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CONCERT
BAND
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CONCERT & CONTEST medium-easy
Tricycle—Andrew Boysen. A creative and playful
work. Three separate themes presented individually
are eventually combined together in an enjoyable
and clever concert work.
2382893 Band Set & Score . . . . . . . . . .70.00
Twittering Machine—Brian Balmages. Inspired
by the ambiguous 1922 artwork of Swiss-German
painter Paul Klee, this dark piece depicts a powerful
struggle between nature and machine. The haunting
melody slowly transforms as the threatening
machine around it grows, represented by a series of
layered and varied percussion sounds. A deeply rich
and powerful work for young bands.
10758241 Band Set & Score . . . . . . . . . .55.00
Two British Folk Songs—Elliot Del Borgo/arr.
Robert Longfield. This classic work for young bands
has remained a tried-and-true staple in the repertoire
and is performed regularly, appearing on numerous
state lists. Carefully adapted here, bands with
incomplete or nontraditional instrumentation can now
perform this successfully at concerts or contests.
11201177 Band Set & Score . . . . . . . . . .60.00
Two Movements from Lincolnshire Posy—arr.
Michael Sweeney. Featuring two of the most popular
movements from this cornerstone of wind band
literature, this mini suite consists of Horkstow Grange
and The Lost Lady Found. This special arrangement
will allow bands of all sizes and instrumentations to
perform the music of this great work.
11105348 Band Set & Score . . . . . . . . . .65.00
N E W F O R 2 0 2 1
E D I T O R S ' C H O I C E
l Under a Winter Sky—Yukiko Nishimura. This
lovely ballad about the winter season is perfect for
teaching blend, balance, and phrasing to developing
band students. With soaring melodies, beautiful
harmonic moments, and gentle percussion, this is
a true depiction of the scenery of a windless and
clear winter morning. The many inner melodies will
develop listening while also introducing the lyrical
ballad style to your performers.
11349215 Band Set & Score . . . . . . . . . .60.00
Under the Cherry Blossoms—Randall D.
Standridge. Beauty and joy are on full display.
The classic Japanese folk song Sakura, Sakura
introduces a charming, orchestral dance that is
set in counterpoint to a warm, romantic melody. A
solo for oboe (cued in Alto Saxophone), pentatonic
scales, and careful scoring help this work to create
a tapestry of colors and harmonic beauty that your
audience is sure to appreciate.
10936131 Band Set & Score . . . . . . . . . .70.00
l Unsinkable Farewell—Josh McInnish. The RMS
Titanic was not unsinkable, but this hymn played
in the final fatal moments, is unsinkable and
resonates even stronger today. Josh McInnish's
arrangement of this old Methodist hymn opens with
the sound of the ocean, and includes the refrain
of a Fanny Crosby hymn at the end. This beautiful
musical setting will convey the love and loss of that
tragic moment in our world's history.
11355442 Band Set & Score . . . . . . . . . .80.00
Unwavering Heart—Joshua V. Hinkel. A touching
overture that seems to glow with a brave, positive,
and supportive spirit that is undeniable. The
expressive melodies and sensitive scoring spreads
a touching message of love to all who play and
enjoy music.
11198239 Band Set & Score . . . . . . . . . .75.00
l User X—Michael Golemo. The exciting and fun
world of gaming is captured in this motive-driven
work. Games can challenge your intellect and
imagination - likewise, this music will challenge
your students to level up!
11343864 Band Set & Score . . . . . . . . . .85.00
H Variation Overture—Clifton Williams. In addition
to being an outstanding piece of music, this is
important in that it vividly demonstrates that a
substantial work can be written within the technical
and intellectual capabilities of younger musicians.
578617 Band Set & Score . . . . . . . . . .55.00
Variations on a Merry Tune—Pierre La Plante.
Based on a theme from Robert Schumann,
known variously as The Jolly Farmer and The
Happy Farmer's Return from Work, this delightful
work will bring smiles to all! The piece takes
this cheery tune all throughout the ensemble,
creating opportunities for every section to shine.
A charming selection for concert band, and a
wonderful audience pleaser as well!
11206788 Band Set & Score . . . . . . . . . .79.00
l Verity March—Laura Estes. While this piece
follows established march form, students will
enjoy some built-in fun as they learn the traditional
march style. There is something special for every
instrument section - from surprise chords to
bassoon countermelodies, and from passing tones
providing a hint of chromaticism to the occasional
percussion flamacue. Creative opportunities
abound throughout!
11346084 Band Set & Score . . . . . . . . . .65.00
Victorious—Valerie Laney-Rowe. Exciting and
uplifting, this has all the positive energy you and
your students need to push to the next concert. The
piece begins with triumphant brass and brilliant
flourishes from woodwinds. Perfect for any place
on a concert program, this work in overture form is
also well suited for festival adjudication.
11198608 Band Set & Score . . . . . . . . . .85.00
l Victory Dance—Roger Schmidli. This music
reflects a triumphant moment when you just feel
like you need to get up and move! It begins in a
mysterious manner before going into a syncopated
theme. The assertive melody in the brass gives way
to a light theme paired with shaker. Themes begin
to converge until the piece ends resolutely with
much satisfaction!
11347377 Band Set & Score . . . . . . . . . .95.00
N E W F O R 2 0 2 1
E D I T O R S ' C H O I C E
l Visceral Chase—Sean O'Loughlin. You're
watching an action movie and there is a chase
scene. What do you hear? This! A pulsing ostinato
passage creates a sense of urgency and connects
the entire work. Syncopation helps to move things
forward, and sizzling percussion keeps it exciting!
Students will enjoy the intense sound of this thriller!
11346088 Band Set & Score . . . . . . . . . .65.00
A Walk in the Morning Sun—Pierre La Plante.
Simply delightful! Light and breezy, this tuneful
piece opens with a slight Grainger-like quality. The
cheerful melodic lines and bouncy accompaniments
create a musical work that will enhance the sound
of your concert band and brighten any program.
10096094 Band Set & Score . . . . . . . . . .72.00
Walk in the Park—Dennis Eveland. This light
programming work will add a delightful and playful
mood to any concert performance. Dedicated to
all dog-lovers, the light and good-natured music
captures the fun-loving moments that every dog-
owner and dog experiences while going on these
fun excursions.
11207362 Band Set & Score . . . . . . . . . .65.00
Walking Tune—Percy Grainger/arr. Robert
Sheldon. This lovely tune was composed in 1900
while the composer hiked through the Scottish
Highlands; this arrangement uses the main
thematic material with a combination of harmonies
used in previous settings. The delightful melody and
colorful scoring create a real musical treat that can
be performed and appreciated by ensembles of
varying abilities.
11205970 Band Set & Score . . . . . . . . . .50.00
The Polar Express—Glen Ballard and Alan Silvestri/arr. Johnnie Vinson.
From the blockbuster animated holiday film, here is an arrangement of the
main theme. Sure to be enjoyed year after year, this spirited version will sound
great with young groups. It has been adapted for flexible instrumentation for
use with many groups.
11324995 Band Set & Score Flex-Band . . . . . . . . . . . . . . . . . . . . . . . . . . .E 55.00
l
The Legend of Greensleeves (Legacy Reduced Instrumentation
Series)—John Prescott. Rescored for bands with reduced instrumentation, this
unique setting of this well-known song will be the highlight of concert programs
at Christmastime and throughout the year as well. The wistful quality of the
legend is captured here by a hypnotizing
and rhythmic ostinato with creatively lush harmonies. Imaginative colors
including easy optional singing create a dreamlike quality throughout, and the
hauntingly beautiful ending will leave audiences breathless.
11219559 Band Set & Score Reduced Instrumentation . . . . . . . . . . . . . ME 50.00
Wellerman—Paul Murtha. This well-known whaling song from New Zealand
has been at the forefront of the rise in popularity of sea shanties. Featuring a
memorable melody, rich harmonies, and a nice mix of textures, here is a great
sounding setting scored for flexible instrumentation.
11340568 Band Set & Score Flex-Band . . . . . . . . . . . . . . . . . . . . . . . . . . .E 60.00
l
Tesla's Dream (Legacy Reduced Instrumentation Series)—Gary D. Ziek.
Rescored for reduced instrumentation ensembles. A soft, contemplative flute solo
backed by gentle mallet percussion creates the dream state which Nikola Tesla
believed was the source of his creative ideas. This theme is repeated, growing
to a full ensemble impact representing the moment of inspiration and creation
coming to fruition. The music then becomes faster, with the initial tranquil flute
melody gradually transforming into a frenetic dance which symbolizes his many
wide-swinging moods and colorful eccentricities.
11219557 Band Set & Score Reduced Instrumentation . . . . . . . . . . . . . ME 60.00
Apollo's Chariot (Flexible Wind Band with Adaptable Parts)—
Nathan Daughtrey. You'll want to grab the reins of the nearest chariot when you
experience the action of this wonderfully descriptive work. Thundering percussion
provides the fuel throughout, and the parts are well within the playing abilities of
this level. Effectively scored, it will have younger groups sounding much more
developed and mature. This is a flexible version with five parts, not including
percussion, with certain instruments assigned to each part.
11338800 Band Set & Score . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .E 60.00
l
Circuit Breaker (Flexible Band)—Randall D. Standridge.
In addition to being a stellar concert opener or closer, this work has a host of
unique features: limited ranges (an octave or less), an optional downloadable
backing track (it can also be successfully performed without it), and approachable
5/4 and cut time meters to assist in the development of your young musicians.
This flexible version will make this work accessible to many ensembles!
11342491 Band Set & Score . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .E 60.00
l
Groovy-8 (Flexible Band)—Randall D. Standridge.
Here is a throwback to the Mod style of the 1960s and '70s. This groovy tune
focuses on developing eighth-note articulation and counting while also providing
a fun showcase for young bands looking to entertain their audiences. A full-
ensemble clapping moment adds another element of fun and visual interest. Get
into the groove with this flexible band version!
11342490 Band Set & Score . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . VE 60.00
Accolade (Fanfare for the Fiftieth)—Mark Lortz.
Carefully written for young bands and rescored for bands with reduced
instrumentation, this vivid work will bring a dynamic and exuberant flourish to
any concert setting. The uplifting sounds of celebration reflect the energy and
enthusiasm of young students everywhere and relay a positive message for the
promise of tomorrow.
11219549 Band Set & Score Reduced Instrumentation . . . . . . . . . . . . . ME 50.00
l
Lean on Me—Bill Withers/arr. Robert Longfield.
Featuring a tuneful melody and a hopeful message for today's world, here is
Bill Withers' popular hit from the 70s scored in an easy flex format.
11340564 Band Set & Score Flex-Band . . . . . . . . . . . . . . . . . . . . . . . . . VE 45.00
Bardic Air and Reel (Flexcel Concert Works)—Larry Clark.
Sound larger than life with this brilliantly scored overture for developing band.
There are chances for beautifully expressive playing, with ample opportunity to
teach grace notes and traditional snaps. This is an accessible work for young
band that is reminiscent of great band works of the past. Your students will ask to
play this one over and over! This flexible version offers reproducible parts and can
be adapted to a number of ensemble configurations.
11337325 Band Set & Score . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .E 60.00
