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8
CONCERT
BAND
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CONCERT MARCHES
V E R Y E ASY
Activity March—Harold Bennett/arr. Clark.
As traditional marches go, this one just can't
be beat! Players and audience alike will like
the snappy rhythms and tuneful phrases, and
Larry Clark's arrangement presents nothing
that can't be learned by students at the easy
level. Incorporate America's band heritage into
your next concert with this great march!
2416097 Band Set & Score . . . . . . . . . . . 50.00
All for One, One for All (March)—Carol Brittin
Chambers. This concert march was written
specifically for young musicians. As the title
indicates, the jubilant and upbeat spirit portrays
a strong sense of unity that emanates throughout
the piece. It's perfect for reinforcing march style
in a manner that will stand out in any contest or
festival program.
11001010 Band Set & Score . . . . . . . . . . . 55.00
Andalucia—Victor Lopez. Andalucia has always
been a very musical land and the unique music
and exotic dances have inspired composers
throughout history. This tradition continues
with this inspired work, flavored by the colorful
blended sounds of the flamenco traditional march
styles. Full of fire and energy it will spice up any
young band concert!
10218260 Band Set & Score . . . . . . . . . . . 56.00
Crystal Creek (March)—Matthew R. Putnam.
This traditional march for beginning band is
perfect for introducing march style. It introduces
students to the trio, without modulation, as well
as some common accidentals. Students and
audiences alike will want to hear this musical little
march again and again!
11198522 Band Set & Score . . . . . . . . . . . 50.00
El Relicario—arr. Michael Story. One of the most
popular and stylish paso dobles ever written. This
colorful march is arranged here for beginners and
contains all the thrilling spirit of the original. A
wonderful way to add some international flavor to
your next concert. Ole!
11205890 Band Set & Score . . . . . . . . . . . 52.00
First Expedition March—Chris Ferguson.
Beginning bands now have the opportunity to
be able to perform a full concert march for their
spring program or contest with this fun, melodic,
and highly accessible work. Written in traditional
march form, this piece incorporates simple
rhythms and comfortable ranges, explores a wide
range of dynamics, and gives every section a
chance to shine. The trio cleverly moves to E-flat
major without "adding a flat" in the key signature.
A must-have in your beginning band library!
11392834 Band Set & Score . . . . . . . . . . . 50.00
Forward March!—Paul Murtha. Here's a
snappy little march that your drummers are just
going to love! They get a spotlighted percussion
break, and there's also a nice "trio" melody
for clarinets, strong melodic writing with easy
counterlines and a strong full band finish. Bright,
invigorating and reminiscent of some of the
great classical marches, this is a strong choice
for your beginners!
2445344 Band Set & Score . . . . . . . . . . . 50.00
March from First Suite for Military Band—
Gustav Holst/arr. Story. Historically important,
the suite this comes from is one of the first
pieces written exclusively for military bands.
This arrangement is based on the second theme
of the March, a very lyrical melody reminiscent
of British folk music. This accomplished setting
brings this cherished work to the stands of
your beginners, a most welcome addition to
beginning band repertoire!
10279758 Band Set & Score . . . . . . . . . . . 56.00
Union March—Mekel Rogers. Now even the
youngest of bands can play a great traditional
march without excessive demands on chops or
technique. Complete with opening strain, dog-
fight section, and final strain, this musical march
lets directors focus on teaching march style and
phrasing. An excellent and welcome addition for
very young bands!
10279376 Band Set & Score . . . . . . . . . . . 45.00
Union March (Full Flex - for any combination
of instruments)—Mekel Rogers. Now even the
youngest of bands can play a great traditional
march without excessive demands on chops or
technique. Complete with opening strain, dogfight
section, and final strain, this musical march lets
directors focus on teaching march style and
phrasing. An excellent and welcome addition for
very young bands! This fully adaptable version
allows for any instrument combination, allowing
for maximum flexibility and versatility!
11315997 Band Set & Score . . . . . . . . . . . 45.00
E ASY
Bandtopia (March)—Matthew R. Putnam. This
fun and very accessible concert march, written
in complete march form, will give developing
bands a great opportunity to be introduced to
this revered genre. Very singable melodic themes
will give young players a chance to reinforce
syncopation as well as simple chromaticism.
A particularly catchy trio gives your tuba and
euphonium section a chance to shine.
11392854 Band Set & Score . . . . . . . . . . . 55.00
Darklands March (March Through the Dark
Forest)—Randall D. Standridge. This somewhat
dark and edgy concert march is written in minor
mode with the militaristic first half of the march in
stark contrast to the lyrical trio. An expertly-written
easy concert march that is also an excellent work
for teaching march style, dotted eighth/sixteenth
note rhythms and motivic development.
10457936 Band Set & Score . . . . . . . . . . . 70.00
Front and Center (March)—Gene Milford. This
solid original march has all the classic trimmings
of a traditional concert march yet is very
attainable by the young concert band through
simple rhythms and comfortable ranges. The
perfect choice to expose young players to this
time-honored and beloved genre.
11392872 Band Set & Score . . . . . . . . . . . 65.00
Hillside March—Randall Standridge. Your
audience and performers will be charmed by
this idyllic, cheerful march! Take a stroll across
the countryside as your ensemble plays pleasant
tunes reminiscent of British marches. Its quirky
character and uplifting ambiance are sure to bring
a smile to your next concert crowd!
11331930 Band Set & Score . . . . . . . . . . . 65.00
Luz y Sombra—Jorge Vargas. This original
concert march is sure to be a favorite at your next
concert! Delightful melodies and harmonies are
utilized within the traditional march form to create
a piece that sounds both new and familiar. A
great addition to the march repertoire.
11400083 Band Set & Score . . . . . . . . . . . 60.00
March Phantasma—Randall Standridge.
Looking for a fresh and nontraditional march?
Look no further! This march creates a decidedly
creepy vibe while staying true to the traditional
march form. Minor modes, catchy melodies, and
plentiful percussion help make this an excellent
and unique selection for your next concert or
festival performance.
11400071 Band Set & Score . . . . . . . . . . . 65.00
March Wunderbar—Randall D. Standridge.
Guten Tag! This charming march takes inspiration
from the polka music and fall festivals of Germany.
The folk-like melodies and dynamic changes
bring life to the traditional march form. And
how many concert marches feature handclaps
in the trio? A great choice for your next concert
or festival - sure to make your audience exclaim
"Wunderbar!"
11399660 Band Set & Score . . . . . . . . . . . 60.00
Reliance (March)—Larry Clark. A unique take
on the traditional concert march, this work opens
in G minor before shifting to the relative major in
the second strain. A fun and engaging work that
will entertain as well as educate.
11392852 Band Set & Score . . . . . . . . . . . 55.00
M E D I U M - E ASY
Aces of the Air (March)—Karl King/arr.
Swearingen. From the always popular collection
of Karl King marches has come another great
work of masterful writing. All the colorful
ingredients of a traditional march can be found
in this fun to perform piece by the preeminent
composer of circus music. His timeless pieces
are performed around the world and this exciting
march will hopefully find its way into the music
folders of your students.
10280589 Band Set & Score . . . . . . . . . . . 65.00
Alamo March—Karl L. King/arr. Swearingen.
When it came to writing marches that sounded
great with bands at all grade levels, Karl King
had no peer. Dedicated to the heroes of The
Alamo, this very playable march has that certain
quality which made it one of King's favorites at
the easy grade level. With a full concert band
instrumentation, along with subtle changes in the
instrumental scoring and percussion lines, James
Swearingen's arrangement enhances its charm
even further. A guaranteed winner!
2231751 Band Set & Score . . . . . . . . . . . 60.00
THE COMPLETE
INSTRUMENT
REFERENCE GUIDE
for Band Directors
Richard Williams & Jeff King.
This useful spiral-bound reference book
includes extended fingering charts for all
wind instruments; alternate fingerings, trill
charts and key diagrams for all woodwind
instruments; harmonic series and pitch
tendencies for all brass instruments as well
as instrument ranges for mallet percussion
and rudiments for all battery percussion.
Individual fingering charts for student use can
be purchased separately.
5969465 Book . . . . . . . . . . . . . . . 19.95
