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CONCERT
MUSIC
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SACRED CONCERT & SPIRITUALS / MULTICULTURAL
You Are My Refuge—Michael John Trotta. This
stunningly expressive work was commissioned by
a number of high school choir programs forced to
cancel concerts due to the COVID-19 outbreak.
Inspiring and reflective, the rich harmonies capture
both a sense of poignancy and hope. An optional
descant soars above the choir, adding a sense of
expansiveness: "Your voice brings hope!"
11207882 SATB A Cappella. . . . . . . ME 2.75
11344334 SATB with Piano . . . . . . . ME 2.95
11393186 SA with Piano . . . . . . . . . ME 2.75
You Do Not Walk Alone—Elaine Hagenberg.
"May you always remember when the shadows
fall, you do not walk alone." This ethereal setting
of a traditional Irish blessing is scored in a variety
of voicings with piano. Deft strokes of Celtic styling
within the melody weaves throughout the vocal
texture. Gradually building in intensity, it transitions
into the final stanza with a burst of light, aided by a
key change, then slowly draws to a quiet close.
11166201 SATB . . . . . . . . . . . . . . . . M 2.35
11210446 SSAA . . . . . . . . . . . . . . . . M 2.25
11314797 TTBB . . . . . . . . . . . . . . . . M 2.25
Zion's Walls—Aaron Copland/arr. Glenn
Koponen. The memorable melody from Copland's
"Promise of Living" will be recognized by all in
this revivalist song. This arrangement takes
the masterwork and makes it attainable by any
size and caliber choir. It has very little divisi,
great vocal ranges and a supportive piano
accompaniment. Impressive in concert or festival
settings. Don't miss it!
1478338 SATB . . . . . . . . . . . . . . . ME 2.15
3274644 Unison . . . . . . . . . . . . . . ME 2.25
1478346 SSAA . . . . . . . . . . . . . . . ME 2.15
1478353 TTBB . . . . . . . . . . . . . . . ME 2.50
Multicultural &
World Music
A la Puerta del Cielo—arr. Ruth Elaine Schram.
This tender Spanish lullaby, also known as Duermete
Nino, has been given an expressive setting for treble
or mixed choirs. Appropriate for concerts at any
time of year, this work exudes an elegant simplicity
while a gently flowing accompaniment enhances the
serene mood of the piece. A pronunciation guide
and translation are included.
11395935 Three-Part Mixed . . . . . . ME 2.25
11395936 Two-Part or SA . . . . . . . . ME 2.25
11202495 SSA . . . . . . . . . . . . . . . . ME 2.25
11203150 P/A CD . . . . . . . . . . . . . . . . . 27.95
Adiemus—Karl Jenkins. Although this is an
original work, the words, which simulate a tribal
language, give it a world-music feeling. In fact, the
chant-like character of the piece almost makes you
feel as though you are taking part in a tribal ritual.
A compelling work that has become popular in
festivals and regional choral activities.
3165875 SATB . . . . . . . . . . . . . . . . M 2.50
10609878 SA . . . . . . . . . . . . . . . . . . M 1.95
3118460 SSAA . . . . . . . . . . . . . . . . M 2.50
Ah! Si Mon Moine Voulait Danser—arr. Donald
Patriquin. This Canadian folk song from Quebec is
arranged for voices, piano, and optional percussion.
Light, spirited, and full of fun, it's a popular choice
for festivals, adjudications, concerts, and contest
appearances for more capable choirs.
5581582 SATB . . . . . . . . . . . . . . . . M 2.10
3294826 SAB . . . . . . . . . . . . . . . . . M 2.10
5244363 SSAA . . . . . . . . . . . . . . . . M 1.90
Ai Hai Yo—arr. Tyler Arcari. This traditional
Chinese folk song is used as a blessing for a
bountiful harvest and a good year. The pentatonic
melody line and simple repeated harmonies
preserve the Eastern feel of the arrangement,
and the phonetic spellings of the Mandarin text
interspersed with English phrases make this
accessible to young choirs.
11198809 Three-Part Mixed . . . . . . ME 2.00
11001257 Two-Part or SA . . . . . . . . ME 2.00
Akatonbo—Greg Gilpin. This traditional Japanese
song depicts a red dragonfly at sunset. Paired with
an original melody and English lyrics in a simple
partner song setting, this easy-to-learn concert
piece features lyrical lines, accessible ranges, and
supportive piano accompaniment. As an added
bonus, rehearsal suggestions are included for
extended teaching and learning.
11348126 Two-Part. . . . . . . . . . . . . ME 2.10
Akekho Ofana No Jesu—arr. Daniel Jackson. A
dynamic a cappella world music selection featuring
a call and response solo, optional improvised
percussion and movement, and a divided choir
option. The song is a traditional South African
celebratory anthem, and this stellar arrangement
captures all the excitement of the style. A helpful
IPA pronunciation guide and translation are
provided, along with performance notes. Each part
has syncopation and rhythmic repetition that layer
together to create an exciting texture that is easy to
learn and thrilling to perform. An exemplary concert
opener or closer!
10873379 SATB . . . . . . . . . . . . . . . . M 3.20
11200569 SSAA . . . . . . . . . . . . . . . . M 2.90
11200571 TTBB . . . . . . . . . . . . . . . . M 2.90
Akekho Ofana NoJesu—arr. Charlotte Botha.
A setting of a South African hymn in the isiZulu
language. Written for solo and choir, the solo
sections may be sung by a small group. Djembes
may be included for concert performances, and
body movement is encouraged! This piece is sung
in diverse contexts and exudes joy!
11368965 SATB . . . . . . . . . . . . . . . . M 2.05
Al Shlosha D'varim—Allan Naplan. Al Shlosha
D'varim is a lyrical setting of an essential maxim
from Jewish morality laws, translated to mean:
"The world is sustained by three things: by truth,
by justice, and by peace." Available for SA or mixed
voices and piano, this has become a standard in the
choral repertoire.
10071263 SATB . . . . . . . . . . . . . . . ME 2.15
3012796 SA or two-part . . . . . . . . ME 2.10
All Through the Night—arr. William Averitt. This
selection is a gentle lullaby based on an old Welsh
folk song. With limited divisi towards the end, it has
beautifully lyrical writing and will be a warm and
welcome addition to any concert.
11394734 SATB . . . . . . . . . . . . . . . . M 2.25
Aloha Spirit—Ruth Morris Gray. Much more
than a greeting, "aloha" is also an acronym that
represents the spirit of the Hawaiian culture. This
rhythmic original piece celebrates the five traits of
aloha, sung in Hawaiian, and then defines them in
English with two independent melodic lines that
are eventually combined in a perfect partnering.
Add optional ukuleles or percussion for even
more fun!
11393260 Three-Part Mixed . . . . . . ME 2.05
11393261 Two-Part. . . . . . . . . . . . . ME 2.05
11393262 P/A CD . . . . . . . . . . . . . . . . . 29.99
Amani—Audrey Snyder. The Swahili text of this
African-style original is a joyful celebration of peace,
set for a cappella voices with shaker and drums
(included in the score). Somewhat reminiscent of O
Sifuni Mungu, it has everything you want for a truly
festive cross-cultural experience!
10277999 SATB . . . . . . . . . . . . . . . ME 2.10
10278002 Three-Part Mixed . . . . . . ME 2.10
10605429 Two-Part. . . . . . . . . . . . . ME 2.10
Amani Utupe—Patsy Ford Simms. This African-
style piece is just so much fun, everyone will be
singing this on their way home! The text, which
includes a combination of English and Swahili, is
as joyful as the music. The repetitive melody will
be a cinch to learn. The outstanding P/A CD has an
authentic African feel. Effective!
3188000 SATB . . . . . . . . . . . . . . . ME 2.25
3188018 SAB . . . . . . . . . . . . . . . . ME 2.05
3188026 Two-Part. . . . . . . . . . . . . ME 2.05
3188034 P/A CD . . . . . . . . . . . . . . . . . 27.99
Amavolovolo—arr. Rudolf de Beer. Here is a
popular traditional Zulu song as arranged by Rudolf
de Beer, former conductor of the Drakensberg Boys
Choir of South Africa. What a vivid connection to
the people and culture of that part of the world!
Authentic percussion and movement suggestions
give this selection great visual appeal!
10066458 SATB . . . . . . . . . . . . . . . ME 2.10
10066459 SSAA . . . . . . . . . . . . . . . ME 2.10
Ari Im Sokhak—arr. Brent Wells. In this
traditional Armenian folk lullaby, a mother seeks
to lull her restless son to sleep with the aid of a
singing nightingale. The gentle lyrical lines sing
so beautifully, featuring first the upper voices and
then the lower voices before a final section in four-
part harmony. There is a pronunciation guide and
translation given for the Armenian text.
11366962 SATB . . . . . . . . . . . . . . . . M 2.00
Arirang—arr. Hyo-Won Woo. Serving as an
unofficial anthem, this beloved Korean folk
song is creatively set by one of Korea's top
female composers. This arrangement begins
with beautiful, flowing unison vocal lines and
simple harmonies, then opens up into an exciting
syncopated rhythmic section with Korean
percussion, divisi, and descant. A truly wonderful
presentation of this anthem that captures both
the lyrical and the celebratory aspects of this
well-known piece!
10873353 SATB . . . . . . . . . . . . . . . . M 3.20
11372820 SSAA . . . . . . . . . . . . . . . . M 3.20
11372821 TTBB . . . . . . . . . . . . . . . . M 3.20
Arrorro Mi Nino—arr. Emily Crocker. A
traditional Argentinian folk song that is sung
throughout Hispanic America is partnered with
the familiar Twinkle, Twinkle, Little Star melody,
both with Spanish text. Cleverly set, there are
just a few lines of English text to connect the two
simple melodies, making this very easy to teach.
A super way to incorporate Spanish language and
culture into your program!
11377924 Two-Part. . . . . . . . . . . . . ME 2.15
Artza Alinu—arr. Earlene Rentz. Here's an
invigorating cross-cultural number that will make
everyone want to dance! It's a joyful Israeli dance
song, incorporating the popular round, Toembai.
With Hebrew text, lots of "tra la la la la" passages
and English subtext on the verse, this has all the
minor-key ethnic flavor you could want, right up to
the final shouted "Hey!"
11198321 SATB . . . . . . . . . . . . . . . ME 2.25
10192384 Three-Part Mixed . . . . . . ME 2.25
10192320 Two-Part. . . . . . . . . . . . . ME 2.25
10735144 SSA . . . . . . . . . . . . . . . . ME 2.50
11198317 TBB . . . . . . . . . . . . . . . . ME 2.25
Aya Ngena—arr. Ruth Morris Gray. This authentic
Zulu folk song is a perfect fit for mixed and
treble choirs in three parts! The authentic African
rhythmic groove is punctuated by brief solos and
joyful handclaps. Add the optional percussion (bells,
shaker and drums), and the overall effect will be
most impressive!
10452858 SATB . . . . . . . . . . . . . . . ME 2.20
10274693 Three-Part Mixed . . . . . . ME 1.95
10274694 SSA . . . . . . . . . . . . . . . . ME 2.20
10452859 TTB. . . . . . . . . . . . . . . . . ME 1.95
10274695 P/A CD . . . . . . . . . . . . . . . . . 27.99
Baba Yetu—Christopher Tin. Translated from
the words of the Lord's Prayer, this epic song
from the award-winning video game franchise
Civilization was the first composition from a video
game to be nominated for, and win, a Grammy.
Featuring both alto and tenor soloists, the unique
world fusion sound includes chanting, strong
rhythmic lines, and dynamic contrasts on the
Swahili text.
11000945 SSATBB . . . . . . . . . . . . . . M 2.25
11203539 SATB . . . . . . . . . . . . . . . . M 2.25
11203540 SAB . . . . . . . . . . . . . . . . . M 2.25
11203541 SSAA . . . . . . . . . . . . . . . . M 2.25
11203542 TTBB . . . . . . . . . . . . . . . . M 2.25
11172227 Band Set & Score . . . . . . . . . 85.00
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