. Brian
Childers. This arrangement of To God Be the Glory
begins with a grand, fanfare-like figure before
giving way to a lush, fantasia-like variant on the
well-known melody. A brief section on chimes
precedes a majestic and chromatic final verse. An
outstanding choice for any general worship service
throughout the year.
11166261 3-7 Octave with
3-6 Octaves Handchimes. . L3 4.50
He Leadeth Me—arr. Brenda Austin. This
upbeat version of a favorite hymn combines
the title tune with Blessed Assurance. Mallets,
plucks, and other techniques enhance the happy
vibe of this clever arrangement.
11166125 3-6 Octave . . . . . . . . . . . L3 5.25
Ring
to the
Lord
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