Editors' Choice 2022 New Basic Library Large Print Edition A Cappella Available via ePrint Downloadable All Prices in U.S. Dollars & Subject To Publisher Revision
72
SACRED CONCERT & SPIRITUALS
CONCERT
MUSIC
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A Jubilant Song—Victor C. Johnson. An
exhilarating original for developing choirs featuring
energized syncopation, strong melodic lines and
a dynamic accompaniment! Familiar Latin text is
utilized in the opening and closing sections, while
an expressive English text is featured in the middle
for a lyrical and stylistic contrast. A perfect concert
or festival selection that gives the opportunity to
teach pure vowels and tone for younger choirs in
a piece that is fun to sing and sure to impress!
11195570 SATB . . . . . . . . . . . . . . . ME 2.25
10906106 Three-Part Mixed . . . . . . ME 2.25
10906107 Two-Part. . . . . . . . . . . . . ME 2.25
11195572 SSA . . . . . . . . . . . . . . . . ME 2.25
10906108 P/A CD . . . . . . . . . . . . . . . . . 27.95
Jubilate Deo—Lloyd Larson. Dancing with
syncopation, with melodic lines featuring just
a few Latin words interspersed with an English
text of praise to God, this original work can
energetically open a concert or service. An
exuberant opening section gives way to a more
lyrical section in the middle before returning once
again for an exciting finish.
11396229 SATB . . . . . . . . . . . . . . . ME 2.40
11396230 Three-Part Mixed . . . . . . ME 2.40
11396231 P/A CD . . . . . . . . . . . . . . . . . 27.95
Jubilate Deo—Peter Anglea. This superb setting
of the traditional Latin text from Psalm 100 fairly
dances off the page in joy! Singable, natural-
sounding mixed meter, a memorable melodic line,
and a buoyant feel throughout make this one of the
most appealing and musically satisfying works you
will hear!
10445795 SATB . . . . . . . . . . . . . . . . M 2.55
10873705 SSAA . . . . . . . . . . . . . . . . M 2.55
Jubilate Deo—Johan Helmich Roman/arr. John
Leavitt. This Baroque sacred piece is presented in a
slightly simplified edition with a playable piano part
from the orchestral reduction. Featuring a mix of
homophonic and polyphonic singing, a Latin text,
and an upbeat tempo, this selection will work
particularly well as a festival piece.
11398029 SATB . . . . . . . . . . . . . . . . M 2.25
Jubilate Deo! Alleluia!—Michael Praetorious &
Cristi Cary Miller. Based on the well-known Jubilate
Deo canon, this accompanied setting adds a new
B section melody to create a glorious concert
opener or festival selection for younger choirs. The
simple Latin text will allow singers the opportunity
to practice unified vowel shapes to help create a
more mature sound, and the layered canon will be
easy for singers to learn yet sound sophisticated
and exciting.
11368140 Three-Part Treble . . . . . . . . E 2.10
Keep Your Lamps!—arr. Andre Thomas. This
exciting spiritual, with accompaniment for high,
medium, and low conga drums, is an unusually
appealing number suitable for a wide variety of uses,
from smaller choirs to massed choir performances.
1428499 SATB . . . . . . . . . . . . . . . ME 2.75
3303462 SSA with piano . . . . . . . . ME 2.25
10748272 TTBB . . . . . . . . . . . . . . . ME 2.15
Keep Your Lamps Trimmed and Burning—arr.
Greg Gilpin. If you're looking for something a little
different to perform in the spiritual style, take a
close look at this nicely rhythmic setting by Greg
Gilpin. Interlocking vocals sing over a pulsating
piano accompaniment that interprets a text of
joyous anticipation, awaiting the Lord's coming.
For school or church choirs, this is a refreshing and
satisfying work that will be enjoyed by all who hear.
10452328 SATB . . . . . . . . . . . . . . . . M 1.85
10089322 SAB . . . . . . . . . . . . . . . . . M 1.90
3301917 Two-Part. . . . . . . . . . . . . . M 1.85
Keep Your Lamps!—arr. Victor Johnson. Opening
with "Keep your lamps trimmed and burning!" as a
dramatic rubato statement, this incredibly creative
arrangement then kicks into a driving, rhythmically
intense feel that never lets up! A most welcome
addition to the choral repertoire!
10519886 SATB . . . . . . . . . . . . . . . ME 2.20
10028791 Three-Part Mixed . . . . . . ME 2.20
10810609 Two-Part. . . . . . . . . . . . . ME 2.20
10028792 SSA . . . . . . . . . . . . . . . . ME 2.20
10028793 TTB. . . . . . . . . . . . . . . . . ME 2.20
10028794 P/A CD . . . . . . . . . . . . . . . . . 26.95
Kyrie Ele, Eleison—Douglas E. Wagner.
This contemporary rhythmic piece features
melismatic melody and text pairings with intriguing
syncopations. The primary melody is layered
with long, lyrical countermelodies that allow for
the opportunity to focus on vowel formation and
placement. A perfect concert or festival selection!
11393889 SAB . . . . . . . . . . . . . . . . ME 2.75
Kyrie Eleison, Alleluia—J.S. Bach/arr. Russell
Robinson. A lovely lyrical selection for treble choir
based on Bach's "Siciliano" flute sonata. With just
three simple Latin words, the text is easily mastered
so that the tone, phrasing, and expression shine
through. This is an ideal piece for teaching musical
sensitivity to developing singers.
11392384 Two-Part or SA . . . . . . . . ME 2.15
Lacrimosa Menuet—Christi Jones. This choral
adaptation of J.S. Bach's "Suite No. 3 in B minor"
is brief - only 36 measures long - but it is a lyrical
showcase for developing choirs. Your ensemble will
sound sophisticated and elegant when performing
this at any concert or festival. Pronunciation guide
and translation are provided for the Latin text.
11397069 SATB . . . . . . . . . . . . . . . ME 2.25
10871901 SA . . . . . . . . . . . . . . . . . ME 1.95
10585390 TB . . . . . . . . . . . . . . . . . ME 1.95
Lamentations of Jeremiah—Z. Randall Stroope.
A stunning addition to any choral library, this
expressive and dramatic work interprets the cries of
the prophet with mournful chant and impassioned
rhythmic fervor. It is a sublime musical statement.
3249323 SSATB . . . . . . . . . . . . . . MA 2.40
The Last Words of David—Randall Thompson.
What library would be complete without this
exquisite piece by Randall Thompson? A dramatic
work on the text of II Samuel 23:3,4 that runs the
spectrum of dynamics and demands vocal control.
341016 SATB . . . . . . . . . . . . . . . . M 2.35
Laudate Dominum—Andy Beck. Inspired by
Bach's Cello Suite No. 1, this beautiful setting
stretches over the well-known accompaniment
with lyrical lines and five simple Latin words.
Independent melodies are introduced one at a time
and then layered in a polyphonic style that is easily
achieved. Cued notes provide flexibility for younger
singers. A lovely piece for developing musical
sensitivity against a familiar backdrop.
11393324 SAB or
Three-Part Mixed . . . . . . ME 2.05
11393325 Two-Part or SSA . . . . . . . ME 2.05
11393344 Multi-Song
Accompaniment CD . . . . . . . 44.99
Laudate Dominum—Dan Davison. This original
setting, with optional string quartet, in neo-classical
style is an excellent teaching piece and a very
effective performance selection as well, for any
time of year.
10276387 SSATB . . . . . . . . . . . . . . ME 2.90
10994244 SA . . . . . . . . . . . . . . . . . ME 2.80
10067350 TB . . . . . . . . . . . . . . . . . ME 2.80
10067380 String Quartet . . . . . . . . . . . . 15.00
Laudate Dominum—Jacob Narverud. A modern
mixed-meter setting of the Latin text, this piece
begins with a simple yet stately unison statement.
The piano accompaniment contributes to the
contemporary feel with driving, syncopated rhythms.
11398058 SATB . . . . . . . . . . . . . . . . M 2.30
Laus Trinitati—Faith Zimmer. In a perfect blend
of the ancient with the modern, this majestic work
sets a text by Hildegard of Bingen with pentatonic
chant-like melodies, parallel lines, and sections of
counterpoint that are stunning. In Latin throughout,
this sacred a cappella setting is a worthy challenge
for more advanced mixed or tenor-bass choirs.
11337879 SATB . . . . . . . . . . . . . . . . M 3.00
11105249 TTBB . . . . . . . . . . . . . . . . M 3.00
Let Everything that Hath Breath—Jeffery L.
Ames. It is impossible not to be inspired by this
soul-stirring gospel original. The accompaniment is
rock solid, and the choral parts are incredibly gutsy,
with dramatic dynamic swells and accents that will
shake the rafters! "Magnify the Lord with me and
exalt His name together...Let everything that hath
breath praise the Lord!"
10017215 SATB . . . . . . . . . . . . . . . . M 2.30
Let It Shine on Me—arr. Reginal S. Wright. Two
traditional gospel songs - one creative arrangement
for young choirs! This Little Light of Mine and Shine
on Me are both presented in a stylized arrangement
that features plenty of unison and simple
harmonies, and then are partnered to great effect.
The gospel-style piano accompaniment really helps
set the groove, too, helping to make this a fun and
powerful choice for concerts at any time of year.
11397042 SA or Two-Part . . . . . . . . ME 2.50
Let Me Fly—arr. Rollo Dilworth. In the traditional
spiritual Let Me Fly, the chariot is presented as
a symbol of freedom. This creative setting for
mixed or treble choirs offers lots of opportunities
for musical growth and expression with its steady
marching accompaniment, interesting harmonies,
strophic variation and well-crafted vocals.
10841945 SATB . . . . . . . . . . . . . . . ME 2.25
10352261 Two-Part. . . . . . . . . . . . . ME 2.10
Lift Every Voice and Sing—J. Rosamond
Johnson/arr. Roland Carter. Roland Carter's
arrangement is the absolute standard for this
classic anthem of the civil rights movement,
which has also become known as the unofficial
Black American National Anthem. James Weldon
Johnson's text rings loud and clear in this choral
setting for mixed divisi choir and piano, expressing
all the emotion and determination of the lyrics along
with the artistry of the setting. Amazing!
11316577 SATB divisi . . . . . . . . . . . . M 3.00
Lift Every Voice and Sing—J. Rosamond
Johnson/arr. Rollo Dilworth. This beloved anthem
of the civil rights movement retains its gospel
flavor in these accessible arrangements. With
simple harmonies, these are appropriate for use
by most choirs. A supportive piano accompaniment
completes the authentic feel of this selection.
11398067 SATB . . . . . . . . . . . . . . . ME 2.20
11398068 SAB . . . . . . . . . . . . . . . . ME 2.20
11001656 Two-Part. . . . . . . . . . . . . ME 2.10
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