Order Toll Free! Call 1.800.345.6296 / w: jwpepper.com / e: [email protected]
HYMN ARRANGEMENTS
57
Go to cart
Rejoice, the Lord is King—arr. Stan Pethel.
Opening crisply, this anthem offers a fresh
and singable choice, especially for choirs
that are returning and rebuilding. Part of the
best-selling Instant Anthem Series, here's a
selection that's truly ready to sing in an instant,
with smooth vocal scoring and a playable
accompaniment. Use for general worship or
Christ the King Sunday.
11397582 SAB . . . . . . . . . . . . . . . . . 2.40
Rejoice, the Lord Is King!—arr. Dan Forrest.
This joyful arrangement of a well-known hymn
will be a favorite of your choir and congregation
alike. A flowing and romantic second verse
contrasts with lively up-tempo sections. The
imperative "Rejoice" is felt not only in the text
but in the clear call of the lyrical vocal lines
and the accompaniment. The optional string
quartet adds to the classical style of the work.
Very nicely done!
10954548 SATB . . . . . . . . . . . . . . . . 2.25
11131154 SSAA . . . . . . . . . . . . . . . . 2.15
11166183 TTBB . . . . . . . . . . . . . . . . 2.25
10954549 String Quartet
for SATB . . . . . . . . . . . . . 25.00
11167109 String Quartet
for SSAA . . . . . . . . . . . . . 25.00
11166184 String Quartet
for TTBB . . . . . . . . . . . . . 25.00
Rejoice, Ye Pure In Heart—arr. Heather
Sorenson. A time-honored hymn receives
a brilliant treatment in this festival anthem.
The music of each verse is treated differently,
providing revelatory text imagery and linked
by astonishing interludes. Harmonic color
abounds in both the choir and piano or
orchestral accompaniment. A superb choice
for general worship, Christ the King Sunday,
and Eastertide.
11382275 SATB . . . . . . . . . . . . . . . . 2.25
11388562E Instrumental Parts
ePrint . . . . . . . . . . . . . . . 69.95
Rejoice, Ye Pure in Heart—Robert J. Powell.
Smaller choirs "Rejoice!" as this is a well-
written two-part anthem suitable for Easter or
general use. For mixed or treble voices, choirs
will both enjoy singing and be successful in
presenting this anthem in worship.
11382636 Two-Part Mixed. . . . . . . . . 1.70
A Resting Place—Mary McDonald. This
anthem takes the classic hymn text My Faith
Has Found a Resting Place and gives it a
beautiful new melody and harmonies. From its
simple beginning to the soaring middle section
and the reverent conclusion, A Resting Place is
inspirational and comforting.
11203342 SATB . . . . . . . . . . . . . . . . 2.25
Rock of Ages—Michael Burkhardt. The
beloved text of Rock of Ages is given a new
tune with a flowing, gentle lilt that provides
a fresh sound to the familiar. In this easily
learned anthem, stanza one introduces the
new melody in an SATB setting while stanzas
two and three are unison with optional
assembly and a choral descant.
11396632 SATB & Organ. . . . . . . . . . 1.95
Shall We Gather at the River—Robert
Lowry/arr. Daniel J. Hall. This early American
hymn, born in a time of crisis, is still relevant in
our times. Opening with a flowing artistic piano
accompaniment which continues throughout,
optional solo lines build and open up into full
harmony in a texture that swirls and churns
before arriving at the final destination. This
powerful arrangement is suitable for church,
school, and community choirs.
11392530 SATB . . . . . . . . . . . . . . . . 2.95
Shall We Gather at the River—arr. David
Lantz III. Jazz harmonies and a vocal solo give
new interest and life to the well-loved Robert
Lowry folk hymn. Smooth voice leading means
your church or community choir can focus on
nuances of text and phrasing for meaningful
communication that will resonate deeply with
your audience.
11395417 SATB . . . . . . . . . . . . . . . . 2.25
Softly and Tenderly—arr. Matthew Culloton.
This accessible and lovely setting of
SOFTLY
AND TENDERLY opens each of its two verses
with unison voices that blossom into richer,
fuller sonorities. The chromaticism that is
implicit in its traditional harmonies provides
subtle shading in the skillfully crafted vocals.
11394806 SATB . . . . . . . . . . . . . . . . 2.25
Spirit of God—arr. Robert Berglund. This
beautifully written a cappella selection is
appropriate for any season and is an excellent
choice for Pentecost. Your TTBB voices will
shine in the middle section, and the SATB
divisi sections are full of rich chromatic
harmonies. The expressive phrasing allows
the text to shine through for a truly meaningful
worship experience.
11396166 SSAATTBBB . . . . . . . . . . . 2.75
Spirit of God, Descend Upon My Heart—
arr. Mark Edwards. This setting of the familiar
hymn is filled with interest and beauty. While
the first verse is set for TB voices, SA voices
shine in the second. All voices join together
in the third verse for a rich choral experience
before ending quietly with a soft, choral
"Amen." This piece will become your go-to
arrangement for the season of Pentecost or
anytime there is an emphasis on the Holy Spirit.
11373694 SATB . . . . . . . . . . . . . . . . 2.10
Spirit of God, Descend Upon My Heart—
Mark Shepperd. This beloved hymn of
prayer and devotion receives a deeply
expressive setting with lovely flowing piano
accompaniment. Treble voices take a verse
followed by tenor-bass. An a cappella,
chorale-like harmonization section is followed
by a return of the piano which leads to a strong
affirmation. Use for Pentecost, Lent, or any
service of prayer.
11384345 SATB . . . . . . . . . . . . . . . . 2.10
Spirit of the Living God—Daniel Iverson/arr.
Brandon Williams. "Spirit of the living God, fall
afresh on me." The lyrics of Daniel Iverson's
immortal hymn find a fresh voice in this
stirring a cappella arrangement. Some divisi
in the soprano and bass parts helps to create
luscious harmonic moments. Although it is a
brief choral prayer, it will not soon be forgotten.
11394807 SATB . . . . . . . . . . . . . . . . 2.70
The Spirit of the Lord—Peter Scholtes/
arr. Mary McDonald. This setting combines
unison choir with SATB voices in a dynamic
song of unity that pairs an original refrain
with the familiar hymn They'll Know We Are
Christians by Our Love. The children's part
is easily learned, and there is even an option
to add congregation on the hymn verses.
This uplifting anthem is ideal for church
music Sunday or any worship featuring
intergenerational emphasis.
11204096 SATB & Unison . . . . . . . . . 2.90
11204098 P/A CD & Split Track . . . . 29.95
11204097 Instrumental Parts
Rhythm. . . . . . . . . . . . . . 32.95
Stand by Me—Charles Albert Tindley/arr.
Russell Robinson. This 1905 American hymn
has lyrics that still resonate strongly today.
"When the storms of life are raging, stand
by me." Beginning in unison, it grows to a full
four-part choral texture with solid harmonies
along with section features for the upper and
lower voices. A welcome addition to your
concert or service.
11393048 SATB . . . . . . . . . . . . . . . . 2.25
Sweet Hour of Prayer—W.B. Bradbury/
arr. Hyun Kook. With a traditional refrain and
lovely harmonies, this hymn will be a welcome
addition to any service.
11396130 SATB . . . . . . . . . . . . . . . . 2.95
Then Sings My Soul—Stuart K. Hine/arr.
Mary McDonald. With altered melody and lush
harmonies, Mary McDonald's fresh treatment
awakens a new breadth and splendor into this
timeless hymn, giving rise to the greatness that
it invokes in worshiping God, our Creator. The
gorgeous orchestration by Michael Lawrence
is a true complement to Mary's splendid choral
writing. Now available in an SSA setting.
10235819 SATB . . . . . . . . . . . . . . . . 2.70
10275260 SAB . . . . . . . . . . . . . . . . . 2.70
10554460 Two-Part Mixed. . . . . . . . . 2.70
10750789 SSA . . . . . . . . . . . . . . . . . 2.70
10275261 TTBB . . . . . . . . . . . . . . . . 2.70
10235828 P/A CD . . . . . . . . . . . . . . 29.95
10750849 Handbells 3-5 Octave . . . . 6.75
10235829 Orchestration . . . . . . . . . 79.75
There's a Wideness in God's Mercy—arr.
Brenda Portman. In this creative and expressive
anthem, poetry from the familiar hymn that
sings of God's mercy and love is combined
with words from Micah in which we're asked
to act justly, to love mercy, and to walk humbly
with God. New music for the traditional text
flows with captivating lyricism and engaging
harmonies. The piano accompaniment is well
crafted and adds additional color.
11396634 SATB . . . . . . . . . . . . . . . . 2.25
There's a Wideness in God's Mercy—
Thomas Wesley. A gently moving
accompaniment propels this new melody with
a timeless message. Echoing with the theme
of God's love and kindness, the accessible
part-writing and beautiful melody will make
this a new favorite.
11373697 SATB . . . . . . . . . . . . . . . . 2.10
This Is My Father's World—arr. Elaine
Hagenberg. What a gorgeous setting for
church or school choirs! Superb choral writing
and a marvelous piano accompaniment with
violin obbligato make this a truly exceptional
arrangement of the traditional hymn!
10589958 SATB . . . . . . . . . . . . . . . . 2.65
A Thousand Tongues to Sing—arr. Mary
McDonald. This majestic hymn concertato
features SATB voices (one SSA verse), organ,
a small instrumental ensemble, and optional
congregation. For concert or worship, use this
hymn anthem to celebrate with singing!
11393624 SATB . . . . . . . . . . . . . . . . 2.70
11393625 P/A CD & Split Track . . . . 29.95
11393626 Flute, Clarinet, Horn, Trumpet,
Trombone, Organ
& Cello . . . . . . . . . . . . . . 29.95
Thy Great Name We Praise—arr. Dennis
Clements. This arrangement contrasts
the familiar hymn Immortal, Invisible with
accented, syncopated original material. The
piano accompaniment adds harmonic interest
and rhythmic diversity, and the vocal parts are
straightforward yet satisfying. The emphatic
final section builds to a powerful ending.
11396169 SATB . . . . . . . . . . . . . . . . 2.95
Unclouded Day—J.K. Alwood/arr. Shawn
Kirchner. First written as the bright, opening
movement of Heavenly Home: Three American
Songs, this enduring gospel favorite is set with
a straightforward first verse and chorus. The
next two verses combine traditional bluegrass
vocal style with counterpoint and fugue,
resulting in a crescendo of excitement in roof-
raising fashion as the choir sings "in the city
that is made of gold."
10309004 SSAATTBB . . . . . . . . . . . . 2.50
10910968 TTBB divisi . . . . . . . . . . . . 2.50
We Shall Overcome—arr. Shelton Ridge
Love. A strong, resolute setting of the
familiar civil rights "marching song" vividly
calls to mind the images which add depth
of meaning and emotion to the notes sung.
From the distant beginning to the powerful
final statement, this arrangement calls us to
stand with, and for all those in the long fight
for justice. A cappella, this powerful setting
may be sung in any location.
11314193 SATB . . . . . . . . . . . . . . . . 2.15
11314194 TTBB . . . . . . . . . . . . . . . . 2.15
We Wait the Peaceful Kingdom—Michael
Burkhardt. This congregational hymn anthem
pairs Kathleen R. Moore's text with Hal
Hopson's
MERLE'S TUNE. It is scored for SATB
voices and descant with optional brass quartet
or quintet and timpani. Stanzas one and
four are unison with congregation; stanzas
two and three are for choir alone with varied
vocal textures. Easily prepared, it has a strong
message for troubled times.
11199650 SATB . . . . . . . . . . . . . . . . 2.75
11199651 Brass & Timpani Parts. . . 35.00
11199652 Full Score . . . . . . . . . . . . 16.00
