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Amezaliwa Tushangilie—Robert Jim Begisen.
Perfect for holiday concerts or any time of year,
this original a cappella piece is great fun and quick
to learn. Written in Kiswahili, in the Maasai idiom
in East Africa, it includes a phonetic pronunciation
guide and translation. Feature a tenor soloist, and
include the optional notated percussion parts for a
dynamic performance!
11535643 SATB . . . . . . . . . . . . . . . . . . . . . . 2.70
11564408 TTBB . . . . . . . . . . . . . . . . . . . . . . 2.70
Before the Song Was Done—Sarah Quartel.
Sara Teasdale's poem about the Three Kings is
brought to life in this haunting, folk-like carol.
11512310 SATB . . . . . . . . . . . . . . . . . . . . . . 3.25
Blow, Blow, Thou Winter Wind—Jennifer Lucy
Cook. Treble choirs young and old will appreciate
the part-writing, repeated patterns, and icy energy
of Shakespeare's text. This piece is filled with
delightful surprises, including percussion, some
aleatoric passages, rapidly changing dance-like
meters, and a conclusion that pops.
11525375 SSA with Percussion . . . . . . . . . 3.25
Carol of the Bells/Wayfaring Stranger—arr.
McKay Crockett. This unusual pairing of the
Ukrainian Carol of the Bells and the spiritual
Wayfaring Stranger provides a stunning
arrangement as performed by the a cappella
group BYU Vocal Point. Set for soloists
and choir, this piece will challenge your
ensemble to reach for their best - and in turn
provide a rewarding experience for both singer
and audience.
11515594 SATB divisi . . . . . . . . . . . . . . . . . 2.95
11515593 TTBB divisi . . . . . . . . . . . . . . . . . 2.95
Carols for Choirs 6 (Fifty Christmas
Carols)—ed. Bob Chilcott & David Hill. To
celebrate the centenary of the Oxford University
Press Music Department, this volume of 50
new carols complements the five previous
volumes, bringing new names and styles to
the series while providing a complete resource
for choirs from Advent to Epiphany. Featuring
newly commissioned carols and arrangements
of classic melodies, the collection show-
cases some of today's most exciting names
in choral composition. Many selections are
available separately.
11512314 SATB Choral Score Paperback 26.99
11512396 SATB Choral Score
Spiral Bound . . . . . . . . . . . . . . . 33.99
Come, Thou Long-Expected Jesus—arr.
Dan Forrest. This exhilarating festival setting of
HYFRYDOL will quickly become a favorite opening
for your Advent or Christmas worship! Rhythmic
accents, brilliant scoring, motivic development,
optional congregational involvement, an a cappella
middle stanza, and soaring descant will elevate
your worship service. Accompany with piano and/
or organ and optional brass and percussion. This
same musical setting is also available separately
with Wesley's Love Divine, All Loves Excelling text
(#11514064).
11514061 SATB . . . . . . . . . . . . . . . . . . . . . . 2.75
Coventry Carol—arr. B.E. Boykin. This gentle
arrangement of the well-known 15th-century
carol features a soprano or baritone soloist and
a melancholy atmosphere. From Carols for
Choirs 6.
11512318 SATTB. . . . . . . . . . . . . . . . . . . . . 3.65
11512317 SSAA. . . . . . . . . . . . . . . . . . . . . . 3.25
Coventry Carol—arr. Barnaby Smith. This
ancient carol of lament is beautifully arranged with
unison lines and subtle harmonies that perfectly
complement the spirit of the piece. Arranged for
the VOCES8 Scholars and APOLLO5, it remains
accessible in four parts throughout.
11515626 SATB . . . . . . . . . . . . . . . . . . . . . . 3.50
Cradle Song (Away in a Manger)—arr. Sean
Paul. This beautifully conceived a cappella
arrangement of Away in a Manger incorporates
vocal orchestration effects, providing singers with
innovative opportunities for fresh sounds and
luxurious harmonies. A small SA section followed
by a TB section provides nice contrast to the
otherwise homophonic texture. Not too difficult
but immensely rewarding, it is a great choice for
seasonal concerts or worship.
11513414 SATB . . . . . . . . . . . . . . . . . . . . . . 2.20
Gift of Winter—Clark William Lawlor. With
poignant melodic lines, this piece will bring warmth
and richness to any winter concert. With each
verse set to represent a different aspect of winter,
this carol celebrates the beauty of the "healing
snow," ponders the arrival of the "longest night,"
and anticipates the joy of the coming spring.
Intermediate to advanced choirs will appreciate
the sensitive part-writing and lush harmonies.
11539631 SATB divisi, or SSAATTBB . . . . 2.95
Gloria—David Conte. Written for full brass
ensemble, organ, soprano solo, and chorus, this
17-minute single-movement setting of the Gloria
explores a wide range of musical writing. The
result is an extended work that effectively reflects
the text, both with lyricism and with exultation.
A perfect choice for either Christmas or general
programming for more advanced choirs.
11538019 SATB divisi . . . . . . . . . . . . . . . . . . 3.95
11538020 Full Score Brass . . . . . . . . . . . . . 35.00
11538021 Instrumental Parts Brass . . . . . . 50.00
Gloria, Hodie!—Glenn A. Pickett. The 16th-
century carol Personent Hodie has never sounded
so thrilling! With an original text of peace and hope
along with brilliant harmonic colors and rhythmic
motifs, this six-minute single-movement work is an
exciting addition to the Christmas repertoire. It can
be performed with piano accompaniment alone;
however, three dynamic orchestrations for brass
quintet, chamber orchestra, or full orchestra are
also available for rental.
11564514 SATB . . . . . . . . . . . . . . . . . . . . . . 4.99
Go, Go Tell It—arr. Eurydice Osterman. This
piece is a gift of the season for a cappella voices.
Beginning with O Come, O Come, Emmanuel, it
transitions to Go, Tell It on the Mountain, which
continues as an ostinato accompaniment under
the soloist's "Amen." Then the soloist joins the
choir on Go, Tell It on the Mountain as rising
modulations create tension and excitement,
building to a rousing conclusion for concert
or worship.
11512166 SATB . . . . . . . . . . . . . . . . . . . . . . 2.20
The Great Clear Twilight—Austin Schend. This
work paints a picture of Sara Teasdale's Winter
Dusk landscape tied to the thoughts of one
solemnly reflecting on deep themes. A new and
different take on a winter concert piece with an
involved piano accompaniment that thoroughly
paints the scene.
11514260 SSAA. . . . . . . . . . . . . . . . . . . . . . 3.00
How Dark the Night—Greg Habegger/arr. Molly
Ijames. This arrangement of a relatively recent
Christmas hymn frames the nativity story in a
haunting narrative about the darkness of waiting
and the coming of Christ's light. Each stanza
explores different aspects and metaphors of the
darkness and light themes, vividly brought to life
by the musical text-painting of the setting. With
optional string orchestra and percussion.
11514062 SATB . . . . . . . . . . . . . . . . . . . . . . 2.50
I Too Shall Walk to Bethlehem—John Rutter.
Depicting a journey to the Bethlehem stable where
Jesus was born, this lilting original carol features
both the lower and upper voices separately
before joining together in glorious harmony. The
third verse is optionally a cappella. The carol is
accompanied with a flowing piano part or optional
orchestration.
11563790 SATB divisi . . . . . . . . . . . . . . . . . 4.00
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