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Ubi Caritas
Michael John Trotta.
The beloved Latin text is set in an elegantly simple texture with
conservative ranges. Straightforward rhythms and moments of release
create a tapestry of sound that surrounds the chant line. In a variety of
voicings with or without piano accompaniment, the beautiful modern
harmonies and cluster chords create an artistic setting that is equally
appropriate for service use or the concert stage.
10949727 SATB A Cappella. . . . . . . . . . . . . . . . . . . . . . . . ME 2.90
11317924 SATB with Piano Accompaniment . . . . . . . . . . . ME 2.90
11192846 SAB opt. A Cappella . . . . . . . . . . . . . . . . . . . . . ME 2.90
11192850 Three-Part Mixed opt. A Cappella . . . . . . . . . . . ME 2.90
11344332 Unison/Two-Part with Piano Accompaniment. . . ME 2.90
11315436 Two-Part or SA with Piano Accompaniment. . . . ME 2.90
11372329 SSAA A Cappella. . . . . . . . . . . . . . . . . . . . . . . . ME 2.90
11393184 TTBB A Cappella . . . . . . . . . . . . . . . . . . . . . . . . ME 2.90
11415262 TB opt. divisi or TTBB with Piano Accompaniment ME 2.90
Until Love Is Spoken
Karen Marrolli.
This lovely setting of a message of love and peace is in an accessible
a cappella format suitable for any mixed ensemble. It can be used
in both sacred and school settings, with an original text that will be
inspiring to all!
11416022 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 2.25
Wahamba Nathi
arr. Daniel Jackson.
Here's a traditional isiZulu celebratory song expressing thankfulness
to God for walking beside us. A soloist is present throughout most of
the call-and-response arrangement, and the choral harmonies vary
between four and eight parts. There's plenty of repetition, making it
easy to learn and effective to perform. Add agogo bell and djembe for
more interest and appeal.
11415512 SATB divisi, or SSAATTBB. . . . . . . . . . . . . . . . . . M 2.90
We Are the Music Makers
Reginal S. Wright.
This lovely setting of the O'Shaughnessy text builds slowly through its
whimsical melodic development. Accompanied by a beautiful piano
part, the movement in the choral lines leads to a triumphant and
satisfying conclusion.
11408300 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 3.00
11415037 SSA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 3.00
We Shall Walk Through the Valley
arr. Undine Smith Moore.
The arrangement of this African American spiritual is both accessible
and gorgeous. A short choral section is used for the introduction,
interludes between verses, and at the conclusion, adding cohesion to
a lovely setting.
11416588 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 1.75
The Wellerman
arr. Jacob Narverud.
This 19th-century folk song from New Zealand experienced new life
as a viral hit on TikTok and spawned the sea-shanty trend. The ballad
tells the story of the hopeful inhabitants of a whaling village waiting
for the Wellerman ship to bring supplies. This rousing arrangement is
great fun and highly accessible as it can be performed with either the
piano accompaniment or a cappella.
11338397 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 2.00
11348164 SAB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 2.00
11415381 Two-Part Mixed. . . . . . . . . . . . . . . . . . . . . . . . . ME 2.00
11390156 Two-Part. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 2.00
11415383 Unison. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 2.00
11338398 TTBB. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 2.00
When the Light of Morning Breaks
Pinkzebra.
Subtle choral harmonies begin peacefully as the lyrics speak of the
moments at the quiet beginning of a fresh new day. Building with
energy and texture, they cry "Here I am!" in an empowering call to
embrace the present and the future. Beautiful in both the a cappella
and accompanied versions, this is a perfect choice for graduation and
moving-up ceremonies as well as for general concerts.
11415105 SATB Accompanied. . . . . . . . . . . . . . . . . . . . . . . M 2.25
11415088 SATB A Cappella. . . . . . . . . . . . . . . . . . . . . . . . . M 2.25
11415108 SAB Accompanied . . . . . . . . . . . . . . . . . . . . . . . M 2.25
11415112 Two-Part or SA Accompanied . . . . . . . . . . . . . . . M 2.25
11415111 SSA Accompanied. . . . . . . . . . . . . . . . . . . . . . . . M 2.25
Woke Up This Mornin'
arr. Austin Hunt.
A powerful symbol of the American civil rights movement and made
popular by the Freedom Riders in 1961, this hymn with reimagined
lyrics replaces the name "Jesus" with "freedom" in the refrain.
Audiences will thrill to the sound of tenor-bass choirs singing this
wonderfully rich spiritual arrangement. With solo opportunities, it also
includes a piano accompaniment laden with gospel riffs, adding a
richly diverse layer to this setting!
11411103 TBB. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 2.50
You Are Enough
(Third movement from
"You Are Enough: A Mental Health Suite")
Aron Accurso.
This is the stand-alone third movement from the powerful suite You
Are Enough, which hopes to open conversations about mental health.
With a modern musical-theater quality, it expresses its inspirational
and empowering lyrics with memorable melodies.
11393572 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 2.60
11416859 TTBB. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 2.60
ACCOMPANIMENT
MP3s
No accompanist? No problem.
jwpepper.com/accompaniment-mp3s
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