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HYMN ARRANGEMENTS / GENERAL ANTHEMS
What a Fellowship—David M. Cherwien. By
whatever title you choose - What a Fellowship
or Leaning on the Everlasting Arms - this 19th-
century gospel classic is sure to please singer
and listener alike. The choral parts are rooted
in the old Tabernacle Hymns style with echoing
lines in the refrain and tightly knit vocals. Your
pianist will have great fun playing the stylized
piano with walking bass line. A great choice for
worship or concert.
11394814 SAB . . . . . . . . . . . . . . . . . 2.25
What a Friend We Have in Jesus—Michael
Larkin. A lovely original melody provides fresh
insight into this beloved 19th-century text.
The choral texture flows easily from unison
to fuller vocals, and verse two boasts canonic
entrances. Tonal shifts delineate the text's
mood changes, and the piano supports and
complements the voices. Easily taught and
very memorable.
11394815 SATB . . . . . . . . . . . . . . . . 2.25
What a Friend We Have in Jesus—
Matthew Weaver. A swinging, light gospel
feel pervades this setting of the well-known
text with new music by the composer. The
unaccompanied choir backs up the soloist's
melody. This has a familiar feel and is very
singable, with attention given to articulation,
ensemble, and intonation.
11199615 SATB . . . . . . . . . . . . . . . . 1.95
What Wondrous, Marvelous Love—Mary
Ann Cooper. Gorgeous original material
seamlessly mingles with treasured hymns,
including What Wondrous Love Is This;
Jesus, Lover of My Soul and I Stand Amazed
in the Presence. Unison and two-part writing
predominate this SAB setting, which is fully
supported by lovely flowing accompaniment.
A great selection for Lent or Holy Week.
11166012 SAB . . . . . . . . . . . . . . . . . 2.10
When in Our Music God Is Glorified—
arr. Mack Wilberg. This uplifting and highly
effective arrangement of the popular hymn
tune
ENGLEBERG is suitable for regular
worship services but is especially effective
for special praise services, choral liturgies,
and for recognizing the work of church
musicians. With organ, or orchestration
(rental only).
11389044 SATB . . . . . . . . . . . . . . . . 3.35
When We All Get to Heaven—arr.
Benjamin Harlan. Bluegrass gospel at its
finest! Harlan's irresistible toe-tapping
treatment of this beloved hymn makes it
appeal to all kinds of choirs... small, large,
church, community, and university. From the
buoyant opening to the delightful conclusion,
the fun moves along at a perfect pace. Truly
heartwarming and hopeful!
11374239 SATB w/opt. rhythm . . . . . 2.30
11374242 Orchestration CD-ROM . . 40.00
Yes, Jesus Loves Me!—Tim Osiek. A
phenomenal reimagination of the beloved
Sunday school song, here is a thoughtful,
emotional anthem that invites us to reflect on
our faith journey from childhood to adulthood.
Does Jesus still remember me? Echoes of the
familiar tune appear throughout the anthem,
but it is Osiek's fresh setting which assures
the listener of Jesus' enduring love, no matter
where life's journey leads. With plenty of
moving musical moments throughout, this
piece is memorable from start to finish.
11202720 SATB . . . . . . . . . . . . . . . . 2.35
11203315 Accompaniment CD . . . . 27.95
General Anthems
Adult Choir
All That Hath Life and Breath Praise Ye
the Lord!—Rene Clausen. An animated,
lilting, and dramatic a cappella work, this
choral tour de force briefly quotes the hymn
Praise to the Lord, the Almighty in a fresh and
innovative way. It is a truly impressive work for
mature choirs.
1461284 SATB . . . . . . . . . . . . . . . . 2.50
3155645 SSAA . . . . . . . . . . . . . . . . 2.50
All Things New—Elaine Hagenberg.
Known for her exquisite lyricism and soaring
melodies, Hagenberg delivers an exceptional
original setting of Frances Havergal's text that
provides a message of hope that is so needed.
A shimmering accompaniment and easily
learned vocal lines open this up to choirs of all
sizes for concert or service use.
11375949 SATB . . . . . . . . . . . . . . . . 2.25
All Things Through Christ—Matt Taylor/
arr. Richard A. Nichols. In Philippians 4:13, the
apostle Paul states that all things are possible
through Christ. Dealing with his wife's cancer
journey, the composer expresses all the
anxieties and emotions that occurred but
concludes that, through it all, Christ provides
joy, peace, and the strength to face whatever
comes. Unison sections give way to full choir
accompanied by a supportive piano. Enjoy this
beautiful arrangement of affirmation of faith.
11372739 SATB . . . . . . . . . . . . . . . . 2.00
11375598 Orchestration . . . . . . . . . 50.00
Alleluia—Giulio Caccini/arr. Mack Wilberg.
Male voices take the leading role in this
mixed-voice arrangement of the tender and
well-loved solo piece attributed to Caccini and
usually sung to Ave Maria. With long lines, a
colorful orchestration and a sense of great
reverence, this piece is effective and reverent.
Useful for concert or worship settings.
11160130 SATB . . . . . . . . . . . . . . . . 3.35
Alleluia—Ralph Manuel. With the text
comprising the single word "Alleluia," this
quiet, reverent a cappella work continues to be
a strong seller in its original SATB voicing. Now
available for male voices, this is an excellent
choice for both school contest-oriented use
and church services!
1629831 SATB . . . . . . . . . . . . . . . . 2.55
3111234 TTBB . . . . . . . . . . . . . . . . 2.15
Alleluia—Randall Thompson. A true
masterpiece for a cappella chorus. The
name Randall Thompson is as much a part
of choral music as is the voice. His masterful
compositions are all standards in the
repertoire. A choral classic!
337147 SATB . . . . . . . . . . . . . . . . 2.60
337238 SSAA . . . . . . . . . . . . . . . . 2.60
4128682 TTBB . . . . . . . . . . . . . . . . 2.60
Almighty, Unchangeable God—Cindy Berry/
arr. Richard A. Nichols. Proclaiming a majestic
yet loving Savior, the anthem unfolds with a
soprano solo supported by the choir which
provides dramatic emphasis to parts of the text.
Cluster harmonies with limited divisi make this a
challenging but interesting anthem that praises
an almighty and unchanging Father.
11372742 SSAATTBB . . . . . . . . . . . . 2.25
Amazing Grace—arr. Benjamin David
Knoedler. This marvelous new arrangement of
the classic hymn begins with children "oohing"
the melody over a quiet piano accompaniment.
Their sustained "oohs" continue while the
piano takes a verse. Two sung verses are
followed by the hymn ending as gently as it
began. This is a lovely, effective arrangement
of the familiar hymn that can be sung by adults
as well as children.
11338080 Unison . . . . . . . . . . . . . . . 2.25
Anthem of Rejoicing—Joseph M. Martin.
This vigorous general-use anthem is a
sturdy addition to the choir folder. Solid
four-part writing gives a neoclassic texture,
while strong unison singing delivers power
and confidence to the singers. The middle
section incorporates lines from beloved
hymns, tossing them back and forth with the
anthem's main theme. Add in the optional
handbells for a dazzling effect! Delightful!
11347965 SATB with Handbells . . . . . 2.35
As You Serve, Remember Me—Joel
Raney. This reflective anthem comes from
the perspective of Jesus, who compels his
followers to go, love, and serve as he did, to be
his hands and feet. Excerpted from the cantata
Amazing Love!
11375715 SATB . . . . . . . . . . . . . . . . 2.20
11375716 P/A CD . . . . . . . . . . . . . . 29.95
11375717 Orchestration . . . . . . . . . 69.95
At the Name of Jesus—Larry Shackley.
Starting gently and gradually building towards
a powerful close, this anthem opens with
Ralph Vaughan Williams'
KINGS WESTON tune
paired with a time-honored text by Caroline
Noel. An original melody enters in verse three
which alternates men's and women's voices.
The hymn tune returns for a dramatic close,
making this a great choice for Christ the King
Sunday, Ascension, and general use.
11393799 SATB . . . . . . . . . . . . . . . . 2.95
Ave Maria—Giulio Caccini/arr. Patrick
Liebergen. This haunting melody from the
Italian Renaissance has been recorded most
recently by Charlotte Church and Andrea
Bocelli. Patrick Liebergen's setting features
straightforward vocal lines, a supportive piano
accompaniment, and an optional flute part that
is never overstated, but lets the enchanting
melody and harmonies speak for themselves.
Expressive and beautiful at every turn, this is a
glorious addition to sacred choral literature!
3285509 SATB . . . . . . . . . . . . . . . . 2.05
3285517 SAB . . . . . . . . . . . . . . . . . 2.25
10501318 SSA . . . . . . . . . . . . . . . . . 2.05
3300748 TTBB . . . . . . . . . . . . . . . . 2.25
Awake, My Soul—Elaine Hagenberg.
A brilliant, pulsating piano introduction
announces the dawn and invites the voices
to join with escalating calls to "Awake, my
soul!" As the pulsing continues, the vocal
counterpoint gives way to the chordal
acclamation, "I will awaken the dawn!" This
setting of Psalm 57:8-11 requires an above
average accompanist and an energetic choir,
but the artistic result will be worth the effort.
11166185 SATB . . . . . . . . . . . . . . . . 2.35
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