POP CHARTS
26
2022 Editors' Choice lNew for 2022 HBasic Library Available via ePrint All Prices in U.S. Dollars & Subject To Publisher Revision
JAZZ
ENSEMBLE
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M E D I U M
Africa—Paich & Porcaro/arr. John Wasson.
Originally a #1 hit for Toto in the early 1980s,
and recorded again by the group Weezer, this
powerful rock anthem features a distinctive groove
and memorable lines. In this chart it's given a
contemporary spin while maintaining the feel
and drive of the original. There's solo space for
trumpet. Highly recommended!
10960648 Jazz Ensemble. . . . . . . . . . . . . . .55.00
H Blackbird—Lennon & McCartney/arr. Mike
Tomaro. Perhaps one of the Beatles' lesser known
tunes, Blackbird remains one of their most creative
and memorable. Mike Tomaro's smooth setting
uses a blend of light funk along with a brief samba
section to create a truly outstanding effect. The
theme is stated simply in the beginning by trumpet,
followed by an array of orchestrational textures and
harmonies. Highly recommended!
10098755 Jazz Ensemble. . . . . . . . . . . . . . .55.00
H Get It On—Bill Chase/arr. Victor Lopez. This chart
is exciting jazz-rock...pure and simple! From the
jazz-rock group Chase, it features the trumpet
section and has written solos for tenor sax, trumpet
and trombone. The lead trumpet range is to written
Bb above the staff. There's also a cool cascading
chorale section. Optional parts are included for
flute, horn in F, baritone/tenor sax and tuba. Hit it
hard and keep the energy pumping!
10049714 Jazz Ensemble. . . . . . . . . . . . . . .52.00
H I Wanna Be Like You—Sherman & Sherman/
arr. John Wasson. What happens when one of
the hottest swing bands in the land cuts loose
on a Disney classic? Cranked up excitement!
Big Bad Voodoo Daddy takes a mambo spin on I
Wan'na Be Like You from "The Jungle Book," and
with lots of tutti writing, your band will get a real
powerhouse sound!
2433704 Jazz Ensemble . . . . . . . . . . . . .50.00
H In the Stone—arr. Paul Murtha. With no solos
required and only a driving rhythmic groove,
here's an authentic-sounding version of this
Earth, Wind & Fire classic. The trombones are
featured on the melody and all the signature
riffs from the original are beautifully captured.
Guaranteed fun!
10033677 Jazz Ensemble . . . . . . . . . . . . .55.00
H The Incredibles—Michael Giacchino/arr.
Stephen Bulla. Mix the stylish spy music from the
1960s with a dose of cool jazz and you have a
winning combination for jazz ensemble. From the
Pixar hit animated movie, here's a high-energy
and entertaining chart that captures the essence
of the soundtrack perfectly, with three themes
from the movie that offer a ton of variety and
entertainment! A middle section in a jazz waltz
style is framed by exciting rock styles that will
be appealing to both audiences and developing
players. Highly recommended!
2480196 Jazz Ensemble . . . . . . . . . . . . .55.00
TOP 5 BEST-SELLING
VOCAL SOLO
FEATURES!
H 1. Feeling Good—Bricusse & Newley/
arr. Roger Holmes. From the Broadway
musical "The Roar of the Greasepaint - The
Smell of the Crowd," this fabulous standard
is popular again with a stunning rendition by
Michael Buble. Capturing the bluesy flavor of
this version, here is a vocal solo feature sure
to bring down the house. It can also be used
as an alto sax feature. Highly recommended!
Vocal in C minor.
10297513 Jazz Ensemble & Vocalist
(or Alto Sax) . . . . . . . . . . M 50.00
H 2. Sway (Quien Sera)—Pablo Beltran Ruiz/
arr. Mark Taylor. Recorded most recently by
Michael Buble, here is a smooth arrangement
of this appealing Latin tune for vocal soloist (or
optional tenor sax). The instrumental section
features saxes answered by the brass. This is a
natural sounding feature for any vocalist!
10098760 Jazz Ensemble & Vocalist
(or Tenor Sax) . . . . . . . . ME 55.00
H 3. At Last—Harry Warren/arr. Dave Wolpe.
At Last is the ever-popular, bluesy, vocal ballad
feature as arranged by Dave Wolpe. The chart
is arranged in two keys to suit the needs of
all vocalists. Substitute instrumental solos are
included, with a written tenor sax solo in the
low female key and a written alto sax solo in the
high male key. The vocal ranges are: low female
in the key of G, high male in the key of B-flat.
10093215 Jazz Ensemble & Vocalist
(or Tenor Sax) . . . . . . . . . M 62.00
4. Crazy Little Thing Called Love
(from "Bohemian Rhapsody")—
Freddie Mercury/arr. Roger Holmes.
Recorded by Queen in 1979, this iconic hit
adapts beautifully for vocal soloist with jazz
ensemble with its rollicking shuffle style
and infectious simplicity and charm. This is
definitely a "feel good" tune that will be an
instant audience favorite! If you don't have a
vocalist to feature, there's an optional tenor sax
solo part included. Vocal Key: G
10960658 Jazz Ensemble & Vocalist
(or Tenor Sax) . . . . . . . . ME 50.00
5. Skyfall—Adkins & Epworth/
arr. Roger Holmes. From the James Bond
blockbuster motion picture "Skyfall", pop
superstar Adele hit the airwaves and charts
with this powerful and dramatic theme song
that blends a soulful rock style with a hint of
the signature Bond spy music. Here's a terrific
setting for jazz ensemble that features either
a tenor sax or vocal soloist. Vocal in C minor.
Highly recommended!
10348136 Jazz Ensemble & Vocalist
(or Tenor Sax) . . . . . . . . ME 50.00
