JAZZ
ENSEMBLE
Editors' Choice 2023 New Basic Library Available via ePrint Downloadable All Prices in U.S. Dollars & Subject To Publisher Revision
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VOCAL SOLO WITH JAZZ ENSEMBLE
Fly Me to the Moon—arr. Quincy Jones.
For the first time, here is Quincy Jones'
arrangement originally written for the 1964
Sinatra/Basie studio collaboration It Might As
Well Be Swing. This chart was also used a few
times during the 1965 Sinatra/Basie summer
tour and then at the famous 1966 "Live at
the Sands" concert. This publication comes
from the original parts. Alto 1 and Tenor 1
double on flute. As was customary for these
recordings, Harry "Sweets" Edison would play
fills throughout the arrangement and typically
didn't have a part. The fill spots are in the
trumpet 4 part, although they are not written
out. Vocal Key: C. Highly recommended!
10493006 Jazz Ensemble
& Vocalist . . . . . . . . . MA 65.00
The Frim Fram Sauce—arr. Rick Stitzel. This
clever and catchy jazz standard has been
notably recorded by Diana Krall, but also in the
past by Nat King Cole and Louis Armstrong.
Arranged in a comfortable swing style, this is a
terrific feature for a vocalist or tenor saxophone
soloist. Highly recommended! Vocal Key: F
10667338 Jazz Ensemble & Vocalist
(or Tenor Sax). . . . . . . .M 50.00
The Girl from Ipanema—Antonio Carlos
Jobim/arr. Roger Holmes. Made famous by
Astrud Gilberto and Stan Getz, this laid back
Latin favorite features a great groove and tasty
ensemble writing to back your singer, either
male or female.
2314219 Jazz Ensemble
& Vocalist . . . . . . . . . . .M 55.00
God Bless the USA—Lee Greenwood/
arr. Mark Taylor. A patriotic anthem for the
ages, this contemporary ballad has already
established itself as a standard! Beautifully
scored for vocal soloist and jazz ensemble, this
arrangement makes a powerful statement for
singer and band alike. It's the ultimate patriotic
chart! Vocal in Bb.
2481657 Jazz Ensemble & Vocalist
(or Tenor Sax). . . . . . ME 55.00
Hallelujah I Love Her So—Ray Charles/arr.
Victor Lopez. Ray Charles' good-time, happy,
swingin' and infectious tune is immortalized
here by Victor Lopez as a vocal solo feature
chart with lyrics provided to accommodate
female or male vocalists. The tempo is around
142 bpm with a few stop-time sections, and
there are no horn solos, just a swingin' vocal
part and ensemble all the way. Optional parts
are provided as vocal substitutes for any C,
B-flat, or E-flat instruments, and trombone.
The vocal range is from B-flat below middle C
to third space B-flat. We're proud to say this
one is highly recommended!
10753965 Jazz Ensemble & Vocalist
(or Any Instrument) . . ME 54.00
Have Yourself a Merry Little Christmas—
arr. Dave Wolpe. This sentimental Christmas
favorite will never go out of style, and Dave
Wolpe's satisfying arrangement is a great way
to feature your vocalist during the holidays.
Vocal in G.
2188910 Jazz Ensemble & Vocalist
(or Tenor Sax). . . . . . ME 48.00
Haven't Met You Yet—Buble, Chang & Foster/
arr. Scott Ragsdale. Michael Buble sang this
hit song and now it's time for your vocal soloist
and jazz ensemble! Arranger Scott Ragsdale
captured the essence of the Buble arrangement
with his terrific adaptation of this familiar tune.
The vocal range is from F below middle C up
to third line B, and the lead trumpet range is to
written A above the staff. A wonderful chart on
a cool tune! Highly recommended!
10277798 Jazz Ensemble
& Vocalist . . . . . . . . . . .M 54.00
How High the Moon—Morgan Lewis/arr.
Dave Wolpe. All jazz students should know
this great tune! Dave's straight-ahead, swingin'
vocal solo feature is written in two keys to
accommodate both female and male voices.
There are also brief solos for trombone and
trumpet. The version in C has an optional
shout chorus with the ensemble. Low vocals
in C, high vocals in F.
2701962 Jazz Ensemble & Vocalist
(or Tenor Sax). . . . . . . .M 62.00
I Can't Believe That You're in Love with Me
—Jimmy McHugh/arr. Darmon Meader.
Feature your vocal quartet or SATB vocal
ensemble with your jazz ensemble! Plus,
this chart also includes an additional part for
vocal soloist if you prefer. A medium-swing
arrangement by Darmon Meader, the musical
director and chief arranger of the sensational
jazz vocal group, The New York Voices, this
was arranged for them with jazz ensemble.
The solo vocal range is from G below middle
C up to F top line, treble clef. The lead trumpet
range is to high D above the staff. Jazz vocal
quartets/groups are happening!
10069098 Jazz Ensemble
& Vocal Group
(or Vocal Solo) . . . . . MA 62.00
I Could Write a Book—Richard Rodgers/arr.
Darmon Meader. Have a jazz vocal group or
quartet? Here is a stunning chart arranged
by Darmon Meader, the musical director and
chief arranger of the jazz vocal group New York
Voices. This stellar tune is scored for SATB
voices and jazz ensemble. Also included are
female or male solo parts in the event you want
to perform it as a vocal solo feature. The vocal
group arrangement and the jazz ensemble
chart are both superb. Solo vocal ranges:
female part is G below middle C to top space
E; male part is D below middle C to G above
treble staff. Check out this outstanding chart!
Highly recommended!
10049782 Jazz Ensemble
& Vocal Group
(or Vocal Solo) . . . . . MA 62.00
I've Got You Under My Skin—Cole Porter/
arr. Dave Wolpe. Dave Wolpe delivers a
classic swing vocal feature chart in the Sinatra
style. Arranged in two keys for flexibility, this
one features a full band interlude in the middle
and a trombone solo in the shout chorus. High
key is Eb (range is Bb below middle C to top
line F), low key is Bb (range is F below middle
C to third line Bb). There is an alternate tenor
saxophone solo part included that substitutes
for the vocal solo. Highly recommended!
10028161 Jazz Ensemble & Vocalist
(or Tenor Sax). . . . . . . .M 62.00
I've Grown Accustomed to Her (His) Face
—arr. Scott Ragsdale. Check out this great
setting for vocal solo with jazz ensemble on
this wonderful standard! It's creatively scored
with a straight-eighth groove and the lyrics
accommodate female or male vocalists.
There's also an alto sax solo with a written
solo provided and the lead trumpet range is to
written A above the staff. Don't have a vocal
soloist? No problem, this one has optional
parts for any C, B-flat, or E-flat instrument,
and trombone to be used as substitutes for the
vocal solo part. The vocal range is from low G
below middle C to third line B-flat. Anyway you
use it, it's great!
10756406 Jazz Ensemble & Vocalist
(or Any Instrument) . . ME 54.00
It Don't Mean a Thing (If It Ain't Got That
Swing)—Duke Ellington/arr. Victor Lopez.
Swingin' and singin' with big band! This vocal
feature chart with a hard swing feel practically
plays itself. The key is F minor, the vocal range
is middle C to 3rd space C, and the lead trumpet
range is to written F top line. The solo space
is for tenor, trombone, alto, and trumpet, or
optional vocal scat, all written out. It's Ellington,
it's Lopez, it's great! Highly recommended!
10310223 Jazz Ensemble
& Vocalist . . . . . . . . . ME 54.00
It Had to Be You—Isham Jones/arr. Rick
Stitzel. Few standards have maintained
the staying power of this popular ballad,
having been recorded by such luminaries
as Frank Sinatra and Bing Crosby to more
recent versions by Harry Connick Jr., Barbra
Streisand, and Michael Buble. This silky-
smooth chart is a perfect choice for your vocal
or tenor sax soloists. Vocal key: E-flat
11172103 Jazz Ensemble & Vocalist
(or Tenor Sax). . . . . . ME 55.00
It's Only a Paper Moon—Harold Arlen/arr.
Jerry Nowak. Natalie Cole's Unforgettable
album met with incredible popularity and
acclaim, and this great old standard is hot!
Jerry Nowak's solid, medium swing chart cooks
all the way, and is a fantastic feature for your
vocal soloist! Vocal in Eb.
2262590 Jazz Ensemble & Vocalist
(or Tenor Sax). . . . . . ME 55.00
Jingle Bells—arr. John Clayton. Adapted
from the chart he did for Diana Krall, and
recorded with the Clayton-Hamilton Jazz
Orchestra on her Christmas Songs CD, here
is John Clayton's joyous, uptempo swing
chart on this holiday favorite. These jinglin'
bells never sounded so good! Now includes
complimentary Smack Dab in the Middle CD.
Vocal keys: B-flat, B and C.
10052515 Jazz Ensemble
& Vocalist . . . . . . . . . MA 65.00
Just Friends—John Klenner/arr. Dave Wolpe.
Dave Wolpe's superb chart on this great jazz
standard is for vocalist and jazz ensemble and
it is arranged in two keys for flexibility. The low
key is C and the high key is F...just flip the page
for the preferred key! In addition, an optional
part is provided for tenor sax as an alternative to
the vocal. A terrific stop-time sax soli and a jazz
solo for 2nd trumpet are more highlights of this
swinger. The low key vocal range is Gb below
middle C to second space A. The high key range
is B below middle C to fourth line D treble clef. A
great vocal feature that swings all the way home!
10028165 Jazz Ensemble & Vocalist
(or Tenor Sax). . . . . . . .M 65.00
Let It Snow! Let It Snow! Let It Snow!—Jule
Styne/arr. Roger Holmes. With the vocal part
in the key of Db and modualting to the key of
Eb, this great holiday standard works super in
a swing feel and is a perfect choice for your
holiday concert!
2249704 Jazz Ensemble & Vocalist
(or Tenor Sax). . . . . . ME 55.00
The Look of Love—Burt Bacharach/arr. Mark
Taylor. This well-known Latin classic has
been recorded by many jazz artists and lends
itself to an easy relaxed feel. Written in a very
comfortable range for vocalist, this exceptional
chart by Mark Taylor will be a joy to perform.
Vocal in C minor.
2476956 Jazz Ensemble & Vocalist
(or Tenor Sax). . . . . . . .M 55.00
Mack the Knife—Kurt Weill/arr. Dave Wolpe.
Look out, old Mackie is back! This fabulous
vocal chart modulates four times, up a half-step
each time and has a written tenor sax solo and
a big shout chorus. Arranged in two keys, the
high key begins in B-flat and the vocal range is
from middle C to F top line, treble clef. The low
key begins in E-flat and the range is from low
F below middle C to B-flat, second space. A
"must-have" vocal chart! Highly recommended!
10277802 Jazz Ensemble & Vocalist
(or Tenor Sax). . . . . . . .M 62.00
My Funny Valentine—Richard Rodgers/arr.
Dave Wolpe. Here's a wonderful ballad for solo
vocalist and jazz ensemble arranged in two
keys for flexibility. Arranger Dave Wolpe, one of
the best in the business, has written this swing
ballad in G minor and C minor with reversible
parts, just flip the page! There are no individual
solos, but plenty of superb ensemble work and
the usual, excellent band chorus in the middle.
The vocal ranges are: low key, G below middle
C to third line Bb and, high key: middle C to
fourth space Eb. This just may be the ultimate
jazz ballad, done here in another great Wolpe
arrangement! Very highly recommended! Vocal
in G minor or C minor.
2480791 Jazz Ensemble & Vocalist
(or Tenor Sax). . . . . . . .M 62.00
(You Make Me Feel Like) A Natural Woman
—Carole King & Gerry Goffin/arr. Paul Murtha.
Written specifically for Aretha Franklin, the
"Queen of Soul" released this as a single
in 1967 and it became one of her signature
songs. This chart is a powerful version for
vocal solo and jazz ensemble that's sure to be
a concert highlight! No vocalist? No problem!
An optional tenor sax solo part is included.
Highly recommended! Vocal Key: A-flat
10960656 Jazz Ensemble & Vocalist
(or Tenor Sax). . . . . . ME 50.00
Night and Day—Cole Porter/arr. Dave Wolpe.
Night and Day never sounded so good! Here's
a solo vocal feature with jazz ensemble
arranged in the Sinatra style with a tenor sax
solo and superb ensemble writing. It's arranged
in two keys for vocal flexibility... just flip the
page for the best key for the vocalist. Vocal
solo ranges: female key (low) key of C, G below
middle C to 3rd space C; male key (high) of Eb,
Bb below middle C to top space Eb, treble clef.
An excellent chart on this timeless standard!
Highly recommended!
10049773 Jazz Ensemble & Vocalist
(or Tenor Sax). . . . . . . .M 62.00
BEST
SELLERS
Vocal Solo with
Jazz Band All Levels
Best Selling Charts! These selections,
listed in order of their popularity, are
chosen most often by directors like you.
Feeling Good—
Bricusse & Newley/arr. Roger Holmes.
10297513 Jazz Ensemble & Vocalist
(or Alto Sax) . . . . . . . . . . . . . . M 55.00
Orange Colored Sky—
Delugg & Stein/arr. Roger Holmes.
2481660 Jazz Ensemble & Vocalist
(or Tenor Sax). . . . . . . . . . . . . M 55.00
Don't Know Why—
Jesse Harris/arr. Paul Murtha.
2473701 Jazz Ensemble & Vocalist (or Tenor
Sax or Flugelhorn) . . . . . . . .ME 55.00
At Last—Harry Warren/arr. Dave Wolpe.
10093215 Jazz Ensemble & Vocalist
(or Tenor Sax). . . . . . . . . . . . . M 62.00
Sway (Quien Sera)—
Pablo Beltran Ruiz/arr. Mark Taylor.
10098760 Jazz Ensemble & Vocalist
(or Tenor Sax). . . . . . . . . . . .ME 55.00
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