HANDBELL MUSIC
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Deck Thyself, My Soul, with Gladness
(SCHMUCKE
DICH)—Johann Cruger/
arr. Michael Mazzatenta. This lyrical and
expressive arrangement of the 1653 Cruger
hymn tune is simply lovely. Moving notes in
the bass clef support the melody in the treble
creating an introspective piece for meditation
and communion. A useful addition to your
group's repertoire.
11405380 3-5 Octave. . . . . . . . . . .L3- 4.25
Faithful Follower—arr. Sondra Tucker. This
beautiful arrangement combines the hymns
HE LEADETH ME and GOD BE WITH YOU and
will be useful for general worship or memorial
services. Unexpected harmonies and optional
handchimes (3-6 octaves) add color.
11515533 3-6 Octave. . . . . . . . . . . L2 5.25
Fantasy on All Creatures of Our God and
King—arr. Sandra Eithun. This impressive
free-form variation of the hallowed German
hymn uses chimes with bells presented in
an engaging musical fantasy. Low chimes
resonate as the melody is displayed in various
forms in the treble. Accessible yet intricate,
both ringers and listeners will be enriched.
11515535 3-5 Octave. . . . . . . . . . L2+ 5.50
Fantasy on EBENEZER—arr. John Atteberry.
Enjoy this crisp, energetic, and lively adaptation
of the hymn tune
EBENEZER. The piece begins
in A minor and offers rhythmic challenges
along the way with shifts in stresses within a
12/8 meter. Optional 3-octave handchimes
provide mystique and charm. While suitable for
any worship service, this arrangement is well
suited to showcase an ensemble's agility and
talent in a concert setting.
11397766 3-5 Octave. . . . . . . L3--L3+ 4.95
Fantasy on Holy, Holy, Holy—arr. John
A. Behnke. This varied and compelling
arrangement of the well-known tune NICAEA
begins with a peaceful treatment of the tune
utilizing handchimes, then builds into a moving
and bright, inspiring section, and finally grows
to a grand finish.
11397369 3-5 Octave. . . . . . . . . . L2+ 4.25
Fantasy on Simple Gifts (Traditional Shaker
Tune)—arr. Brian Childers. The traditional
Shaker tune has been given new life in this
amazing arrangement for handbells, optional
handchimes (5-7 octaves), optional auxiliary
bells (one octave), flute, and cello. The
interplay between the instruments creates
tones and textures that reflect the various
sections, from playful to ethereal to elegant
and sophisticated. Truly a superb worship or
concert setting.
11405367 3-4 Octave. . . . . . . . . . L3+ 4.95
11405368 5-7 Octave. . . . . . . . . . L3+ 5.95
11405369 Full Score & Parts. . . . L3+ 5.95
11405370 Full Score & Parts. . . . L3+ 5.95
11405371 Instrumental Parts Cello . . . . 2.25
11405372 Instrumental Parts Flute . . . . 2.25
Fantasy on The Lone, Wild Bird—arr.
Sandra Eithun. Opening with an ethereal air
malleted section, this fantasy on the hymn
tune
PROSPECT sets an evocative scene. The
tune is explored through a variety of styles,
and the optional handchimes, wind chimes,
and tambourine help to create a lovely effect.
11416651 3-6 Octave. . . . . . . . . . . L4 5.95
Festivity on Cwm Rhondda (Guide Me, O
Thou Great Jehovah | God of Grace and God
of Glory)—arr. Michael W. Joy. This jubilant
piece is based on the Welsh hymn tune
CWM
RHONDDA,
commonly associated with the texts
Guide Me, O Thou Great Jehovah and God of
Grace and God of Glory. After a fanfare-type
opening, the first stanza features an optional
unison vocal part. Either text may be sung by
ringers alone, congregation/audience alone,
or everyone. This joyous setting is suitable for
concerts, festivals, and church services.
11417007 3-6 Octave. . . . . . . . . . L3+ 5.50
Five Easy Processionals—arr. Sandra Eithun.
This collection includes five processionals that
can be used to begin a worship service or
concert. They are set in five different keys,
facilitating seamless transitions into the next
song. Each processional is eight measures
long and should be repeated as necessary.
Perfect for worship, concert, and educational
use. Compatible with the 3-5 octave version.
11416856 2-3 Octave. . . . . . . . L1-L2- 6.25
11393712 3-5 Octave. . . . . . . . L1-L2- 6.25
For All the Saints—arr. Lloyd Larson. This
powerful and stirring tribute to the Christian
faith begins with a strong and majestic theme
that is gradually developed with intricate
harmonies and thrilling rhythmic interplay.
The dynamic contrasts and dramatic climax
create a memorable and awe-inspiring
musical experience.
11514160 3-5 Octave. . . . . . . . . . .L3- 4.95
For the Beauty of the Earth (Our Hymn of
Grateful Praise)—arr. Brian Childers. This
is a beautifully crafted lyric and sensitive
arrangement of this wonderful hymn.
Singing bell and flute (or C-instrument) solo
introduction sets the tone which leads into
chords featuring close harmonies that support
the simple melody, augmented by passing
tones and gentle variations in rhythm. There
are a few stopped sounds, echoes and more
- plus melody in handchimes (3 octaves), all
perfectly placed for maximum effect. Addition
of optional body percussion, windchimes and
rainstick, which are included on the handbell
score, is the icing on this musical cake. This
luscious arrangement will be fulfilling to ring
and inspirational to listeners.
10767058 3-5 Octave. . . . . . . . . . . L3 4.95
10767059 Instrumental Parts
C Instrument . . . . . . . . . . . . . 2.25
Forever Rejoice!—Linda Scholes. This
simple yet pretty original will delight ringers and
audiences alike. The engaging melody is first
stated simply, then repeated in a variety of ways.
A steady malleted bass appears at the beginning
and end which adds energy. Youth and adult
choirs will enjoy this very accessible anthem.
11397769 3-5 Octave. . . . . . . . . . . L2 4.95
From Darkness to Light—Michael Helman.
This flowing original piece takes you on a
transformative journey. The emotional depths
and lush writing provide performers with an
opportunity to work on their musicality.
11416652 3-5 Octave. . . . . . . . . . . L3 5.95
Give Me Oil in My Lamp—arr. Mark Arnold.
From Sunday school to English soccer, Give
Me Oil in My Lamp has long been a favorite
with singers and audiences around the world.
Now your ringers can join the fun, with shakes,
marts, mallet clicks, and optional chimes (3
octaves) providing variety while the melody
gets passed around the group. "Sing hosanna"
with this exciting and accessible arrangement
of the classic children's song!
11369215 3-5 Octave. . . . . . . . . . L2+ 4.95
The God of Abraham Praise—arr. Mitchell
Eithun. The sturdy hymn tune
LEONI is given
a brilliant treatment in this setting. Lots of
techniqes (LV, shakes, thumb damps) add
interest, while handchimes (optional 3-5
octaves) add color. Using eighth notes as part
of the melody, and with the variety of quick-
changing techniques, this arrangement will
prove challenging for Level 1 groups.
11417984 3-5 Octave. . . . . . . . . . . L1 5.95
God of the Sparrow, God of the Whale—arr.
Kyle Webber. This easy arrangement is great
for the developing ringer. The stacked chords
will help your ringers play with confidence.
A variety of techniques help to keep this
arrangement fun and engaging.
11416844 3-5 Octave. . . . . . . . . . . L1 7.00
God's Peace (Come Away from Rush
and Hurry)—arr. Brenda E. Austin. This
gentle ballad may be rung as a stand-alone
piece or serve as the accompaniment to the
choral setting (#10305837), which centers
on the theme of entering into worship
where we may find stillness in God's peace.
Fluid lines throughout the handbell part
echo the arpeggiated chords found in the
choral octavo. The judicious use of LV and
optional 3-octave handchimes enhance
the arrangement.
11416845 3-6 Octave. . . . . . . . . . . L3 6.25
Grateful Hymns of Praise—arr. Lloyd
Larson. This pairing of Rejoice, Ye Pure in
Heart (MARION)
and For the Beauty of the
Earth (DIX)
elegantly combines the hymn
tunes in an expression of grateful praise
to God. Ideal for Thanksgiving or general
occasions with themes of thanks and
praise. Stopped techniques and touches
of syncopation add interest for both ringer
and congregation.
11393702 3-5 Octave. . . . . . . . . . . L2 6.25
Guide Me, O Thou Great Jehovah—arr. Linda
Lamb. This arrangement of the
CWM RHONDDA
hymn tune includes piano accompaniment
which is not optional. The handbell and piano
interplay creates a full-sounding anthem using
smaller resources.
11397775 2-3 Octave & Piano . . .L2- 4.25
11397776 Full Score . . . . . . . . . . . . . . . 5.95
Halle, Halle, Halle—arr. Benjamin A. Tucker.
This traditional Caribbean song has been
arranged with the joyful spirit inherent in
the song. It starts with mallet rolls and soon
moves into the familiar syncopated refrain
where a clean ring touch technique is needed
to clarify the rhythm. The hymn tune
LASST
UNS ERFREUEN
appears in chimes (optional
2-3 octaves) against a contrasting rhythmic
malleted bass, then continues with a return of
the original theme.
11417985 3-5 Octave. . . . . . . . . . . L4 5.95
Here I Am, Lord—arr. Sandra Eithun. This
arrangement of the beloved Daniel Schutte
tune highlights the reassuring message of the
popular hymn. Utilizing optional handchimes,
the contrasting sections evoke the text of each
verse. This arrangement will find a place in
your services at any time of year.
11416654 3-6 Octave. . . . . . . . . . . L3 5.95
Higher Ground—arr. Brian Childers. Enjoy this
exciting arrangement of this well-known hymn
filled with rhythmic energy and a flute part, that,
while optional, is a lovely addition. The full bass
chords using the echo are very effective. This
one may require a little more work than most
Level 2 pieces, but it will definitely be worth it.
11418012 3-7 Octave. . . . . . . . . . . L2 5.25
Holy, Holy, Holy—arr. Karen Lakey Buckwalter.
An innovative take on the beloved hymn tune
NICAEA, where unexpected harmonies in the
opening measures give the tune a meditative
feel. The first appearance of the tune features
undulating bass chords that support a treble
melody before growing in intensity to a more
traditional chordal setting of the tune. This
arrangement will be equally at home in concert
settings or church services throughout the year.
11394251 3-5 Octave. . . . . . . . . . L3+ 4.95
How Firm a Foundation—Linda R. Lamb.
This dancing arrangement of the
FOUNDATION
tune expresses our joy in being a part of the
Lord's church. With mallets used in the bass,
the melody begins with the treble bells. The
melody is then traded back and forth between
bass and treble. This arrangement also
incorporates the use of grace notes.
11515042 3-5 Octave. . . . . . . . . . L2+ 4.25
I Come With Joy—arr. Anna Laura Page. Two
tunes, DOVE OF PEACE and LAND OF REST are
combined in this lovely setting for communion
or general use. Mallets begin and add a
percussive touch to the 6/8 rhythm throughout.
Optional handchimes (three octaves) take
the melody in the middle with bells providing
harmony. The two tunes change places at
times, ending with I Come With Joy, a fitting
response to communion.
11417987 3-5 Octave. . . . . . . . . . . L3 5.95
I Stand Amazed in the Presence—arr. Brian
Childers. This arrangement of the hymn tune
MY SAVIOR'S LOVE is a satisfying and worthy
addition to your choir's repertoire. The majestic
melody is accompanied in a variety of ways
from arpeggiated lines to syncopated rhythmic
chords. Mart lifts offer accents to stress high
points in the melody. Optional 3-octave
handchimes offer contrast and color.
11397779 3-7 Octave. . . . . . . . . . L2+ 5.50
Resounding
joy
