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LITURGICAL ANTHEMS
Rivers of Living Water—Trevor Weston.
This setting of Psalm 105 and John 7
imaginatively depicts the "rivers of living water"
and the contrasting "parched land" in episodic
form, providing musical structure, variety,
color, and atmosphere. An independent but
delicate organ part brings further color while
underpinning long vocal lines which interweave
and occasionally perform unaccompanied.
11365808 SATB . . . . . . . . . . . . . . . . 3.35
Sanctus—Michael John Trotta. The final
installment of the Missa Brevis, this peaceful
work features opportunities for unison
singing and the development of independent
part singing. With conservative ranges and
opportunities to focus on pure vowels and text
accentuation, this is an elegant addition to
any concert or service. Combine with Trotta's
other Latin works Kyrie, Gloria and Agnus Dei
to create the full Missa Brevis.
11198034 Three-Part Mixed
opt. Baritone, or SATB. . . . 2.75
10990284 SA . . . . . . . . . . . . . . . . . . 2.50
Set Me as a Seal—Michael John Trotta.
Elegant simplicity is the hallmark of this
shimmering setting of a favorite text: "Set
me as a seal upon your heart ... for love is
as strong as death." Straightforward rhythms,
careful management of vocal ranges, and a
judicious use of close cluster harmonies put
this work well within the reach of many choirs.
A perfect choice for choirs looking to establish
a more mature sound and musical sensitivity.
Alternate voicings render this piece accessible
as a solo or duet.
11163997 SATB A Cappella. . . . . . . . 2.90
11344326 SATB with
Piano Accompaniment . . . 3.10
11393180 SA with
Piano Accompaniment . . . 3.10
11393181 Unison with
Piano Accompaniment . . . 2.90
Shout Praise, Shout Praise, O Israel—
Justin Wedgewood. "Singing the psalms
should sometimes be a lot of fun!" This text
inspired by Psalm 100 is centered on the joy
of Christ's presence in our midst. An energetic,
spirited assembly song scored for SAB choir,
descant, keyboard, guitar, and a raft of
percussion instruments (congas, cabasa,
claves, tambourine, and even cowbell), this
piece is ideal as an entrance song and, with
five verses, will be especially effective for
liturgies with lengthy processionals.
11415773 SAB . . . . . . . . . . . . . . . . . 2.85
Source of All Healing—Michael John Trotta.
This outstanding original anthem quietly brings
the listener into a prayerful time seeking
wholeness. Recalling miracles of healing, the
response is to ask for healing in body and
soul. Slightly discordant harmonies recall sin
and pain before a beautiful harmonic refrain
responds, "Come, Holy Jesus, abide with
me now." A wide dynamic range brings the
inspired words to life, and the ministry of the
message speaks to any worship gathering with
firm assurance.
11347590 SATB . . . . . . . . . . . . . . . . 2.10
Splendor (from "Illuminare")—Elaine
Hagenberg. The opening movement from
the larger work "Illuminare" set on Saint
Ambrose's Latin text radiates majestic energy
that heralds the arrival of Light and a joyful
"Gloriae" section. A brief contrasting section of
legato singing brings a peaceful release before
returning to the vibrant momentum present in
the opening. A wonderful work that stands on
its own as a strong statement for mixed choirs.
11397312 SATB divisi . . . . . . . . . . . . 2.85
11411183 Chamber Orchestra
Score & Parts . . . . . . . . . 45.00
Still (A Hymn for Peace)—Heather
Sorenson. This sacred tone poem is a prayer
for peace and a plea for healing of the heart.
The anthem rises from a single tone, ebbing
and flowing into harmony, then back into
simplicity with just a touch of dissonance. As
the words become more impassioned, flowing
piano interludes match their intensity. This
petition for calm begins to quiet as the anthem
winds down, allowing the prayer to end in
hushed chords of assurance.
11347591 SATB divisi . . . . . . . . . . . . 2.10
11347592 Instrumental Parts. . . . . . 15.00
This Is the Day (PUER NOBIS)—arr. Chaz
Bowers. Filled with the joy of the Easter season,
this festive setting of Psalm 118 uses the tune
PUER NOBIS for the refrain, and a theme by
Jeremiah Clarke serves as ritornello between
refrain and verses. For cantor/soloist, choir,
and assembly/congregation with optional
instrumental parts for flute, oboe, trumpet
(B-flat/C), string quartet, bass, and timpani.
11392565 SATB . . . . . . . . . . . . . . . . 2.40
11392566 Full Score & Parts . . . . . . 30.00
Ubi Caritas—Michael John Trotta. The
beloved Latin text is set in an elegantly
simple texture with conservative ranges.
Straightforward rhythms and moments
of release create a tapestry of sound that
surrounds the chant line. In a variety of
voicings with or without piano accompaniment,
the beautiful modern harmonies and cluster
chords create an artistic setting that is equally
appropriate for service use or the concert stage.
10949727 SATB A Cappella. . . . . . . . 2.90
11317924 SATB with
Piano Accompaniment . . . 2.90
11192846 SAB opt. A Cappella . . . . . 2.90
11192850 Three-Part Mixed
opt. A Cappella . . . . . . . . . 2.90
11344332 Unison/Two-Part with
Piano Accompaniment . . . 2.90
11315436 Two-Part or SA with
Piano Accompaniment . . . 2.90
11372329 SSAA A Cappella. . . . . . . . 2.90
11393184 TTBB A Cappella . . . . . . . . 2.90
11415262 TB opt. divisi or TTBB with
Piano Accompaniment . . . 2.90
Ubi Caritas—Victor C. Johnson. A beautiful,
tender setting of the traditional Latin text that
features delicate melodic lines and a fluid
accompaniment. The contrasting middle
section provides interest and movement, and
the echoed phrases, independent vocal lines,
and limited ranges allow for it to be easily
mastered for concert or festival. A pronunciation
guide and translation are included.
10846386 SATB . . . . . . . . . . . . . . . . 2.25
10512921 Three-Part Mixed . . . . . . . 2.25
10512922 Two-Part. . . . . . . . . . . . . . 1.95
10512923 P/A CD . . . . . . . . . . . . . . 27.95
What Does the Lord Require—Eric
Nelson. The conductor of the prestigious
Atlanta Master Chorale has provided original
music to this text from Micah 8 which
exhorts us to "do justice, love mercy, and
walk humbly with your God." Accessible and
useful for a church choir of any size. SATB
with piano accompaniment throughout.
10881433 SAB . . . . . . . . . . . . . . . . . 2.65
When Memory Fades—arr. Eric Nelson.
With the well-crafted and comforting text
about dementia by Mary Louise Bringle and
the flowing and tender melody by Jayne
Southwick Cool, Eric Nelson has created
something deep, rich and thoughtful. The
piano accompaniment is supportive yet simple
and light, allowing the text and elegant choral
writing to be always at the fore. Men and
women are each given moments to shine, and
the ensemble writing is solid and nuanced. A
much-needed ministry tool.
10735114 SATB . . . . . . . . . . . . . . . . 2.65
Words from the Cross—Joanna Forbes
L'Estrange. A quiet urgency flows through
this stunning offering for Holy Week. Jesus'
statements from the cross are framed by
plainspoken commentary that is insightful
and direct. Use the organ part as written -
the moments when it drops out or comes in
make a dramatic difference. The final refrain
unexpectedly blossoms into a triumphant
statement of the core meaning of our
Lord's sacrifice.
11416744 SATB . . . . . . . . . . . . . . . . 2.80
New!
Cathedrals, Chapels,
Organs, Choirs
A Personal View
Sarah MacDonald. This lively,
sometimes humorous and
often moving account of the
musical life of both the English
cathedral and the university
chapel will be a pleasure for all
to read. Drawn from Sarah's
monthly essays created for The
American Organist, it features
an introduction by John Rutter
who notes, "With an insider's
knowledge but an outsider's
perspective, she lifts the lid on a
choral tradition which is admired
worldwide but mysterious in its
inner workings to most of those
not involved in it." Canadian-born
organist and conductor Sarah
MacDonald is Fellow and Director
of Music at Selwyn College,
Cambridge; University Organist;
and Director of Ely Cathedral
Girls' Choir. She is the first
woman to hold such a post in an
Oxbridge Chapel.
11413642 Paperback Book. . 29.99
Batons
MOLLARD BATON HARDWOOD
DOUBLE CASE
Mollard.
10692740 Double Baton Walnut
for Batons up to 14" . . . . . . . . . . . . . . . . . . . . . . . .107.95
10692741 Double Baton Cherry for Batons up to 14". . . . . . . .107.95
10692742 Black Nylon Case Cover . . . . . . . . . . . . . . . . . . . . . .42.95
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