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JAZZ
ENSEMBLE
2023-24 Editors' Choice New Basic Library Available via ePrint All Prices in U.S. Dollars & Subject To Publisher Revision
JAZZ-ROCK & FUNK
Hip Monk Funk—George Shutack. This superb
funk chart uses repetitive two-bar phrases to allow
the rhythm section to create an irresistible groove
that is accessible to young jazz ensembles. The
bari sax is also treated to some great lines. Solos
for alto sax and trumpet.
11503720 Jazz Ensemble . . . . . . . . . . ME 48.00
It's on the House—Steve Parsons. Your rhythm
section will shine in this great funk chart. A fun
breakdown section after the solos has the
sections of the band layered in a clever way to
create a giant build to the shout chorus. Great
rhythmic unison writing across sections makes for
better accessibility. Get down and get funky!
11501843 Jazz Ensemble . . . . . . . . . . ME 55.00
Jericho—arr. Carl Strommen. A fantastic
example of how simple writing can be highly
engaging and effective. With an intro that can
stand on its own, this great chart sets a bluesy
rendition of Jericho with quotes from 42nd Street
cleverly intertwined in an infectious groove that is
simple and accessible - destined to be one of the
highlights of your concert program!
11501847 Jazz Ensemble . . . . . . . . . . VE 45.00
Little Sunflower—Freddie Hubbard/arr. Mike
Story. Here's a catchy and easy-to-play arrange-
ment of the jazz classic. Written-out suggested
solos are provided for tenor sax and trumpet.
The trumpet range is to written E top space. This
arrangement is very playable and sounds full with
reduced instrumentation - and it's fun!
11511950 Jazz Ensemble . . . . . . . . . . VE 47.00
A Long Way to Go—Ed Gaston. Your band will
have a great time digging into this power rock
chart. Terrific horn licks and killer rhythm section
parts add to the impact of this excellent piece!
11503706 Jazz Ensemble . . . . . . . . . . . E 50.00
Mamacita—Joe Henderson/arr. Alan Baylock. A
groovy straight-eighth feel on this jazz standard
with amazing parts for all and an intro that is
nothing but fire. The tempo is around 154 bpm,
and the lead trumpet range is to written B-flat
above the staff. Sample solos are provided for alto
and tenor sax, plus optional flute and vibes parts.
Energy prevails!
11511951 Jazz Ensemble . . . . . . . . . . . M 55.00
Mister T—George Shutack. Not the Mr. T you
were envisioning! This time the "T" stands for
tenor sax and trumpet. This swinging chart is
an excellent showcase for your stand-out tenor
and trumpet players with a swinging duet section
and open solos. The rest of the ensemble enjoys
hip figures and rich harmonies. A great and very
accessible chart for your developing ensemble.
11503718 Jazz Ensemble . . . . . . . . . . ME 48.00
Misteriosa—Michele Fernández. If you're looking
for a change of pace, here's a silky smooth mambo
in a modest tempo that creates a mysterious and
captivating mood. The sassy lines in the saxes are
complemented by punches from the brass, and
the chart features an open solo section based
on a single chord. With carefully notated rhythm
section parts, you're sure to find this one unique
and hypnotic.
11518968 Jazz Ensemble . . . . . . . . . . ME 50.00
Modal Citizen—Peter Sciaino. Recalling the
modal tunes of Herbie Hancock like Maiden
Voyage, this hip and accessible chart begins with
a trio of alto sax, trumpet, and guitar presenting
the first statement of the melody. As the rest of
the band is layered in, the harmony expands in the
B section. There is a written solo for alto sax and
trumpet over the easy modal changes.
11501853 Jazz Ensemble . . . . . . . . . . . E 50.00
Neon Green—Paul Baker. Take a trip back to
the Cool School of the 1950s with this impressive
swinger. With a very accessible tempo of 128
bpm, this chart features tenor sax, trumpet, and
guitar on a boppish melody presented in the Gil
Evans/Miles Davis Birth of the Cool style. The sax
section is featured in a soli setting for the bridge.
Solo space for tenor sax and trumpet (guitar
can easily be featured as well) is followed by a
tutti ensemble 16-bar shout section. As the title
suggests, there is a surprise in the form of an
eight-bar trombone/bass soli that arrives on the
bridge before the ensemble resumes command
for the dramatic finish. The trumpet range is to a
written high C, trombone to G.
11515351 Jazz Ensemble . . . . . . . . . . . M 50.00
No Way Out—George Shutack. Here's a hip and
accessible blues tune with a Latin groove scored
perfectly for beginning jazz ensembles. Creative
scoring produces a repetitive bass groove that is
playable without becoming tiresome, and quality
unison writing makes for great ensemble playing.
Playable with two trumpets and two trombones.
Highly recommended!
11503716 Jazz Ensemble . . . . . . . . . . . E 45.00
20
NEW LATIN
CHARTS!
Ace of Heart —Ryan Erik Adamsons. Based on the chord changes to Black Orpheus,
this chart features solos for any instrument over the A section of the form along with melodic
segments for all sections. It is a great way to introduce the bossa nova style along with
syncopation and playing in a minor key.
11503705 Jazz Ensemble . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .E 50.00
Bons Sohnos, Maestro (Sweet Dreams, Maestro)—Michele Fernández.
Evocative and heartfelt, this composition is filled with beautiful dynamic contrasts, tight
voicings, hip figures, and multiple layers of orchestration. The chart starts warmly with a
written solo for trombone that leads to a melodic passage for flugelhorn. The rhythm section
parts are especially well written and include all the details your players will need for a
successful performance.
11501777 Jazz Ensemble . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . MA 60.00
Bossa Doce—Greg Yasinitsky. This delightful, breezy bossa has all the ingredients of
a great chart: an engaging melody, a fresh harmonic approach, and captivating rhythmic
development. Written solos are included for trumpet and trombone over easy ii7 - V changes,
followed by an inventive passage that opens up some new harmonic vistas.
11503701 Jazz Ensemble . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . VE 45.00
El Alma de la Banda (The Soul of the Band)—Gordon Goodwin.
It's soulful, Latin, and full of energy - phenomenal jazz writing while still being accessible to
well-developed high school jazz programs. All instrumentalists enjoy hip and memorable
licks. The lead trumpet range is to written high C above the staff, with solo space (suggested
written solo) for alto, tenor, bari, trumpet, and trombones 1 and 2. Auxiliary percussion plus
optional flute and vibes complete this gem.
11511948 Jazz Ensemble . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 55.00
Mamacita—Joe Henderson/arr. Alan Baylock. A groovy straight-eighth feel on this jazz
standard with amazing parts for all and an intro that is nothing but fire. The tempo is around
154 bpm, and the lead trumpet range is to written B-flat above the staff. Sample solos are
provided for alto and tenor sax, plus optional flute and vibes parts. Energy prevails!
11511951 Jazz Ensemble . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 55.00
Misty (Emocionado)—Erroll Garner/arr. Michele Fernández.
In a medium up-tempo style, here is a great-sounding salsa version of Erroll Garner's popular
standard. Saxes take the melody at first before handing it off to the brass while a variety of
accompaniment effects and clever devices add to the interest. An alto sax solo is featured
before finishing with a joyous chorus for the brass. A nice twist on a familiar tune!
11518969 Jazz Ensemble . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 50.00
No Way Out—George Shutack. Here's a hip and accessible blues tune with a Latin groove
scored perfectly for beginning jazz ensembles. Creative scoring produces a repetitive bass
groove that is playable without becoming tiresome, and quality unison writing makes for great
ensemble playing. Playable with two trumpets and two trombones. Highly recommended!
11503716 Jazz Ensemble . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .E 45.00
Song for My Father—Horace Silver/arr. Paul Murtha. This standard by Horace Silver
features a distinctive bass line groove and a laid-back Latin style. Expertly adapted for this
easy level, here is a great way to introduce the music of this jazz master to your students.
11539349 Jazz Ensemble . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .E 45.00
Sun Shower—Kris Berg. This bossa nova has a unique harmonic approach. Each new
phrase has some twists and turns that help make this a very interesting chart. A great sax soli
written in the classic Nestico/Basie style is a great feature. Fresh and modern sounding.
11501897 Jazz Ensemble . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 55.00
