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ORCHESTRA
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CLASSICAL medium / medium-advanced & advanced
Light Cavalry Overture—Franz von Suppe/arr.
Merle J. Isaac. A truly excellent addition to any
orchestra library! Completely re-edited for advanced
full orchestra in its original length, this exciting
work is always a concert favorite. Opening with its
famous horn calls and strong chords, it contains the
celebrated theme for which the overture is always
remembered, depicting the gallop of the cavalry. A
bright, energetic concert feature for both school and
community ensembles, sure to delight!
2200913 Full Orchestra . . . . . . . . . . . . .70.00
5390109 Additional Score . . . . . . . . . . .12.00
March Slav—P.I. Tchaikovsky/arr. Chris M.
Bernotas. Your symphony orchestra will love this
iconic march. Scored for full orchestra or strings
only, this arrangement features great themes and
a big symphonic sound. With a reduced number of
wind parts, this accessible piece is truly a wonderful
choice for a departmental collaboration or festival.
11200160 String or Full Orchestra . . . . . .70.00
11200161 Additional Score . . . . . . . . . . . .9.00
H
Marriage of Figaro—W.A. Mozart/arr. Merle
J. Isaac. Here's Mozart's most famous overture,
carefully arranged and edited by Merle Isaac.
Staying very true to the original, this one challenges
the strings, but often becomes their favorite! An
excellent opener or closer.
2127850 Full Orchestra . . . . . . . . . . . . .69.00
5761507 Additional Score . . . . . . . . . . . .9.00
H
Nutcracker Ballet, Set 1—P.I. Tchaikovsky/arr.
Merle Isaac. For decades, the skilled arranging of
the late Merle Isaac made great works playable
by developing orchestras. Here he presents the
beloved "Nutcracker" in two sets that sound like
the originals. Feature a good pianist in Dance
of the Sugar Plum Fairy. Show off the entire
orchestra in Waltz of the Flowers. Perform as is
or make your own suite with the addition of Set 2
(Pepper #2041903).
2041911 Full Orchestra . . . . . . . . . . . . .73.00
2362671 Additional Score . . . . . . . . . . . .9.00
Nutcracker Ballet, Set 2—P.I. Tchaikovsky/
arr. Merle Isaac. This second set features two of
the most well-known holiday favorites of all time:
March of the Nutcracker and Trepak. As always,
Merle Isaac remained as true to the originals as
possible. Playable alone or with Set 1 as a suite
(Pepper #2041911). Trepak makes a fantastic
finish to your holiday concert! Wonderful music!
2041903 Full Orchestra . . . . . . . . . . . . .69.00
9562514 Additional Score . . . . . . . . . . . .9.00
Pines of Rome—Ottorino Respighi/arr. Stephen
Bulla. Long considered to be one of the most
dramatic symphonic movements of all time,
Respighi's finale is arranged to make it accessible
and effective for advancing groups. The tension-
building final section of this monumental work has
been carefully crafted by Stephen Bulla to give
your orchestra the opportunity to perform the
triumphant "ending of all endings."
2481823 Full Orchestra . . . . . . . . . . . . .75.00
10004523 Additional Score . . . . . . . . . . . .7.50
H
Pomp and Circumstance—Edward Elgar/
arr. John Whitney. This marvelous, flexible
arrangement of Elgar's famous processional march
is so versatile, you'll want to use it every year! All
the strings can remain in first position, double stops
may be divided, repeats can be optional, and it
works equally well with full orchestra or just strings
and piano. Highly recommended!
10092290 String or Full Orchestra . . . . . .59.00
10092291 Additional Score . . . . . . . . . . . .7.00
H
Procession of the Sardar—Ippolitov-Ivanov/
arr. Merle J. Isaac. This very pompous, march-like
setting by Merle Isaac is perfect for assemblies and
concert openings. This is quite full sounding, and
there is a nice balance of melody between winds
and strings.
2066645 Full Orchestra . . . . . . . . . . . . .69.00
5535877 Additional Score . . . . . . . . . . . .9.00
Radetzky March—Johann Strauss/arr. Merle
J. Isaac. This famous, stately march is a fantastic
program selection on virtually any concert! Expertly
arranged for advanced full orchestra, this familiar
bright tune just might make your audience clap
along. Thanks to the Vienna Philharmonic, it
has become a staple on New Year's and winter
concerts, but this classic march is a perfect choice
for programs and festivals all year round.
2158871 Full Orchestra . . . . . . . . . . . . .64.00
2427672 Additional Score . . . . . . . . . . . .8.00
Slavonic Dance No. 1—Antonin Dvorak/arr.
Merle J. Isaac. Dvorak's energetic Furiant from
his Slavonic Dances, Op. 46, expertly arranged for
advanced full orchestra! Remaining true in spirit
and orchestration in the original key of C major, this
fast, rhythmic dance will provide a highly rewarding
challenge for students. A perfect choice for the
concert hall or festival stage!
2123867 Full Orchestra . . . . . . . . . . . . .64.00
2427417 Additional Score . . . . . . . . . . . .8.25
Sleeping Beauty Waltz—P.I. Tchaikovsky/arr.
Merle J. Isaac. This is absolutely delightful! Well-
known and loved by all, this beautiful Tchaikovsky
work, filled with glorious melodies, is a welcome
addition to any program at any time. It's an
excellent choice.
2143618 Full Orchestra . . . . . . . . . . . . .69.00
5390133 Additional Score . . . . . . . . . . .10.00
H The Sorcerer's Apprentice Themes—Paul
Dukas/arr. Jim Higgins. Great 20th century
music! Students and audiences will enjoy this
programmatic medley of themes, made especially
popular when used in Disney's 1940 animated
music spectacular, Fantasia. This spirited
arrangement retains all the magic and charm of the
original work in a very approachable setting for high
school full orchestra or community concerts.
2288835 Full Orchestra . . . . . . . . . . . . .69.00
10000510 Full Score . . . . . . . . . . . . . . . . .8.50
Symphony No. 8—Franz Schubert/arr. Richard
Meyer. Treat your students to one of the most-
loved symphonic movements ever written by a
master of the classical style in this arrangement
of the "Unfinished Symphony." All of Schubert's
unforgettably melodious themes are present, and
the composer's imaginative orchestration has
been carefully preserved. A must for any young
symphonic orchestra!
10738945 Full Orchestra . . . . . . . . . . . . .59.00
10738977 Additional Score . . . . . . . . . . . .9.00
What's Up at the Symphony—arr. Jerry
Brubaker. Are you part of the generation that
learned classical music via Bugs Bunny on Saturday
mornings? If so, this is for you and your students!
Bugs and Porky invite you to take part in this
classical cartoon medley. All the greats are here:
This Is It; The William Tell Overture; The Barber of
Seville; The Merry-Go-Round Broke Down; Liszt's
Hungarian Rhapsody; Brahms' Hungarian Dance
and Ride of the Valkyries. Includes every cartoon
mood and effect you could expect. You've got to
get up pretty early on Saturday morning to hear a
medley better than this!
2481133 Full Orchestra . . . . . . . . . . . . .80.00
10008085 Additional Score . . . . . . . . . . . .9.00
Classical Selections
Medium-Advanced
& Advanced
Academic Festival Overture—J. Brahms/ed.
Vernon Leidig. Brahms' famous overture has been
carefully edited to remain playable yet as close to
the original as possible. Veteran arranger Vernon
Leidig has carefully scored this work to produce
the rich full sound this masterpiece deserves. Your
audience will be impressed!
2478651 Full Orchestra . . . . . . . . .MA 73.00
5986931 Additional Score . . . . . . . . . . . .9.00
Academic Festival Overture, Op. 80—Johannes
Brahms/arr. Louis Bergonzi. One of Brahms' most
performed works, this "very boisterous potpourri
of student songs" (J. Brahms) is now playable by
strings, or strings with any combination of wind
and percussion instruments up to full symphonic
instrumentation. Students and audiences will enjoy
its tunefulness, Brahms' compositional craft, and
the grand ending. If you have just a string orchestra,
try to add at least the percussion parts. Special
notation is included to work on consistency of bow
lifts, bow placement, and phrasing.
10739913 String or Full Orchestra . .MA 73.00
10739914 Additional Score . . . . . . . . . . .11.00
H An American in Paris Suite—George Gershwin/
arr. John Whitney. Don't miss this one! Gershwin's
original suite, some 17 minutes in length, is often
too cumbersome to program. This version, edited
and condensed down to 7 minutes, is your solution!
Staying true to the original, it's a wonderful display
of Gershwin's rich and evocative orchestral writing.
Recommended for mature school orchestras and
community orchestras!
2440956 Full Orchestra . . . . . . . . .MA 80.00
5912597 Additional Score . . . . . . . . . . .11.00
Berceuse and Finale—Igor Stravinsky/arr. Merle
Isaac. Here is a classic arrangement being
made available to a new generation of students!
The beautiful Berceuse and exciting Finale of
Stravinsky's "Firebird Suite" are fantastic works of
music and will also be recognized as the climactic
finale to Disney's "Fantasia 2000!" Isaac's
meticulous arranging includes written cues for vital
solos to ensure playability and success. Give your
orchestra the chance to play this masterwork!
129064 Full Orchestra . . . . . . . . .MA 69.00
4981973 Additional Score . . . . . . . . . . .10.00
English Folk Song Suite—Ralph Vaughan
Williams/arr. Gordon Jacob. Originally for band,
this classic orchestration showcases Vaughan
Williams' mastery of bringing English folk songs
into the orchestral repertoire.
4969861 Full Orchestra . . . . . . . . . . A 85.00
7193527 Additional Score . . . . . . . . . . .27.95
Hoe Down—Aaron Copland. Here's the original full
orchestra version of the finale of Copland's "Rodeo."
973776 Full Orchestra . . . . . . . . . . A 80.00
2428340 Additional Score . . . . . . . . . . .13.95
BEST
SELLERS
Full Orchestra
Classical
Medium to Advanced
Buy with confidence! These works, listed in
order of their popularity, are chosen most often
by directors.
Symphony No. 5 Finale—
Dimitri Shostakovich/arr. Stephen Bulla.
10042883 Full Orchestra . . . . . . . . . . . . . MA 95.00
10054684 Additional Score. . . . . . . . . . . . . . . . 10.00
Bacchanale (from "Samson and Delilah")—
Camille Saint-Saens/arr. Merle Isaac.
2143592 Full Orchestra . . . . . . . . . . . . . . M 69.00
2335644 Additional Score. . . . . . . . . . . . . . . . 10.00
Jupiter - Bringer of Jollity
(from "The Planets")—
Gustav Holst/arr. Vernon Leidig.
2155315 Full Orchestra . . . . . . . . . . . . . . M 73.00
4957247 Additional Score. . . . . . . . . . . . . . . . . 9.00
An American in Paris Suite—
George Gershwin/arr. John Whitney.
2440956 Full Orchestra . . . . . . . . . . . . . MA 80.00
5912597 Additional Score. . . . . . . . . . . . . . . . 11.00
Hoe Down (from "Rodeo")—Aaron Copland.
973776 Full Orchestra . . . . . . . . . . . . . . .A 80.00
2428340 Additional Score. . . . . . . . . . . . . . . . 13.95
Berceuse and Finale
(from "The Firebird Suite")—
Igor Stravinsky/arr. Merle Isaac.
129064 Full Orchestra . . . . . . . . . . . . . MA 69.00
4981973 Additional Score. . . . . . . . . . . . . . . . 10.00
Overture from "The Barber of Seville"—
Giacomo Rossini/arr. Merle J. Isaac.
2139368 Full Orchestra . . . . . . . . . . . . . MA 82.00
8059048 Additional Score. . . . . . . . . . . . . . . . 12.00
Pomp and Circumstance
(Military March Op. 39, No. 1)—
Edward Elgar/arr. John Whitney.
10092290 String or Full Orchestra . . . . . . . M 59.00
10092291 Additional Score. . . . . . . . . . . . . . . . . 7.00
Slavonic Dance No. 1—
Antonin Dvorak/arr. Merle J. Isaac.
2123867 Full Orchestra . . . . . . . . . . . . . . M 64.00
2427417 Additional Score. . . . . . . . . . . . . . . . . 8.25
Amadeus (from "Symphony No. 25")—
W.A. Mozart/arr. Jamin Hoffman.
10062533 Full Orchestra . . . . . . . . . . . . . . M 65.00
10084749 Additional Score. . . . . . . . . . . . . . . . . 5.00
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