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HANDBELL MUSIC
87
l God's Own Child, I Gladly Say It—arr. John
A. Behnke. This baptismal hymn to the tune
BACHOFEN uses a motive of two martellato
chords on beats three and four to emphasize
the power of baptism in our lives. The melody
begins in the upper treble, moves to the middle
bells, then returns to high treble with octaves
as the piece ends with joy and affirmation. A
snippet of the tune JESU, MEINE FREUDE is a
wonderful C-minor surprise in the middle as
it interacts with the original theme.
11348374 3-5 Octave . . . . . . . . .L2 4.25
Grand Chorus—Joel Raney. This well-
crafted original composition is ideal for a
festival, concert, or worship setting looking
for a grand and regal statement. Good for the
developing choir, techniques make it full of
interest, accessible, and fun to ring.
10998630 3-5 Octave . . . . . . . . .L2 5.25
l
Great Is Thy Faithfulness—arr. John
A. Behnke. This arrangement of the tune
FAITHFULNESS has two sections, one that flows
along and another that is joyfully malleted,
portraying God's unchanging faithfulness and
our joyful response to such underserved love.
The bass bells will particularly enjoy ringing
this arrangement!
11348375 3-5 Octave . . . . . . . L2+ 4.25
Great Is Thy Faithfulness—William M.
Runyan/arr. Sandra Eithun. This stalwart
favorite begins with large, broad chords that
create a sense of God's faithfulness and
strength. The opening chords are followed by
a lighter handchime and suspended bell motif
to lend imagery to other parts of the text that
refer to morning, seasons, and peace. The
handchimes return later as a countermelody
to the tune that is rung on handbells,
which makes this a wonderful selection
for developing groups to work on balance
between melody and accompaniment.
11101088 3-6 Octave . . . . . . . L2+ 4.95
Great is Thy Faithfulness—arr. Lloyd
Larson. This is a superb setting of an old
familiar hymn, for piano and handbells, with
lyrical, interesting accompanimental figures.
10907574 3-5 Octave . . . . . . . . .L2 5.25
10945695 Full Score &
Organ/Keyboard . . . .L2 10.95
H
Hallelujah—Leonard Cohen/arr. Joel Raney.
This standard inspirational song is set for 3-5
octave handbells and optional handchimes and
synthesizer. In this wonderfully emotional and
moving rendition, ringers will enjoy the serenity
and beauty of the steady eighth note patterns
that accompany the familiar melody. Its status
as a "secular hymn" makes it a cross-over piece
that is highly recommended for any concert or
worship setting. The optional synthesizer part
enhances the overall haunting atmosphere.
10424209 3-5 Octave . . . . . . . . .L3 5.75
10424210 Instrumental Parts
Synthesizer . . . . . . . . . . . . 8.95
l His Eye Is on the Sparrow—Brian Childers.
This creative and beautiful arrangement of
this beloved tune is a true delight! An opening
interplay between bells and the optional flute
depicts the titular bird before giving way to the
melody on chimes. Continued counterpoint
with the flute and bells continues through
various moods, styles, and techniques through
to the serene ending. This arrangement is not
to be missed!
11347698 3-7 Octave w/opt
3-5 oct. Handchimes,
Flute . . . . . . . . . . . . L3+ 5.95
Holy, Holy, Holy, Lord God, Almighty—
arr. Beth Elston. A slow, ethereal opening
gives way to a lush, flowing iteration of the
hymn tune
NICAEA. The tempo increases for a
verse set in 3/4 time before the piece slowly
and delicately fades away. An ideal piece for
working on musicianship and phrasing!
11314806 3-5 Octave . . . . . . . . .L2 4.95
l
How Can I Keep from Singing—arr. Sondra
Tucker. This beautiful folk medley setting
employs bells and chimes and features a violin
solo. The tune ENDLESS SONG takes the lead
and combines with two other original melodies.
In the final stanza the tunes join to create a
beautiful trio effect. Smooth transitions
between chimes and bells are essential, as
is balance among the parts to allow all three
melodies to shine through.
11346961 3 Octave
w/opt. Violin . . . . . . . .L3 5.25
11346960 Full Score & Parts . . . .L3 9.95
How Firm a Foundation—Karen Lakey
Buckwalter. This lively arrangement is sure to
set toes a-tappin'! Bold open fifths underscore
first a violin obligato, then the hymn tune
FOUNDATION. A slightly slower section with
relaxed rhythms and inventive harmonies gives
way to the feeling of the opening once more,
driving the piece to an exciting conclusion.
Perfect for a festive moment in worship or as
an opener or closer at your next concert! An
optional violin part included in the score.
11314807 3-5 Octave . . . . . . . L2+ 5.95
How Firm a Foundation—Ron Mallory.
The American hymn tune FOUNDATION is
solidly scored with a malleted, syncopated
accompaniment and fresh harmonies which
create an energetic, compelling arrangement.
A variety of bell techniques, one key change,
and driving rhythms make this an invigorating
option for Reformation or general use.
11100454 3-5 Octave . . . . . . . . .L3 5.25
Idumea—Matthew Compton. This stunning
arrangement combines the tunes IDUMEA and
KEDRON into a truly magnificent work. Frantic
rising eighth notes scales open the piece,
propelling it toward a more sedate, reflective
middle section. The opening motif returns to
drive the piece to its exciting conclusion. This
selection is not to be missed!
11314808 3-6 Octave and 3-5 octaves
Handchimes . . . . . . . .L3 5.95
l Jubilate—Dmitry Bortniansky/arr. Julie Sitt.
This beloved chorale is set for handbells in a
series of variations that make this a wonderful
piece for school, church, and festival. The
varied techniques and terraced dynamics
make it a great teaching piece. There are no
bell changes except for the key change, and no
shared bells.
11347543 3-5 Octave . . . . . . . . .L2 5.25
l The King of Love My Shepherd Is—arr.
Brian Childers. Beautiful and flowing, this
arrangement of ST. COLUMBA for bells and
chimes highlights the beauty of the timeless
tune. Ringers will enjoy this soothing,
expressive setting, but will be challenged by
short phrases of duple eighth notes against
triplet eighth notes and arpeggiated, sixteenth
note patterns. Careful attention to dynamic
contrasts is crucial, especially in the middle
section where the chimes play a gentle chordal
accompaniment while the upper bells play the
simple melody.
11338438 3-6 Octave w/opt. 3-5 oct.
Handchimes . . . . . . . .L3 5.50
Lift Up Your Heads, Ye Mighty Gates—
Brenda E. Austin. The hymn tune TRURO has
been paired with texts for Advent - Lift Up Your
Head, Ye Mighty Gates, Palm Sunday - Ride
On, Ride On in Majesty! and Easter - Christ
Is Alive! This arrangement is sure to bring
excitement to worship services, concerts, and
festivals on any and all of these occasions.
10998629 3-6 Octave . . . . . . . . .L2 5.25
Majestic Alleluia—Joel Raney. This festive
original composition offers a compelling,
dynamic presentation useful for both worship
services and concerts. Using a few techniques
and building excitement by building strong
chords helps bring extra energy to this well-
crafted piece. Jubilant!
10956641 3-5 Octave . . . . . . . L2+ 5.25
l
Majestic in Holiness—Ron Mallory. This
original tune is based on Exodus 15:11
and features energetic and rhythmic drive
throughout. The melody passes between
all sections of the ensemble, and the varied
techniques will keep ringers on their toes!
A great choice for a celebratory moment in
worship or concert!
11347702 3-6 Octave w/opt. 3-5 oct.
Handchimes . . . . . . . .L3 4.95
l My Jesus, I Love Thee—arr. Jason W.
Krug. This beloved hymn has been arranged
in two compatible versions which makes it an
ideal choice for festivals and worship services.
Taken in 3/4 rather than the traditional 4/4
gives a fresh feel to the familiar tune. The final
verse moves to 4/4 for a satisfying conclusion.
11375565 2-3 Octave . . . . . . . . .L2 5.95
11375566 3-5 Octave . . . . . . . . .L2 5.95
Nearer My God to Thee with I Need Thee
Every Hour—arr.
Karissa Dennis. Two lovely
hymn tunes are interwoven, reflecting a quiet
simplicity in this meditative piece. Perfect
during Lent or any general Sunday in the
church year.
10998637 3-5 Octave . . . . . . . . .L2 5.25
l New Day Fanfare—Sandra Eithun. This
sparkling original is perfect for worship or
concert. The optional brass quintet makes
this a great festival piece with lots of teaching
moments. The two settings are compatible.
Optional 3-octave handchimes, no shared bells.
11374271 2-3 Octave . . . . . . . . .L3 5.30
11374270 3-6 Octave . . . . . . . . .L3 5.30
11374272 Instrumental Parts
Brass Quintet . . . . . . . . . 15.00
O Worship the King—arr. Karen Lakey
Buckwalter. Fun and energetic are the perfect
words to describe this upbeat arrangement.
With a forceful malleted bass - set in a 3+3+2
rhythm - the beloved melody gets cast in a
new and exciting light before a slower iteration
comes in, set to interesting, intricate, and
unexpected harmonies. The rhythmic feel of
the opening returns to close out the piece in
grand fashion. Be sure to add this to your next
concert or worship service!
11314811 3-5 Octave . . . . . . . L3+ 5.95
Offering of Praise—Karen Lakey Buckwalter.
This beautiful pairing of
OLD 100TH with the
traditional tune
JESUS IN THE MORNING is a true
joy to experience. Lush harmonies abound
throughout, highlighting the delicate scoring
of the melody. An outstanding choice to push
your ensemble's musicality to the next level.
11347704 3-5 Octave w/opt. 3 oct.
Handchimes . . . . . . . .L3 4.95
Oh Happy Day—arr. Tammy Waldrop. Ringers
and audiences will love this groovy arrangement
of the gospel standard by Edwin Hawkins,
skillfully arranged by Tammy Waldrop. Bells
and chimes weave a call and response in this
buoyant setting. Fun and joyous!
10956881 3-5 Octave . . . . . . . . .L3 5.50
Onward, Christian Soldiers—Jason W.
Krug. Combining the well-known hymn by
Arthur Sullivan with the famous Trumpet
Tune of Henry Purcell, this setting is ideal for
ensembles searching for something a little
different. After a stately chordal iteration of
the hymn, the energy ramps up with malleted
bass chords, punctuated with snippets of the
Trumpet Tune.
As a final verse, the two tunes
are played simultaneously, casting each in a
new light.
11347708 3-5 Octave w/opt. 3-5 oct.
Handchimes . . . . . . . .L3 5.95
Open Your Ears—Patricia Hurlbutt. This
lively arrangement of a traditional Hasidic
tune is a fun addition for the ensemble looking
for something a little different. Moving from
extremely delicate single melodic lines to
thick-textured and complex multiple melodic
and harmonic lines running simultaneously
(often playing different techniques), this will be
a great addition to any program.
11314812 3-5 Octave . . . . . . . L2+ 4.95
l Pax—Kyle Webber. "Pax", of course, means
"peace", and this original work is peaceful,
flowing, and prayerful. Chimes, though optional,
feature nicely as solo lines here and there.
11359409 3-5 Octave . . . . . . . . .L3 4.95
Praise to the Lord, the Almighty—Cathy
Moklebust. Alternating between 6/8 and
3/4 meters and accompanied by energetic
LV eighth-note patterns, this sparkling
arrangement of
LOBE DEN HERREN is a thrilling
and satisfying addition to the handbell
repertoire. A calm variation in the middle
section provides contrast as handchimes are
used to highlight the melody and a softer,
flowing eighth-note pattern is used for the
accompaniment. The exciting final section
modulates up a step and returns to the original
material, ending powerfully.
11102197 3-5 Octave . . . . . . . . .L3 4.50
Prayer for Healing—Michael Helman.
This stirring composition is dedicated to
all who have suffered losses as part of the
Coronavirus pandemic. The simple, haunting
melody speaks of pain and loss, but also of
hope and healing. Handchimes are used
throughout for beautiful musical effect. This
is a poignant musical statement suitable for
worship, concert, or memorial use. Optional
3-5 octaves of handchimes.
11314813 3-6 Octave . . . . . . . . L3- 5.95
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