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Let There Be Peace on Earth—
Craig Courtney. Few songs ever composed have
had the breadth of appeal as this iconic text and
melody. The cry for "peace on earth" is undoubtedly
a timeless one, and setting unites vocalists and
instrumentalists of all ages. Revisit this melody in
your church or concert hall with this monumental
setting during the Christmas season, at memorial
services, or at patriotic events for a completely
unforgettable experience.
10667384 SSAA . . . . . . . . . . . . . . . . . . . . . . 2.25
Lord of the Small—Dan Forrest. This tender
hymn of praise reminds us that in the end we
are all weak and broken and that the Heavenly
Father deals lovingly and mercifully with all of His
children. Written in memory of little Erin Buenger,
who lost her battle to cancer at the age of 10, this
beautiful anthem will challenge your congregation
to live life in all circumstances to the glory of
God - just as she did. A fitting tribute for memorial
services and services of remembrance.
10293855 SSA. . . . . . . . . . . . . . . . . . . . . . . . 2.35
Nothin' Gonna Stumble My Feet—
Greg Gilpin. Brimming with dynamic contrasts,
rhythmic nuances and textual percussiveness,
this spiritual is an absolute thrill to sing and hear.
"When I go to walk that golden street, nothin'
gonna stumble, stumble my feet!"
10274237 SSA. . . . . . . . . . . . . . . . . . . . . . . . 2.50
O Love—Elaine Hagenberg. This beautiful
setting of George Matheson's familiar hymn
text functions perfectly in both sacred or secular
settings. Here, O Love is given a fresh new
melody with equally refreshing and gorgeous
harmonies. You will not want to miss this for use
as a sacred meditation in a worship service or in
a concert setting as a tribute to the glory of love
itself. Simply stunning!
10954544 SSAA . . . . . . . . . . . . . . . . . . . . . . 2.50
Order My Steps (In Your Word)—
Glenn Burleigh/arr. Jack Schrader. Nominated
for Song of the Year for the 1995 Dove Awards
and recorded by the Brooklyn Tabernacle
Choir, this choral setting will give your choir the
opportunity to sing an authentic gospel piece in an
easy-to-learn setting with tight harmonies. This is a
passionate prayer for guidance and a captivating,
hypnotic statement your choir will want to sing
again and again!
10603889 SSA. . . . . . . . . . . . . . . . . . . . . . . . 3.10
Psalm 121 (I Lift My Eyes)—Austin Hunt.
This gorgeous and accessible setting of Psalm
121 is both comforting and hopeful, with soaring,
plaintive melodic ideas. Treble choirs from youth
to adults will enjoy this simple yet elegant anthem
of assurance.
11410890 SA . . . . . . . . . . . . . . . . . . . . . . . . . 2.50
Sanctus—Michael John Trotta. The final
installment of the Missa Brevis, this peaceful work
features opportunities for unison singing and the
development of independent part singing. With
conservative ranges and opportunities to focus
on pure vowels and text accentuation, this is an
elegant addition to any concert or service. Combine
with Trotta's other Latin works Kyrie, Gloria and
Agnus Dei to create the full Missa Brevis.
10990284 SA . . . . . . . . . . . . . . . . . . . . . . . . . 2.50
Set Me as a Seal—Michael John Trotta.
Elegant simplicity is the hallmark of this
shimmering setting of a favorite text: "Set me as
a seal upon your heart ... for love is as strong
as death." Straightforward rhythms, careful
management of vocal ranges, and a judicious use
of close cluster harmonies put this work well within
the reach of many choirs. A perfect choice for
choirs looking to establish a more mature sound
and musical sensitivity. Alternate voicings render
this piece accessible as a solo or duet.
11393180 SA with Piano Accompaniment . . 3.10
Shalom—Dan Forrest. This tender and
comforting work "passes the peace" as its simple
yet elegant melody washes over the listener,
gently unfolding its text with increasing texture:
"Peace I leave with you, my peace I give to you,
not as the world gives; do not be afraid." The
Hebrew word "shalom" forms the refrains, and
whispers of the word "peace" further paint the spirit
and promise of the text. With piano and optional
violin, this piece is equally at home in worship or
concert settings.
11314188 SSA. . . . . . . . . . . . . . . . . . . . . . . . 2.25
Shut de Do—Randy Stonehill/arr. Greg Gilpin.
This familiar song sounds and feels as if it has
always been a part of the folk song or spiritual
genre. In this a cappella setting, optional percussion
can be utilized to enliven the texture. Equally
appropriate in concert or worship settings, this
wonderful arrangement offers solo opportunities
and creative new melodic material before the final
refrain. A perennial favorite.
10689669 SSA. . . . . . . . . . . . . . . . . . . . . . . . 2.15
Singabahambayo—arr. Victor C. Johnson.
Fun to sing and surprisingly rehearsal-friendly, this
South African musical celebration of freedom and
hope is sure to have instant appeal. Lending itself
to simple stage choreography and with an exciting,
driving beat throughout, it will enthrall choirs and
audiences alike.
11348337 SSA. . . . . . . . . . . . . . . . . . . . . . . . 3.20
Then Sings My Soul (How Great Thou
Art)—arr. Mary McDonald. With altered melody
and lush harmonies, this fresh treatment awakens
a new breadth and splendor into this timeless
hymn, giving rise to the greatness that it invokes
in worshiping God, our Creator. The gorgeous
orchestration by Michael Lawrence is a true
complement to Mary's splendid choral writing.
10750789 SSA. . . . . . . . . . . . . . . . . . . . . . . . 3.10
This Little Light of Mine—arr. Mark Hayes.
Mark Hayes' incomparable arranging style is
evident in every measure of this extraordinary
gospel-rock setting! With a good mix of unison,
two-part and fully voiced chorals, easy-to-
feel syncopations, and a supportive piano
accompaniment, it will be an exciting showcase
for your choir! Add live brass and rhythm or the
hot accompaniment track for an unforgettable
spiritual experience!
10068302 SSA. . . . . . . . . . . . . . . . . . . . . . . . 2.95
Wade in the Water—arr. Dan Davison.
Written specifically with young developing choirs in
mind, this exciting spiritual arrangement features
comfortable vocal ranges and easy-to-learn two-
part harmonies. This rhythmic setting abounds
with solo opportunities for a variety of voice types
and presents outstanding teaching opportunities
for style and historical context. Equally appropriate
for the concert stage or worship service.
10990226 SA . . . . . . . . . . . . . . . . . . . . . . . . . 2.50
Witness—Jack Halloran/arr. Dick Bolks.
Dick Bolks has taken this Jack Halloran classic
and made it accessible for accompanied or a
cappella choirs while retaining the enthusiasm of
the original. This is guaranteed to be the highlight
of your music year!
10366147 SSAA . . . . . . . . . . . . . . . . . . . . . . 2.55
The Word Was God—Rosephanye Powell.
What an impact this august anthem will have on
both choir and listeners! Its rhythmic structure
develops from the superb interplay between the
voices, and the layering of sound upon sound
creates a musical tapestry. Written in an almost
spiritual style, but definitely not a spiritual, this will
make a stunning choice for larger church choirs!
10055030 SSAA . . . . . . . . . . . . . . . . . . . . . . 2.95
You Are My Refuge—Michael John Trotta.
This stunningly expressive work was commissioned
by a number of high school choir programs forced
to cancel concerts due to the COVID-19 outbreak.
Inspiring and reflective, the rich harmonies capture
both a sense of poignancy and hope. An optional
descant soars above the choir, adding a sense of
expansiveness: "Your voice brings hope!"
11393186 SA with Piano Accompaniment . . 3.10
