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222
JAZZ
ENSEMBLE
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JAZZ/ROCK & FUNK medium / medium-advanced & advanced
Slim Chickens—Kris Berg. Here's Kris Berg's
chicken chart for 2019! Slim Chickens is a
melodic funk chart over a nice progression and
it's accessible for developing groups with the lead
trumpet range going to written G top staff. There
are written suggested solos for tenor sax 1 and
trombone 1 with very cool backgrounds supporting
the soloists. It cooks at around 148 bpm with some
nice bari sax licks, a sax soli, and full-sounding
ensemble sections. Nothing slim here, it's a great
chart, and it's highly recommended!
10997196 Jazz Ensemble . . . . . . . . . . . .48.00
Soul Proprietor—Ellen Rowe. A gospel rocker
with a straight-eighth feel - this chart rocks quietly
and gradually builds in intensity to the written or
improvised solo space for any saxophone, any
rhythm section player, or any brass player. Do not
miss the saxophone section soli without the rhythm
section that materializes after the solos. Then it's
back to the recap and a surprise ending. With its
varied textures, strong melody and happy attitude,
this chart is highly recommended!
10999974 Jazz Ensemble . . . . . . . . . . . .55.00
Steampunk—Erik Morales. Heavy metal for big
band! Guitar is the featured solo instrument in
this very cool chart, so if you, the band and your
drummer dig a rock vehicle to wake everyone up,
this is it. The lead trumpet range is only to written
G on top of the staff, optional parts are included for
expanded instrumentations, and a suggested guitar
solo part is provided if needed. Steampunk is totally
exciting and a great vehicle for guitar and big band!
10593779 Jazz Ensemble . . . . . . . . . . . .52.00
N E W F O R 2 0 2 1
E D I T O R S ' C H O I C E
l Straight Ahead, G—Niels Rosendahl. Here is a
hard-swinging blues channeling the sound and
style of the "New Testament" era of the Count Basie
Orchestra. There is an open solo section and plenty
of great saxophone section licks to keep them on
their toes. The top trumpet note is high C. It's a
great chart with that classic style that we all love!
11347397 Jazz Ensemble . . . . . . . . . . . .55.00
H
Superstition—Stevie Wonder/arr. Mike Tomaro.
Mike Tomaro weaves this funk classic by Stevie
Wonder through a series of new twists and turns,
but he is careful to preserve the great groove
and signature horn riffs of the original. There are
featured solos for alto and trumpet in this style
defining hit that sets the pace for the genre!
2481654 Jazz Ensemble . . . . . . . . . . . .50.00
Tangerine—arr. John Wasson. Arranged here in
a funky New Orleans style, the full ensemble takes
the first statement after the piano introduction. The
spotlight then moves between the saxes and the
brass before a feature solo spot for trombone. A
classic and unique take on a familiar standard!
11100141 Jazz Ensemble . . . . . . . . . . . .55.00
Tell Me Something Good—Stevie Wonder/
arr. Mike Tomaro. This classic funk tune from the
1970s was written by Stevie Wonder, but became
a huge hit for Rufus and Chaka Khan. Featuring
a slow and driving pulse with heavily syncopated
figures, this chart provides a powerful change-of-
pace for concerts, contests and festivals.
10617878 Jazz Ensemble . . . . . . . . . . . .55.00
Trading My Tears—Mathew Montgomery. Take
a journey from adversity to joy with this gospel-
inspired piece. This chart develops really nicely,
and the big dramatic-sounding ensemble writing
embodies jubilation. Feature your lead alto player
with this uplifting chart!
11202970 Jazz Ensemble . . . . . . . . . . . .60.00
Two Seconds to Midnight—Alan Baylock. This
high-energy chart is perfect for concert or festival
performance because it's intensely funky, and very
cool! The intimate, small-group sound of the solo
segments for trombone and guitar contrast effectively
with the fully voiced power of the rest of the chart,
creating a very satisfying rock-fusion groove!
2472237 Jazz Ensemble . . . . . . . . . . . .60.00
Updraft—Jeff Jarvis. You're going to love this
original tune. A solid, infectious 3/4 funk groove is
coupled with a modern-sounding chord progression
to give this driving chart plenty of audience appeal.
Solos are offered for tenor sax and trumpet but can
be assigned to other instruments if desired.
11199480 Jazz Ensemble . . . . . . . . . . . .55.00
Uptown Funk!—arr. Paul Murtha. Here's the
ultimate in contemporary funk from Mark Ronson
and Bruno Mars! Paul Murtha captures all the style
and attitude in this exciting chart for jazz ensembles.
The melody is skillfully passed around from section
to section, and suggested or improvised solo
options are provided for trumpet and tenor sax,
along with written bass lines and piano voicings.
This one is hot and highly recommended!
10500110 Jazz Ensemble . . . . . . . . . . . .55.00
Uptown Funk!—arr. Victor Lopez. Just like the
title, this funk/rock chart on the Mark Ronson and
Bruno Mars megahit is loaded with powerful energy!
The tempo is around 112 bpm, there's a written
alto sax solo provided, and it goes all out, all the
time. There are optional band vocals and optional
parts are included for expanded instrumentations.
Go uptown!
10513922 Jazz Ensemble . . . . . . . . . . . .52.00
Uptown Walk—Bret Zvacek. Every program needs
a change-of-pace chart, and this pop/hip-hop/fusion
chart is the perfect choice. The infectious groove
creates a contemporary sound, while the melodic
lines maintain jazz phrasing concepts. The open solo
section can be played as written or improvised. A
wide variety of music can serve as a guide for the
chart, ranging from Robert Glasper, all the way back
to Tower of Power and Earth, Wind & Fire. Don't
miss the horns-only section!
10999968 Jazz Ensemble . . . . . . . . . . . .55.00
Workin' Day and Night—Michael Jackson/
arr. Allen Gray. This funky pop tune from Michael
Jackson will be a hit for both your audience and
your students! With no solos, this tune just gets
funky from the downbeat and doesn't let up on the
gas until the end.
11202592 Jazz Ensemble . . . . . . . . . . . .65.00
Jazz/Rock & Funk
Medium-Advanced
& Advanced
Absoludicrous—Gordon Goodwin. More
accessible than most Gordon Goodwin charts,
this one is a killer funk tune that is unbelievably
exciting! Your jazz band players and audiences
will dig the poppin' rhythmic figures, the funky
style, outstanding ensemble passages and the
high energy. It lays well at around 120 bpm and
has written or improvised solos for alto/bari,
tenor, trumpet, and trombone. Electric piano
will sound great on the funky piano introduction,
the lead trumpet range is up to written high C,
and optional auxiliary percussion, flute and
vibes parts are included. Highly recommended!
It's Absoludicrous!
10513903 Jazz Ensemble . . . . . . . .MA 52.00
Adventures—Kris Berg. This creative chart is
a wild trek through multiple styles and energy
levels. Part of the Metroplexity Big Band series, it's
reminiscent of modern wind ensemble overtures.
Adventures includes a rubato introduction, a
Baroque bridge, a bass melody, and a huge ending,
all set to a driving rock groove in 6/4, felt in two!
Improvised solo space for lead alto on soprano sax
includes suggested scales. Optional woodwind
doubles include soprano sax on flute, alto 2 on
flute, tenors 1 and 2 on clarinet, and baritone on
bass clarinet. The trumpets double on flugels. The
electric bass player will need to shed on this one,
but the results are worth it!
11000913 Jazz Ensemble . . . . . . . . . A 65.00
At Water's Edge—Kris Berg. At Water's Edge is
a floating ECM-style tune with a beautiful, haunting
melody... think Pat Metheny. The chart weaves
through numerous energy levels and colors as it
builds to its dramatic ending. Improvised space is
provided for trumpet and tenor sax and is based
on one melodic minor scale. This simple concept
allows aspiring players to immediately sound
modern and mature. Part of the Metroplexity Big
Band series.
11000919 Jazz Ensemble . . . . . . . .MA 65.00
H
Backrow Politics—Gordon Goodwin. As
performed by Gordon Goodwin's Big Phat Band,
here's a showcase for the trumpet section! The
groove is straight eighths with a funky feel and
there's solo space for all trumpets, but the solos
can be tailored as desired. The lead trumpet range
is to a written high G with an optional A. This is a
dynamic and fun chart and will be a real kick for the
band (especially the trumpets) and audience.
10028193 Jazz Ensemble . . . . . . . . . A 70.00
Big Mouth—Jeff Jarvis. Big Mouth kicks at the
beginning and never lets up! If you like Jeff's
Critical Mass, Honk, Old School, and Mohave
Breakdown, then you've got to check this one
out! Written in the style of Tower of Power,
frequent articulations are provided for the horns
and the rhythm section which are integral parts of
the arrangement, not merely afterthoughts. The
open solo space is for keyboard/organ, baritone
sax and guitar. Everyone has interesting and
challenging parts to play throughout, and the
solo changes are very accessible. Challenging?
Yes, but well worth the effort!
10999972 Jazz Ensemble . . . . . . . . . A 55.00
H
Bohemian Rhapsody—Freddie Mercury/arr. Rick
Hirsch. Yes, this is for real! Queen's magnum opus,
in a jazz language, orchestrated for big band, with
jazz solos for Trombone (also cued in Trumpet 5/
Flugelhorn) and Alto or Baritone Sax thrown in for
good measure. Additional features include multiple
tempos and feels ranging from 76 to 304 bpm, to
styles including an a cappella sax soli introduction,
jazz ballad with double time, shuffle, and swing
sections culminating in a rubato ending. This is a
major work for jazz ensemble at 9 to 10 minutes
that students and players will want to work on. Solid
saxophone parts, tempo changes, mature brass
figures, and a whole lot of fun! Instrumentation:
5 Saxes (AATTB), 5 Trumpets (on Flugelhorns), 4
Trombones (3 Tenors and 1 Bass), Guitar, Piano,
Bass and Drums, with optional parts for Flute and
Vibes. The lead trumpet range goes to written high
D with an optional F, and the rhythm section parts
are fully notated.
10371013 Jazz Ensemble . . . . . . . . . A 70.00
Break Glass—Mathew Montgomery. In case of
dance emergency... break glass! The groove is
sure to bring your audience to their feet to start
dancing. This chart is a good fit for an advanced
group or a group that wants to push their skills.
There is also an opportunity to feature a trumpet
player with an improvised solo. The audience and
band members alike will be singing this melody
long after the performance.
11202971 Jazz Ensemble . . . . . . . .MA 60.00
l Chakanaka Chakanaka—Mathew Montgomery.
This bright, energetic work is inspired by mbira
music of the Shona people of Zimbabwe. The music
has a way of blurring the lines between a 6/8 feel
and a 3/4 feel and mixing melodies together to
create a tapestry of sound. The title comes from
a Shona proverb that translates to "What's good
is good." If you have several percussionists or a
second guitar player in your band, this is a chart
that allows them all to get involved.
11354736 Jazz Ensemble . . . . . . . .MA 60.00
Chameleon—Herbie Hancock/arr. Alan Baylock.
What a combination! Composed by Grammy winner
and jazz legend Herbie Hancock and arranged by
Alan Baylock, this jazz classic is both funky and hip.
There's open solo space for all and the lead trumpet
goes up to written D plus a few hot drum fills. This is
another great Baylock chart. Got to have this one!
10049738 Jazz Ensemble . . . . . . . .MA 60.00
l Chicken on the Hill with Will—arr. Jamey
Simmons. This funky blues is designed to showcase
your tenor saxophonists! It's got a unique angular
melody with a modern sound, a soli that will
challenge your entire sax section, and a final shout
chorus that will thrill audiences.
11349320 Jazz Ensemble . . . . . . . .MA 65.00
H Cold Duck Time—Eddie Harris/arr. Alan Baylock.
Alan Baylock's chart on this Eddie Harris jazz
classic is exciting from the very first note. This
updated and contemporary version features a
straight-eighth boogaloo groove at about 120 bpm.
There's a written or ad lib tenor sax solo provided,
the lead trumpet range is to written C above the
staff. Players, audiences and judges will dig this
outstanding chart!
10513936 Jazz Ensemble . . . . . . . .MA 60.00
Come On, Come Over—Jaco Pastorius & Bob
Herzog/arr. Mark Taylor. This funk classic from
Jaco Pastorius naturally features a prominent
role for the bass player. Skillfully arranged for full
jazz ensemble, the back-and-forth riffs are traded
between smaller groups within the band. Also
featured is a solo for alto sax along with plenty of
hard-hitting figures for the brass. A suggested solo,
chord/scale sheets in all keys, written-out bass
lines and piano voicings are all included.
10522910 Jazz Ensemble . . . . . . . .MA 50.00
Footprints—Wayne Shorter/arr. Mike Tomaro.
Recorded by Miles Davis, Wayne Shorter's hypnotic
minor blues has become a true jazz classic and
required literature for jazz musicians. Arranged here
using a medium straight-eighth-note groove, this
chart makes effective use of all the sections or the
ensemble and includes a flexible solo section for any
player. Including suggested solos, chord/scale sheets
in all keys, written bass lines and piano voicings, this
one will be fun to learn, rehearse and perform!
10522918 Jazz Ensemble . . . . . . . .MA 50.00
Funk Tank—Lars Halle. In the spirit of Frank
Mantooth and Ashley Alexander, this funk chart
provides each section of the band with exciting and
distinctive roles that come together and meld into
a funky, backbeat groove with a nod to the jazz/
rock fusion era. The feel is half-time, funk/hip-hop
with swing eighth notes, it has a great melody
that cooks within every section, and includes nice
contrast with a trumpet soli before returning to the
melody. Written for advancing groups, it includes
a written or improvised alto saxophone solo, an
optional vibes part, and a guitar chord chart. Pure
fun and excitement!
10568022 Jazz Ensemble . . . . . . . .MA 55.00
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