JAZZ
ENSEMBLE
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VOCAL SOLO WITH JAZZ ENSEMBLE
Vocal Solo
with Jazz Ensemble
All Levels
Ain't That a Kick in the Head—arr. Nelson
Riddle. This is one of the most famous vocal
studio orchestra arrangements, recorded by
Dean Martin in 1960. This is the authentic and
swinging version that Nelson Riddle created
to showcase Martin in his typical, easy-going
vocal style. An optional synthesizer part has
been included that may be used in place of
the strings. There are no saxophone doubles
and the vocal key is D throughout. This is oh,
so nice! Instrumentation: five saxes (AATTB),
four trumpets, three tenor trombones, bass
trombone, three violins, viola, two celli, guitar,
piano, bass, drums, and optional synthesizer.
10558966 Jazz Ensemble & Vocalist
(with Strings) . . . . . . . MA 50.00
All I Want for Christmas Is You—arr. Paul
Murtha. Recorded by Mariah Carey in 1994,
this familiar tune has become a perennial
holiday favorite. Arranged here as a vocal
or tenor sax solo feature with big band, the
opening rubato section is followed by a
medium tempo shuffle groove. Sure to liven
up any holiday or winter concert, this is highly
recommended! Vocal Key: F
10775158 Jazz Ensemble & Vocalist
(or Tenor Sax). . . . . . ME 55.00
All of Me—arr. Rick Stitzel. Reminiscent of the
classic version by Count Basie, here is a terrific
medium swing setting of this familiar standard
for vocal solo with jazz ensemble. In the event
a vocalist is not available, an optional solo part
is included for tenor saxophone. Vocal in F.
10522920 Jazz Ensemble & Vocalist
(or Tenor Sax). . . . . . ME 55.00
At Last—Harry Warren/arr. Dave Wolpe. At
Last is the ever-popular, bluesy, vocal ballad
feature as arranged by Dave Wolpe. The chart
is arranged in two keys to suit the needs of all
vocalists. Substitute instrumental solos are
included, with a written tenor sax solo in the low
female key and a written alto sax solo in the high
male key. The vocal ranges are: low female in
the key of G, high male in the key of B-flat.
10093215 Jazz Ensemble & Vocalist
(or Tenor Sax). . . . . . . .M 62.00
Baby, It's Cold Outside—Frank Loesser/arr.
Paul Murtha. Perhaps no popular Christmas
standard has the instant recognition than that of
Frank Loesser's Baby, It's Cold Outside! Often
performed as a vocal duet for a girl and guy, this
versatile arrangement will also work as a vocal
solo with tenor sax playing the guy's vocal part.
In addition, optional parts are included allowing
the duet to be performed using flugelhorn and
tenor sax. This familiar classic is sure to be a hit
for holiday or winter performances. Vocal key
of C. Highly recommended!
10522926 Jazz Ensemble & Vocalist
(Vocal & Tenor Sax Duet
or Flugelhorn &
Tenor Sax Duet) . . . . ME 50.00
Bei Mir Bist Du Schon—Sholom Secunda/
arr. Dave Wolpe. This swinger will be a hit!
Arranged in two keys for flexibility, it's a bright
swing vehicle for vocalist and big band at around
160 bpm. The low key is F with vocal range from
A below middle C to 2nd space A, and the high
key is A-flat, with vocal range from middle C to
3rd space C, treble clef. The lead trumpet range
goes to written high C. There are no horn solos,
just swingin' ensemble and vocal all the way!
10355574 Jazz Ensemble & Vocalist
(or Tenor Sax). . . . . . . .M 62.00
The Best Is Yet to Come—Cy Coleman/arr.
Scott Ragsdale. Sung recently by Michael Buble
and many others, this chart is a medium tempo
swinger for vocal soloist and jazz ensemble. In
the key of F, the vocal range is from A below
middle C to middle line B. The lead trumpet
range is to written A above the staff. A true
standard from the Great American Songbook!
10311457 Jazz Ensemble
& Vocalist . . . . . . . . . . .M 62.00
Blue Moon—Richard Rodgers/arr. Victor
Lopez. Looking for an easy-to-play vocal chart?
Here is an excellent vocal with big band chart
on a familiar standard that has the ensemble
arranged at the medium-easy level by Victor
Lopez. A slow swing chart with no solos, lots of
full ensemble, a shout chorus - and it's all easy
to rehearse and perform. The vocal range is
from G below the staff to second line G, treble
clef. Scored for five saxes, eight brass and
four rhythm, plus optional substitute parts for
the vocal for B-flat, E-flat and trombone. An
excellent and very accessible arrangement.
10277800 Jazz Ensemble
& Vocalist . . . . . . . . . ME 54.00
But Not for Me—George Gershwin/arr. Scott
Ragsdale. Here's a superb vocal solo feature
with big-band chart on a great standard. The
features include a vocal range from B-flat
below middle C to third space C, a lead trumpet
range to A-flat, and the swing tempo is around
134 bpm. Make sure to check out the written
trombone solo and the fine sax soli during the
instrumental interlude. Don't have vocalist this
year? No problem, optional featured solo parts
are included for any B-flat or E-flat instrument
or trombone. This great chart for your vocalist
is highly recommended!
10593787 Jazz Ensemble & Vocalist
(or Any Instrument) . . . .M 54.00
Cheek to Cheek—Irving Berlin/arr. Mark
Taylor. Originally composed for the 1935
film Top Hat starring Fred Astaire and
Ginger Rogers, this classic has remained a
jazz favorite ever since. Arranged in a very
comfortable key for a female vocalist, this
swinging chart also has a marvelous feature
section for the full ensemble. One of the
greatest of the Golden Age!
11518958 Jazz Ensemble . . . . . ME 55.00
Christmas Time Is Here—Vince Guaraldi/
arr. Roger Holmes. Vince Guaraldi's touching
ballad from "A Charlie Brown Christmas" will
feel as familiar as an old friend. This feature for
vocal soloist makes a simply wonderful addition
to your holiday concert! Vocal in C.
2470804 Jazz Ensemble
& Vocalist . . . . . . . . . . .M 55.00
Come Fly with Me—Jimmy Van Heusen/
arr. Quincy Jones/ed. Tomaro. The swingin'
Quincy Jones arrangement of this standard
was a Frank Sinatra signature tune. Here's
the authentic version edited and adapted for
today's bands by Mike Tomaro. Vocal Key:
B-Flat.
10072767 Jazz Ensemble
& Vocalist . . . . . . . . . MA 60.00
Crazy Little Thing Called Love (from
"Bohemian Rhapsody")—Freddie Mercury/
arr. Roger Holmes. Released by Queen in
1979, this iconic hit adapts beautifully for vocal
soloist with jazz ensemble, with its rollicking
shuffle style and infectious simplicity and
charm. This feel-good tune will be an instant
audience favorite! If you don't have a vocalist to
feature, there's an optional tenor sax solo part
included. Vocal key: G
10960658 Jazz Ensemble & Vocalist
(or Tenor Sax). . . . . . ME 55.00
Cry Me a River—Arthur Hamilton/arr. Victor
Lopez. Featuring a vocalist with big band, this
gorgeous ballad is played around 74 bpm. The
vocal range is G below middle C to third space
C, and the lead trumpet range is to F-sharp top
line. Included are optional solo parts for B-flat,
E-flat, and Bass Clef instruments to be used
in place of the vocal feature. It's an accessible
chart for the band and a great way to feature a
vocalist or instrumentalist!
10452150 Jazz Ensemble & Vocalist
(or Any Instrument) . . ME 54.00
Don't Know Why—Jesse Harris/arr. Paul
Murtha. Award-winning pop singer Norah
Jones made this tune climb the charts, and
it's easy to see why so many people like it.
The haunting, beautiful melody and smooth
harmonies make it an incredibly appealing
chart to use with either vocal, trumpet or tenor
sax soloist. Vocal in Bb.
2473701 Jazz Ensemble & Vocalist
(or Tenor Sax
or Flugelhorn) . . . . . . ME 55.00
Embraceable You—George Gershwin/
arr. Dave Wolpe. Dave Wolpe has done a
masterful job with Gershwin's romantic favorite,
setting it in two keys for both male and female
vocal solo, including a lyrical trombone feature,
even building it up to a big band shout before
the lovely closing. This will be a highlight in any
performance! Male vocal in F, female vocal in C.
2468031 Jazz Ensemble & Vocalist
(or Tenor Sax). . . . . . . .M 62.00
Everybody's Waitin' for the Man with the
Bag—arr. Rick Stitzel. Composed in the '50s,
this entertaining holiday tune has been recorded
notably by Kay Starr, and more recently by the
Brian Setzer Orchestra. For vocalist and big
band, this is a dynamic and swingin' addition to
any holiday performance! Vocal in A-flat.
10283028 Jazz Ensemble & Vocalist
(or Tenor Sax). . . . . . . .M 55.00
Everything—Buble, Chang & Foster/arr. Scott
Ragsdale. Michael Buble sang this hit song
and now it's time for your vocal soloist and jazz
ensemble. Arranger Scott Ragsdale captured
the essence of the Buble arrangement with his
terrific adaptation at an easier level of this great
tune. The vocal range is from F below middle C
up to third space C, treble clef, and the vocal part
has some easy scat lines with vocal syllables.
Lead trumpet range is to written A above the
staff. A wonderful chart on a neat tune!
10071937 Jazz Ensemble
& Vocalist . . . . . . . . . ME 54.00
Feeling Good—Bricusse & Newley/arr. Roger
Holmes. From the Broadway musical "The Roar
of the Greasepaint - The Smell of the Crowd,"
this fabulous standard is popular again with a
stunning rendition by Michael Buble. Capturing
the bluesy flavor of this version, here is a vocal
solo feature sure to bring down the house. It
can also be used as an alto sax feature. Highly
recommended! Vocal in C minor.
10297513 Jazz Ensemble & Vocalist
(or Alto Sax) . . . . . . . . .M 55.00
Fever—Cooley & Blackwell/arr. Roger Holmes.
Peggy Lee made this sizzler famous. Make
sure you have enough fire extinguishers on
hand just in case. Vocal in A minor/C minor.
2212082 Jazz Ensemble & Vocalist
(or Tenor Sax). . . . . . ME 50.00
Fly Me to the Moon—Bart Howard/arr. Sammy
Nestico. Written with comfortable ranges and at
a moderate tempo, this vocal feature will be at
home on any concert program. Vocal in A-flat.
2249415 Jazz Ensemble
& Vocalist . . . . . . . . . . .M 55.00
Whether you're building a library
or selecting music for your next
performance, Pepper's Basic
Library directs you to the time-
honored, proven repertoire.
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