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GENERAL ANTHEMS / LITURGICAL ANTHEMS
The Word Was God—Rosephanye Powell.
What an impact this august anthem will
have on both choir and listeners! Its rhythmic
structure develops from the superb interplay
between the voices, and the layering of sound
upon sound creates a musical tapestry. Written
in an almost spiritual style, but definitely not a
spiritual, this will make a stunning choice for
larger church choirs!
3030707 SSAATTBB original
a cappella version . . . . . . . 2.55
8068120 SATB opt.
accompanied version . . . . 2.55
10055030 SSAA . . . . . . . . . . . . . . . . 2.35
8064800 TTBB . . . . . . . . . . . . . . . . 2.95
You Are My Refuge—Michael John
Trotta. This stunningly expressive work was
commissioned by a number of high school
choir programs forced to cancel concerts
due to the COVID-19 outbreak. Inspiring and
reflective, the rich harmonies capture both
a sense of poignancy and hope. An optional
descant soars above the choir, adding a sense
of expansiveness: "Your voice brings hope!"
11207882 SATB A Cappella. . . . . . . . 3.10
11344334 SATB with Piano . . . . . . . . 3.20
11393186 SA with Piano . . . . . . . . . . 3.10
You Do Not Walk Alone—Elaine Hagenberg.
"May you always remember when the
shadows fall, you do not walk alone." This
ethereal setting of a traditional Irish blessing
is scored in a variety of voicings with piano.
Deft strokes of Celtic styling within the melody
weaves throughout the vocal texture. Gradually
building in intensity, it transitions into the final
stanza with a burst of light, aided by a key
change, then slowly draws to a quiet close.
11166201 SATB . . . . . . . . . . . . . . . . 2.75
11210446 SSAA . . . . . . . . . . . . . . . . 2.25
11314797 TTBB . . . . . . . . . . . . . . . . 2.25
You Welcome Me—David Schwoebel.
A thought-provoking text by Terry York is
beautifully paired with a memorable melody
in this compelling piece. Filled with contrast,
this dramatic piece will plant the important
message in the hearts of the listeners: "I was
a stranger, and you welcomed me." Each
part has its place to shine with interesting
harmonies and a strong melody. Dynamic and
musical interest abound in this sermon in song.
11417490 SATB . . . . . . . . . . . . . . . . 2.25
Your Word Is Life—arr. Josh Hummel. With
a driving sixteenth-note accompaniment and
catchy refrain, your choir and congregation will
enjoy this energetic setting of the text: "Your
Word converts the soul, and gives us joy!"
11397152 SATB . . . . . . . . . . . . . . . . 2.25
11408911 Instrumental Parts. . . . . . 30.00
Zion's Walls—Aaron Copland/arr. Glenn
Koponen. The memorable melody from
Copland's "Promise of Living" will be
recognized by all in this revivalist song. This
arrangement takes the masterwork and makes
it attainable by any size and caliber choir. It
has very little divisi, great vocal ranges and a
supportive piano accompaniment. Impressive
in concert or festival settings. Don't miss it!
1478338 SATB . . . . . . . . . . . . . . . . 2.15
3274644 Unison . . . . . . . . . . . . . . . 2.25
1478346 SSAA . . . . . . . . . . . . . . . . 2.15
1478353 TTBB . . . . . . . . . . . . . . . . 2.50
Liturgical
General Anthems
Agnus Dei—Michael John Trotta. Standing
alone or as part of a larger Missa brevis, this
modern setting of the traditional Latin text
is carefully crafted with achievable ranges,
sensitive musical phrasing, and attention to
syllabic stress. Flexibly accompanied by either
piano or harp with optional flute obbligato,
the setting is based on an easily learned
partner song with two lyrical melodies in the
minor mode. A wonderful choice for concerts,
festivals, or worship services.
11370922 Three-Part Mixed
or SATB . . . . . . . . . . . . . . 2.50
10871945 SA . . . . . . . . . . . . . . . . . . 2.75
All My Hope on God Is Founded—Nick
Klemetson. A new tune is paired with a beloved
hymn text in this anthem written for smaller
choirs. Creative writing and text painting give
this anthem musical interest, making it effective
for choirs of any size. Sing this anthem for
services with a theme of trust and guidance.
11349053 Two-Part Mixed. . . . . . . . . 1.95
All Through the Night—arr. William Averitt.
This selection is a gentle lullaby based on an old
Welsh folk song. With limited divisi towards the
end, it has beautifully lyrical writing and will be
a warm and welcome addition to any concert.
11394734 SATB . . . . . . . . . . . . . . . . 2.25
Alleluia—Michael John Trotta. Through
the single word "alleluia," this piece is
excellent for groups looking to explore closer
cluster harmonies, unification of vowels, and
musical phrasing. Moderate vocal ranges and
an optional descant put this sophisticated-
sounding piece within reach of many
ensembles. The second half of the piece may be
extracted for use as an introit or benediction to
open or close your service or concert. Available
a cappella or with piano accompaniment.
11163880 SATB A Cappella. . . . . . . . 2.90
11393169 SATB with
Piano Accompaniment . . . 2.90
Amabile Alleluia—Sarah Quartel. This
joyful setting of the Alleluia was written for the
2020 Amabile Festival in London, Ontario, at
which Sarah Quartel was the guest composer/
clinician. The original scoring was of children's
choir alongside SATB voices, but can also be
performed by an SSATB choir.
11315618 SATB w/Children's Choir . . 3.00
And They Shall Reign (from "St. John,"
1890)—J.C.D. Parker/ed. David P. Devenney.
Careful editing and research bring this beautiful,
polyphonic choral piece back to the performance
hall. Part of the American Romantic Choral
Series, this will be a great addition to festival
and collegiate choir repertoire.
11342380 SATB . . . . . . . . . . . . . . . . 2.55
Angel Band—arr. Shawn Kirchner. "The
latest sun is sinking fast, my race is almost
run..." The beloved American folk hymn
from Kirchner's Heavenly Home collection
comes to life anew, with soaring descants,
countermelodies, and rich harmonic textures in
this beautiful setting for divisi a cappella choirs.
10348097 SSAATTBB . . . . . . . . . . . . 2.25
Ave Generosa—Ola Gjeilo. This setting of
Hildegard of Bingen's Ave Generosa text uses
a hauntingly joyful tonality, paying homage
to the mysterious story of Mary. A beautiful
middle section is surrounded by contrasting
modal beginning and ending sections.
The juxtaposition of sustained and moving
moments holds true to the composer's
style, while the harmonic structure and vocal
construction offer very fresh textures.
10842213 SATB divisi . . . . . . . . . . . . 3.10
10746480 SSAA divisi . . . . . . . . . . . . 3.10
10994173 TTBB . . . . . . . . . . . . . . . . 3.10
Behold, How Good—Michael John Trotta.
Inspired by Psalm 133, composer Michael John
Trotta has written a lovely a cappella piece that
celebrates the unity of brotherhood among all
people. This calm, sonorous work is the perfect
choice for a concert finale, signature piece,
encore, or worship benediction.
10461315 SATB . . . . . . . . . . . . . . . . 2.25
10953552 TTBB . . . . . . . . . . . . . . . . 2.25
The Call—Mack Wilberg. This simple setting
of the well-known poem from George Herbert's
The Temple features sweeping melodies and
an extended organ introduction. The melody is
taken up first by upper voices, then full chorus,
to create a work of depth and poignancy.
11342505 SATB . . . . . . . . . . . . . . . . 3.35
The Chorister's Prayer—Joanna Forbes
L'Estrange. This anthem conveys a meaningful
petition for God's blessing as we minister
through music. The melody confidently
underscores the message of service willingly
given, and the organ accompaniment includes
all vocal parts, making this delicate anthem easy
to learn. For general use or any service focused
on themes of commitment or discipleship.
11416742 SA w/organ. . . . . . . . . . . . 2.60
Come, My Way, My Truth, My Life—
Thomas Keesecker. George Herbert's timeless
text is reimagined in this lovely setting
featuring beautiful choral writing that varies by
stanza: women in the first verse, men in the
second, and all in the third. The flowing piano
accompaniment propels the voices forward as
they build to a warm close: "Such a heart as joys
in love." This is very accessible and rewarding.
11394778 SATB . . . . . . . . . . . . . . . . 2.25
Density of Light—Sarah Quartel. For SATB
(with divisions) and organ, Density of light is
an anthem that sets an evocative hymn by
Thomas Troeger. The text is drawn from an
Epiphany reading and explores the theme of
the triumphing of light over darkness. The
organ opens with a rising and falling quaver
motif that is taken and expanded upon in
the vocal lines. Expanding into dramatic
homophonic textures, the piece ends with the
words 'glory be to you O God' sung to powerful
fortissimo chords.
11408298 SATB divisi . . . . . . . . . . . . 3.35
Divine Encounter: I. The Invitation—
Craig Courtney. The first movement of the
trilogy Divine Encounter is a song in which
God invites us to receive His bounty. The
first verse of Isaiah 55 is expressed as a
celebration rather than the meditative, lyric
manner found in most settings. In contrast,
the setting of the sixth verse is regal,
earnest, and authoritative; the architecture
of the movement is built upon the contrast
between these two styles.
11375962 SATB divisi . . . . . . . . . . . . 2.35
11416606 SSAA . . . . . . . . . . . . . . . . 2.95
11416614 TTBB . . . . . . . . . . . . . . . . 2.95
11375963 P/A CD . . . . . . . . . . . . . . 24.95
11375964 Brass Sextet Parts. . . . . . 30.00
11375965 String Quartet Parts. . . . . 25.00
11375966 Orchestration . . . . . . . . . 80.00
11375967 Alternate piano
accompaniment . . . . . . . . 5.95
Divine Encounter: II. The Offering—Craig
Courtney. The second movement of the trilogy
Divine Encounter is based on Micah 6:8 and is
a regal and stately expression of our gratitude.
As we partake of God's bounty, we are urged
to offer ourselves as living sacrifices to serve
God and people alike.
11375968 SATB . . . . . . . . . . . . . . . . 2.25
11416615 SSAA . . . . . . . . . . . . . . . . 2.50
11416617 TTBB . . . . . . . . . . . . . . . . 2.50
11375969 P/A CD . . . . . . . . . . . . . . 24.95
11375970 Brass Sextet Parts. . . . . . 30.00
11375971 String Quartet Parts. . . . . 25.00
11375972 Orchestration . . . . . . . . . 80.00
Divine Encounter: III. The Blessing—
Craig Courtney. The third movement of the
trilogy Divine Encounter is a newly composed
benediction based on the traditional text
from Numbers 6:24-26. As Jesus blessed
and multiplied the fish and bread, so God
blesses the offering we bring to Him. The
melody, which is one huge arc, is stated
twice, creating a simple, sincere message of
peace and rest.
11375956 SATB divisi . . . . . . . . . . . . 2.25
11416618 SSAA . . . . . . . . . . . . . . . . 2.50
11416619 TTBB . . . . . . . . . . . . . . . . 2.50
11375957 P/A CD . . . . . . . . . . . . . . 24.95
11375958 Brass Sextet Parts. . . . . . 30.00
11375959 String Quartet Parts. . . . . 25.00
11375960 Orchestration . . . . . . . . . 80.00
11375961 Alternate piano
accompaniment . . . . . . . . 5.95
Do Not Be Afraid—Philip W.J. Stopford.
This anthem of comfort and assurance
is built around the words "do not be
afraid." The repetition of these words
evokes a sense of calm that permeates the
piece. Beautifully crafted.
10514475 SATB . . . . . . . . . . . . . . . . 2.65
Even When God Is Silent—Robert Farrell.
This choral anthem sets to music the moving
words believed to have been inscribed on a
wall in Germany during the Holocaust. The
use of trumpet adds to the haunting nature
of this setting which is both bold yet crafted
with sensitivity. Some chromatic passages and
the wide range of dynamics will benefit from
careful rehearsal.
11318124 SATB . . . . . . . . . . . . . . . . 2.20
Even When He Is Silent—Kim Andre
Arnesen. Commissioned by the St. Olaf
Festival in Trondheim, Norway, Even When He
Is Silent masterfully expresses the sentiment
of the text - hope in times of despair.
Beautifully melodic, with rich harmonic
texture, this is a stunning work for better a
cappella choirs! "I believe in the sun even
when it is not shining..."
10543959 SSAATTBB . . . . . . . . . . . . 2.80
10499591 SSAA . . . . . . . . . . . . . . . . 3.10
10882573 TTBB . . . . . . . . . . . . . . . . 3.10
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