Editors' Choice 2023 New Basic Library Large Print Edition A Cappella Available via ePrint Downloadable All Prices in U.S. Dollars & Subject To Publisher Revision
64
Go to cart
Agnus Dei—Michael John Trotta.
Standing alone or as part of a larger Missa brevis,
this modern setting of the traditional Latin text is
carefully crafted with achievable ranges, sensitive
musical phrasing, and attention to syllabic stress.
Flexibly accompanied by either piano or harp
with optional flute obbligato, the setting is based
on an easily learned partner song with two lyrical
melodies in the minor mode. A wonderful choice
for concerts, festivals, or worship services.
10871945 SA . . . . . . . . . . . . . . . . . . . . . . . . . 2.75
At This Table—arr. Audrey Snyder.
This lovely ballad communicates a heartfelt
message of kindness, inclusion, and acceptance
that helps us toward reaching the goal of making
the world a better place for everyone. It has found
a home during the holiday season but can really
be sung at any time of year. This arrangement has
been created especially for young voices.
11376020 SSA. . . . . . . . . . . . . . . . . . . . . . . . 2.30
Be Thou My Vision—arr. Dan Forrest.
This masterfully crafted essay on the timeless
Irish hymn balances melody, the singers, and
the accompanist. Liquid vocals appear over
understated piano lines, followed by judicious a
cappella phrases and a sweeping crescendo to the
phrase "Heart of my own heart, whatever befall."
A worshipful treatment of a timeless melody.
10515946 SSA. . . . . . . . . . . . . . . . . . . . . . . . 2.10
Deep River—arr. Victor C. Johnson.
The artistically crafted piano accompaniment
creates a gentle, wave-like motion to support the
warm, lush choral textures and harmonies in this
superb arrangement of the beloved spiritual. This
elegant setting is a perfect opportunity to expand
your choir's harmonic language and cultural
understanding. A valuable Learning Resource
Page is included for even more educational value.
11395972 SSA. . . . . . . . . . . . . . . . . . . . . . . . 2.60
Divine Encounter: III. The Blessing—
Craig Courtney. The third movement of the trilogy
Divine Encounter is a benediction based on the
traditional text from Numbers 6:24-26. As Jesus
blessed and multiplied the fish and bread, so God
blesses the offering we bring to Him. The melody,
which is one huge arc, is stated twice, creating a
simple, sincere message of peace and rest.
11416618 SSAA . . . . . . . . . . . . . . . . . . . . . . 2.50
Down in the River to Pray—arr. Jace Wittig.
In the SSAA voicing, this piece went viral when
the Colorado All-State Treble Choir sang from
the balconies in a hotel lobby! This a cappella
arrangement of the folk hymn made popular in
the movie "O Brother, Where Art Thou?" utilizes
body percussion, compelling harmonies, and an
authentic vocal style to create an unforgettable
choral piece. Great to open or close a concert!
10999983 SSAA divisi . . . . . . . . . . . . . . . . . . 2.95
Down to the River to Pray—Ken Medema/
arr. Mary McDonald. This dynamic medley
captures the spirit and message of two popular
songs that deal with the significance of prayer
for the individual believer and the church as a
whole. The spiritual, Down to the River to Pray, is
seamlessly combined with Ken Medema's Lord,
Listen to Your Children Praying. Available in a
variety of voicings, choirs will enjoy the flavor of
this song with its unhurried rhythmic style and
supportive accompaniment.
11164975 SSA. . . . . . . . . . . . . . . . . . . . . . . . 3.00
Festival Sanctus—John Leavitt.
A long-time favorite on the festival circuit, this
dynamic, exciting, joyous selection surpasses
the ordinary! Syncopated rhythms and changing
meters, combined with a sizzling piano part, make
this a uniquely rewarding work. Very accessible for
school and church choirs, it is a first-rate choice for
any performance situation!
10047612 SSA. . . . . . . . . . . . . . . . . . . . . . . . 2.05
For the Beauty of the Earth—John Rutter.
This masterful anthem is one that has connected
with singers and congregations all over the globe.
It is a timeless anthem you'll come back to each
and every year. Full instrumentation includes
strings, winds, harp (playable on keyboard),
and drums. Reduced orchestration includes
flute, oboe, harp, and organ. Instrumental lines
soar as beautifully as the vocal melody. A multi-
generational favorite, this is a tasteful blend of text
and musical expression.
1363399 SA . . . . . . . . . . . . . . . . . . . . . . . . . 3.25
Gather at the River—arr. Susan LaBarr.
Commonly used as symbolism in Christian texts,
river imagery inspired this pairing of It is Well
(When Peace Like a River) and Shall We Gather
at the River. Together they combine to create a
deeply spiritual piece.Useful for general worship or
All Saints Sunday.
11512221 SSA. . . . . . . . . . . . . . . . . . . . . . . . 2.65
God Be in My Head—John Rutter.
A gorgeous setting of the well-known English
prayer text. Available in a variety of voicings, this
blessing is a wonderful way to conclude a service
or performance.
1693951 SSA. . . . . . . . . . . . . . . . . . . . . . . . 2.85
Grace—arr. Mark Hayes. Mark Hayes is at his
best in this setting, using the text of Amazing Grace
with the early American melody O Waly, Waly.
The inspired use of dynamics and key changes to
support the marvelous lyrics will showcase your
choir in a very exciting way! This heartwarming
choral is an especially strong choice for
performances centering on an inspirational theme,
or for memorial services at any time of year.
8035974 SSAA . . . . . . . . . . . . . . . . . . . . . . 2.25
Great Is Thy Faithfulness—
arr. Dan Forrest. It would be difficult to find a
more powerful arrangement of this beloved hymn.
This choral setting with piano offers several
additional performance options, including optional
organ, brass quintet, percussion, and orchestra.
A quiet opening builds very gradually through the
stanzas and several key changes to a final brilliant
stanza with optional congregation. Very well done
and inspirational.
11416620 SSAA . . . . . . . . . . . . . . . . . . . . . . 2.50
Halleluja, Loof Die Here—Franco Prinsloo.
South African composer Franco Prinsloo brings us
this beautiful setting of a sacred text in the Afrikaans
language for treble choirs. A lyrical melody with a
flowing piano accompaniment gives the opportunity
to explore phrasing and musical sensitivity.
Translation and pronunciation aids are available.
11416625 SA . . . . . . . . . . . . . . . . . . . . . . . . . 2.50
Hallelujah—William Walker/
arr. Jean S. Applonie. Arranged in the standard
Sacred Harp texture but for treble choir, this
strophic folk hymn presents the opportunity for
solid four-part a cappella singing with a focus on
placement and blend. Charles Wesley's lyrics
ring out strong and clear in this arrangement
that features the second sopranos on the melody
line throughout. Appropriate for both concerts
and services.
11397168 SSAA . . . . . . . . . . . . . . . . . . . . . . 2.95
Hark, I Hear the Harps Eternal—
arr. Mark Hayes. Mark Hayes delivers a
masterpiece with his arrangement of this
nineteenth-century American shape-note
standard! The brilliant four-hand (optional two-
hand) piano accompaniment and inventive
choral treatment accentuate the celebratory text.
Accessible and energetic, this highly effective
selection is sure to become a favorite of choir and
congregation!
10307598 SSA with opt. 4-Hand Piano . . . . 3.20
He Never Failed Me Yet—Robert Ray.
Driving rhythms and classic gospel sound
have made this selection a favorite of an entire
generation. Highlight one or two soloists in an in
a pull-out-the-stops ending that is sure to have
everyone on it's feet clapping along! Who says
you can't have fun in church? This SSA edition is
one step higher, in the key of C.
8070839 SSA. . . . . . . . . . . . . . . . . . . . . . . . 2.10
How Can I Keep from Singing?—
Robert Lowry/arr. Sarah Quartel. This is a lively
reimagining of the 19th-century American folk
hymn that opens with a solo verse then proceeds
with a soaring top melody supported by the
rhythmic vocal accompaniment of the lower voices,
with occasional alternation between 4/4 and 7/8
meter. Together, these elements capture both the
gentle hope and the profound joy of the text.
10817931 SSAA . . . . . . . . . . . . . . . . . . . . . . 3.65
I Will Be a Child of Peace—
Elaine Hagenberg. "For well I know Thy hand
will bless the seeker after righteousness."
This sensitive, worshipful prayer is arranged
from a Shaker hymn and superbly expresses
the deepest longing of the redeemed soul.
Breathtaking with luscious piano writing.
10805750 SSAA . . . . . . . . . . . . . . . . . . . . . . 2.35
I'm Gonna Sing When the Spirit Says
Sing—arr. James M. DesJardins. This piece
combines musical elements of traditional African-
American spirituals and Protestant church music.
Inspirational and great fun to sing, with optional
claps and hand moves, singers will ride on the
energy and excitement of the driving bass line in
the highly rhythmic piano accompaniment.
10872487 SA . . . . . . . . . . . . . . . . . . . . . . . . . 2.50
Keep Your Lamps!—arr. Andre Thomas.
This exciting spiritual, with accompaniment
for high, medium, and low conga drums, is an
unusually appealing number suitable for a wide
variety of uses, from smaller choirs to massed
choir performances.
3303462 SSA with piano . . . . . . . . . . . . . . . 2.25
GENERAL ANTHEMS
FOR TREBLE CHOIRS
