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SACRED CONCERT & SPIRITUALS
CONCERT
MUSIC
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I Want to Rise—arr. Mark Weston. Two traditional
favorites, I Want to Rise and Swing Low, Sweet
Chariot, are woven together in this medley that
presents the melodies in unison or simple harmony
before partnering the two together. Complete it with
a supportive piano part and laid back groove, and
you'll be delighted at how quickly your beginning
choirs will sound like pros!
10843367 Three-Part Mixed . . . . . . ME 2.05
10953839 Two-Part. . . . . . . . . . . . . ME 2.05
10882905 Multi-Song
Accompaniment CD-
Three Part Mixed . . . . . . . . . 44.95
I Will Sing—Michael Engelhardt. "What will I
do with the portion given to me? I will sing." This
fantastic work, written in a gospel style with an
ecumenical text that challenges each of us to make
the most of the lives we've been given, is a perfect
piece for any setting, and makes a great closer!
11195665 SATB . . . . . . . . . . . . . . . . M 3.20
11316566 TTBB . . . . . . . . . . . . . . . . M 2.90
I Will Sing with the Spirit—John Rutter. This
well-known anthem is a beautiful setting of 1st
Corinthians 14. The accompaniment can be played
by organ or chamber orchestra, which includes
double winds and French horns and strings. An
excellent addition to the repertoire.
1922673 SATB . . . . . . . . . . . . . . . ME 3.00
1922681 Two-Part or SA . . . . . . . . ME 3.00
8070458 CD-Be Thou My Vision Cd . . 11.99
I'll Fly Away—arr. Craig Courtney. This
wonderful arrangement of the old gospel favorite
by Albert E. Bramley will both please and delight
your congregation. A challenging, exciting, yet
accessible four-hand accompaniment will be a
treat for your more accomplished musicians and
will provide life and lift to the singers.
10667323 SATB . . . . . . . . . . . . . . . ME 2.25
10667324 SSAA . . . . . . . . . . . . . . . ME 2.25
10667325 TTBB . . . . . . . . . . . . . . . ME 2.25
I'm A-Waiting and A-Watching—Greg Gilpin.
Based on a poem by Joseph Seamon Cotter, Jr.
(1895-1919), who was at the forefront of the early
1900's African-American cultural renaissance, this
original a cappella concert work is brimming with
syncopated energy. Dynamic contrasts and clever
harmonic part-writing make this one really fun to
sing for all voices!
11348133 SATB divisi . . . . . . . . . . . . M 2.10
I'm Building Me a Home—arr. Anthony
Trecek-King. This lesser-known spiritual has a
theme of resilience and home presented chorally
in a call and response format. With considerable
flexibility for improvisation, inflections and note
bending by the chorus, or even the addition of
an improvised soloist throughout, this authentic
setting presents a wonderful a cappella show
piece for tenor-bass choirs.
10873341 SATB . . . . . . . . . . . . . . . ME 2.80
11369362 CD-On My Way Cd . . . . . . . . 16.95
I'm Going Up a-Yonder—Walter Hawkins /
arr. Martin Sirvatka. From the Doreen Rao series
for treble voices, this Walter Hawkins spiritual is a
consistent choice for festivals and adjudications.
Although SSAA, it sings so freely that children as
well as adults will enjoy its positive message and
rhythmic vitality.
1727809 SSAA . . . . . . . . . . . . . . . ME 2.25
I'm Gonna Sing 'til the Spirit Moves in My
Heart—arr. Moses Hogan. The multi-layered
texture of this powerful original spiritual is both
challenging and invigorating.
1962638 SATB . . . . . . . . . . . . . . . . M 2.10
10425113 SSAA . . . . . . . . . . . . . . . . M 2.10
10393891 TTBB . . . . . . . . . . . . . . . . M 1.90
I'm Gonna Sing When the Spirit Says Sing—
arr. James M. DesJardins. This piece combines
musical elements of traditional African-American
spirituals and Protestant church music. Inspirational
and great fun to sing, with optional claps and
hand moves, singers will ride on the energy and
excitement of the driving bass line in the highly
rhythmic piano accompaniment.
11198320 Three-Part Mixed . . . . . . ME 2.50
10872487 SA . . . . . . . . . . . . . . . . . ME 2.25
I'm Gonna Sing—arr. Russell Robinson. This
delightful and lively pairing of spirituals features a
handclapping pattern between verses to enhance
the rhythmic excitement of the setting. The two
spirituals I'm Gonna Sing When the Spirit Says
Sing and Swing Low, Sweet Chariot are introduced
independently before being combined in an exciting
conclusion with a soaring descant!
11393887 Three-Part Mixed . . . . . . ME 3.20
11393888 Two-Part. . . . . . . . . . . . . ME 2.95
I'm Just a Poor Wayfarin' Stranger—arr.
Patti Drennan. Set in an easy swing groove, this
arrangement of the well-known spiritual demands
the audience's attention from the very first note.
The upper voices carry the tune while the bass
voices mimic a walking bassline, holding everything
together in this guaranteed crowd-pleaser. The
SATB is a cappella, while the SAB version has piano
accompaniment for added support.
10519900 SATB A Cappella. . . . . . . ME 2.35
11393861 SAB with Piano . . . . . . . . ME 2.95
I'm On My Way—arr. Anthony Trecek-King.
Rhythmic, driving, and intense, this is a rich
selection for treble choruses. A lesser-known
spiritual speaking to themes of home, journey, and
trial, this is an accessible and dynamic arrangement.
11170295 SA . . . . . . . . . . . . . . . . . ME 3.00
10980921 SSA . . . . . . . . . . . . . . . . ME 3.00
I've Been in the Storm So Long—arr. Christi
Jones. Emerging treble choirs will love singing this
beloved spiritual arranged with their specific ranges
and abilities in mind. Teach historical context, tone,
and style with this flexible offering that can be
performed a cappella or with piano accompaniment,
depending on the needs of the ensemble.
10979653 SA opt.
piano accompaniment. . . ME 1.95
Iam Sol Recedit—Ola Gjeilo. Originally conceived
as a pair, this lovely piece can stand on its own or be
performed with Lux Beata Trinitas. Lovely harmonic
lines that move along in 7/8 are accompanied by
piano and oboe that bring a lightness and vitality to
the soundscape setting. A beautiful concert work
for mixed choirs!
11395193 SATB with Oboe . . . . . . . . M 3.20
If Only the World—Michael Atwood. This
setting brings many fresh colors into view, but
most notable is the narrative section which allows
singers to complete the sentence, "If only the world
could..." and express their wishes for the world. It is
a powerful and unique addition to this song of unity
and love.
11395888 SATB divisi . . . . . . . . . . . . M 3.35
If Ye Love Me—Thomas Tallis. One of the most
recognized anthems from the English renaissance,
this choral work is both intimate and expressive in
concert or worship settings.
1515675 SATB . . . . . . . . . . . . . . . . . E 2.60
Illuminate the Night—Sherry Blevins. This
meaningful text about overcoming mental or
physical illness is given an appropriate and
expressive setting. High school voices will
immediately be attracted to this work.
11396329 SATB . . . . . . . . . . . . . . . ME 3.35
In His Hands—Tim Osiek/ed. Dan Forrest.
Gentle piano gestures underscore a new melody
for the traditional spiritual's words of comfort and
assurance, "He's got the whole world in His hands."
Choir and audience alike will be assured of God's
comfort, love, and protection by this folk-like setting.
11395403 SATB . . . . . . . . . . . . . . . . M 2.25
In Remembrance—Jeffery Ames. Performed to
acclaim by the 2005 National ACDA High School
Honor Choir, this moving tribute by the talented
Jeffery Ames will touch the hearts of your choir
and audience alike. Scored for voices and piano
with optional F horn. Parts are included for Bb or C
instrument as well.
3302880 SSAATTBB . . . . . . . . . . . . M 3.10
In Te Speravi—Christi Jones. Crafted in a
neoclassical style for emerging treble or tenor-bass
singers to provide opportunities for range extension,
musical phrasing, and attention to syllabic stress,
this setting provides a wonderful introduction to
counterpoint through the time-honored Latin text.
A perfect festival selection for your ensemble!
11370921 SA . . . . . . . . . . . . . . . . . ME 1.95
11396479 TB . . . . . . . . . . . . . . . . . ME 2.25
In That Great Gettin' Up Mornin'!—arr. Greg
Gilpin. This rhythmic and lively two-part arrangement
of a beloved spiritual is a great teaching piece.
With many dynamic points and rhythmic phrases
to explore and interpret, it is certain to lead to a
satisfying and exciting performance.
11370908 Two-Part. . . . . . . . . . . . . ME 2.25
Inscription of Hope—Z. Randall Stroope. A
profoundly moving text, written on a cellar wall
during the rise of Nazi Germany, joins with original
music to create a deeply emotional expression of
hope. With brief narration and the echo of a Russian
folk melody, this is an important contribution to the
concert repertoire for more discerning choirs!
1910504 SATB . . . . . . . . . . . . . . . ME 2.20
3073038 Three-Part Mixed . . . . . . ME 2.20
1910512 Two-Part. . . . . . . . . . . . . ME 2.20
10307417 SSA . . . . . . . . . . . . . . . . ME 2.20
10307418 TTB. . . . . . . . . . . . . . . . . ME 2.20
10006345 P/A CD . . . . . . . . . . . . . . . . . 26.95
10011541 Instrumental Parts Strings . . . 29.95
John the Revelator—arr. Paul Caldwell & Sean
Ivory. If you have the choir and accompanist to
handle this, you must give it a serious look because
it is just phenomenal! In its original form, the song
stems from the Delta Blues tradition, and was
recorded by Blind Willie Johnson and Son House
during the 1920s and 1930s. "O tell me who is that
writin'? John the Revelator...O tell me what is he
writin'? 'bout the Revelation...writin' in the book of
seven seals..." With vocal glissandi, claps, stomps
and stunning dynamics, this is intense, and well
worth the work you put into it!
8061189 SSAATTBB . . . . . . . . . . . MA 2.30
John, the Revelator—arr. Joseph Joubert.
This great gospel blues call-and-response song
has been given a spirited treatment in a rousing
rendition for tenor-bass chorus. The piano part
contributes in significant measure to the strength
of this new arrangement, but the vocal writing is
equally as captivating. With an excellent tenor
soloist and added bass and drums, this concert
closer will bring down the house!
11348845 TTBB . . . . . . . . . . . . . . . . M 2.75
Joshua Fit the Battle—arr. Greg Gilpin. Original
music pairs with the traditional spiritual melody in
an exciting partner-style choral for two-part voices.
A quick learn, and an ideal piece for teaching
young singers how to hold their harmony parts
with success. A supportive piano accompaniment
completes the package for a piece that offers
great educational opportunities as well as high
performance value.
11171303 Two-Part. . . . . . . . . . . . . ME 2.10
Joy in the Morning—Natalie Sleeth. This Natalie
Sleeth work continues to enthrall listeners more
than 25 years after it was written! Many choirs
across the nation have experienced the feeling
of "Joy, Joy, Joy" that is generated by this
outstanding selection. With multiple voicings,
organ and brass accompaniments, 3/5 octave
handbells, P/A CD, or a full orchestration your
presentation may be catered to the size of your
choir or particular event. Colossal!
1231174 SATB . . . . . . . . . . . . . . . ME 2.70
8056714 SAB . . . . . . . . . . . . . . . . ME 2.70
11165102 SSA . . . . . . . . . . . . . . . . ME 2.70
8056715 P/A CD . . . . . . . . . . . . . . . . . 29.95
5318449 Instrumental Parts
Brass Quartet . . . . . . . . . . . . 32.95
8056716 Orchestration . . . . . . . . . . . . 79.75
3112745 Handbells . . . . . . . . . . . . . . . . 6.25
A Joyful Alleluia—Mary Lynn Lightfoot.
An exuberant concert or festival selection for
developing choirs, this lilting original work features
a simple "Alleluia" text with solid harmonies and
a supportive piano accompaniment. Explore the
dynamic contrasts in the middle section before
returning to the spirited fanfare-like section for a
powerful finish.
11395925 Three-Part Mixed . . . . . . ME 2.40
11395926 P/A CD . . . . . . . . . . . . . . . . . 27.95
Joyful, Joyful—arr. Roger Emerson. The best part
about the incredibly successful movie "Sister Act"
is the music, and the same is true of "Sister Act 2!"
Beethoven's Ode to Joy has never sounded like this
before, and Roger's soulful arrangement will give
your choir a chance to "get down" and boogie as
never before. Don't miss it!
1902402 SATB . . . . . . . . . . . . . . . ME 2.25
3255940 Three-Part Mixed . . . . . . ME 2.15
1902410 SSA . . . . . . . . . . . . . . . . ME 2.15
1902428 Two-Part. . . . . . . . . . . . . ME 2.15
1902444 P/A CD . . . . . . . . . . . . . . . . . 26.99
1902436 Instrumental Parts. . . . . . . . . 25.00
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