JAZZ
ENSEMBLE
Order Toll Free! Call 1.800.345.6296 / w: jwpepper.com / e: [email protected]
175
Go to cart
VOCAL SOLO WITH JAZZ ENSEMBLE
Night and Day—Cole Porter/arr. Scott Ragsdale.
Here's a great standard for your vocalist with
a bossa groove and tempo around 160 bpm.
An accessible vocal part, solid ensemble
support, a written tenor sax solo spot, and a
featured section for the ensemble all add up to
a wonderful addition to any program. Optional
C, B-flat, E-flat, and trombone solo parts are
included as substitutions for the vocal solo part.
Cole Porter - it just doesn't get any better! Vocal
key: B-flat to D-flat; vocal range: low F below
middle C to B third line treble clef.
11198986 Jazz Ensemble & Vocalist
(Or Any Instrument) . . .M 55.00
No Moon at All—arr. Scott Ragsdale. While
this arrangement is written to feature a vocalist,
it also has great instrumental appeal. The style
is Latin/mambo groove, the tempo is about 136
bpm, the ensemble accompaniment is creative
and interesting, it's accessible for both band
and vocalist, and there are no instrumental
solos. Optional solo parts for C, B-flat, E-flat
Instruments and Trombone are included as
substitute parts for the vocal solo. A great vocal
and big band chart! Vocal in C Major.
10513928 Jazz Ensemble & Vocalist
(or Any Instrument) . . ME 54.00
On a Clear Day (You Can See Forever)—
Burton Lane/arr. Darmon Meader. Jazz vocal
quartet, jazz choir or an individual vocal
soloist...any way you like it, this is a great chart!
It's arranged by Darmon Meader, the musical
director and chief arranger for the New York
Voices. This chart is for SATB choir and jazz
ensemble, but also includes a solo vocal part
for performances by a vocal soloist and jazz
ensemble. A swing chart with wonderful jazz
harmonies throughout, it has a written vocal
scat solo plus a written tenor sax solo. The lead
trumpet range is to written B above the staff. If
you have the vocalists, it doesn't get better than
this! Highly recommended!
10093219 Jazz Ensemble & Vocal Group
(or Vocal Solo) . . . . . MA 62.00
Orange Colored Sky—Delugg & Stein/arr.
Roger Holmes. Here's a great chart to feature
your vocal soloist! All the elements are in
place here for a powerhouse performance...a
swingin' up-tempo style, great ensemble back-
ups and an excellent vocal part! Shine that
spotlight on your singer! Vocal in G.
2481660 Jazz Ensemble & Vocalist
(or Tenor Sax). . . . . . . .M 55.00
Quiet Nights of Quiet Stars (Corcovado)—
Antonio Carlos Jobim/arr. Michael Mossman.
Recorded by countless jazz artists ranging
from Stan Getz and Astrud Gilberto to Miles
Davis and Frank Sinatra, few songs represent
the Bossa Nova era better than Quiet Nights
of Quiet Stars. Jobim's refined classic is a
welcome addition to any program and this
version in particular is ideal for adding variety
to any program. There's a solo section for
alto saxophone followed by a full ensemble
showcase before the vocal or tenor soloist
returns. This chart is sure to be a delight for
any vocalist or tenor saxophone soloist. Highly
recommended! Vocal Key: C
10667336 Jazz Ensemble & Vocalist
(or Tenor Sax). . . . . . . .M 50.00
Respect—Otis Redding/arr. Roger Holmes.
Your female vocalist will love this! Soulful to the
"max," this pop hit recorded by Aretha Franklin
will be just as much fun for the band, as well as
for your tenor soloist. Highly recommended!
Vocal Key: B-flat
2472891 Jazz Ensemble & Vocalist
(or Tenor Sax). . . . . . ME 50.00
Rio de Janeiro Blue—Richard Torrance &
John Haeny/arr. Rick Stitzel. Inspired by the
recording by jazz singer Randy Crawford,
this version of the marvelous tune features
a smooth rock style and a sultry, singable
melody. Scored for vocal soloist, this classy
chart also features a brief solo for alto sax.
11518971 Jazz Ensemble . . . . . ME 55.00
Route 66—Bobby Troup/arr. Mark Taylor.
Composed in 1946 and recorded by countless
artists over the years, here's a jazz standard
that never goes out of style! This medium
tempo chart features a shuffle groove and
highlight spots for the band trading phrases
with a solo trumpet. Don't have a vocalist to
feature? No worries, there's an optional tenor
saxophone solo part included. Fun for the
singer and band alike! Vocal key: F
10617890 Jazz Ensemble & Vocalist
(or Tenor Sax). . . . . . ME 50.00
Santa Baby—arr. Roger Holmes. Originally
recorded by Eartha Kitt in the 1950s, this
clever and cute holiday favorite has also
been recorded by a wide variety of artists in
addition to being featured in the movie "Elf."
This medium swing arrangement is a natural
for vocal solo with jazz band and is sure to
be a highlight of any holiday concert. Highly
recommended! Vocal in E-flat.
10317251 Jazz Ensemble & Vocalist
(or Tenor Sax). . . . . . . .M 55.00
Save the Last Dance for Me—Doc Pomus &
Mort Shuman/arr. Scott Ragsdale. Recently
popularized by Michael Buble, this is a very
exciting Latin chart to feature your vocalist
with some great ensemble work for the band.
Arranged superbly as a bright rhumba by
Scott Ragsdale in the key of B-flat modulating
to C with a vocal solo range of F below middle
C to C third space (optional D). A fine chart!
Highly recommended!
10093217 Jazz Ensemble
& Vocalist . . . . . . . . . ME 54.00
September—arr. Mark Taylor. Arranged for
vocal soloist with jazz ensemble, you're sure to
fill the dance floor with this funk classic by Earth,
Wind & Fire! The vocal key is C, and an optional
tenor sax solo part is included as a substitution
for the vocal part. Highly recommended!
10522922 Jazz Ensemble & Vocalist
(or Tenor Sax). . . . . . . .M 55.00
Silver Bells—arr. Rick Stitzel. Recorded by
countless jazz artists through the years, this
holiday classic is arranged here in a medium
tempo swing style. It features your vocalist
or tenor sax soloist and will sound great with
limited rehearsal time. A guaranteed holiday
concert crowd pleaser! Vocal Key: F
10908986 Jazz Ensemble & Vocalist
(or Tenor Sax). . . . . . ME 50.00
Skyfall—Adkins & Epworth/arr. Roger Holmes.
From the James Bond blockbuster motion
picture Skyfall, pop superstar Adele hit the
airwaves and charts with this powerful and
dramatic theme song that blends a soulful
rock style with a hint of the signature Bond spy
music. Here's a terrific setting for jazz ensemble
that features either a tenor sax or vocal soloist.
Vocal in C minor. Highly recommended!
10348136 Jazz Ensemble & Vocalist
(or Tenor Sax). . . . . . ME 55.00
Someday My Prince Will Come—Frank
Churchill/arr. Chuck Israels. Best known for his
work with the Bill Evans Trio, Chuck Israels is
also a masterful composer and arranger. Here
is his vocal solo arrangement of this timeless
standard, beautifully scored as a jazz waltz with
tasteful background figures and short solos for
trumpet and piano.
11518977 Jazz Ensemble . . . . . ME 55.00
Someone to Watch Over Me—George
Gershwin/arr. Dave Wolpe. One of the
sweetest ballads ever written! This Gershwin
standard was featured in the movie "Mr.
Holland's Opus," and is perfect for featuring
your talented singer. Jazz Band parts are all at
the medium-easy level, and the vocal range is
moderate. A real gem! Vocal in G.
2381960 Jazz Ensemble & Vocalist
(or Tenor Sax). . . . . . ME 55.00
Stormy Weather—Harold Arlen/arr. Jerry
Nowak. Harold Arlen's great classic provides
an outstanding and bluesy showcase for any
vocalist! This excellent chart will undoubtedly
become one of your favorites! Vocal in F.
2212108 Jazz Ensemble & Vocalist
(or Tenor Sax). . . . . . ME 55.00
Straighten Up and Fly Right—Cole & Mills/
arr. Dave Wolpe. At about 148 beats per
minute, this medium swinger is arranged in two
keys for flexibility. The high key is A-flat with
the range from E-flat first line to third space C,
treble clef. The low key is E-flat and the range
is from B-flat below middle C to second line G.
There is also a short written tenor sax solo and
a great shout chorus. A true classic from Nat
King Cole!
10277795 Jazz Ensemble & Vocalist
(or Tenor Sax). . . . . . . .M 62.00
Summertime (from "Porgy and Bess")—
George Gershwin/arr. Dave Wolpe. What a
wonderfully sultry feature for your vocal soloist!
Gershwin's beautiful ballad is given the Wolpe
treatment... the band simply smolders under the
vocal line that everybody knows. After the first
verse, the band gets a chance to show some
flames of its own on a chorus before the vocalist
returns. An optional solo part for tenor sax is
included for added flexibility. Vocals in C minor.
2423333 Jazz Ensemble & Vocalist
(or Tenor Sax). . . . . . . .M 52.00
Sway (Quien Sera)—Pablo Beltran Ruiz/
arr. Mark Taylor. Recorded most recently by
Michael Buble, here is a smooth arrangement
of this appealing Latin tune for vocal soloist (or
optional tenor sax). The instrumental section
features saxes answered by the brass. This is
a natural sounding feature for any vocalist!
10098760 Jazz Ensemble & Vocalist
(or Tenor Sax). . . . . . ME 55.00
Sweet Home Chicago—Robert Johnson/
arr. Rick Stitzel. Made famous by the Blues
Brothers, this arrangement for vocal soloist
(optional tenor sax) features a driving shuffle
groove along with the distinctive stop-time
spots and classic background riffs. Definitely a
fun chart anywhere, not just Chicago!
11208476 Jazz Ensemble
& Vocalist . . . . . . . . . . .M 55.00
They Can't Take That Away from Me—
George Gershwin/arr. Dave Wolpe. Here's the
Gershwin classic for solo vocalist arranged by
Dave Wolpe! Arranged in two keys for vocal
flexibility (just flip the page for the desired key),
this chart features a nice, relaxed swing feel,
just like the original! There's a great middle
section that will also shine the spotlight on
the band. Wolpe knows how to make your
vocalist sound fantastic and how to keep the
band happy with some Sinatra style ensemble
writing. Vocal range low key: Bb below middle
C to third line Bb, high key range: first line
Eb to fourth space Eb. A winner! Highly
recommended! Vocal in Bb or Eb.
2480790 Jazz Ensemble & Vocalist
(or Tenor Sax). . . . . . . .M 62.00
This Christmas—Donny Hathaway & Nadine
McKinnor/arr. Mark Taylor. Recorded by Donny
Hathaway in 1970 and covered countless times
since then, this familiar tune features a funky,
upbeat pop style and memorable horn riffs.
Scored for vocal soloist with jazz band, this is
the perfect change of pace for the holidays.
11518981 Jazz Ensemble . . . . . ME 55.00
This Is Me (from "The Greatest Showman")
—arr. Mark Taylor. From the hit movie "The
Greatest Showman," this rock anthem is a
showstopper and a great choice for a vocal
soloist (or tenor saxophone) with big band. This
one is powerfully scored for both the band and
the soloist. Vocal Key: C Major
10908984 Jazz Ensemble & Vocalist
(or Tenor Sax). . . . . . ME 50.00
This Masquerade—Leon Russell/arr. Rick
Stitzel. Although he wasn't the first to record
this familiar rock ballad, George Benson was
responsible for its widespread popularity thanks
to his huge hit recording in 1976. Beautifully
arranged for vocal soloist (or optional tenor
saxophone) with jazz ensemble, here is Rick
Stitzel's setting complete with sultry lines and
smokey harmonies. Vocal Key: G minor
11100148 Jazz Ensemble & Vocalist
(or Tenor Sax). . . . . . ME 50.00
Time after Time—Cyndi Lauper/arr. Paul
Murtha. This timeless ballad released by Cyndi
Lauper in 1984 is as popular now as ever. In a
style faithful to the original recording, here is a
fabulous setting for jazz ensemble with vocal
soloist. Don't have a vocal soloist? There are
no worries because an optional tenor sax solo
part is included. Beautifully paced and solidly
scored! Vocal key: C
10842279 Jazz Ensemble & Vocalist
(or Tenor Sax). . . . . . ME 50.00
Too Close for Comfort—Jerry Bock/arr.
Gordon Goodwin. A Gordon Goodwin vocal
chart! In addition to the vocal part, there are
optional solo feature parts for alto sax, tenor
sax, trumpet or trombone for added flexibility.
Gordon has conceived this with the solo
intertwined into the fabric of the chart. The vocal
keys are F, G, and A-flat with modulations, and
the vocal range is low E below middle C to
E-flat fourth space. As recorded on The Phat
Pack CD. An outstanding feature for your
singer or any horn player!
10028186 Jazz Ensemble . . . . . . . A 70.00
Unforgettable—arr. Roger Holmes. Nat King
Cole's classic recording from 1951 and then
the duet version recorded by his daughter,
Natalie, in 1991 helped make this tune truly
"unforgettable." This well-paced arrangement
for vocal soloist with jazz ensemble stays
true to the original style and includes a brief
instrumental interlude for the band. An optional
tenor saxophone part is included to be used in
place of the vocal solo part. Vocal Key: F
11100153 Jazz Ensemble & Vocalist
(or Tenor Sax). . . . . . ME 50.00
