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2022 Editors' Choice New for 2022 Basic Library Available via ePrint All Prices in U.S. Dollars & Subject To Publisher Revision
CLASSICAL
FULL
ORCHESTRA
V E R Y E ASY & E ASY
The Barber of Seville Overture—Gioacchino
Rossini/arr. Richard Meyer. Leave it to Richard
Meyer to bring this beloved favorite down to the
easy level while still retaining all the excitement of
the original! Everyone will recognize these great
themes from the world's most famous opera and
your orchestra will be able to handle all the parts.
2472816 Full Orchestra . . . . . . . . . . . . E 59.00
5978854 Additional Score . . . . . . . . . . . . . . 7.00
The Blue Danube Waltz—Johann Strauss,
Jr./arr. Richard Meyer. A beautiful arrangement
of Waltz Number 1, Waltz Number 2, and the
Coda from the original, set perfectly for the first
full-orchestra experience. The Blue Danube (the
common English title of the original German, An
der schonen blauen Donau), was premiered in
February of 1867. It has remained one of the most
popular classical pieces ever since.
10997703 Full Orchestra . . . . . . . . . . . . E 59.00
10997704 Additional Score . . . . . . . . . . . . . 10.00
Egmont Overture—Beethoven/arr. Richard
Meyer. Now, all the intensity of this powerful
minor-key overture for the young full orchestra!
All individual parts are in very practical ranges,
with string parts playable in first position (with
optional shifting for first violins), yet the drama and
impact of the original remain intact. Percussion
parts have been tastefully added. A great opener
or closer for any concert. Highly recommended!
10050412 Full Orchestra . . . . . . . . . . . . E 59.00
10050414 Additional Score . . . . . . . . . . . . . . 9.00
Ode to Joy—Ludwig van Beethoven/arr. Richard
Meyer. This flexible arrangement of Beethoven's
most famous melody works for both full and
string orchestras. Transposed and adapted
to give all of your young students a rewarding
orchestra experience.
2442614 String or Full Orchestra. . . . VE 59.00
5942701 Additional Score . . . . . . . . . . . . . . 7.00
Overture to Die Fledermaus—Johann Strauss/
arr. Richard Meyer. One of the most famous
overtures ever written, this delightful selection
abounds with well-known melodies and oppor-
tunities for technical development. A great concert
opener or closer, and a wonderful contest selection.
This arrangement sounds like the original, yet is
well within reach of student musicians.
10370669 Full Orchestra . . . . . . . . . . . . E 59.00
10370670 Additional Score . . . . . . . . . . . . . . 9.00
M E D I U M - E ASY
Ancient Aires and Dances—Ottorino Respighi/
arr. Jerry Brubaker. The noble elegance and
beauty of Respighi's marvelous work shines
in this arrangement of the Balletto Movement
from Suite No. 1. The feel of early music carries
through in an arrangement that works equally well
for strings alone or with the addition of winds.
A great introduction to Respighi!
10032563 String or Full Orchestra. . . . . . . . 55.00
10032564 Additional Score . . . . . . . . . . . . . . 9.00
Beethoven's Symphony No. 6 "Pastoral"
(Mvt. 5 - Shepherd's Hymn)—Ludwig van
Beethoven/arr. Vernon Leidig. Give your students
a "Beethoven experience" with this lovely
arrangement of two themes from the "Pastoral"
Symphony. Perfect for working on musicality and
expression as you have them imagine "Country
Life" and "Thankful feelings after the storm."
10280469 Full Orchestra . . . . . . . . . . . . . . . 65.00
10280470 Additional Score . . . . . . . . . . . . . . 8.00
Capriccio Espagnol—Rimsky-Korsakov/arr.
Richard Meyer. Hailed by Tchaikovsky as a
colossal masterpiece of instrumentation, Rimsky-
Korsakov's "Capriccio Espagnol" has delighted
audiences since its premiere in 1887. This
arrangement features two sections of the original
capriccio: the Alborada and the Fandango of the
Asturias, a dance traditionally played with guitar
and castanet accompaniment.
10015175 Full Orchestra . . . . . . . . . . . . . . . 59.00
10015177 Additional Score . . . . . . . . . . . . . . 7.00
The Commencement Suite—arr. Jack
Bullock. This great set of selections is a musical
Swiss army knife, giving you the right music at
the right time. It includes: Fanfare; Pomp and
Circumstance; The Star-Spangled Banner and the
Triumphal March from "Aida." All selections are
flexible with optional repeats. Written for either
string or full orchestra, this is very playable with
minimal rehearsal time. A great value!
2416709 String or Full Orchestra. . . . . . . . 63.00
5973279 Additional Score . . . . . . . . . . . . . . 8.00
Dance of the Tumblers (from "Snow Maiden")
—Nicolai Rimsky-Korsakoff/arr. Sandra Dackow.
The title leaves no doubt as to the character and
energy of this piece! Developing orchestras will
sound as symphonic and colorful as possible,
while more advanced ensembles can add brilliance
by exceeding the indicated tempo marking.
2252443 Full Orchestra . . . . . . . . . . . . . . . 75.00
5037171 Additional Score . . . . . . . . . . . . . 14.00
14
CLASSICS
FOR CONTEST
Can Can (from Orpheus in the Underworld)—Jacques Offenbach/arr. Richard Meyer.
2297976 Full Orchestra . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45.00
2476158 Additional Score. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .6.50
Farandole—Georges Bizet/arr. Richard Meyer.
2383123 Full Orchestra . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 48.00
10677039 Additional Score. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .7.00
Fidelio Overture—Ludwig van Beethoven/arr. Merle J. Isaac.
2031953 Full Orchestra . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 70.00
2427748 Additional Score. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .12.00
Finale from "Symphony No. 5"—Ludwig van Beethoven/arr. Richard Meyer.
2288868 Full Orchestra . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 45.00
5813753 Additional Score. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .6.50
Kabalevsky Suite—Dmitri Kabalevsky/arr. Grant Hull.
2248326 Full Orchestra . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 65.00
2426484 Additional Score. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .10.00
Light Cavalry Overture—Franz von Suppe/arr. Merle J. Isaac.
2200913 Full Orchestra . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 70.00
5390109 Additional Score. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .12.00
March of the Meistersingers—Richard Wagner/arr. Richard Meyer.
2324655 Full Orchestra . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 45.00
2427151 Additional Score. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .6.50
March to the Scaffold—Hector Berlioz/arr. Richard Meyer.
2403350 Full Orchestra . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 52.00
2427300 Additional Score. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .7.50
Overture from The Barber of Seville—Giacomo Rossini/arr. Merle J. Isaac.
2139368 Full Orchestra . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . MA 82.00
8059048 Additional Score. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .12.00
Radetzky March—Johann Strauss/arr. Merle J. Isaac.
2158871 Full Orchestra . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 64.00
2427672 Additional Score. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .8.00
Slavonic Dance No. 1—Antonin Dvorak/arr. Merle J. Isaac.
2123867 Full Orchestra . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 64.00
2427417 Additional Score. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .8.25
The Sorcerer's Apprentice Themes—Paul Dukas/arr. Jim Higgins.
2288835 Full Orchestra . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 69.00
10000510 Full Score . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .8.50
