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L Light Shines in the Darkness—
Michael John Trotta. Cast in eight movements, this
major work draws on texts that examine the many
facets of death, the pain of transitions, and the hope
and joy of a better place. Designed to be accessible
for the choir looking to prepare a larger work within
the constraints of limited rehearsal time, this work
provides conservative ranges and straightforward
rhythms that allow time to craft a more artistic
performance. The work is scored for choir, organ
or piano, and optional string orchestra. Each of the
movements is available separately; the work as a
whole or as individual parts is recommended for
concert or liturgical service use. Movements: 1. Do
Not Stand at My Grave and Weep; 2. I Seek a Faith;
3. The Lord Is My Shepherd; 4. A Light Shines in the
Darkness; 5. Death Shall Be No More; 6. I Saw a New
Heaven; 7. Love Conquers All; 8. Gaelic Blessing
(Deep Peace).
10947978 SATB Choral Score . . . . . . . . . . . . . 10.95
10949740 Instrumental Parts . . . . . . . . . . . . . . 49.95
10949741 Full Score. . . . . . . . . . . . . . . . . . . . . 49.95
Missa Brasileira—Jean Kleeb. The liturgical Mass
text of Missa Brasileira is set to typical Brazilian
rhythms and styles and builds a bridge between
European spiritual choral music and the rhythmic
intensity of South America. Renaissance and
Early Baroque harmonies blend with the melodies
and rhythms of Indian and Afro-Brazilian music.
In addition, popular styles such as the bossa
nova, samba and baiao are incorporated. This
work is readily accessible, and the instrumental
accompaniment can be easily adapted for a small-
group setting with choir, piano, cajon, and shaker or
for a large-group setting with piano, bass, drum set,
and Brazilian percussion. The work is rounded out
by a solo soprano and cello. Contents: Kyrie; Gloria;
Et in terra pax; Laudamus te; Gratias; Domine Deus;
Qui tollis peccata mundi; Quoniam tu solus Sanctus;
Cum sancto spiritu (Fuga); Credo; Sanctus; Osanna;
Benedictus; Agnus Dei; Dona nobis pacem.
11174853 SATB Full Score . . . . . . . . . . . . . . . 38.75
11174854 SATB Choral Score . . . . . . . . . . . . . 16.60
11174855 Instrumental Parts . . . . . . . . . . . . . . 33.20
Missa In F—Antonio Caldara/ed. Klaus Winkler.
The Venetian-born Antonio Caldara (1670-1736)
worked under Johann Joseph Fux between 1716
and 1736 as deputy court music director of the
Vienna Hofmusikkapelle (Court Music Orchestra).
An incredible 3400 compositions were penned by
him, including about 150 Mass settings. Edited here
for the first time, the Mass in F Major for four-part
mixed SATB choir, two violins and basso continuo
from the collection of the Dresden Chapel Royal
shows Caldara's great popularity far beyond national
borders. Indeed, this Mass impresses through its
successful synthesis of traditional contrapuntal style
and typical affects of that time. The editor, Klaus
Winkler, has furnished a setting for mixed choir and
organ/piano and has thus made the Mass accessible
for smaller congregations as well.
11174860 SATB Full Score . . . . . . . . . . . . . . . 21.00
11174861 SATB Choral Score . . . . . . . . . . . . . . 8.80
11174862 Instrumental Parts . . . . . . . . . . . . . . 17.75
Missa Ruralis, Op. 6, No. 3—
Marianus Konigsperger/
ed. Rupert Gottfried Frieberger.
Marianus Konigsperger, who worked as a lay
brother in the Benedictine monastery of Prufening,
composed this "rural Mass" in F major to be
a melodically memorable and easily singable
Latin Mass for smaller church choirs. Individual
passages in the soprano and bass, which can also
be sung as solos, provide variety and also make
a performance with a very small setting possible.
This is a well-composed little Mass with simple
means that can complement every church service,
even today.
11174863 SAB Choral Score . . . . . . . . . . . . . . . 8.80
And None Shall Be Afraid—Paul A. Aitken.
Featured on the Carnegie Hall stage in 2010 under
the direction of the composer, this powerful work
for choir and chamber orchestra is perfectly suited
for concert hall and worship alike. The composition
highlights five peace prayers from 5 different faiths,
and showcases the commonalities in each faith
center's quest for world peace. Opening quietly,
the piece builds through it's 5 movements toward a
stunning and electric conclusion that emulates hope
for all humankind.
10861921 SATB Vocal Score. . . . . . . . . . . . . . 11.95
Requiem—Kim Andre Arnesen. A nine-movement
work for strings, solo trumpet, three percussionists,
and child soprano, soprano, and mezzo-soprano
soloists. The main movements of the Requiem
Mass are set in Latin. Two extra movements were
added that include English texts by Emily Dickinson
and an anonymous prayer from the Jewish Prayer
Book entitled We Remember Them. This work
received its American premiere in April 2015 by
the Opus Chorale of West Virginia, conducted by
David F. Donathan. This version was updated by the
composer in 2018. Not dedicated to any particular
person or group, this work was written with the aim
of providing solace to people who are in pain and
grieving or to assist in a moment of remembrance
and honoring.
10999679 SATB Choral Score . . . . . . . . . . . . . 19.95
11175987 TTBB Choral Score . . . . . . . . . . . . . 19.95
10999680 Instrumental Parts
for SATB Version . . . . . . . . . . . . . . 185.00
11175989 Instrumental Parts
for TTBB Version . . . . . . . . . . . . . . 185.00
Samba Mass—Bob Chilcott. For SATB or SSA,
piano, & opt. guitar, bass, & drum kit. Samba Mass
is a joyous setting of the Missa brevis. The stylistic
piano part can be played as written or serve as
a guide, and an optional band part is available
separately. Performers will enjoy exploring the
interplay between voices and the rich colours of the
samba and bossa nova styles.
11160114 SATB Vocal Score. . . . . . . . . . . . . . 12.25
11160115 SSA Vocal Score . . . . . . . . . . . . . . . 12.25
11160155 Instrumental Parts
Guitar & Bass. . . . . . . . . . . . . . . . . . 11.75
Songs for the Journey—Kevin Siegfried.
This work outlines and explores similar themes
as the traditional Latin Requiem - love, faith,
mortality, surrender to an eternal will - but in a less
ecclesiastical framework, with poems and texts
drawn from a variety of sources. Commissioned in
2010 to be performed alongside Gabriel Faure's
Requiem, this work utilizes the same combination
of instruments. Contents include: Into Your Hands;
When All That's Left of Me Is Love; More Love; Do
Not Stand at My Grave and Weep (soprano solo) and
Celtic Blessing.
11164360 SATB Choral Score . . . . . . . . . . . . . . 6.50
St Martin's Mass—David Bednall.
This congregational mass is short and very singable,
with organ accompaniment and nicely contrasted
movements. The congregational part may be
photocopied from the back of the vocal score and is
easily sung.
11199027 SATB Choral Score . . . . . . . . . . . . . . 4.25
lL Te Deum: Laudamus Propter Musicam
(Te Deum to Music)—Allan Robert Petker.
This major work for choir and orchestra includes the
following movements: I. God is Singing Over You;
II. We Sing to the Majesty of God; III. We Sing to
the Grace of God; and IV. Music Itself Glorifies God.
The final movement uses the Fred Pratt Green text
"When in our Music God is Glorified."
11356663 SATB Choral Score . . . . . . . . . . . . . . 9.99
11356664 Full Score for Small Ensemble . . . . 75.00
11356665 Full Score for Chamber Ensemble . 85.00
11356666 Full Orchestra Score . . . . . . . . . . . 100.00
Tuvayhun (Beatitudes for a Wounded World)—
Kim Andre Arnesen. With a moving text by Charles
Anthony Silvestri, this innovative 80-minute major
work is based on the Beatitudes, with a message of
inclusion, trust, kindness, compassion, humanity, and
mutual respect. Utilizing a mix of Aramaic and English
text, this moving work incorporates ancient and
contemporary styles and ideals. The modern hybrid
style includes theatrical elements and influences of
classical, jazz, and world music. Scored for either
treble or mixed choirs with baritone, contralto, and
child soprano soloists, the work is accompanied by
strings, flutes, hammered dulcimer (cimbalom) or
guitar, harp, and a variety of other percussion and
world instruments, creating its unique sound and
presentation. Commissioned by the Manhattan Girls
Chorus and artistic director Michelle Oesterle in 2018,
this work is socially responsive and shines a light on
modern issues affecting our world such as poverty,
the refugee crisis, discrimination, and persecution.
Ten movements: The Poor in Spirit; The Merciful;
The Peacemakers; The Meek; The Pure in Heart; The
Blessed; Those Who Mourn; Those Who Hunger and
Thirst for Righteousness; Those Who Are Persecuted
for Righteousness' Sake; You Are the Light.
11160525 SATB Choral Score . . . . . . . . . . . . . 17.99
11160526 SSAA Choral Score . . . . . . . . . . . . . 17.99
11160527 Full Score for SATB version . . . . . 185.00
11160528 Full Score for SSAA version . . . . . 185.00
The Unarmed Child—
Michael Bussewitz-Quarm. Composed in response
to gun violence against children, this nine movement
work sensitively navigates this difficult, heart-
wrenching subject with beautiful, poignant, healing
words and music. Each movement deals with a
different aspect of emotion in a uniquely expressive
way. One cannot get through the experience without
tears, but the final movement brings hope with
an energized call to action. Movements include:
Yesterday; Agnus Dei; Requiem; Bird on a Wire;
To Arielle on Her Fifth, Sixth Birthday; Lux Aeterna;
Interlude; Come to Me in the Silence of the Night and
Where the Mind is Without Fear.
11206000 SATB Choral Score . . . . . . . . . . . . . 15.00
MA JOR WORKS
