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Shine, Little Light—David Massong. Combining
modern and traditional styles, this easily singable
a cappella piece is just lovely! The mix of calm,
sustained passages and driving rhythmic
components creates a radiant sound that
repeatedly expresses the core message to let your
light shine. While the choral parts are in English,
the soprano solo offers the option of German or
English text. A truly inspiring piece for mixed choirs!
11563111 SATB divisi or SSAATB . . . . . . . 3.70
Sing Ye to the Lord (from "Israel in Egypt"
HWV 54)—G.F. Handel/ed. Kenney Potter. An
excerpt from Handel's "Israel in Egypt," this
carefully edited edition is the perfect concert
opener or festival piece. Scored for double choir
and piano, this Baroque staple is made more
accessible to choristers and accompanists alike.
11537991 SATB/SATB Double Choir or
SSAATTBB . . . . . . . . . . . . . . . . . . . . . . . . . . 3.20
Sing You Home—Mark Murphy & Maureen
Ennis with Dan Forrest & Jamie Hillman. This
tender melody is supported by a simple piano
accompaniment and well-crafted choral lines in
an original concert work that helps to process
the emotions associated with grief. The warm,
comforting selection works as a memorial or as a
general concert selection, singing: "I'll sing for you
because I need to, right now this is all I know; I'll
sing so we will not forget you, I will sing you home."
11539970 SATB divisi . . . . . . . . . . . . . . . . . 2.75
Singing, Bring Me—Ryan Main. A joy-filled
journey through the many gifts that singing
brings us! Memorable lines and contemporary
harmonies are backed by energetic percussion
for shaker, tambourine, and cajon. Easy to learn
and satisfying to perform, this a cappella original
is a perfect vehicle to help your choir start moving
and expressing on stage.
11539424 SSA or SSAA, with Percussion . 2.95
11539425 TTB or TTBB, with Percussion. . 2.95
Sol ecce surgit igneus—Marek Raczynski. The
secular Latin text paints a picture of the rising
sun and its related imagery of hope. Lovely and
uplifting, the text is set with excellence in this
sonorous a cappella work for advanced choirs.
11537020 SSATBB . . . . . . . . . . . . . . . . . . . 2.90
Soon We Will Be Done—arr. Kyle Pederson.
Building on the original text, this adaptation of
the classic spiritual invites the listener to envision
and commit to a better, more just world - a world
of inclusion, radical kindness, compassion, love,
and grace - a world where we have the courage
to champion the inherent dignity and value of all
people, a world where we will be done with all the
ways we deny a person's worth. Spoken word is
incorporated throughout, heightening the intensity of
the performance, and giving a sense of immediacy
to the challenge for the choir and audience to work
together for justice, equity, and wholeness.
11538077 TBB or TTBB. . . . . . . . . . . . . . . . 3.15
Take This Gift—Tracy Wong. Very fun to sing,
this optimistic piece is characterized by catchy,
singable melodies and a syncopated rhythmic
drive in the vocal and piano writing. The text
celebrates the lifelong relationships created and
nurtured within the choral community.
11536304 SSA . . . . . . . . . . . . . . . . . . . . . . . 4.00
There Was a Time—Elaine Hagenberg. William
Wordsworth's reflection of a time gone by
acknowledges past heartaches while creating
a dream world where beautiful memories reign.
As the vocal lines rise and fall to trace a distant
rainbow, an ethereal piano accompaniment adds
its own voice glistening above. Then together
they soar to new heights to "find strength in what
remains behind." Absolutely stunning!
11539415 SSAA. . . . . . . . . . . . . . . . . . . . . . 2.85
This Is My Song (A Song of Peace)—arr. Lloyd
Larson. These beautiful lyrics set to
FINLANDIA
are offered here in this stirring new arrangement.
Serving as both a prayer for world peace and an
offering of thanksgiving for our own country, this
anthem will find a place in many services. The
noble character of the music is reinforced by the
addition of optional brass and percussion.
11538401 SATB . . . . . . . . . . . . . . . . . . . . . . 2.95
Ubi Caritas—Jonathan Reid. Tenor-bass and
treble choirs of all ages will relish singing these
gorgeous harmonies with the traditional Latin
text. With the option to sing a cappella or with a
supportive piano accompaniment, the conservative
ranges and succinct and lyrical setting make this
easy to learn and highly successful to perform.
Simple, elegant, and beautiful.
11559603 SSA w/ opt. Piano Accomp. . . . . 2.15
Veni Sancte Spiritus—Sarah Quartel. A tranquil
setting of passages from a 13th-century sacred
Latin text and its English translation. The voices
are underpinned by a supportive accompaniment
that is suitable for organ or piano.
11536284 SSA w/Organ . . . . . . . . . . . . . . . 3.25
Wait With Me—Coleman Peterson. With glorious
suspensions and modern parallel a cappella
movement, this original piece explores the
promises we can make to the people we love to
wait with them through the difficult seasons of life.
With powerful pop-like harmonies and vocal lines,
this expressive ballad allows for poignant and
emotive singing and musical sensitivity.
11535655 TTBB . . . . . . . . . . . . . . . . . . . . . . 2.50
Wayfaring Stranger—arr. Craig Courtney.
This haunting and soulful treatment of the
well-known American folk melody includes
instrumental echoes of the spiritual Sometimes I
Feel Like a Motherless Child which adds further
depth of expression. The choral writing is refined
yet simple.
11539984 SATB . . . . . . . . . . . . . . . . . . . . . . 2.75
We Belong—Karen Marrolli. Featuring soprano
and tenor soloists, congas, and shaker, this
energetic piece speaks about peace, unity, and
the duty we have to show empathy and support
to one another. With a world-music feel, this piece
extends a message far greater than words that all
of humanity is interconnected.
11538004 SATB . . . . . . . . . . . . . . . . . . . . . . 2.85
What Was I Made For? (from "Barbie")—arr.
Jennifer Lucy Cook. Billie Eilish's emotional ballad
from the hit movie "Barbie" is given a concert
setting in this beautiful, introspective arrangement.
Rich harmonies are paired with diverse textures in
an exploration of identity and life's purpose.
11539765 SATB . . . . . . . . . . . . . . . . . . . . . . 2.75
11539766 SSA . . . . . . . . . . . . . . . . . . . . . . . 2.75
11539767 TTB . . . . . . . . . . . . . . . . . . . . . . . 2.75
Where Quiet Plays Alone—Craig Mason.
"Where Quiet plays alone, sits and dreams,
falls asleep." Sara Teasdale's poem shimmers
in this plaintive a cappella setting for mixed
choirs that artistically conveys the text and its
personification of "Quiet."
11540969 SATB divisi . . . . . . . . . . . . . . . . . 3.25
Who We Are—Jocelyn Hagen. A thoughtful
setting of Freya Manfred's text Who We Are
When We Don't Know Who We Are, this through-
composed piece effectively uses open spaces
and silence to contrast thicker choral textures
to match the lyrics. Glistening moments of
dissonance grow to a unique climax and then end
reflectively and calmly.
11525384 SATB . . . . . . . . . . . . . . . . . . . . . . 3.25
Wild Mountain Thyme—arr. Jacob Narverud.
"And we'll all go together ... to pluck wild mountain
thyme, all around the bloomin' heather..." The
gently lilting strains of this traditional Scottish ballad
are beautifully set in this arrangement. Lush choral
harmonies and well-placed unison lines are carried
along by the supportive piano accompaniment.
11561098 SSAB. . . . . . . . . . . . . . . . . . . . . . 2.75
Wise Words—Blake Henson. Inspired by the
words of Fred Rogers, this original concert
work encourages us to speak words of truth
and wisdom to each other. Simple melodic
phrases and uncomplicated harmonies highlight
the text and allow plenty of space for musical
expression. The violin obbligato adds a nice
touch; the part is available as a free download
from the publisher's website.
11535644 SATB divisi . . . . . . . . . . . . . . . . . 2.70
Words on My Heart—Mark Patterson. "These
words need a voice, and so I must sing!"
Challenge tenor-bass choirs with a sensitive
text about finding the courage to express their
thoughts and feelings about the world. Lyric vocal
lines, shifts in tonality, and a lilting melody make
this concert selection shine.
11559662 TTB . . . . . . . . . . . . . . . . . . . . . . . 2.15
Ye Banks and Braes—arr. John Leavitt. A classic
Robert Burns text combines with an old Scottish
tune in this accessible a cappella offering for
tenor-bass choirs. With a gentle lilt, crisp diction,
and traditional harmonies, this arrangement
is a great choice to display lyricism and tone in
concerts and festivals.
11544926 TTB . . . . . . . . . . . . . . . . . . . . . . . 2.35
Yonder Come Day—arr. Adam Podd & Matt
Podd. With options for bass, percussion,
body percussion, and a cappella singing, this
arrangement of the traditional spiritual from the
Georgia Sea Islands is easy to learn and an
absolute joy to sing. This rootsy rendition brings
a captivating, rhythmic essence that intertwines
rich vocal harmonies, layered counterpoint, and
an exciting call-and-response texture.
11545132 SATB opt. A Cappella. . . . . . . . . 2.50
11545143 SAB opt. A Cappella. . . . . . . . . . 2.50
11545135 TTB opt. A Cappella . . . . . . . . . . 2.50
11539418 TTBB opt. A Cappella. . . . . . . . . 2.50
You Are Light—Mark Burrows. With a lightly
syncopated contemporary sound, this uplifting
original expresses the need for a warm and
welcoming community for all. Perform with piano
alone or with the addition of an optional djembe.
Rich with opportunities for social-emotional learning.
11539410 SATB . . . . . . . . . . . . . . . . . . . . . . 2.40
11539411 SAB . . . . . . . . . . . . . . . . . . . . . . . 2.40
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New Large Print Edition A Cappella Available via ePrint All Prices in U.S. Dollars & Subject To Publisher Revision
CONCERT WORKS
ADULT
COMMUNITY
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