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CONCERT WORKS
D Ad Astra—Jacob Narverud. Highly rhythmic
in both accompaniment and voices with
independent vocal lines, this work simply
radiates energy with a message of hope and
empowerment: "To the stars through difficulties,
look upward, move forward, leave all cares
behind." Impressive and accessible!
10846403 Three-Part Mixed . . . . . . . . . . . . 2.50
10990329 SSA. . . . . . . . . . . . . . . . . . . . . . . 2.50
All Shall Be Well—Sarah Quartel. This
uplifting piece includes a text inspired by Julian
of Norwich, with additions by the composer.
The intertwining independent vocal lines are
beautifully combined with a soaring violin part
and flowing piano accompaniment, illustrating
the joy and power of song.
11342504 SSAA . . . . . . . . . . . . . . . . . . . . . 3.95
Dt Alle, Alleluia—Bruce W. Tippette. Rhythmic
energy abounds in this exciting setting of a simple
"Alleluia" text. Set in 10/8, the asymmetrical
meter gives a repetitive groove that is engaging
and fun to sing for each voice part. Dynamic
contrasts and contemporary harmonies complete
the package of this outstanding concert work for
either treble or tenor-bass choirs - it will make a
great concert opener at any time of year.
11348183 SSA. . . . . . . . . . . . . . . . . . . . . . . 2.25
Awakening—Christi Jones. Based on the
inspirational poem by civil rights advocate James
Weldon Johnson, this selection features beautiful
cluster chords over a driving syncopation that
your treble choirs will love. With a mature quality
that is not too difficult to achieve, this piece will
certainly empower your singers!
11370896 SSA. . . . . . . . . . . . . . . . . . . . . . . 2.25
D Be the Change—Jacob Narverud. Following on
the heels of his wildly popular Sisi Ni Moja, Jacob
Narverud returns with another show-stopping
piece in a similar style. With influences from world
music and an upbeat rhythmic style, this socially
responsive text of empowerment and peace is a
great choice for choirs of all ages.
11345231 SA . . . . . . . . . . . . . . . . . . . . . . . . 2.25
11161031 SSA. . . . . . . . . . . . . . . . . . . . . . . 2.20
Boats Sail on the River—Barbara Poulshock.
This charming little piece with a Christina Rossetti
text is lauding the clouds of the sky over the boats
and ships. A lilting 6/8 meter propels the text
forward, and ample unison sections and singable
harmonies make this an endearing choice for
younger developing treble choirs.
11356933 Two-Part . . . . . . . . . . . . . . . . . . 2.25
Carry the Music—Sarah Quartel. This uplifting
and affirmatory piece sets a text by the composer
inspired by the reflections of the Northwest
Girlchoir on what their choir means to them. A
gradual building of choral texture creates an
atmosphere of heartfelt celebration of choral
singing that culminates with the profound closing
words "I hear you. I see you too."
11372378 SSA. . . . . . . . . . . . . . . . . . . . . . . 3.00
Clear the Track—arr. Andy Brooke. This
arrangement of the traditional sea shanty is
invigorating and atmospheric. Changing voices
will enjoy the theme of trains and ships in the
text, as well as the boisterous call-and-response
texture, which is well supported by the piano.
11372267 TTB . . . . . . . . . . . . . . . . . . . . . . . 3.00
D
Crowded Table—Natalie Hemby, Lori McKenna
& Brandi Carlile/arr. Andrea Ramsey. In an easy
swing feel, this country pop song from new
supergroup The Highwomen delivers a powerful
message for women and girls to band together
and hold one another up. The optional fiddle adds
a nice touch to the pretty choral harmonies in this
poignant selection.
11196063 SSA. . . . . . . . . . . . . . . . . . . . . . . 2.65
Do Not Go, My Love—Richard Hageman/arr.
Stephen Rotz. Lush, lovely, and harmonically
rich, this choral setting of a solo art song
delivers a vocal classic to treble choirs. Subtle
chromatic voice leading brings a sense of
artistry and maturity, and the substantial piano
accompaniment builds the texture into an
expressive selection that is certain to enhance
any concert or festival program.
11370905 SSA. . . . . . . . . . . . . . . . . . . . . . . 2.50
D
Dream—David T. Blanchard & Randy Kartchner/
arr. Randy Kartchner & Masa Fukuda. "Come
with me and dream, putting all the tragedy behind
you, letting hope and joy remind you to become
the one who finds you when you dream." This
inspirational song was made popular by the One
Voice Children's Choir on YouTube and is now
available to all treble choirs in their exact choral
arrangement and instrumental backing track. A
wonderful concert feature!
11348873 SSA. . . . . . . . . . . . . . . . . . . . . . . 3.50
Flight—Craig Carnelia/arr. Ryan Murphy.
Beautiful for treble choirs, this arrangement of
Carnelia's solo song captures the dramatic and
expressive elements of the melody and text.
The lush accompaniment for piano or optional
string quartet adds another layer to the sense of
yearning portrayed in the lyrics. A lyrical choice
for honor choirs and concert performances.
11347942 SA divisi, or SSA . . . . . . . . . . . . 3.20
D
Fly, Fly, Fly—Kelsey Hohnstein-Reinhart.
Christina Rossetti's poetry sings beautifully in
this original concert piece for treble choirs. The
melody takes a modern approach with open
harmonies that build into independence. A
supportive piano motive brings another voice into
the story that captures the flight of a bird across
the sea at summer's end.
11348263 Two-Part or SA . . . . . . . . . . . . . 2.10
t
Four Spring Songs—Philip Reed. With texts
taken from the Kokin Wakashu, a collection of
Japanese waka poetry compiled from various
poets in the early tenth century, these four short
songs of spring show the passing of the season
from the first buds hidden beneath the snow
to the last petals washing downstream. The a
cappella texture and shifting meters capture
the composer's graceful blending of vivid
natural imagery with expressive lilting melodies.
Titles: Haru tateba (As spring is stirring); Kasuga
no (To Kasuga fields); Momo chidori (Hundred
little birds); Hana chireru (By these petal-
strewn waters).
11346659 SSA. . . . . . . . . . . . . . . . . . . . . . . 2.80
The Good-Morrow—Howard Goodall.
Composed in 2000 for the highly regarded
Cantamus Girls' Choir and their founder, Pamela
Cook, The Good-Morrow is Howard Goodall's
stunning setting of the John Dunne poem, for
upper voices and piano. The universal themes of
love, compassion, and togetherness are echoed
in the music, a reflective and uplifting choral work
ideal for concert performance.
11373327 SSAA . . . . . . . . . . . . . . . . . . . . . 2.75
High Flight—Austin Hunt. In his poem High
Flight, John Magee describes the aviator's
delirious and transcendent feeling of flight -
soaring above it all and making an intimate
connection with the divine. These feelings are
reflected throughout the lyric unison melodies,
small sections of accessible harmonies, and
diving, expansive piano accompaniment.
11369227 SA . . . . . . . . . . . . . . . . . . . . . . . . 1.95
I Am Becoming—Linda Kachelmeier. "I'm not
the person I used to be, I'm not the person I want
to be, but I'm becoming... home to myself." This
simple original song of individual growth and self-
discovery is an ideal choice for younger treble
choirs. The contemporary ballad setting is easily
learned and can be meaningfully performed for
moving-up ceremonies, graduations, or any
concert setting.
10821669 Two-Part or SA . . . . . . . . . . . . . 2.25
I Sing of a Maiden—John Rutter. Setting a well-
loved medieval text, this effective piece paints the
story of Jesus' birth through lyrical melodies and
beautiful harmonic surprises. The vocal lines offer
both powerful intensity and skillful dialogue and
are supported by a pulsing keyboard part.
11342566 SS . . . . . . . . . . . . . . . . . . . . . . . . 3.00
D If It Must Be—Andrea Ramsey. With a beautiful
setting of an imaginative text, this moving
selection was originally composed as a memorial.
Opening with an introduction of sopranos and
tenors in unison or optional solo, this piece will
also make an elegant addition to a concert with
its soaring choral melodies, heartfelt lyrics, and
accessible accompaniment.
10629388 SA . . . . . . . . . . . . . . . . . . . . . . . . 2.05
If Not for Music—Ron Kean. "If not for music, I
don't know where I'd be..." Commissioned during
the 2020 pandemic for a choral festival involving
several choirs of all ages supporting unity,
this lovely piece has an immediately engaging
melody. The uplifting lyrics are at times in English
and at other times in Spanish to project a feeling
of unity through diversity - all through the power
of singing.
11347650 SATB . . . . . . . . . . . . . . . . . . . . . 2.55
In Te Speravi—Christi Jones. Crafted for
emerging treble singers to provide opportunities
for range extension, musical phrasing, and
attention to syllabic stress, this setting provides
a wonderful introduction to counterpoint through
the time-honored Latin text. A perfect festival
selection for your ensemble!
11370921 SA . . . . . . . . . . . . . . . . . . . . . . . . 1.95
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CHILDREN'S
COMMUNITY
CHOIR
BASIC LIBRARY
Whether you're building a library or selecting music for your next performance, Pepper's Basic Library directs
you to the time-honored, proven repertoire. Look for our Basic Library H while you shop.
