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Ubi Caritas—Michael John Trotta. The beloved
Latin text is set in an elegantly simple texture with
conservative ranges. Straightforward rhythms
and moments of release create a tapestry of
sound that surrounds the chant line. In a variety of
voicings with or without piano accompaniment, the
beautiful modern harmonies and cluster chords
create an artistic setting that is equally appropriate
for service use or the concert stage.
11415262 TB opt. divisi or TTBB
with Piano Accompaniment . . 2.90
United in Purpose—Rollo Dilworth. This is
a rhythmic, contemporary gospel-style anthem
featuring the words of Maya Angelou, charging
all of us to take responsibility for making our
communities safe, supportive, and just.
11405285 SATB. . . . . . . . . . . . . . . . . . . . 2.60
11413825 TTBB. . . . . . . . . . . . . . . . . . . . 2.60
Until Love Is Spoken—Karen Marrolli. This
lovely setting of a message of love and peace is
in an accessible a cappella format suitable for any
mixed ensemble. It can be used in both sacred
and school settings, with an original text that will
be inspiring to all!
11416022 SATB. . . . . . . . . . . . . . . . . . . . 2.25
Waves of Gallipoli—Melissa Dunphy. The
Gallipoli Peninsula in Turkey is now marked with
cemeteries; particularly striking are the graves of
Australian and New Zealand infantry which are
marked with epitaphs provided by the families of
the fallen. Five of these epitaphs are included in
the text for Waves of Gallipoli, along with lines from
poet Leon Gellert, a Gallipoli veteran. In the music
we can hear the undulating Aegean Sea lapping
the Gallipoli coastline; sad melismas evoke the
moans of the wounded and dying. Following the
epitaphs, a single voice sounds the Last Post,
a reverent bugle call used by Commonwealth
countries to memorial fallen soldiers, akin to Taps
in the U.S. military.
11415999 TTBB. . . . . . . . . . . . . . . . . . . . 3.15
We Are the Music Makers—Reginal Wright.
This lovely setting of the O'Shaughnessy text
builds slowly through its whimsical melodic
development. Accompanied by a beautiful piano
part, the movement in the choral lines leads to a
triumphant and satisfying conclusion.
11408300 SATB. . . . . . . . . . . . . . . . . . . . 3.25
We Shall Walk Through the Valley—arr.
Undine Smith Moore. The arrangement of this
African American spiritual is both accessible and
gorgeous. A short choral section is used for the
introduction, interludes between verses, and
at the conclusion, adding cohesion to a lovely
setting. Perfect for the first Sunday of Lent or
as a companion anthem whenever Psalm 23 is
scheduled.
11416588 SATB. . . . . . . . . . . . . . . . . . . . 1.75
We're More Alike Than Unalike—Rollo
Dilworth. In her poem Human Family, Maya
Angelou teaches us the importance of recognizing
and respecting differences while celebrating our
common humanity. This gospel setting of these
words uses dissonance, consonance, and unison
lines to portray the text musically, while bringing
excitement and joy in the process.
11415872 SSAA . . . . . . . . . . . . . . . . . . . 2.60
Who Shall Separate Us?—James MacMillan.
This beautifully moving work was specially
commissioned by the Dean and Chapter of
Westminster for performance at the Funeral
Service of Her Late Majesty Queen Elizabeth II at
Westminster Abbey. The text from St Paul's Letter
to the Romans perfectly reflects the late Queen's
steadfast Christian faith, and the work expresses
hope, triumph, and rejoicing. While fitting for
memorial and remembrance services in general,
it will also be suitable at Easter and for general
use. As an alternative to 'Allelulia' a verse from
the Book of Revelation is provided for use during
penitential seasons.
11417803 SSAATTBB. . . . . . . . . . . . . . . 4.25
Wild Swans (from "The Lost Birds")—Chris-
topher Tin. From the Grammy-nominated work
The Lost Birds, this setting of a poem by Edna St.
Vincent Millay ends the first half of The Lost Birds.
Told from the point of view of the poet, it starts with
the sound of bird cries: gradually approaching from
a distance, until they pass overhead, triggering
feelings of longing. After an instrumental interlude,
and the narrator's impassioned declaration of
freedom, the song ends as it started—with the
cries of wild swans receding into the distance,
foreshadowing their demise.
11417561 SATB divisi . . . . . . . . . . . . . . . 2.60
Wintertide—Ola Gjeilo. This tender Norwegian
folk melody has been set in a wonderful a cappella
setting for divisi chioir and given a new English text
by Charley Anthony Silvestri. Octave doublings
and softly echoing choral accompanying parts
set a gentle, rocking texture that is accessible
and stylistically appropriate, while the evocative
winter themed text creates a beautiful aura for the
season. Truly lovely!
10769764 SSAATTBB English Version . 3.20
11426203 SSAATTBB
English or Norwegian . . . . . . . 3.20
Woke Up This Mornin'—arr. Austin Hunt.
A powerful symbol of the American civil rights
movement and made popular by the Freedom
Riders in 1961, this hymn with reimagined lyrics
replaces the name "Jesus" with "freedom" in
the refrain. Audiences will thrill to the sound of
tenor-bass choirs singing this wonderfully rich
spiritual arrangement. With solo opportunities,
it also includes a piano accompaniment laden
with gospel riffs, adding a richly diverse layer to
this setting!
11411103 TBB . . . . . . . . . . . . . . . . . . . . . 2.50
Order Toll Free! Call 1.800.345.6296 / w: jwpepper.com / e: [email protected]
CONCERT WORKS
5
ADULT
COMMUNITY
CHOIR
Theme:
COLORS
All the Beautiful Colors—
arr. Mary Donnelly & George L.O. Strid.
10512894 Two-Part . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.95
Blackbird—John Lennon & Paul McCartney/arr.
Audrey Snyder.
10063830 Two-Part . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.25
Colorful —Philip E. Silvey.
11389453 SSA. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.30
Now Sleeps the Crimson Petal—Greg Gilpin.
10735143 SSA. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.25
Orange Colored Sky—
Milton Delugg & Willie Stein/arr. Kirby Shaw.
11393339 SSA. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.10
Over the Rainbow/What a Wonderful World—
arr. Roger Emerson.
11002095 Two-Part . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.75
Red Boots On—Bob Chilcott.
11176687 SA divisi or SSA . . . . . . . . . . . . . . . . . . . . . . . . 3.25
Red Light, Green Light—Francisco J. Nunez.
11366530 SSA. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.60
The Silver Swan—Oliver Tarney.
11160111 SSA. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3.65
The Violet—Patti Drennan.
11396656 SSA. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.25
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Julie
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