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Prelude in G Minor—Sergei Rachmaninoff/arr.
Tanner Otto. This thrilling arrangement features bold
and assertive melodies that are as fun to play as they
are to listen to. Great for developing and refining the
staccato bow stroke and tone development.
11202680 String Orchestra . . . . . . . . . . .50.00
11202681 Additional Score . . . . . . . . . . . .9.00
Primavera—Antonio Vivaldi/arr. Todd Parrish.
The sequel to the ever-popular Inverno! This unique
reimagining of Vivaldi's Spring from "The Four
Seasons" weaves solo melodies from the second
and third movements into one spirited work. Every
section has energetic moving lines and interesting
parts. Perfect for a spring concert finale!
11175172 String Orchestra . . . . . . . . . . .57.00
11175174 Additional Score . . . . . . . . . . .10.00
N E W F O R 2 0 2 1
E D I T O R S ' C H O I C E
Procession of the Sardar—Mikhail Ippolitov-
Ivanov/arr. Steven Frackenpohl. Experience the
nobility and excitement of this well-known piece
by Russian composer Mikhail Ippolitov-Ivanov. The
rhythmic intensity and dramatic dynamic changes
are sure to please players and audiences alike.
Procession Of The Sardar is the last movement
of Caucasian Sketches, Suite No. 1, and Ippolitov-
Ivanov's teacher, Nicolai Rimsky-Korsakov's
influence is very evident in this piece. Percussion
parts are optional but will add to the exotic sound of
the performance.
11342709 String Orchestra,
Percussion Optional . . . . . . . .56.00
Pulcinella—Igor Stravinsky/arr. Robert D.
McCashin. Featuring the overture of Stravinsky's
landmark work, this adaptation was drawn from the
original piano/vocal ballet score and retains all of the
original, well-known thematic and rhythmic material.
This outstanding string arrangement is an ideal way
to feature several soloists within the ensemble.
10752902 String Orchestra . . . . . . . . . . .50.00
10752903 Additional Score . . . . . . . . . . . .5.00
H The Red Pony—Aaron Copland/arr. Erik Morales.
The mere mention of the name Copland suggests
American music. Most familiar is his ballet suite
"Rodeo," but his film score to the movie "The Red
Pony" is just as enjoyably characteristic. "The Red
Pony" is based on a novel by John Steinbeck, and this
version is taken from the suite Copland created out of
his film score. Includes: Morning On The Ranch; Dream
March; Walk To The Bunkhouse and Happy Ending.
Don't miss this chance to let your students play the
music of one of America's greatest composers!
2438083 String Orchestra . . . . . . . . . . .65.00
10001457 Additional Score . . . . . . . . . . . .7.95
The Rite of Spring Themes—Igor Stravinsky/
arr. Bob Lipton. When "The Rite of Spring" was first
performed in Paris in 1913, it created shock waves
not only in the theater where it was performed,
but throughout the world of music. It is one of the
most revolutionary and significant pieces of music
of the 20th century. This arrangement tries to stay
as close to Stravinsky's vision as possible while
allowing the opportunity for students to perform a
piece which sounds just as fresh today as it did
almost a century ago.
10053860 String Orchestra . . . . . . . . . . .55.00
10068608 Additional Score . . . . . . . . . . .10.00
Romanian Folk Dances—Bela Bartok/arr.
Monday. This arrangement features four of the six
dance movements as first arranged by Bartok. Joc
Cu Bata; Buciumeana; Poarga Romanesca and
Marunte are exotic-sounding and dramatic. These
are perfect for the medium level orchestra ready for
concert, contest, or just "wowing" the audience.
2478286 String Orchestra . . . . . . . . . . .48.00
2478287 Additional Score . . . . . . . . . . . .6.00
Russian Sailor's Dance—Reinhold Gliere/
arr. John Caponegro. Grade 4 groups will enjoy
this well-arranged piece from Reinhold Glire's
classic ballet "The Red Poppy." Using a theme-
and-variation form, John Caponegro has included
all the tempo changes that are idiomatic to this
characteristic dance. Three optional percussion
parts are included.
2479427 String Orchestra,
Percussion Optional . . . . . . . .56.00
10034505 Additional Score . . . . . . . . . . . .6.00
Scheherazade—Rimsky-Korsakov/arr. Carrie
Lane Gruselle. Introduce students to this Romantic
masterpiece by Rimsky-Korsakov, inspired by the
story of "1001 Arabian Nights." Incorporating
themes from all four movements, string students
will encounter a wide variety of keys, tempi,
articulations, accidentals, rhythmic challenges, and
expressive styles. Like the original, a violin soloist is
featured as the narrator of the tales.
10027371 String Orchestra . . . . . . . . . . .65.00
10027372 Additional Score . . . . . . . . . . . .5.00
Serenade for Strings, Op. 22—Antonin Dvorak/
arr. Jeremy Woolstenhulme. This elegant
arrangement has been moved from the original
C-sharp minor to B minor, offering intermediate-
level orchestras the opportunity to perform a well-
known, graceful waltz.
10908744 String Orchestra . . . . . . . . . . .52.00
10908759 Additional Score . . . . . . . . . . . .7.00
Serenade for Strings—P.I. Tchaikovsky/arr.
Richard Meyer. Very faithful to the original but
arranged with the younger player in mind, this setting
of an orchestral staple is sure to challenge every
section of your orchestra. The lyrical opening section
will develop their expressive playing and bow control,
while the bustling main theme will give everyone's
fingers a great technical workout. A terrific way to
give your students a taste of musical history, this
piece makes a perfect closer or contest selection.
10310655 String Orchestra . . . . . . . . . . .56.00
10310657 Additional Score . . . . . . . . . . . .9.00
Sinfonia in D Major—Johann Christian Bach/arr.
Jim Palmer. This exciting arrangement from the
classical era features a wide range of dynamics and
articulations. Detailed fingerings and bowings will
help students achieve that distinct classical sound
and style of the period.
11202694 String Orchestra . . . . . . . . . . .50.00
11202695 Additional Score . . . . . . . . . . . .9.00
N E W F O R 2 0 2 1
E D I T O R S ' C H O I C E
Sinfonia in D Major: 1st Movement—Giovani
Paisiello/arr. Robert D. McCashin. Enrich your
students' knowledge of classical literature and
playing techniques with this excellent and authentic
arrangement of the classic work by the most
famous opera composer of the late 1700s, Giovani
Paisiello. Spiccato and hooked bowing techniques
abound along with dotted eighth- and sixteenth-
note rhythms. High third fingers are also reinforced.
A perfect addition to your classical library!
11355599 String Orchestra . . . . . . . . . . .75.00
N E W F O R 2 0 2 1
E D I T O R S ' C H O I C E
Sinfonie a Grande Orchestre: Allegro Molto—
Casimir Anton Cartellieri/arr. Robert McCashin.
Composer Casimir Anton Cartellieri's music was
all but forgotten following his death until the late
20th century when it was rediscovered. This great
arrangement, originally for full orchestra, is an
excellent opportunity to introduce players to this
great composer's music. It's also a wonderful
opportunity to introduce players to classical
performance techniques as well as the Sturm und
Drang style.
11355752 String Orchestra . . . . . . . . . . .45.00
N E W F O R 2 0 2 1
E D I T O R S ' C H O I C E
Song Without Words, Op. 8, No. 3—Fanny
Mendelssohn Hensel/arr. Daniel Levitov. This
work, originally titled Lied, comes from a set of
lieder for solo piano. It offers students access to
the music of an important and underrecognized
composer. The dynamics and expressive
markings of the original piano version have, for
the most part, been preserved.
11355601 String Orchestra . . . . . . . . . . .40.00
H Symphony No. 1 in D Major—Gustav Mahler/arr.
Sandra Dackow. This scherzo-like 2nd movement
from Mahler's "First Symphony" is a vigorous,
exuberant work that evokes rustic good times.
Excellent for building confidence and teaching
aggressive playing, this is a superb selection for
both rehearsal and performance!
2215234 String Orchestra . . . . . . . . . . .52.00
10026963 Additional Score . . . . . . . . . . .12.50
Symphony No. 8 "Unfinished" - First Movement
—Franz Schubert/arr. Robert D. McCashin.
This works beautifully with strings alone! From
the mysterious opening, to one of Schubert's
best melodies, to the dramatic conclusion, this
arrangement captures the essence of Schubert's
"Unfinished!" A powerful addition to the
string orchestra repertoire that your students will
enjoy performing.
10027377 String Orchestra . . . . . . . . . . .50.00
10027378 Additional Score . . . . . . . . . . . .5.00
Symphony in D Major, Op. 5 No. 2—Johann
Stamitz/arr. Robert McCashin. Introduce your
students to Johann Stamitz and the early Classical
period with this arrangement for string orchestra.
11100418 String Orchestra . . . . . . . . . . .57.00
11100419 Additional Score . . . . . . . . . . .12.00
l Symphony No. 1 in C - Allegro Vivace—
Georges Bizet/arr. Caryn Neidhold. The Allegro
Vivace from Bizet's Symphony No. 1 in C is a
lively display of youthful genius. This delightful
arrangement celebrates Bizet's genius and
connects young performers with music from the
standard repertoire. There is some third position for
the first violins with alternate fingerings, allowing
more advanced students to challenge themselves
with second position.
11355605 String Orchestra . . . . . . . . . . .50.00
Symphony No. 104—Franz Joseph Haydn/arr.
Todd Parrish. This exuberant finale from Symphony
No. 104 is Haydn at his best. The memorable
theme is given to each section, and edits were
made to give high school orchestras the best sound
possible. Introduce your students to this master
symphony writer to help reinforce Classical style,
bow technique, shifting, and dynamics.
10568209 String Orchestra,
Percussion Optional . . . . . . . .50.00
10568210 Additional Score . . . . . . . . . . . .7.00
l Symphony No. 2, Mvt. 1—Joseph Bologne,
Chevalier de Saint-Georges/arr. Dion Morales.
This arrangement is a wonderful introduction
to the music of one of Mozart's lesser-known
contemporaries. This work teaches sonata-allegro
form and provides a great opportunity to teach
classical bowing techniques including multiple
down-bows.
11355756 String Orchestra . . . . . . . . . . .45.00
Symphony No. 2—Alexander Borodin/arr.
Deborah Baker Monday. Imagine a scene of great
celebration with Slavic dances and lyrical themes
soaring over underlying rhythmic drive. That
sums up this Borodin favorite with all of its power,
playfulness, lyricism and liveliness. A stunning
selection for concert or festival!
10906091 String Orchestra . . . . . . . . . . .56.00
10906092 Additional Score . . . . . . . . . . . .6.00
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